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1939WRCLIT61324Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1145 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to wrapper extremities 15 x 40 mm piece torn away from fore-edge of upper wrapper internally near fine. An unspecified - but revised and slightly extended - draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. Another draft dated 17 days earlier is 17 pages shorter. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1939WRCLIT61323Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1128 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to label and wrapper extremities otherwise very good internally near fine. An unspecified draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1975287571975. Mimeographed 118 pages plus additional revised pages dated 9/26-10 /73 pinned in plain covers. Occasional pencil marks and dog ears reveal it was obviously used at some point in production. Directed by John Schlesinger. Signed by the cinematographer Conrad L. Hall and inscribed and signed by Karen Black. <br/><br/> unknown books
15921118101592 A Lengres, Par Jehan des Preyz (Jean), 1592, 1 volume in-4 de 155x210 mm environ, 91 feuillets paginés, (1) f. (Table). Parchemin souple avec traces de liens. Ouvrage INCOMPLET DES ILLUSTRATIONS ET DU TEXTE : globe de la page de titre découpé, sans les figures ou cartes dépliantes (mais la carte in-texte d'Europe est bien présente), feuillets 2, 3, 8, 28, 58 et 59 manquants. Ouvrage en partie dérelié méritant une restauration : reliure salie comptant quelques manques, traces de mouillures importantes, déchirure avec manque au feuillet 54, mais de nombreuses gravures sur bois.
107873Paris, Dépôt Général de la Marine, 1852, Tome 1/2 vendu seul, 1 volume in-folio de 354x260x15 mm environ, 1f. blanc, page de titre, 1f. (Avertissement), 23 cartes montées sur onglet, 1f.blanc, demi percaline bleu-gris, titres dorés sur dos lisse. Quelques rousseurs et pages légèrement brunies, couverture frotté avec accrocs et manque de papier marbré par endroits, dos en partie décollé, intérieur bon état.
64 pages. Full-page black and white photos of each band member. Two-page black and white photo of the band on-stage. Includes sheet music for voice and piano, with guitar chords, for these classic Beach Boys songs: Barbara-Ann; Custom Machine; Dance, Dance, Dance; Do It Again; Do You Remember?; Do You Wanna Dance?; Don't Back Down; Drive-In; 409; Good To My Baby; Hawaii; In the Parkin' Lot; The Little Girl I Once Knew; Little Honda; Pet Sounds; Please Let Me Wonder; Salt Lake City; Spirit of America; Surfer's Rule; This Car of Mine; We'll Run Away; When I Grow Up (To Be A Man); Wild Honey; Wouldn't It Be Nice?; A Young Man's Gone. Unmarked with somewhat above-average wear and soiling. Binding intact. A worthy vintage copy of this great Beach Boys memento. Book
193023719<p>Grosset & Dunlap 1930. HARDBACK NODustJacket 1930 1st Edition 1st printing VG/VG AS-IS NOJACKET Pretext & ADS in Back Lists thru this Title THICK Red Cloth lettered in Yellow Outlined in Black 228 pgs ADS ending with Roy Blakeley Wild Goose Cloth Cover light Rub Wear Interior Nice tight Clean Light FoX Wear The inscription is to a young reader and contributor to the "Our Chatterbox" section preceding the story. This is a 12 page section paginated in Roman numerals of contributions from readers and a bit of chat from the author. . Signed by Author. First Edition. Hard Cover.</p> Grosset & Dunlap hardcover
1358This is a Standard AFTRA contract between Sal Mineo and NBC expressing that Mineo will receive $650 for his performance on December 4 1955 as Johnny Swaboda in "Trees" sponsored by Goodyear. Signed in blue ink by the seventeen year old "Sal Mineo" and also by his mother "Josephine Mineo". Many of his youthful roles were variations of his role in "Rebel Without a Cause" and he often played juvenile delinquents. unknown
