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146780N.p.: Paramount Pictures 1973. Vintage US silkscreen banner poster for the 1973 film.<br /> <br /> Based on Peter Maas' 1973 biography "Serpico: The Cop Who Defied the System" about a plainclothes police officer who exposes corruption in the New York City Police Department only to face harassment and threats from his fellow officers.<br /> <br /> Nominated for two Academy Awards for Best Actor and Best Screenplay.<br /> <br /> Set in and shot on location in New York. <br /> <br /> 82 x 24 inches. Rolled. Very Good plus overall with no restoration. Lightly soiled with a few pin holes in upper right of image two holes about 1/8" one small closed tear in bottom margin and 1 chip in the upper right margin bright and unfaded.<br /> <br /> Eureka! #79. Spicer US Neo-Noir. Paramount Pictures unknown
181688779Magimel | Paris 1816 | 13.5 x 21.3 cm et 31,7 x 23,3 pour l'atlas | Broché
2090502130600652Imotsubosha / Uheisha N.A. Soft Cover. Fine. Size: A4 half-fold Number of books: 49 Imotsubosha / Uheisha paperback
59748William Miller London May 1st. 1809. . A magnificent original hand-coloured aquatint excellent condition with radiant colouring and full margins. Dimensions: 480 x 650mm. 19 x 25.50 inches.<br /> For "Twenty-Four Views in St Helena The Cape India Ceylon The Red Sea Abyssinia and Egypt". <br /><br />The drawings for this highly collectable work were executed when Salt accompanied Viscount Valentia later Lord Mountnorris on a series of diplomatic missions to the regions. The mission to Abyssinia in 1805 was the first of its kind fearing that Napoleonic France was about to seize Egypt the two British envoys set out to make a pact with the local Ras that would secure the control of Maggs a port on the Red Sea.<br /> William Miller, London May 1st. 1809. unknown
59747William Miller London May 1st. 1809. . A magnificent original hand-coloured aquatint excellent condition with radiant colouring and full margins. Dimensions: 480 x 650mm. 19 x 25.50 inches.<br /> For "Twenty-Four Views in St Helena The Cape India Ceylon The Red Sea Abyssinia and Egypt". <br /><br />The drawings for this highly collectable work were executed when Salt accompanied Viscount Valentia later Lord Mountnorris on a series of diplomatic missions to the regions. The mission to Abyssinia in 1805 was the first of its kind fearing that Napoleonic France was about to seize Egypt the two British envoys set out to make a pact with the local Ras that would secure the control of Maggs a port on the Red Sea.<br /> William Miller, London May 1st. 1809. unknown
59746William Miller London May 1st. 1809. . A magnificent original hand-coloured aquatint excellent condition with radiant colouring and full margins. Dimensions: 480 x 650mm. 19 x 25.50 inches.<br /> from "Twenty-Four Views in St Helena The Cape India Ceylon The Red Sea Abyssinia and Egypt". <br /><br />The drawings for this highly collectable work were executed when Salt accompanied Viscount Valentia later Lord Mountnorris on a series of diplomatic missions to the regions. The mission to Abyssinia in 1805 was the first of its kind fearing that Napoleonic France was about to seize Egypt the two British envoys set out to make a pact with the local Ras that would secure the control of Maggs a port on the Red Sea.<br /> William Miller, London, May 1st. 1809. unknown
187238915Hartford 1872. Broadside 6" x 9-1/2" text surrounded by mourning border. A few spots Very Good. Illustrations of two steamers. At the bottom: "This is Good for ONE PASSAGE Only. - H.G." Dated at Hartford November 5 1872.<br /> <br /> "Salt River" is 19th century American slang: a losing candidate for office was taking a trip "up Salt River." Tickets for passage "up Salt River" were frequently printed to mock supporters of losing candidates. <br /> This humorous scarce broadside taunts Horace Greeley and other defectors from the Republican Party for their support of Greeley in 1872. "On the overwhelming defeat of the Liberal Republican Party and its candidate Horace Greeley in the presidential election of 1872. Greeley had been nominated at a Liberal Republican convention at Cincinnati in May and at the Democratic National Convention at Baltimore in July 1872" AAS description.<br /> Pall bearers include Charles Sumner and General Banks prominent Republican supporters of Greeley.<br /> OCLC 191231113 2- AAS Middlebury 47090036 1- CT Hist. Soc. as of August 2025. unknown
