SALT, HenryBiblio.com
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59053William Miller London May 1 1809. . Aquatint engraving by L. Bluck with original hand-colour. 490 x 620mm. 19.25 x 24.50 inches.<br /> <br /> William Miller, London, May 1, 1809. unknown
1814028155London: Printed for F.C. and J. Rivington St. Paul's Church-Yard 1814. executed under the orders of the British government in the years 1809 and 1810; in which are included an account of the Portuguese settlements on the east coast of Africa visited in the course of the voyage; a concise narrative of late events in Arabia felix; and some particulars respecting the aboriginal African tribes extending from Mosambique to the borders of Egypt; together with vocabularies of their respective languages . First Edition. Un volume 33x25 cm di 16-506-LXXV pagine. Con 27 tavole ft incise due vignette incise e sette carte su otto geografiche anche ripiegate fuori testo manca solo la carta di Annesley Bay. In barbe; grandi margini. The plates show views costumes portraits architecture as well as some of the works of art of the region. Gay 2683; Pankhurst 12. Legatura moderna in mezza pelle avana ad angoli piatti con carta marmorizzata dorso a nervi con tassello di titolo e decorazioni dorate. Ottime condizioni. Printed for F.C. and J. Rivington, St. Paul's Church-Yard unknown
181540671Weimar, Landes=Industrie=Comptoir, 1815. Contemp. hcalf. Gilt. Title-and tomelabel with gilt lettering. Corners a bit bumped, spine slightly rubbed. XVI,480 pp. and 1 folded engraved and handcoloured map, 34x42 cm. ""Charte von Abyssinien...einrich Salt 1809 u. 1810). Scattered brownspots.
181540671Weimar Landes=Industrie=Comptoir 1815. Contemp. hcalf. Gilt. Title-and tomelabel with gilt lettering. Corners a bit bumped spine slightly rubbed. XVI480 pp. and 1 folded engraved and handcoloured map 34x42 cm. "Charte von Abyssinien.einrich Salt 1809 u. 1810. Scattered brownspots. <br/><br/><em>First German edition.Neue Bibliothek der wichtigsten Reisebeschreibungen.hrsg. von F.J. Bertuch Vierter Band. Having also the general titlepage with a stamp. </em> unknown
197820364ELos Angeles: Jerome Hellman Productions A Hal Ashby Film / United Artists N.d. 1978. Original 132 page shooting script for the award-winning film Coming Home screenplay by Waldo Salt and Robert Jones. Bradbound in stiff red paper covers with the title gilt-stamped to the front. With a hint of use else fine. The film was directed by Hal Ashby and stars Jane Fonda Jon Voigt Bruce Dern and Penelope Milford. The film won 3 Oscars: Best Actor in a Leading Role Voigt Best Actress in a Leading Role Fonda and Best Writing Screenplay Written Directly for the Screen. And it was nominated for Best Picture Best Director Best Actor in a Supporting Role Dern Best Actress in a Supporting Role Milford and Best Film Editing. It also won 2 Golden Globes: Best Actor - Drama Voigt and Best Actress - Drama Fonda. With 4 nominations: Best Motion Picture - Drama Best Director - Motion Picture Best Actor in a Supporting Role Dern and Best Screenplay. The film tells the love story between a woman whose husband is fighting in Vietnam Fonda who falls in love with another man Voigt who suffered a paralyzing combat injury there. Jerome Hellman Productions (A Hal Ashby Film) / United Artists unknown
197820364ELos Angeles: Jerome Hellman Productions A Hal Ashby Film / United Artists N.d. 1978. Original 132 page shooting script for the award-winning film Coming Home screenplay by Waldo Salt and Robert Jones. Bradbound in stiff red paper covers with the title gilt-stamped to the front. With a hint of use else fine. The film was directed by Hal Ashby and stars Jane Fonda Jon Voigt Bruce Dern and Penelope Milford. The film won 3 Oscars: Best Actor in a Leading Role Voigt Best Actress in a Leading Role Fonda and Best Writing Screenplay Written Directly for the Screen. And it was nominated for Best Picture Best Director Best Actor in a Supporting Role Dern Best Actress in a Supporting Role Milford and Best Film Editing. It also won 2 Golden Globes: Best Actor - Drama Voigt and Best Actress - Drama Fonda. With 4 nominations: Best Motion Picture - Drama Best Director - Motion Picture Best Actor in a Supporting Role Dern and Best Screenplay. The film tells the love story between a woman whose husband is fighting in Vietnam Fonda who falls in love with another man Voigt who suffered a paralyzing combat injury there. Jerome Hellman Productions (A Hal Ashby Film) / United Artists unknown books
