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197652748BASTEI-LÜBBE 1976. 1. softcover. Kojak Maloftege! BASTEI-LÜBBE paperback
197552743BASTEI-LÜBBE 1975. 1. softcover. Kojak BASTEI-LÜBBE paperback
1944177450New York: no publisher 1944. A significantly different text to the published version Rehearsal script of the author's first Broadway play signed by the author on the title page. This copy is extensively annotated by Eugenia Rawls who created the role of Hester Falk. The script is significantly different from that first published in Cross-Section: A Collection of New American Writing in 1944. The play was the author's second major play following No Villain and was first presented on Broadway on 23 November 1944. There were only four performances and the failure of the play led Miller to question whether he could write for the theatre. The work would not be revived until 1990 with a Bristol Old Vic production that transferred to the Young Vic in London. Subsequently it has enjoyed a number of similarly successful productions. Eugenia Rawls 1913-2000 made her Broadway debut in 1934 and achieved recognition when she played opposite Tallulah Bankhead in Lillian Hellman's play The Little Foxes in 1939. She was regularly seen on US television and she would publish a book on Bankhead in 1979. Rawls has marked the text of this script with numerous additions deletions and corrections. There are 10 leaves on which she has added text on the hitherto blank verso. The final blank leaf features a rough drawing of a woman. The front wrapper is signed with Rawls's surname. The volume comprises a title page listing of cast annotated with names of the actors 1 leaf a listing of scenes 1 leaf a divisional title 1 leaf text of Act 1 50 leaves a divisional title 1 leaf text of Act 2 37 leaves a divisional title 1 leaf text of Act 3 43 leaves and a final blank leaf. Folio. Carbon typescript 137 leaves 274 x 212 mm printed on rectos only pagination includes "1-1-8-A". Original grey wrappers front wrapper with "Anne Meyerson Author's Manuscript Typing Service" label. Housed in a custom grey cloth folding box. Wrappers worn with loss and tears numerous leaves with creases and tears c. 16 leaves with adhesive tape repairs: a good copy. hardcover
23033Original Manuscript. 1953-1956. Six autograph letters signed two autograph postcards signed three typed letters signed one typed poem with emendations; one typed letter signed from Eve Miller; one telegram from Henry Miller to Rothenborg with notes by the recipient. "Please do not think that I am unappreciative of all you are doing for me. I know you have done much more than merely translate my work. Things move slowly in your part of the world and to rouse the Danes and the Dutch and the Norwegians to say nothing of the Swedes to fever pitch about my work is a task I envy no man. To make haste slowly seems like a wise adage" Letter June 15th 1955 "To answer your question "stink-finger" means to put your fingers in a woman's vagina hence the "stink". PS are you sure you have no other questions to put me regarding the translation I am at your service." Letter April 4th 1953 A previously unpublished series of letters and postcards including a telegram and a draft of a comic poem from the novelist Henry Miller 1891-1980 to his Danish translator Jørgen Rothenborg. The letters provide a fascinating insight into the many obstacles Miller encountered in publishing his novels: practical problems of transatlantic multilingual communication and the perennial problem of censorship. They show the author's care regarding fine details of publication even in a language he couldn't read and the sane patient attitude to the continued international suppression of his novels. For much of his writing life Miller was better known for the alleged obscenity of his novels than for the writing itself. He was in his forties before Tropic of Cancer his first and still most famous novel appeared in 1934 having failed to find a publisher for the earlier Crazy Cock eventually published in 1991. The novel funded by the young Anaïs Nin was singled out for praise by T. S. Eliot "a. magnificent piece of work" Ezra Pound who mentioned it in the same breath as Ulysses Beckett "a momentous event