Auguste BARBIERBiblio.com
10 612 résultats
183250000Paris: Urbain Canel et Ad. Guyot 1832. Fine. Urbain Canel et Ad. Guyot Paris 1832 12.50 x 19.50 cm relié First edition. Two poems not reprinted in subsequent editions. Contemporary full brown shagreen binding spine with five raised bands decorated with gilt compartments and fillets triple gilt fillet framing the covers gilt dentelle framing the marbled paper pastedowns all edges gilt. A handsome copy. Urbain Canel et Ad. Guyot hardcover
185686468Paris: Paul Masgana 1856. Fine. Paul Masgana Paris 1856 11.50 x 18.50 cm relié Eighth edition with some parts in first edition as revised and corrected. Half-shagreen binding in dark green spine with five raised bands set with gilt dots and decorated with double gilt compartments marbled paper boards endpapers and pastedowns of combed paper contemporary binding. Handsome copy almost entirely free of foxing. Our copy is enhanced with a one-page autograph letter signed by Auguste Barbier addressed to his publisher Paul Masgana regarding corrections to be made to the proofs he had sent him for the publication of this eighth edition. Paul Masgana hardcover
183772336Paris: Bonnaire 1837. Fine. Bonnaire Paris 1837 14 x 23 cm relié First edition. Bradel binding in checkered colored fabric with inner flaps smooth spine rubbed at foot black shagreen title labels marbled endpapers original covers with Magen's address preserved. Scattered foxing. Provenance: from the library of Alidor Delzant with his bookplate engraved by Loriot pasted on a pastedown. Bonnaire unknown
015523Auguste Barbier, Iambes et Poëmes. Paris, Dentu, 1858. In-8, 288p. Neuvième édition de cet important ouvrage de Barbier, sans cesse réédité au XIXe siècle. Il s'agit de poèmes satiriques inspirés des Trois Glorieuses. Exemplaire sur papier bleu avec une couverture jaune, non signalé. Provenance : André Bizouillier dit Jacques Isolle, (1902-1978), érudit et bibliophile angevin avec son cachet ex-libris sur le faux-titre. Demi-basane aubergine, dos lisse, faux-nerfs, couvertures conservées, exemplaire non rogné. Dos légèrement passé. Très bel exemplaire.
18082718Paris Duminil-Lesueur 1808-1810 5 volumes in-8 demi chagrin havane, dos à nerfs, caissons ornés de filets à froid et de fleurons, 461 + 523 + 457 + 498 + 467 pages. Dos uniformément insolés, bel exemplaire néanmoins, intérieur frais.
1920686471 vol. in-8 en feuillets sous chemise, Publications Lucien Vogel, Condé Nast Editeur, Paris, Naville et Cie, Genève, Rodriguez Giles et Cie, Buenos-Ayres, 1920, pp. LI-LII, LVI-LVIet LIX-LX et 197-228, 1 f. double (chemise de "La Mode pour l'Automne 1920") 5 planches hors texte en couleurs sur 11 (49 et 4 croquis)
192284789Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print finely heightened with gold printed on laid paper signed in the top left of the plate. La Gazette du bon ton one of the most beautiful and influential fashion magazines of the twentieth century celebrating the talent of French creators and artists in the full bloom of Art Deco. The famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metallic stencil technique enhanced with colors and some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel a man of society and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal that was truly artistic and representative of the spirit of its time. I was therefore thinking of creating a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires no.133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel therefore assembled a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who were George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly joined the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel called upon them would subsequently become emblematic and sought-after artistic figures. These same illustrators created the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provided exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the illustrator's idea of the fashion of the day. La Gazette du bon ton is a decisive stage in fashion history. Combining aesthetic excellence and plastic unity it brought together for the first time the great talents from the worlds of arts letters and fashion and imposed through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
4813Paris Librairie Charpentier et Fasquelle. Eugène Fasquelle, éditeur 1906 in 8 (20,5x13,5) 1 volume broché, XIII et 204 pages, non rogné, petite restauration ancienne sur le haut et le bas du dos de la couverture. Jean-Sully Mounet, dit Mounet-Sully, Bergerac 1841,- Paris 1916, acteur français. Pierre Barbier, Paris 1854-1918, homme de lettres français. Anne Marie Eugène d'Harcourt, comte d'Harcourt, dit Eugène d'Harcourt, Paris 1859 - Locarno 1918, chef d'orchestre et compositeur français. Exemplaire enrichi de 2 envois signés des deux auteurs à leur collaborateur et ami Eugéne d'Harcourt. Edition originale sur papier d'édition (après 10 exemplaires sur papier de Hollande, seul grand papier). Bon exemplaire