1891322358London: Sampson Low Marston and Co 1891. First edition no. 7 of 50 copies on Large Paper. xliv 64pp. 1 vols. 4to. Quarter publisher's green morocco and boards. With the bookplate of Leon Gruel famous French binder and Randeria bookplate. Light traces of rubbing. Very good plus. First edition no. 7 of 50 copies on Large Paper. xliv 64pp. 1 vols. 4to. S-K 1103; Mejer 1205 Sampson Low, Marston and Co unknown
1938140293Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Draft script for the 1938 film. Based on the short story "Private Pettigrew's Girl" by Dana Burnet and published in "The Saturday Evening Post" on September 14 1918. Copy belonging to an unknown crew member with manuscript pencil annotations throughout. <br /> <br /> Jimmy Stewart plays an idealistic soldier who convinces a Broadway star Margaret Sullavan to pretend they're dating in order to impress his other soldier friends. Meanwhile Sullivan's manager Walter Pidgeon has always been in love with her and objects to the pair's closeness even as they decide to get married before Stewart is shipped out to France. Stewart and Sullivan pull off surprisingly believable roles for a plot of such sickly sweetness in this their second on-screen pairing. <br /> <br /> The third film based on Burnet's "Saturday Evening Post" story the first two being the 1919 George Melford silent film "Pettigrew's Girl" and Richard Wallace's part-talkie "The Shopworn Angel" 1928 starring Gary Cooper. Set in New York. <br /> <br /> Goldenrod titled wrappers rubber-stamped copy No. 2268 and production No. 25077 dated 3/16/38 with credits for producer Joseph L. Mankiewicz and screenwriter Waldo Salt. Distribution receipt laid into the script. Title page integral with the first page of the text as issued. 108 leaves with last page of text numbered 108. Mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. <br /> <br /> Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown
1809P2777London: William Miller Albemarle c. 1809. Very good condition. Notes: A superb panoramic scene in South Africa with beautiful original hand-colouring from the early 19th century by Henry Salt and I. Bluck. Image Size : 457x595 mm 17.99x23.43 Inches Platemark Size : 480x647 mm 18.90x25.47 Inches Paper Size : 495x675 mm 19.49x26.57 Inches Coloring: Original Hand Coloring Medium: Aquatint Categories: Views Africa Others; William Miller Albemarle unknown
1809P4190London: William Miller c. 1809. Very Good. Notes: A charming view of the Axum Obelisk in Axum Ethiopia during the early 19th century. <br>Henry Salt 1780 – 1827 was an English artist traveller collector of antiquities diplomat and Egyptologist. His is most famous for his paintings and drawings of his travels in Egypt and eastern Africa. Image Size : 455x597 mm 17.91x23.50 Inches Platemark Size : 482x655 mm 18.98x25.79 Inches Paper Size : 544x707 mm 21.42x27.83 Inches Coloring: Original Hand Coloring Medium: Aquatint Categories: Views Africa Others; William Miller unknown
1973144811Los Angeles: Paramount Pictures 1973. Draft script for the 1975 film. <br/><br/>Based on the the 1939 novel by Nathanael West and equal to it as a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of those caught up in it. Nominated for two Academy Awards considered by many to be Donald Sutherland's finest performance and one of the most underrated films of the 1970s. <br/><br/>Teal studio wrappers with a die cut title window in the British style. Title page present with credits for screenwriter Waldo Salt novelist Nathanael West producer Jerome Hellman and director John Schlesinger. 122 leaves with last page of text numbered 118. Mimeograph duplication rectos only with white revision pages throughout dated variously between 7/31/73 and 10/12/73. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Paramount Pictures unknown books