in the history of modern writing" to name just three of its illustrious admirers. Critical acclaim though however gratifying wouldn't pay the bills. Although the series of trials initiated by Barney Rosset's 1961 Grove Press publication of Cancer would soon lead to Miller's novels becoming widely available in the 1950s when these letters to his Danish translator were written Miller was seemingly resigned to the continued suppression of his works. The correspondence begins with a telegram on the pink Danske Statstelegraf card instructing Rothenborg to contact Miller via his agent Dr. Hofmann in Paris. This will become a familiar refrain the busy novelist trying always courteously to steer his enthusiastic correspondent into a more formal professional relationship. The verso of the card includes a pencilled enquiry in Rothenborg's hand asking the author if he will sign 750 frontispieces for a forthcoming limited edition of the translation of Tropic of Cancer underneath which Miller has written "telegramme reçu: / Un peu perplexe = Henry Miller; and later "letter suitant le 6 avril 1953". The earliest letter here Paris 5th March 1953 though the cancellation of the envelope gives 4th April suggesting it to be the letter referred to on the verso of the telegram in the author's loose but always legible hand strikes the tone of mild though courteous impatience that will characterise the correspondence. Miller is "not sure whether you meant for me to come to Copenhagen he cannot afford to pay for a flight to Copenhagen himself "until I touch more French royalties" to sign the pages or whether you wished to send them to me here in Paris". The latter will involve wasting valuable time queueing at the customs office "I loathe going to the Douane to get packages have wasted hours there already. And no matter what I receive it arrives in a damaged condition". He requests information about the accuracy of the translation and regarding the proposed illustrations asking for photos "Excuse my bluntness but it is quite important to me". The next letter continues the saga of the frontispiece pages Miller now suggesting they be sent to Brussels where he will be stationed for a week in April. This clearly didn't happen but the next message in the form of a postcard showing a nice touch James Ensor's "L'Entrée du Christ à Bruxelles" is from Bruges and apologises in French for having forgotten to do something when in Brussels. By November 20th when the correspondence resumes Miller is back in Big Sur California his home since 1944 and back with his typewriter. Rothenborg it seems has asked Miller to travel to a California studio to make a recording. "You simply have no idea how great an undertaking it would be for me to gather up my wife and children and make for a studio . It is physically impossible. Knud Merrild the artist and friend of both correspondents may give you some idea of what it is like to live in this isolated spotwith two children aged 5 and 8!" the two children were from his marriage to Janina Martha Lepska; by this time he was married to Eve McClure. Keen to show his gratitude to Rothenborg and his "Danish compatriots so eager to be of service to me" "I regard your motives as perfectly pureunquestionably" he is equally keen to keep things in perspective "If I may say so without wounding you I think perhaps you are exaggerating the importance of this event: the publication of Cancer in Danish". The letter includes a measured and sane statement of his attitude to the continued suppression of his work: "My frank opinion is that my banned books will never be free to circulate in this country or England. Meanwhile however these books are gradually being translated and published in other countries of the world. Whether Denmark follows suit depends upon the Danish public. The law however absurd or unjust does in great measure respond to the needs or desiresor prejudices if you likeof the people who make them. To butt one's head against a stone wall is futile". Steering Rothenborg towards his existing statements on such matters "particularly The World of Sex and "Obscenity and the Law of Reflection" he confesses to being "a bit weary of defending my position". Even so Miller by now has clearly warmed to