179523944Paris Didot jeune 1795 in-18 plein-veau 2 volumes, reliure plein veau havane moucheté et marbré in-dix-huit (binding full calfskin in-18) (13 x 8,6 cm), RELIURE D'EPOQUE, dos long (spine without raised band), richement décoré or (richly gilt decoration), titre et tomaison frappés "or", pièce de titre sur fond bordeaux avec filet "or" en encadrement (label of title with gilt line), double filets "or" en place des nerfs et en tête et en pied, entre-nerfs à décor de lozanges et filets "or" dans un encadrement d'un filet "or", filet "or" sur les coupes (gilt line on the cuts) avec léger manque de dorure (blurred gilding), toutes tranches peignées bleu et rouges, pages de garde peignées à motif "caillouté" (painting endpaper), orné d' 1 frontispice et de 16 gravures hors-texte gravées sur cuivre, dessinées par Barbier, Prevost, Moreau et Chaudet et gravées par Dupré, Delignon, Dambrun et Gaucher, figures dessinées par Barbier, Prevost, Moreau et Chaudet gravées par Dupré, Delignon, Dambrun et Gaucher. (XXXVI + 163) + (170) pages, an IV (1795) à Paris : impr. de Didot jeune Editeur,
2004x-1138759295Routledge 2004. Hardcover. New. 1768 pages. 9.21x6.14x1.18 inches. Routledge hardcover
1977BN92937Hauswedell E 1977. 1977. Softcover. Buch und Buchhandel in Europa im achtzehnten Jahrhundert /The Book and the Book Trade in Eighteenth-Century Europe - Fünftes Wolfenbütteler Symposium vom 1. bis 3. November 1977. Vorträge /Proceedings of the Fifth Wolfenbütteler Symposium November 1 - 3 <br/><br/>Buch und Buchhandel in Europa im achtzehnten Jahrhundert /The Book and the Book Trade in Eighteenth-Century Europe - Fünftes Wolfenbütteler Symposium vom 1. bis 3. November 1977. Vorträge /Proceedings of the Fifth Wolfenbütteler Symposium November 1 - 3 Barber Giles; Fabian Bernhard Hauswedell, E paperback
BN265798Zeichnen für Fortgeschrittene <br/><br/>Zeichnen für Fortgeschrittene Barrington Barber unknown
BN316043Canopé - CRDP de Grenoble. Softcover. Assistants d'éducation : Quelle contribution au projet éducatif de l'établissement <br/><br/>Assistants d'éducation : Quelle contribution au projet éducatif de l'établissement Christophe Barbier Canopé - CRDP de Grenoble paperback
2021x-3030797627Springer Nature 2021. Paperback. New. 412 pages. 9.25x6.10x0.98 inches. Springer Nature paperback
2012x-3642276504Springer Verlag 2012. Hardcover. New. 2012 edition. 304 pages. 9.25x6.25x1.00 inches. Springer Verlag hardcover
2012x-8847024625Springer Verlag 2012. Hardcover. New. 1st edition. 142 pages. 10.00x7.00x0.50 inches. Springer Verlag hardcover
17432914A Amsterdam & à Leizig, Chez Arkstee et Merkus, 1743. 2 volumes in-8 de 8-[4]-382-[26]+ 384-[28] pages. Plein veau marron moucheté, dos lisses ornés de fleurons dorés, pièce de titre de maroquin bordeaux, tranches rouges. Dos frottés, coiffes sup. manquantes, coiffes inf. frottées avec un accroc au vol. 1, plats légèrement épidermés, page de titre raccourcie par le relieur. Ex-libris Marcuard.
2016x-1493950975Springer Verlag 2016. Paperback. New. reprint edition. 380 pages. 9.25x6.10x1.06 inches. Springer Verlag paperback
1997213814Alabama: Gryphon Editions 1997. First Edition; First Printing. Hardcover. Near Fine in quarter leather boards. Gilded text block edges. The Notable Trials Library.; The Notable Trials Library. Gryphon Editions hardcover
2019x-3030131777Springer Verlag 2019. Paperback. New. reprint edition. 372 pages. 9.25x6.10x0.91 inches. Springer Verlag paperback
1902C88944Paris: Dunod 1902. Hardcover Hardcover. Very Good. Rebound in full red cloth and new endpapers without original wraps. A very good indeed clean tight copy. Small owners initial stamp to title page. Dunod, hardcover
1976021427London: Quartet Books. 1st ed. 156pp. VG/VG copy now preserved in mylar jacket protector . Very Good. Hardcover. 1st Edition. 1976. Quartet Books hardcover
2014x-3642445284Springer Verlag 2014. Paperback. New. 2012 edition. 292 pages. 9.25x6.10x0.73 inches. Springer Verlag paperback
17361102160038Alondres 1736. Leather Bound. Good. 18mo. 2 volume set. Full calf leather with full calf and contrasting morocco letterpieces. Gilt-lettered. Decorated sides and spine 5 raised bands. 6 compartments. Marbled turn-ins. Contrasting letterpieces. Gilt letters and sides. Spine decorated on 5 Raised bands with gilt. Warping to boards. Rubbing to cover and moderate shelf-wear to corners. Cracking to spine. Minimal discoloration to pages. This collection documents the life of Philip of Orleans grandson of France Regent of the Kingdom during the minority of Louis XV. Many illustrations are featured including a copper-plate engraving of Philippe Duc D'Orleans Regent of France. A rare volume in readable condition. Alondres hardcover
18032134855Published by T. Cadell and W. Davies 1803. Hardback. Fair/Poor. Illustrated by Barber J.T. Fair condition with no wrapper. Full brown leather gilt titles and gilt decorations to spine. Marbled endpapers. Folding colour map and 20 sepia plates. Comprehending a General Survey of the Picturesque Scenery Remains of Antiquity Historical Events Peculiar Manners and Commercial Situations of that Interesting Portion of the British Empire. xiii 359 pages. Front cover is detached but still present. Front endpapers are also detached but loosely inserted. Bookplate to front pastedown. Some foxing and browning. Published by T. Cadell and W. Davies hardcover