1922234471922. Salt Creek Haydite Plant album documenting shale extraction rotary-kiln aggregate production and water-control construction in Natrona County Wyoming 1922-1924 recording the first commercially manufactured lightweight structural concrete aggregate in the United States patented by Kansas City brickmaker Stephen J. Hayde in 1918 after he discovered that certain shales and clays could be expanded by rapid kiln-firing into a strong lightweight ceramic. Haydite transformed twentieth-century construction by reducing the dead load of concrete by roughly forty percent enabling taller buildings longer spans and the lightweight concrete masonry block industry that followed. The plant's location adjacent to the Salt Creek Oil Field then the largest producing oil field in the United States and the source of the Teapot Dome scandal that erupted in 1922 to 1923 ties the album directly to two converging industrial histories: the patented invention of expanded-shale aggregate and the height of Wyoming oil extraction.<br /> Photo archive of 91 silver gelatin photographs ranging from 2.5" x 4.5" to 5.5" x 3.5" mounted on album leaves with ink manuscript captions throughout bound in black leather with gilt-stamped cover reading "Salt Creek Construction" Natrona County Wyoming circa 1922-1924. The album's leather cover is inscribed "John B. Cleary Salt Creek Construction." It opens with exterior views of the Salt Creek Haydite Plant captioned "Const 1922 Com. Oper. Sept. 1" showing the main buildings the upper crusher and shale storage shed with stovepipe and yard-light and a loaded shale car at the trap of the shale pit. Successive pages document the production sequence by component: the upper crusher "jaw" with raw shale tumbling into the grates the ore feeder with belt-driven shafts the rotary kiln an Allis-Chalmers unit by the partially visible nameplate with a worker ascending its steel staircase the fire box of the kiln in close view the finish conveyor running to the haydite storage bin and piles of raw "hadite" being measured by two men in work clothes and wide-brimmed hats. A page is devoted to the Haydite Plant truck an FWD chain-drive with "Haydite Plant" lettered on its dump body and "M.B.Co. 81" stenciled above photographed both in service and at the loading dock. Named portraits include "W.B. Shilling Const. Engr." in a pith helmet and white shirt and a group portrait dated 1923 captioned "Mr. S.J. Hayde inventor of 'Haydite' Mrs. Hayde Mrs. C J.B.C. S.P. Boozell Plant Supt. John C." Later pages shift to a separate but related project: the "Cooling Pond No. 1 Sta. Salt Creek Field" under construction in the spring of 1923 with photographs of pile drivers drain tile staging at stations 960 to 000 workers troweling the concrete pond bottom and views captioned "Cooling Pond Finishing." A dam project follows including "Progress on Core Wall" views captioned "After Flood of Sept. '23 32000 S.F. Loss of 40' of Emb. & Core Wall" showing the breach riprap construction captioned "The Completed Project Before Storage Was Started" and a final image inscribed "Completed July 1 1924." A late page shows the failed spillway with the caption "Erosion of Spillway After Cut-Off Wall Failed" alongside a "Survey after Flood." Named figures include W.F. Edwards J.B.C. and "J.B.C. H.M. Pursel Contr."<br /> Stephen Hayde received U.S. Patent 1255878 for his rotary-kiln process of bloating shale into lightweight aggregate in 1918 and licensed the technology under the Haydite trade name beginning in 1920; the Salt Creek plant was among the earliest licensee operations and supplied aggregate for oilfield infrastructure at a time when the Salt Creek field's production peaked at over 32 million barrels in 1923. The cooling pond and dam pages document infrastructure built to handle produced water from the Salt Creek oilfield's No. 1 station capturing both the September 1923 flood failure with the specific 32000 square foot loss recorded on the leaf and the July 1924 rebuild. Overall in very good condition with expected toning foxing and edge wear to album leaves and mild silvering to several prints. The album constitutes a named dated and captioned firsthand record of early Haydite manufacturing and Salt Creek oilfield support construction anchored by an identified portrait of the inventor himself. unknown