181615180Philadelphia: M. Carey 1816. FIRST AMERICAN EDITION. With 1 folding map. Contemporary calf worn rebcked; interior lightly browned due to paper stock. Overall a very good copy. First American edition first printed in London 1814. A voyage to Abyssinia was produced after Salt’s second trip to Ethiopia. This travelogue provides detailed descriptions of material culture and social customs of Ethiopia and surrounding territories. He even includes vocabulary lists of languages spoken along the African coast spanning from Mozambique to Egypt. Undertaken on behalf of the British Government he opens his dedication to the Prince Regent with the request that His Royal Highness support advancement of the Christian religion in that territory. <br /> <br /> Originally trained as an artist Salt 1780–1827 was a diplomat and Egyptologist. He first traveled to Ethiopia in 1805 to establish a British relationship with the Ras of Tigre and returned again in 1809 for two years. Salt traveled extensively and collected antiquities which now form part of the British Museum the Sir John Soane Museum in London and the Louvre. M. Carey unknown
51-3479Paris: Chez Mme Vve. Lepetit 1813. 8vo: 4 vols.: 2f. XX 410pp. / 2f. 447pp. / 2f. 456pp. / 2f. 452pp and 4to: Atlas with 26 plates and maps. Contemporary qtr shagreen and boards.OCLC Number: 458320082;Fumagalli Biblio. Etiopica 134. Gay 138. Hill A Biblio. of the Anglo-Egyptian Sudan p. 554 vols. Atlas. v. 1 India Ceylon-v.2 India Red Sea-v.3 Red Sea Abyssinia-v.4Abyssinia Red Sea Egypt. First edition.4 volumes in-8 : 2f. XX 410pp. / 2f. 447pp. / 2f. 456pp. / 2f. 452pp. et un atlas in-4 oblong illustré de 26 planches scènes pittoresques paysages costumes inscriptions etc. et d'une grande carte en deux parties dépliantes distinctes. Soit un total de 28 planches dépliantes dont 4 cartes. Cerne clair en angle en tête de quelques planches.½ chagrin de l'époque dos lisses pièce de titre et de tomaisons noires plats frottés des rousseurs mouillure en fin de tome III.Très bel exemplaire ce qui est particulièrement rare pour ce titre. Édition originale française. Le vicomte Valentia embarqua en 1802 avec l'archéologue Salt pour découvrir l'Abyssinie et repérer à la demande de l'Angleterre un lieu éventuel pour la construction d'un port en mer Rouge. Il demeura sur place jusqu'en 1806 et livre de nombreuses observations géographiques historiques ethnographiques et de sciences naturelles. Bel exemplaire bien complet. Paris: Chez Mme Vve. Lepetit, 1813. hardcover
59744William Miller London May 1st. 1809. . A magnificent original hand-coloured aquatint excellent condition with radiant colouring and full margins. Dimensions: 480 x 650mm. 19 x 25.50 inches.<br /> For "Twenty-Four Views in St Helena The Cape India Ceylon The Red Sea Abyssinia and Egypt". <br /><br />The drawings for this highly collectable work were executed when Salt accompanied Viscount Valentia later Lord Mountnorris on a series of diplomatic missions to the regions. The mission to Abyssinia in 1805 was the first of its kind fearing that Napoleonic France was about to seize Egypt the two British envoys set out to make a pact with the local Ras that would secure the control of Maggs a port on the Red Sea.<br /> William Miller, London May 1st. 1809. unknown
SONG0762455195Running Press Adult 2014-09-16. INA. hardcover. Used: Good. 10.75x0.50x11.00. Buy with confidence. Excellent Customer Service & Return policy. Running Press Adult hardcover
181693629A Paris, chez magimel, 1816, , 2 vol. de texte in-8: [2]-X-[2]-406-[2] pp. et [2]-473-[1] pp. et 1 atlas in-4 oblong: 2 p. et 33 pl, Demi-chagrin bleu postérieur, titres dorés, et un cartonnage papier de l'époque avec titre imprimé au premier plat, Première édition française du second voyage effectué par l'égyptologue et diplomate britannique Henry Salt (1780-1827), avec 1 atlas de 33 planches dessinées par l'auteur, dont 8 cartes dépliantes et 25 portraits, types, vues et inscriptions, l'ensemble gravé par Adam. Chadenat, n°690. Ensemble complet: Les deux volumes de texte ont été reliés à Beyrouth, rue des Capucins, par "O. Tachdjian & Fils". Dos passés, sans la page de titre du second volume de texte. Rousseurs éparses. Quelques salissures et rousseurs marginales aux planches de l'atlas. Couverture rigide