Rothenborg: "I would venture to add as a final word my dear friend that if my book has been an aid and an inspiration to you just you alone that is a great dealperhaps enough". By August of 1954 Big Sur handwritten Miller has three copies of the Danish Cancer "please accept my thanks. I like the format. Wish I knew Danish!" asking a number of questions is it limited where is the date printed which is the name of the publisher and which the printer and as if this was inevitable if "you have had had any trouble yet with the authorities" In May 1955 mentioning the recent suppression of Sexus in Japan Miller adds "I think you would have still more trouble in Denmark. Think it over!"; and in June broaching the matter of Sexus again he advises Rothenborg to "think twiceor three timesbefore spending your energies on the translation . If the two most liberal countries in the world liberal with regard to matters of sex at any rate have suppressed this book what chance have you with the Danes". He would have more chance with either Plexus "one of the books I like best of all I have written" his book on Rimbaud or The Colossus of Maroussi "which the Danes would probably like" a book as Miller's biographer Jay Martin notes "wholly without sex a celebration of the grace and wisdom of the Greek spirit". In June Miller's wife Eve writes to Rothenborg on her husband's behalf "He is hard at work on a new book Big Sur and the Oranges of Hieronymous Bosch and I will attempt to take over what I can of the correspondence". Eve like Miller is keen to persuade the avid translator to deal with Dr. Hoffman "Mr. Miller approves fully of everything that Dr. Hoffman does in his behalf". Within a week however Henry is writing again and again advising him to deal with Hoffman "Whatever difficulties you may be encountering can be straightened out if you simply speak frankly and honestly with himand trust him". Among the letters is a draft of an unpublished piece of comic verse typed in red ink and with corrections and additions in Miller's hand. It is unclear whether it is a single page from a longer work and what connection if any it has to Rothenborg. The poem in three quatrains each ending with the refrain "That's my stepson to you" and a couple of stray couplets ends with the lines "I've hunted up I've hunted down to start a family / I got one wife a second too and now a number three". By the time of these letters though Miller was already on wife number four with another to follow and he didn't have a stepson. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Original Manuscript. 1953-1956 unknown
199550024BASTEI-LÜBBE 05/1995-11/97. 1. hardcover. Myst Deutsche Erstveröffentlichung! Mapo! BASTEI-LÜBBE hardcover
198614143HEYNE WILHELM 1986. 1. softcover. Leibowitz Sonderausgabe! HEYNE, WILHELM paperback
19492511217Viking Press 1949. first. hardcover. fine/near fine. INSCRIBED first edition with "Published by The Viking Press Inc in March 1949" stated on copyright page. Comes with provenance from seller of book to Bookbid. Book fine very light tanning to cover egdes top edge tint fully intact. Dust jacket near fine very slight rubbing to some areas of edges flap price $2.50. Housed in slipcase. Viking Press unknown
2013Atlantic-9780123749840Acad Pr 2013. 2nd Ed. Hardcover. New. Acad Pr hardcover
2013Atlantic-9780123749840Acad Pr 2013. 2nd Ed. Hardcover. New. Acad Pr hardcover
1953146122New York: The Viking Press 1953. First edition of this central work in the canon of American drama. Octavo original half cloth. Boldly signed by Arthur Miller on the title page. Near fine in a near fine dust jacket with some expert restoration. Jacket photograph by Gjon Mili. Housed in a custom clamshell box. Uncommon signed. The Crucible has been adapted for film television and opera. French philosopher Jean-Paul Sartre adapted it as the 1958 film Les Sorcières de Salem and later Miller himself adapted the play as the 1996 film The Crucible. The latter including in its cast Paul Scofield Daniel Day-Lewis and Winona Ryder and it earned Miller his only nomination for an Academy Award for Best Screenplay. On television the play has aired in 1968 and 2006. Finally the play was adapted by composer Robert Ward into an opera in 1961 for which it received the Pulitzer Prize. The Viking Press hardcover