1969133623Beverly Hills CA: United Artists 1969. Vintage black-and-white borderless reference photograph from the US release of the 1969 film. <br/><br/>Jon Voight plays a naive Texan who moves to New York to hustle his body and finds himself in an unlikely friendship with an ailing con artist played by Dustin Hoffman. Winner of three Academy Awards including Best Picture and nominated for four others. <br/><br/>Set in New York and Texas shot on location in New York Texas Florida and New Jersey. <br/><br/>8 x 10 inches. Fine. In a custom museum-quality frame archivally mounted with UV glass. <br/><br/>Complete collation details available on request. <br/><br/>National Film Registry. United Artists unknown books
1958146435Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo's name in holograph ink on two revision leaves and his character's name in pencil on the front wrapper. <br/><br/>Laid in is a small leaf with holograph ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film.<br/><br/>Based on David Appel's 1951 novel "Comanche: Story of America's Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. <br/><br/>Set in Montana Territory and shot on location in Oregon.<br/><br/>Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeographed rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown books
18972090202122800063Not Available 1897. Soft Cover. Fine. Volume: 1 Not Available paperback
1814009243London: Printed for F. C. and J. Rivington by W. Bulmer and Co. 1814 OVERSIZED. xi 5 506pp lxxv printed on watermarked paper stating "J. Whatman 1810" deckled page edges most pages untrimmed some detached binding tight bound in blind stamped blue cloth with spine sunned occasional foxing. Includes 36 of 37 plates and maps lacking the Chart of Annesley Bay on pg 453. From the personal collection of Dr. Brooks Ryder 1918-1995 graduate of Harvard College Harvard School of Public Health and Tufts Medical School. Known for his Public Health expertise overseas throughout East Africa and Indonesia. Printed for F. C. and J. Rivington by W. Bulmer and Co. hardcover
SLIVCN-9781628089622NOVA SCIENCE PUBLISHERS INC (11/2013)
1358This is a Standard AFTRA contract between Sal Mineo and NBC expressing that Mineo will receive $650 for his performance on December 4 1955 as Johnny Swaboda in "Trees" sponsored by Goodyear. Signed in blue ink by the seventeen year old "Sal Mineo" and also by his mother "Josephine Mineo". Many of his youthful roles were variations of his role in "Rebel Without a Cause" and he often played juvenile delinquents. unknown books
26009Three of the five from 1900 28 and 31 August and 4 September; and two from 1901 5 and 13 December. All on letterheads of the Shakespeare Memorial Stratford-upon-Avon. These five items are part of a collection of correspondence the rest is offered separately relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. The Shelley portrait is reproduced in ‘The Magazine of Art’ 1901 with the caption ‘Reputed portrait of Shelley as a boy by Romney. In the Shakespeare memorial Stratford-on-Avon.’ in an article on ‘Portraits of Shelley at the National Portrait Gallery’ p. 494. The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower 1830-1892 after whose death its management was taken over by his brother Edgar Flower 1833-1903 also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower 1865-1950 several times mayor of Stratford-upon-Avon. Between 1899 and 1901 Boddy donated at least twelve portraits to be hung in the Shakespeare Memorial reading room from the correspondence wood carvings also appear to have been donated. Details of the first seven portraits including the supposed Romney one of Shelley are contained in a letter in the separate collection of correspondence of 11 December 1899 from Boddy to the Shakespeare Memorial librarian the archaeologist William Salt Brassington 1859-1939. The paintings included supposed works by Henry Fuseli ‘The Fuseli Macbeth’ and Sir Peter Lely Nell Gwynne Henry Wyatt Coleridge one of Alexander Pope ‘attributed to Hogarth’ as well as a ‘Garrick portrait’ one of Nell Gwynne and a ‘Spanish Lady’. In 1916 Boddy demanded their return on discovering that the Archibald Flower had broken the condition that Boddy had arranged in 1900 with the then librarian W. S. Brassington: ‘The Portraits were to be hung together and remain so.’ The present five items comprise four in 12mo totaling 8pp; and one the first in 4to 1p the first part of which is typed and the latter part in autograph. All signed ‘W. S. Brassington’. All in good condition lightly aged. In the first letter 28 August 1900 he writes: ‘Dear Dr. Boddy / Following the investigations respecting the portrait of Shelley I find that the description on the frame of the picture is not quite correct. / “Percy Bysshe Shelley aged 13 by G. Romney.†Shelley was born in 1792 and in 1805 he was 13 years old. Romney died in 1802 and did not paint much for some years before his death. From a careful examination of the portrait it appears to me that the subject is a boy of about 8 or 9 years of age and consequently the portrait may have been painted by Romney in or about the year 1800. Next month I hope to meet Dr. Garnett Richard Garnett 1835-1906 at the meeting of the Library Association at Bristol and hear what he has to say on the subject; He is the greatest living authority on Shelley. I am also writing to the author of a new life of Romney and hope to find a record of the sittings in Romney’s notes.’ In the second letter 31 August 1900 he recaps the position adding: ‘The more I see of the picture the more I like it: it is beautiful and to me more interesting than any of the others: it would be a treasure for any gallery.’ In the third letter 4 September 1900 he comments on a photograph of the Shelley portrait presumably for the ‘Magazine of Art’ article which he considers excellent. On 5 December 1901 Brassington writes: ‘Since last I had the pleasure of seeing you Miss Florence May has been hunting up the bust of Shelley which Mrs Leigh Hunt made & gave to Thomas Carlyle. It has now been found in Scotland and the owner has kindly sent me for the Memorial an etching made from the bust by W. Bell-Scott. It appears that the present representatives of the Shelley family do not like the bust though it undoubtedly is a likeness and it has a resemblance to the Romney portrait which renders it all the more interesting to me.’ In the last of the five letters 13 December 1901 he write: ‘It is quite time as you say that misfortunes attend some poor souls even after death but I fancy the poor departed generally score in the end if they deserve to do so. In Shelley’s case this must be so & it is a score that his portrait should be here. I shall do my best to get the Leigh Hunt Bust placed beside the Romney Portrait before next April.’ There is a final reference to his ‘young friend Nupean’. Three of the five from 1900 (28 and 31 August, and 4 September); and two from 1901 (5 and 13 December). All on letterheads of th unknown
1814184001London England: F.C. And J.Rivington 1814. Hardcover. Good- leather boards detached. boards have considerable edge-wear scuffs & scratches; corners rubbed to boards. spine has considerable rubbing & wear w/ 2inch section missing at edge; spine end missing rubbed & chipped. light to dark speckled foxing throughout w/ higher concentrations on plates/maps. leather boards w/ blind-stamped & gilt tile borders; gilt printed & raised band spine. xi 5 506 pgs & ixxv; plates & maps. all edge marble. Textblock and pages firm. Plates Missing: 2 chart of East Coast of Africa 10 Chart Of Amphilia Bay 12 Chart Of Howakil Bay 13 Portraits and 34 Chart Of Annesley Bay. Tissue-guards are also torn or missing from various plates. Color plates have retained their brightness; text dark and detailed. Complete title ". in which are included an account of the Portuguese settlements on the east coast of Africa visited in the course of the voyage; a concise narrative of late events in Arabia Felix; and some particulars respecting the aboriginal African tribes extending from Mosambique to the borders of Egypt; together with vocabularies of their respective languages. F.C. And J.Rivington hardcover books