1809P2756London c.1809. Very Good. Image Size : 404x515 mm 15.91x20.28 Inches Platemark Size : Paper Size : 456x559 mm 17.95x22.01 Inches Coloring: Original Hand Coloring Medium: Aquatint Categories: Views Africa Egypt; unknown
180981318London: William Miller 1809. Very Good. Hand-colored aquatint print now in a modern frame under glass. Image size approximately 61 x 42cm. This is Plate No. XV from "Twenty-Four Views in St. Helena the Cape India Ceylon Abyssinia and Egypt" which was published in 1809. <br/><br/> William Miller unknown books
M3142aExtremely rare one of 300 copies only. Chez Bobée et Hingray Treuttel et Wurtz Debure Paris 1827. First French edition. In-8 ix & 70 pages 6 folding plates. Original softcover. Some foxing otherwise in excellent condition. Original softcover darkened by time spine partly creased but firm. No markings an excellent copy. Language: French/Français. This book ships from Europe shipping costs will be updated accordingly BPF. Relevant subjects: Egypt: Language Texts & Writing. unknown
194856976Salt Lake City UT: Motor Mercantile Co. Strevell-Paterson Hardware Co. 124-128 SW Temple ca. 1948. Thick 4to. 9.25 x 11.5 x 2.75 in. 15 leaves unnumbered. printed on yellow-tinted paper w/ plasticized thumb tabs at fore-edge margin with 60 original photographs preserved in original mylar sleeves as issued many w/ printed captions tipped-in on recto occasional curling and bowing to old mylar. Black pebbled cloth post-binder ornamental gilt lettering stamped on front cover rounded corners minor wear to corners minor chipping head & foot of spine minor bumping still a VG copy. First edition of this very scarce salesman sample photo catalogue detailing the rebuild and machining services automobiles and trucks offered by the Motor Mercantile Co. following World War II. The firm had developed many of their machining and reconditioned parts methods to maintain civilian and military automobiles during wartime rationing. The album opens with a photo of the historic Strevell-Paterson Hardware Co. which was historically located at 126-128 SW Temple in Salt Lake followed by photo of the new building for Strevell-Paterson Finance Co. housing the Motor Mercantile Co. after the War. In addition images of the parts counter machine shop and sales office are shown. Each section includes series photos showing the reconditioning of parts such as reconditioning crank shafts; meticulously refacing and reconditioning engine valves; boring and honing engine cylinders; powder coating machined and reconditioned parts and showing the necessary lathe work. Also detailed are reconditioning connecting rods pistons pins broken studs on engine blocks brake service and even manufacturing windshields. Originally founded in 1918 by A.D. McMullen a former Stevell-Paterson sales manager the company operated at 115-117 SW Temple for years and within a few years they appear as a subsidiary of Strevell-Paterson Hardware Co. with their logo painted on the side of the historic building in the first photograph. Rogers 1878-1966 was longtime sales manager who had begun working for Strevell-Paterson as a traveling salesman before World War I. No copies located in Worldcat. Motor Mercantile Co., [Strevell-Paterson Hardware Co., 124-128 SW Temple, hardcover
1707ys3847Lugduni Batavorum, apud Fredericum Haaring Relié 1707 In-12 (10,5 x 16,5 cm), reliure plein veau, dos à 5 nerfs orné de caissons dorés, pagination comme suit : faux-titre, titre, Lectori Benevolo (11 pp.), Noi Reformatori (1 pp.), puis 280 pp., texte en latin, rare seconde édition de ce livre de Domenico Guglielmini, un des initiateurs de la cristallographie. Il s'agit ici d'une étude sur le sel, dont la première édition a été imprimée en 1705 à Venise ; pièce de titre manquante au dos, petits manques de cuir aux coiffes, coins, et petits trous dans le cuir au premier plat, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
175115490Paris, Hérissant, 1751 ; 2 t. petit in-8 ; veau havane marbré glacé, dos à nerfs décorés et dorés, pièces de titre fauve et de tomaison vert foncé, roulette sur les coupes, tranches rouges (rel. de l'époque) ; ((4), XVI, (8) (table), 517 pp., (3) pp. bl. ; (16), 574 pp., (1) f. bl., vignette gravée de titre, répétée, par R. Brunet d'après C. Challe, angelots qui s'activent au milieu des cornues auprès d'un fourneau.
176621550Paris, Pierre-François Didot, le Jeune, 1766 ; in-12, veau marbré, dos lisse à faux nerfs dorés, décoré et doré, pièce de titre grenat, tranches rouges (reliure de l’époque) ; [8], 392 pp.