1953140947149New York: The Viking Press 1953. First Edition. Very Good/Very Good. First edition first printing. Signed by Arthur Miller on the title page. Bound in publisher's pin-stripe paper boards over grey cloth backstrip with spine lettered in red. Very Good with light wear to crown toning at edges and light marking to text on 5 pp. In a Very Good unclipped dust jacket with fading to spine chipping to spine ends and top edges and light toning to covers and flaps. Miller's blockbuster drama centered on the Salem Witch Trials. The screenplay won him the 1953 Tony Award and was later adapted Academy Award Winning 1996 film starring Winona Ryder and Daniel Day Lewis. The Viking Press unknown
19408000213Chicago: J.H.N. John Henry Nash 1940. This is the scarce limited edition of the first edition of this early work by Miller limited to 250 copies in the first edition. The thing that makes this book so interesting is that besides being inscribed and signed by Miller to the NYC literary agent Henry Volkening there is a whole page of Errata notes 10 total in the author's neat hand. It is signed and dated 11/16/41. My thought is that Volkening was a go-between to the editor for the later NYC printing of the book -- and this is Miller's notes to him prior to that publication. A one-of-a-kind Miller signed collectable. Inscribed and Signed By Author. First Edition. Hard Cover. Fine/VG. J.H.N. (John Henry Nash) Hardcover
1810770L9London: R Miller 1810. First edition. Fine Binding. Very Good Indeed. 6" by 3.5". R Miller. A finely bound copy of this scarce miniature atlas produced by R. Miller. Notable for its inclusion of a map for every county. The first edition of this work. Undated dated from Chubb CCCXL. With all 56 engraved maps. This copy has been bound without the 'Catalogue of Books & Fancy Articles' usually found to the rear.A wonderful copy of this pocket-atlas in a superb full morocco binding. In a recent full morocco binding. Externally excellent with minor shelfwear. Internally firmly bound. Pages are generally bright. Occasional handling marks. Former owner has crudely outlined the maps in colour. Very Good Indeed R Miller unknown
LCS-1864082
ABAA-75TH-VBF-48<p>A Bruxelles chez Benoit le Francq Imprimeur-libraire ; rue de la Magdelaine 1786-1789.</p><p>8 volumes 8vo with : I/ 1 engraved frontispiece L pp. 1 l. 543 pp. 8 numbered plates ; II/ 2 ll. 697 pp. 3 pp. ; III/ 2 ll. 597 pp. 2 plates ; IV/ 2 ll. 574 pp. ; V/ 2 ll. 592 pp. 2 plates; VI/ 533 pp. 8 plates ; VII/ 2 ll. 544 pp. 2 plates ; VIII/ 2 ll. 244 pp. 86 pp. 184 pp. 3 plates out of text.</p><p>Full marbled light-brown roan flat spine painted in black mottled edges orange morocco lettering pieces.<em> Contemporary binding.</em></p><p>214 x 125 mm.</p><p><strong>Rare Brussels edition with an allegorical frontispiece and 25 plates out of text.</strong></p><p><strong>The copy is printed on fine paper.</strong></p><p>The author of the main work Philippe Miller 1691-1771 a celebrated English gardener whose intelligence and erudition merit him a place among the botanists of the 18th century was born in 1691. In 1722 he succeeded his father as superintendent of the apothecary's garden in Chelsea and under his direction this rich establishment soon became the most magnificent in Europe for foreign plants. It was under his care that a large number of exotic plants were successfully acclimatized in England; and his numerous and multiplied relations with the most famous botanists either in Europe or in the Indies contributed mightily to the spread of botanical discoveries. He first made a name for himself with a few memoirs inserted in the Transactions philosophiques; but his <em>Dictionnaires des jardiniers</em> published in 1731 often reprinted and always with considerable additions set the seal on his reputation. Linné said that this book would be the dictionary of botanists rather than that of gardeners. The author had the unusual good fortune to publish the eighth edition thirty-seven years later. In the earlier editions he had followed only the methods of Ray and Tournefort; but in the 1768 edition he employed the principles and nomenclature of Linné of whom he eventually became one of the most zealous admirers. He was no less grateful for the lessons he had received from Ray his first teacher; and in his later years he prided himself on having remained the only botanist who could boast of having seen this great naturalist and he never quoted him without showing visible emotion on his face. Miller was a member of the Royal Society of London the Botanical Society of Florence etc.; he died in Chelsea on December 18 1771.