1814184001London England: F.C. And J.Rivington 1814. Hardcover. Good- leather boards detached. boards have considerable edge-wear scuffs & scratches; corners rubbed to boards. spine has considerable rubbing & wear w/ 2inch section missing at edge; spine end missing rubbed & chipped. light to dark speckled foxing throughout w/ higher concentrations on plates/maps. leather boards w/ blind-stamped & gilt tile borders; gilt printed & raised band spine. xi 5 506 pgs & ixxv; plates & maps. all edge marble. Textblock and pages firm. Plates Missing: 2 chart of East Coast of Africa 10 Chart Of Amphilia Bay 12 Chart Of Howakil Bay 13 Portraits and 34 Chart Of Annesley Bay. Tissue-guards are also torn or missing from various plates. Color plates have retained their brightness; text dark and detailed. Complete title ". in which are included an account of the Portuguese settlements on the east coast of Africa visited in the course of the voyage; a concise narrative of late events in Arabia Felix; and some particulars respecting the aboriginal African tribes extending from Mosambique to the borders of Egypt; together with vocabularies of their respective languages." F.C. And J.Rivington hardcover
180981318London: William Miller 1809. Very Good. Hand-colored aquatint print now in a modern frame under glass. Image size approximately 61 x 42 cm. This is Plate No. XV from "Twenty-Four Views in St. Helena the Cape India Ceylon Abyssinia and Egypt" which was published in 1809. William Miller unknown
1930R5109Moscow and Leningrad: Gosudarstvennoe izdatel'stvo 1930. Limited Edition of 3000 copies. Hardcover. Very Good. Original paper covered boards with typographic design printed in red and black; attached glassine dust jacket; pp. 160. A bit rubbed; vendor stamp on front board. <br/><br/> Gosudarstvennoe izdatel'stvo hardcover books
1930R5109Moscow and Leningrad: Gosudarstvennoe izdatel'stvo 1930. Limited Edition of 3000 copies. Hardcover. Very Good. Original paper covered boards with typographic design printed in red and black; attached glassine dust jacket; pp. 160. A bit rubbed; vendor stamp on front board. <br/><br/> Gosudarstvennoe izdatel'stvo hardcover
162819628Genève Pierre Chouët 1628 Petit in-4° 72 PP derniers feuillets maculés avec manque en marge . précieux document de toute évidence fort rare. marque d'imprimeur au titre
168517526Paris, Frédéric Léonard, 1685 ; in-24, veau brun de l'époque, dos à nerfs décoré et doré, pièce de titre havane, roulette sur les coupes, tranches rouges ; [40], 324 pp.
Half-leather binding. Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: "Photos of destruction - the result of heavy year-end storms and gale-velocity winds; Interesting photos of construction and construction gangs; $15 million spent on Plant in 3-Year Span; Charles Fisher, Nelson District Manager, Retires; Two veteran Construction Foremen retire - Frank Townsend and James McDevitt; Vancouver Commercial Department reorganized; The Pioneer Trail, by Ken Cowper; Good-bye to Bayview - hello Cedar-Cherry automatic installation; Company fails to meet full divident requirements; Traffic Department Reorganization; Viola Simmons ends varied career; Robert Bell becomes new President of Federation of Telephone Workers of B.C.; Vancouver Boat Show Exhibit; Photos of trunk line installation between Vancouver and West Vancouver; "Emerald" to be first dial unit in Fairmont area; Fairwell to Miss Margaret Moncrieff; Retirement of Thomas Reilly in Duncan; How Unit System benefits Vancouver Subscribers; Accounting Department Changes; Kamloops operating room photo; New Rates sought by B.C. Telephone Company; Decorated phone men - Edmund Esson, Gordon Smith, Ken Milligan; Photos of Sidney office and operators; PNE parade float; Photos of the greatest cable expansion in the company's history; Building program moving forward; Several Canadian Champion athletes; Several photos of Duncan operators, office, construction and repair crews; Good-bye to (one ton!) tabulators; New cable laid from Point Roberts to Mayne Island - photos and text; Nice cover photo of William May of Nelson whose quick action