Collectif ; VOGEL, Lucien ; LEPAPE, Georges ; FABIUS ; GOSE, Javier ; BOUTET DE MONVEL, B. ; BARBIER, George ; STRIMPL, L.Livre Rare Book
10 612 résultats
1914615401 vol. in-8 en feuillets sous chemise, Librairie Centrale des Beaux-Arts, Paris, s.d. [ 1914 ], IV pp. (publicités), 1 f. (avis au lecteur), 39 pp. avec 10 planches hors texte en couleurs
1914615411 vol. in-8 en feuillets sous chemise, Librairie Centrale des Beaux-Arts, Paris, s.d. [ 1914 ], IV pp. (sommaire et publicités), 1 f. (avis au lecteur), pp. 41-70 avec 10 planches hors texte en couleurs
1929147285Henry Babou éditeur Paris, Henry Babou éditeur, 1929. In-8 carré broché, couverture bleue à rabats, 52 pages. Illustré de 18 dessins en noir et en couleurs dans le texte et de 11 planches hors-texte, dont 7 en couleurs. Dixième volume de la collection Les artistes du livre, publié sous la direction de Marcel Valotaire. Etude critique de Jean-Louis Vaudoyer, précédée d'une lettre préface en vers par Henri de Régnier, portrait par Charles Martin. Tirage à 700 exemplaires, celui-ci n°494 sur vélin blanc des papèteries Johannot.
192139602Paris: Meynial 1921. First edition. Hardcover. g to vg. 12mo. 4 137 1pp. Original illustrated dust-jacket over decorative silk cloth. All edges gilt. Decorative endpapers. Hand-colored illustration on title page. Illustrated headpieces and decorative tailpieces. Book housed in its original illustrated cardboard slipcase. Published by Jules Meynial between 1916 and 1921 "La Guirlande des Mois" was a delightful five-issue series of almanacs embellished with striking in-text drawings and pochoir plates by George Barbier. Filled with calendars poems articles and fiction by noted cultural figures of the period they evoke a privileged world of elegant splendor. Illustrated with five in-text drawings and six splendid pochoir plates by George Barbier this fifth and last issue of "La Guirlande des Mois" contains a poem by René Boylesve Vers l'Absente and four short stories La Sphère Enchanté; La Guêpe; Madame Fleur; L'"Imbroïlle" de l'Opéra by respectively Albert Flament Gérard d'Houville René Bizet and George Barbier. This volume is complete with its 12-page 1921 calendar at rear as well as its eight Note pages left blank. Age-toning to slipcase. Dust-jacket sunned along spine with minor offsetting to covers. Binding slightly frayed at head and tail of spine. Text in French. Slipcase and dust-jacket in overall good binding in good interior in very good pochoir plates in near fine to fine condition. Protected in modern mylar. Meynial hardcover
1846041287Charleston SC: Babcock & Co 1846. Hardcover. Very Good. Holbein. Rare. 47 Engravings from Original Designs by Holbein the celebrated German Painter exhibiting all orders and conditions of men first published in 1538. Holbein was patronized by Sir Thomas More and appointed Court painter to Henry VIII. Cloth spine with wood veneer boards. Corners and board edges worn. 102pp. Notices regarding the book pastedown inside both covers. Pencil drawing and marginalia inside both covers. Photos on request. Full refund if not satisfied. Babcock & Co hardcover
51-6388Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
2019BN127800LEARNING MATTERS 2019. 2019. Hardcover. Mental Health Law in England and Wales: A Guide for Mental Health Professionals <br/><br/>Mental Health Law in England and Wales: A Guide for Mental Health Professionals Paul Barber Robert Brown Debbie Martin LEARNING MATTERS hardcover
194249502Garden City: Doubleday Doran & Company Inc. 1942. 1942. First edition. Fine bright tight copy in a fresh and colorful dust jacket with minor professional restoration to the extremities. The fourth book in the Christopher Storm series where we find the artist-detective forced to cut short his honeymoon in order to find a murderer. A Crime Club mystery published during World War II. Doubleday, Doran & Company, Inc., 1942. unknown
111521aaf(Paris, Clousier & Lamy), s.d., (1780 - 1786), 21.5x34.8 cm. Tirée de l’ouvrage de Laborde et Zurlauben «Tableaux topographiques de la Suisse, planche en exceptionnel état de fraîcheur des couleurs de l’époque. 1 feuille / 1 Blatt 27.5.x40.5 cm.