Patris et Cie, Paris, 1810. In/8, demi-reliure moderne maroquin bleu et toile imitant le maroquin long grain, coins vélin. Dos à roulette dorée en dents de scie, titre doré. Avec une planche de gravure dépliante. Impression à grandes marges. xxxii-116 pages. Signature autographe à l’encre de l’auteur au dos de la page de titre. Page de titre et deux dernières pages finement restaurées. Deux taches très claires sur la planche. Rare mouillure claire en coin à la fin de l’ouvrage. Hormis ceci, exemplaire très frais. EDITION ORIGINALE RARE. Tirage à 11000 ex. Par Appert, “Propriétaire à Massy, département de Seine et Oise, ancien Confiseur Distillateur, élève de la bouche de la Maison Ducale de Christian IV.” Grâce à cet ouvrage, qui explique la fabrication des boîtes de conserve, Appert put recevoir un prix qui lui permit de déposer le brevet et de commencer la commercialisation de son invention. Après une première partie concernant les instruments pour la conservation (le laboratoire, les bouteilles et les vases, “Moyens de distinguer les bouteilles ou vases qui risqueraient de s’avarier”), description des procédés pour la conservation, par aliment. Aborde des thèmes comme les plantes médicinales, moût de raisin ou vin doux, petites fèves des marais etc. Suit une “Manière de faire usage des substances préparées et conservées”, parmi lesquelles la “Préparation du sirop de raisin par M. Parmentier”, avec toujours un langage surrané qui fleure bon les siècles passés... Contrairement à ce que publie Vicaire, la première édition est celle de Patris, 1810. Voir Oberlé, 184 ; Golden Bitting, 13.
160111N.p.: N.p. 1977. Draft script for the 1978 film. Copy belonging to Lucile Jones credited in the film as a "friend who did everything" with her first name in manuscript ink on the title page. <br /> <br /> Laid in with the screenplay are three photographs from the set of the film: one black-and-white studio still photograph showing actors Bruce Dern and Jane Fonda and two borderless color reference photographs of director Hal Ashby with an unknown woman possibly Jones on the set. <br /> <br /> A key Vietnam-era film and one of noted director Hal Ashby's finest efforts. Ostensibly a war film "Coming Home" is really more about the lives of the women left behind during the war tracking the progress of a housewife who finds herself unexpectedly liberated in her husband's absence falling into an affair with a wounded veteran. <br /> <br /> Winner of three Academy Awards including Best Screenplay and nominated for five others including Best Picture and Best Director. Nominated for the Palme d'Or.<br /> <br /> Screenplay: <br /> <br /> Red titled wrappers. Title page present with credits for screenwriters Waldo Salt and Bob Jones and director Hal Ashby. 134 leaves with last page of text numbered 132. Xerographic duplication rectos only with four blue revision pages dated 1/3/77. Pages Near Fine wrapper Near Fine bound with two gold screw brads.<br /> <br /> Photographs:<br /> <br /> Two 7 x 5 inches one 8 x 10 inches. Near Fine. N.p. unknown
1809P1903London: William Miller 1809. Very Good. Image Size : 415x590 mm 16.375x23.25 Inches Platemark Size : Paper Size : 480x655 mm 18.875x25.75 Inches Coloring: Original Hand Coloring Medium: Aquatint Categories: Views Africa Egypt William Miller unknown