</p><p>The eighth volume contains in addition to the important chapter on wine illustrated with 3 plates presses detailed catalogs of tree names French Latin and English and a calendar covering the work to be carried out during the year.</p><p>Laurent-Marie de Chazelles translated Miller's dictionary and added many unknown plants.</p><p>FR</p><p>A Bruxelles chez Benoit le Francq Imprimeur-libraire ; rue de la Magdelaine 1786-1789.</p><p>8 volumes in-8 de : I/ 1 frontispice gravé L pp. 1 f. 543 pp. 8 planches numérotés hors-texte ; II/ 2 ff. 697 pp. 3 pp. ; III/ 2 ff. 597 pp. 2 planches ; IV/ 2 ff. 574 pp. ; V/ 2 ff. 592 pp. 2 planches ; VI/ 533 pp. 8 planches ; VII/ 2 ff. 544 pp. 2 planches ; VIII/ 2 ff. 244 pp. 86 pp. 184 pp. 3 planches hors texte.</p><p>Pleine basane havane marbrée dos lisse peint en noir filet or sur les coupes tranches mouchetées pièces de titre et tomaison en maroquin orange. <em>Reliure de l'époque.</em></p><p>214 x 125 mm.</p><p><strong>Rare édition bruxelloise ornée d'un frontispice allégorique et de 25 planches hors texte.</strong></p><p><strong>L'exemplaire est imprimé sur beau papier.</strong></p><p>L'auteur de l'œuvre principale Philippe Miller 1691-1771 célèbre jardinier anglais qui par son intelligence et son érudition mérite de prendre place parmi les botanistes du XVIIIè siècle naquit en 1691. Il succéda en 1722 à son père dans la place de surintendant du jardin de la compagnie des apothicaires à Chelsea et sous sa direction ce riche établissement ne tarda pas à devenir le plus magnifique de l'Europe pour les plantes étrangères. C'est par ses soins qu'un grand nombre de plantes exotiques ont été acclimatées avec succès en Angleterre ; et ses relations nombreuses et multipliées avec les plus célèbres botanistes soit en Europe soit dans les indes ont puissamment contribué à répandre les découvertes botaniques. Il se fit d'abord connaître par quelques mémoires insérés dans les Transactions philosophiques ; mais son <em>Dictionnaires des jardiniers</em> publié en 1731 souvent réimprimé et toujours avec des augmentations considérables mit le sceau à sa réputation. Linné disait que ce livre serait le dictionnaire des botanistes plutôt que celui des jardiniers. L'auteur eut le bonheur peu commun d'en donner trente-sept ans après la huitième édition. Dans les premières il n'avait suivi que les méthodes de Ray et de Tournefort ; mais dans l'édition de 1768 il employa les principes et la nomenclature de Linné dont il finit par devenir un des plus zélés admirateurs. Il ne conservait pas moins de reconnaissance des leçons qu'il avait reçues de Ray son premier maître ; et dans ses dernières années il se faisait honneur d'être resté le seul botaniste qui pût se vanter d'avoir vu ce grand naturaliste et il ne le citait jamais sans montrer une émotion visible sur sa physionomie. Miller était membre de la société royale de Londres de la société botaniques de Florence etc. ; il mourut à Chelsea le 18 décembre 1771.</p><p>Le huitième volume contient outre l'important chapitre sur le vin illustré de 3 planches pressoirs des catalogues détaillés des noms des arbres français latin et anglais ainsi qu'un calendrier couvrant les travaux à effectuer pendant l'année.</p><p>Laurent-Marie de Chazelles traduisit le dictionnaire de Miller et ajouta beaucoup de plantes inconnues.</p> hardcover
183319112Freiburg i. Breisgau, Herder, 1833. 2 Bde. in einem und Atlasband. VIII, X, (2), 104 SS. (4), XII, 206, (2) SS. Zeitgenössischer roter Maroquinband mit reicher Rücken- und Deckenvergoldung, Rückentitel, Steh- und Innenkantenvergoldung sowie dreiseitigem Goldschnitt. 4to. 32 teils gefaltete bzw. kolorierte, lith. Karten und Pläne sowie lithographischer Titel lose in zeitgenössischer, roter Halbmaroquinmappe mit Deckenvergoldung und -titel. Folio.