114931London C. W. Beaumont 1913. . Chromolitohraph mounted very minor spotting to margin; image size 23.4 x 17.3 cm mounted size 40.9 x 37.9 cm.<br /> 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont.<br /><br />'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648.<br /> London, C. W. Beaumont, 1913. unknown
114723London C. W. Beaumont 1913. . Chromolithograph mounted very minor spotting to margin; image size 25 x 23 cm mounted size 40.9 x 37.9.<br /> 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont.<br /><br />'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648.<br /> London, C. W. Beaumont, 1913. unknown
114933London C. W. Beaumont 1913. . Chromolithograph mounted minor spotting to margin; image size: 24.9 x 19 cm mounted size: 40.9 x 37.9 cm.<br /> 'The designs although somewhat fantastic in treatment do convey the impression produced by Nijinsky in his famous characters' Beaumont.<br /><br />'In his brief time Nijinsky was the most famous male dancer in the world a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear Nijinsky was a great and unusual actor. The ideal Fokine interpreter he was able to expand a simple choreographic design into a rich dramatic portrait using in keeping with Fokine's dicta the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet nearly extinguished artistically in western Europe was revived in this century is due to him and other great dancers of his generation such as Anna Pavlova and Karsavina as well as to Diaghilev. That male ballet utterly extinguished was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' Cohen: The International Encyclopedia of Dance Vol. 4 pp. 646-648.<br /> London, C. W. Beaumont, 1913. unknown
20071769150102074Imports 2007-10-23. Audio CD. Like New. CD plays perfectly & the case looks good. Imports unknown
2003045238Haynes Publishing. Very Good in Very Good dust jacket. 2003. First Edition. Hardcover. 1859609597 . Hardcover; Hardcover in dust jacket. Black cloth boards with title in gold on spine. Text pages are clean. White photo illustrated dust jacket has light wear and looks great in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; B/w Phot & Ill; 4TO . Haynes Publishing hardcover
182741340Washington City: Printed for the Author by S. C. Ustick 1827. 48pp in contemporary plain wrappers. Stitching absent unbound. Faint rubberstamp on title page gum label at lower spine. Good plus. <br /> <br /> This is the first part of what became a three-part book. Each is a separate imprint. Parts II and III were printed in 1828 and 1832. Part II like the first Part was printed by Ustick in Washington. Part III was printed in Frederick Maryland by Neilson Poe. <br /> "The conversion of the Barber family despite the prejudices of a Puritan education and environment was one of the most notable and far-reaching in its results of any recorded in the early annals of the Church in New England. Daniel Barber has left a 'History of My Own Times' Washington 1827 in which he states that his father and mother were Congregational Dissenters of strict Puritanic rule and he continued in that sect until his twenty-seventh year when he joined the Episcopalians. Previous to this he had served two terms as a soldier in the Continental army" "Barber Family" by Thomas Francis Meehan Catholic Encyclopedia website accessed May 01 2026. <br /> "Daniel Barber came from good Puritan stock and was a fine upstanding Congregationalist minister. Until some Episcopalians convinced him that Apostolic Succession matters when it comes to ministerial Orders. So he became an Episcopalian priest. He was a fine upstanding Episcopalian priest for many years. He and his wife Chloe raised three children as good Episcopalians. But eventually the question of Apostolic Succession came back to him and he realized that Episcopalianism didn't satisfy the question of Apostolic Succession - the Catholics actually had it and the Episcopalians didn't. Meantime his son Virgil had also become a fine upstanding Episcopalian priest. He and his wife Jerusha were in charge of a good school and had a comfortable life with their children. But a chance encounter with a pamphlet on the life of St. Francis Xavier fired his heart to seek the faith that motivated a man like St. Francis to do what he'd done. Eventually Virgil and Jerusha became Catholic. Then Chloe converted along with a number of other members of the family. And finally Daniel also became Catholic. The entire affair was very upsetting to fine upstanding New England Protestant sensibilities and caused a sensation" "Barber Family" by Thomas Francis Meehan Catholic Encyclopedia website accessed May 01 2026. <br /> FIRST EDITION. Parsons 922. Howes B117. Printed for the Author, by S. C. Ustick unknown
1831001294New Haven: Printed and Sold By J. W. Barber 1831. Modern quarter calf; marbled boards. Eight hand-colored plates. Issue with 120 pages including 12 pages added in 1832. Foxing. Very Good. First Edition. Printed and Sold By J. W. Barber hardcover
19011517jWaterlow and Sons 1901. Hardcover. Very Good/No Jacket. Very rare. Original boards bound in 1/2 leather with new end papers. Translated from the Dutch. The boards are a little shelf rubbed and edge worn but remain strong and sturdy. Internally there is a stamp marking on the front end page and red ink annotation and tanning around the edges throughout. This does not affect the text in any way and the pages are neat crisp and complete. The binding is secure. Handsome. JK. Our orders are shipped using tracked courier delivery services. Waterlow and Sons hardcover
1970334853Chicago: Aldine Publishing Company 1970. First edition. 337 pp. Publisher's pamphlet laid in. 8vo. Green buckram on boards with gilt on spine; near fine in dust jacket that has slight creasing across the bottom and at spine else a near fine copy. First edition. 337 pp. Publisher's pamphlet laid in. 8vo. Aldine Publishing Company unknown
18222171961822. Second. hardcover. very good. .Accompagne de Notes Historiques et Critiques. Copper engraved frontispiece portrait . 4 volumes 8vo 1/2 leather spines slightly scuffed one chip mended marbled boards. Paris 1822-1827. Seconde Edition Revue Corrigee et Considerablement Augmentee. Very Good .<br/><br/> unknown books
18222171961822. Second. hardcover. very good. .Accompagne de Notes Historiques et Critiques. Copper engraved frontispiece portrait . 4 volumes 8vo 1/2 leather spines slightly scuffed one chip mended marbled boards. Paris 1822-1827. Seconde Edition Revue Corrigee et Considerablement Augmentee. Very Good .<br/> <br/> unknown
51-6387Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
51-6385Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
51-6383Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 15 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 15 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
51-6382Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 16 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 16 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
51-6386Paris: Lucien Vogel - Condé Nast 1922. Sheets loose as issued in original chemise cover. With 15 hors texte pochoir plates as well as pochoirs in the text. 25.7 x 20.4 cm.This copy has 15 pochoirs planches & croquis hors texte. Cover soiled. Paris: Lucien Vogel - Condé Nast, 1922 unknown