144811Los Angeles: Paramount Pictures 1973. Draft script for the 1975 film. <br /> <br /> Based on the 1939 novel by Nathanael West and equal to it as a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of those caught up in it. Nominated for two Academy Awards considered by many to be Donald Sutherland's finest performance and one of the most underrated films of the 1970s. <br /> <br /> Teal studio wrappers with a die cut title window in the British style. Title page present with credits for screenwriter Waldo Salt novelist Nathanael West producer Jerome Hellman and director John Schlesinger. 122 leaves with last page of text numbered 118. Mimeograph duplication rectos only with white revision pages throughout dated variously between 7/31/73 and 10/12/73. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Paramount Pictures unknown
181619413Philadelphia: M. Carey; Boston: Wells & Lilly pr. by Lydia R. Bailey 1816. 8vo 23.5 cm 9.25". 24 454 pp.; fold. map. illus. <br><br>First U.S. edition and printed by Lydia Bailey following the London first of 1814. Salt a British traveller and Egyptologist first visited Ethiopia in 1805 and returned in 1809 on a diplomatic mission intended to promote ties between the British government and the Emperor of Abyssinia. The Voyage gives Salt's observations of Ethiopian customs manners dress cuisine and music along with the factual details of his diplomatic achievements or lack thereof in terms of concrete agreements followed by an appendix comparing vocabulary words from various languages spoken along "the Coast of Africa from Mosambique to the borders of Egypt with a few others spoken in the Interior of that Continent" p. 395.<br>Â Â Â Â This is an untrimmed copy in original boards with 24 pages of advertising for Carey publications bound in at the front of the volume. The preliminary map engraved by John Bower has hand-colored border lines; this American edition does not call for the plates found in the English first but does include in-text depictions of several "Ethiopic inscriptions. <br>Â Â Â Â <br>Â Â Â Â Shaw & Shoemaker 33864; NSTC 2S3118; Library Company Afro-Americana 9080; Nipps Lydia Bailey 157; Clarkin 932. Publisher's quarter tan paper over light blue papercovered sides; front cover detached and back joint cracked binding spotted paper cracked and split along spine spine label now absent and replaced with hand-inked title spine with later paper shelving label. Front pastedown with institutional bookplate front free endpaper with inked ownership inscription dated 1829. Half-title with portion of outer margin torn away not touching text and laid in. Map lightly foxed with two short tears along folds. Pages age-toned with occasional spots of foxing. M. Carey; Boston: Wells & Lilly (pr. by Lydia R. Bailey) hardcover books
2023Adhya-9780323733885ELSEVIER MEDICAL 2023. Hardcover. New. ELSEVIER MEDICAL hardcover
2023Adhya-9780323733885ELSEVIER MEDICAL 2023. Hardcover. New. ELSEVIER MEDICAL hardcover
18403417<p><i>Through Russian Waters</i></p><p>RUSSIA - TRADE FORMS. Vice Consolato di Russia. Manifesti cominciando dal 1840. Trapani 1840-49.</p><p>Small folio pp. 196 of pre-printed shipping manifest forms of which 137 completed in ink; contemporary flexible vellum-backed marbled paper boards with ink-lettered label to upper board; corners bumped and spine a little chipped.</p><p>Fine documentation of the maritime trade from the harbour of Trapani in Sicily. The manifest gives bills of lading from January 1840 to March 1849. The pre-printed manifests are completed in ink giving the name of the freight ship and its captain the destination and then details of its freight i.e. type and quantity of merchandise names of senders and recipients.</p><p>Trapani boasts some of Europe's oldest salt marshes and salt extraction has been a major business for centuries which still flourishes to the present day. By the nineteenth century Sicilian sea salt was exported to European countries as far away as Norway and Russia. These shipping manifests document that it was sent to destinations as far afield as Constantinople Abo Stavanger Carlscrona Stockholm Bergen Odessa Reval and Riga.</p><p>Clearly some of the shippers acted on their own account being both captains of the ship and shipper whereas others acted on commission. The shipping routes went through Russian waters which explains the accounts kept by the Russian Vice Consulate.</p>