1949190494New York: The Viking Press 1949. Well dear life is a casting off. It's always that way First edition first printing signed by the author on the title page. Miller's classic play won multiple Tony Awards the Pulitzer Prize and the New York Drama Circle Critics' Award. It was published in March shortly after the Broadway premier at the Morosco Theatre on 10 February 1949. After the original production closed on 18 November 1950 the play was adapted for film in 1951. Octavo. Original orange cloth spine lettered in black pictorial design on front cover in black illustrated endpapers top edge brown. With supplied dust jacket. Housed in a custom brown quarter morocco folding box. Ownership inscription on first blank sometime neatly obscured. Spine faded soiling in crevice of front joint faint splash mark on rear cover clean internally knock leaving small closed tear to head of p. 55/6; jacket unclipped spine sunned a few nicks almost imperceptible splash mark at lower rear panel bright overall: a very good copy in like jacket. hardcover
1939185866Paris: The Obelisk Press 1939. A presentation copy First edition presentation copy inscribed by the author on the title page "To Ed and Colette with Xmas greetings Henry 5/27/1939". This copy of the controversial prequel to Tropic of Cancer is from the first issue with the price of 60 francs printed on the spine and the errata slip tipped onto the title page. The recipients were the American engineer Edward Roberts and his wife Colette Roberts. They later divorced and Colette moved to New York City during the Second World War where she quickly became an influential art gallery director. She organized Franco-American cultural exchanges became the director of the National Association of Women Artists and played an important role in championing lesser-known artists including Louise Nevelson. Publication of Tropic of Capricorn initially scheduled for February 1939 was delayed until 10 May 1939 "as a result of which few copies were sold before the beginning of the war the death of Kahane and the shutting down of the Obelisk Press" Pearson. It was banned in America until the 1961 trial that saw Tropic of Cancer declared non-obscene. This watershed moment in 20th-century publishing helped usher in in the liberal social attitudes of the Sixties. Octavo. Original white and red wrappers with flaps spine and front cover lettered in black rear cover with publisher's imprint in black edges uncut. Creased spine stabilized ends worn edges creased and nicked a few spots to rear wrapper and endpaper damp stain to inscription with offsetting to facing page: a notably bright copy in very good condition. Pearson A60; Porter p. 12. unknown
185421113New York: George P. Putnam and Co 1854. First edition. Hardcover. Very good plus. 8vo. Original publisher's maroon marbled cloth upper cover with elaborate blocked design in gilt and blind with large central sunken lozenge blocked with a gilt vignette of the "southern mocking bird" signed "Tompson" in reverse derived from the plate facing p. 66. Illustrated with chromolithographed plates drawn on stone by Max Rosenthal printed by L.N. Rosenthal of Philadelphia after Mrs. Webber 15 or Miller 5. The binding has been expertly and nearly invisibly rebacked indeed we had to use magnification to confirm the reback with the inner hinges strengthened. Some tissue guards are torn and there is occasional light spotting on the plates an offset from the guards. Miller's contribution consists of five views of Indian life four of which according to the author are of "scenes in the camp of the Delawares" although they are almost certainly based on the artist's sketches of the Snake Indians a sub-group of the Shoshone. The five prints in the present work were drawn on stone by Max Rosenthal. Two of them include images of bare-breasted Indian maidens which were later withdrawn and reissued with the women fully clothed. The prints are titled: 1. Indian Caressing His Horse; 2. Encampment of Indians; 3. Toilet of the Indian Girls; 4. Antelope Chase; 5. Indian Girl Swinging. The remaining prints in the present work are from drawings of birds 13 and flowers 2 by the wife of the author Bennett p.111; Reese 28; Ripley p.307; Tyler Prints of the American West pp.64-5; Zimmer p.667. Rare in this unrecorded deluxe binding. And with a presentation inscription signed in 1855 by R. McNeill whom we believe was affiliated with Putnam's. George P. Putnam and Co hardcover books