prevented a passenger train wreck near Creston; Lovely full page photo of the Trail operating room; Amazing photo of Jim Gural atop a swaying pole in the middle of a Capilano River flood; Great photos of the Victoria switchboard and staff; Expansion continued at record pace in 1949; Never a dull moment in life of chief operator; Ganges office wins Salt Spring Award; photos of 'when winter came to Colquitz and Keating; Photo of Miss Theodora G. Rhodes, librarian in the Public Relations Department, Vancouver, being presented with the British Empire Medal by Lieutenant-Governor Charles Banks for her service in the Women's Division at the Flying Control Airway Centre at Western Air Command during the war; Two new Vice-Presidents - G.A. Kennedy and H.M. Boyce; Company failed to earn full dividend requirements; Old Man Winter was a formidable foe - January storm destruction in the Fraser Valley; Hastings Barn Dance; Photos of the heavy construction gangs at work in the Fraser Valley; Photos of Trail office and staff; New Rates - many revenue accounting photos; photos of cable spinning; New look pay cheques; Photos of new automatic offices in Osoyoos and Castlegar; Parade float photos; Picnic returns to Newcastle Island; Nice photos of Alberni staff and facilities; Miss Mary Martin - Champion Highland Lassie; Photos of operating school; Final judgement on rates received; and more. Unmarked with moderate wear. Binding tight and square. Name of E.P. LaBelle stamped on top edge of text - Mr. Labelle was a distinguished executive of the company. Book
Features: The "Hold-Up" at Fenelon; Avalances; A Tramp in Spain - VI; Hunting the Giant Tortoise; A Desert Tragedy; The Land of the Shrimp-God; How "Buffalo Bill" Won his Name; The Looting of the "Bang Yee"; On the March in the Bahr-El-Ghazal - III; Francisca Machalek, the female burglar; The Wilson Life Insurance Fraud; "Monkey"; The Happenings of a Night; A West African Mutiny; Paris to New York Overland - IV; A Chapter of Mishaps; My Experiences at Kano - I; Besieged in a Tree; The Man-Stealers; In the Grip of the Quagmire; The Monks' Republic; The Strange Case of the "Ferret"; The Calculut Affair; Some Japanese Signboards; A Tramp in Spain - VII; Hoist By His Own Petard; The Island of Captive Kings; The March of "Coxey's Army"; Sport and Adventure in Gallaland - I; In the Land of the "Never-Never"; The Range War; A Thousand Miles in a Refrigerator; Sport and Adventure in Gallaland - II; How the Treasure was Saved; A Tardy Vindication; Rambles in Macedonia; Attacked by Wolves in the Desert; A Tramp in Spain - VIII; My Experiences at Kano - II; Defective in the Barrel; The Last of the Bushrangers; Prisons of Many Lands; The Solving of a Mystery; "Meistertrunk" at Rothenburg; The Shrine by the Nujha Bridge; Among the Buriats; Adrift on a Raft; A Night of Horrors; The Narcissus Festival at Montreux; A Mountain of Salt; After the "Mad Mullah"; A Unique Summer Residence; The Wandering Jew; With the British to Sokoto; John Glover of Texas; A Baby Parade; How the Gipsy Queen found her lover; A Cargo of Cats; A Tramp in Spain; When the Water Came Down; A Mystery of the Bush; The Story of My Chinese God; A Battle with a Rhino; After the "Mad Mullah" - II; The Pursuit of Captain Victor - II; The Cave-Dwellers of Mexoco; Calamity Jane; With the British to Sokoto - II; Arrested as Spies; When Niagara Ran Dry; The Flying Dutchman; Among the South Sea Cannibals - I; Across Sumatra in a Motor-Car; A Tramp in Spain - X; Our Attempt to Reach Mecca; A Puma Hunt in Surrey; Entombed in a Capsized Ship; With the British to Sokoto - II; The Apotheosis of Simpson; Our Quiet Little Shooting Trip; My Adventure with a Lunatic; A Tramp in Spain - XI; Sacred Town of Mandhata; Mystery of Silver Bow Valley; Among the South Sea Cannibals - II; A Night in a God-House; The Tragedy of the "Maria" and My Part in it; The Red Pig of Poora; Two-Thousand Miles in a Trawler; The Most Inaccessible Place in China; What Happened at Morelia; The Blumencorso at Hamburg. Heavily worn. Backstrip almost detached. Binding open after second blank leaf. A worthy reading copy. Book