19491804012The Viking Press 1949. 1st Edition. Hardcover. Fine/Near Fine. Fine first edition "Published . in March 1949" on copyright page and 1949 on title page. In near fine dust jacket with light browning on spine and edges. Original price $2.50 on front flap. Housed in custom slipcase. The Viking Press hardcover books
185421113New York: George P. Putnam and Co 1854. First edition. Hardcover. Very good plus. 8vo. Original publisher's maroon marbled cloth upper cover with elaborate blocked design in gilt and blind with large central sunken lozenge blocked with a gilt vignette of the "southern mocking bird" signed "Tompson" in reverse derived from the plate facing p. 66. <br /> <p><br /> Illustrated with chromolithographed plates drawn on stone by Max Rosenthal printed by L.N. Rosenthal of Philadelphia after Mrs. Webber 15 or Miller 5. The binding has been expertly and nearly invisibly rebacked indeed we had to use magnification to confirm the reback with the inner hinges strengthened. Some tissue guards are torn and there is occasional light spotting on the plates an offset from the guards. <br /> <p><br /> Miller's contribution consists of five views of Indian life four of which according to the author are of "scenes in the camp of the Delawares" although they are almost certainly based on the artist's sketches of the Snake Indians a sub-group of the Shoshone. The five prints in the present work were drawn on stone by Max Rosenthal. Two of them include images of bare-breasted Indian maidens which were later withdrawn and reissued with the women fully clothed. The prints are titled: 1. Indian Caressing His Horse; 2. Encampment of Indians; 3. Toilet of the Indian Girls; 4. Antelope Chase; 5. Indian Girl Swinging. <br /> <p><br /> The remaining prints in the present work are from drawings of birds 13 and flowers 2 by the wife of the author<br /> <p><br /> Bennett p.111; Reese 28; Ripley p.307; Tyler Prints of the American West pp.64-5; Zimmer p.667. Rare in this unrecorded deluxe binding. And with a presentation inscription signed in 1855 by R. McNeill whom we believe was affiliated with Putnam's.<br /> <p>. George P. Putnam and Co hardcover
1949140944190New York: The Viking Press 1949. First Edition. Near Fine/Near Fine. First edition first issue dust jacket with "S" touching man's elbow. Signed by Arthur Miller on the title page. Bound in publisher's orange cloth stamped in brown. Near Fine with slight cigar smoke odor spine cloth slightly faded pages toned and small abrasion to first blank sheet in a Near Fine unclipped $2.50 dust jacket with with toning and trivial edge wear light pencil mark to front flap at price. An attractive signed copy of the multiple award-winning classic play. The Viking Press unknown
19491804012The Viking Press 1949. 1st Edition. Hardcover. Fine/Near Fine. Fine first edition "Published . in March 1949" on copyright page and 1949 on title page. In near fine dust jacket with light browning on spine and edges. Original price $2.50 on front flap. Housed in custom slipcase. The Viking Press hardcover
1945779311945. 24 x 18 inch watercolor. Pinholes to three corners else very near fine. Dated 12/46 and SIGNED by Miller on the shoulder of the figure. Reproduced as plate #2 in John Kidis’ unauthorized 1950 edition of Miller’s THE WATERS REGLITTERIZED. From the collection of Wormwood Review editor Marvin Malone with several supporting letters from the bookseller who sold this work to him in 1961. unknown
194317<p>New York: Mutual Music Society 1943. Book. Good. Hardcover. Signed by Authors. First Edition. 4to - over 9¾" - 12" tall. Hard cover red cloth boards with bright gilt lettering on front and on spine. Front cover board and spine suffer from discoloration and fading Good . Not stated but assumed first edition first printing. Very little rubbing on edges and mild bumping on top and bottom of spine. Binding tight with a very little give. Pages ever so slightly yellowed but clean. 116 pages. SIGNED BY AUTHOR on free front page "SINCERELY GLENN MILLER" in black fountain pen. Stamp on upper right hand corner of ffp "Property of Jan Grover and his Orchestra" a Canadian bandleader of the era. INCLUDED ARE much sought after 2 MUSICAL SCORE loosely inserted in book: "I'M THRILLED" with stamp "Best Music Company" and "SONG OF THE VOLGA BOATMEN". Both scores are in extremely good condition with some yellowing. B&W photographs and many musical arrangements. No dust jacket as issued. Book issued one year before his untimely death. COMPLETE - making this a very desirable and rare collector's gem.</p> Mutual Music Society hardcover