2602420 of Brassington’s 21 letters from between 1899 and 1902 and on letterheads of Shakespeare Memorial Stratford-upon-Avon; the other is from 1910. Among the other items are ones dated from between 1899 and 1928. The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower 1830-1892 after whose death its management was taken over by his brother Edgar Flower 1833-1903 also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower 1865-1950 several times mayor of Stratford-upon-Avon. The present correspondence concerns a gift to Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. Between 1899 and 1901 Boddy donated at least twelve portraits to be hung in the Shakespeare Memorial reading room from the correspondence wood carvings also appear to have been donated. Details of the first seven portraits are contained in a letter of 11 December 1899 from Boddy to the Shakespeare Memorial librarian the archaeologist W. S. Brassington for which see below. The paintings included supposed works by Henry Fuseli ‘The Fuseli Macbeth’ and Sir Peter Lely Nell Gwynne Henry Wyatt Coleridge and a portrait said to be by Romney of a young Percy Bysshe Shelley five letters by Brassington relating to which are offered separately one of Alexander Pope ‘attributed to Hogarth’ as well as a ‘Garrick portrait’ one of Nell Gwynne and a ‘Spanish Lady’. In 1916 Boddy demanded their return on discovering that the Archibald Flower had broken the condition that Boddy had arranged in 1900 with the then librarian W. S. Brassington: ‘The Portraits were to be hung together and remain so.’ The present collection of 37 items is in good condition lightly aged apart from a couple of items are creased and worn both being repaired with archival tape. The 20 of Brassington’s 21 letters dating from the years 1899 to 1902 totaling 39pp 12mo; and 1p 4to convey his enthusiasm with regard to the donation. In the first letter 9 December 1899 Brassington acknowledges receipt of a letter from Boddy ‘respecting portraits of Shakespeare’ noting with pleasure Boddy’s ‘kind proposal to present the pictures to the Shakespeare Memorial’. Three days later 12 December 1899 he arranges to ‘come over and view’ ‘the pictures which you so generously propose to bestow upon the Shakespeare Memorial’. On 16 December arrangements are made for the removal of the pictures by ‘stage carpenter’ Henry Mann with Brassington reporting that ‘Mr Flower our Chairman who is at present away from home . thinks it most kind of you to make this very handsome present’. And a week later 19 December 1899 he acknowledges receipt of ‘the seven portraits which you so generously bestow upon the Shakespeare Memorial’ adding ‘Now that the portraits are in a good light I am more than ever delighted with them and I think you will be so when you see them in the Gallery.’ On the same day 19 December 1899 Edgar Flower writes to Boddy from The Hill Stratford-on-Avon as ‘Chairman of the Council’ to report ‘how greatly the gift is approved’. He continues: ‘In due course you will receive an official acknowledgment but in the meantime allow me to say personally that I consider each of the portraits as of great merit and interest and that they wil be conserved as your gift in the gallery to which they are a magnificent addition’. Six months later the works have been properly hung and on 23 June 1900 he writes that the ‘beautiful pictures have been much admired to-day by our London visitors many of whom had not seen Stratford before’. Four days later he informs Boddy that his ‘beautiful pictures reached here in safety. The “lady†is before me in a good north light and looks magnificent.’ Shortly afterwards 10 July 1900 he goes into some detail with regard to the hanging: ‘The “Spanish Lady†and other pictures now adorn the walls of the Memorial and are being very greatly admired. Mr Flower is unwell and I have not been able to obtain his signature to a card of thanks but at the monthly committee meeting great satisfaction was expressed at your generosity. The Grinling Gibbons’ carving now stands upon the carved oak mantle shelf of the Reading Room. It is most handsome and suitable since it represents the arms of London where Shakespeare lived for the greater part of his life. Moreover the carving hides an ugly modern Dutch bronze portrait of Shakespeare now well out of sight! / The Seven ages of Man adorn the staircase. And the “Spanish Lady†hangs over-against Nell Gwynne above the other portraits in the end gallery.’ The letter continues with speculation about the subject’s identity. On 23 July 1900 he reports: ‘The two valuable additions to the collection of paintings so kindly presented by you to the gallery are now placed on the walls. The Fuseli hangs near another example by the same master in the 1st gallery the Sir Peter Lely is placed with the other portraits between Nell Gwynn and the Spanish Lady’ which is ‘one of the most beautifully painted pictures I have ever seen’. He is so struck by it that he ‘went to the Dulwich Gallery last week to make notes but found nothing like this picture there’. A letter of 1 November 1900 begins by commending Boddy’s gift of the proof of his ‘brochure’ ‘Shakespeare’s Garden’. Brassington then discusses his holiday ‘in a cottage on the quay at Minehead. We had a good time at that old-world place and I ventured to Stratford refreshed. I had found the summer season with its crowd of Americans rather trying.’ He is relieved that Boddy was well treated by the staff in his absence: ‘they all take the greatest interest in the work of the memorial . Unfortunately of late there has been a discordant note sounded by Miss Corelli but people here are now aware that a great fuss is being made about a little matter.’ Turning to Boddy’s gift he writes: ‘I am glad you approve of the arrangement of the portraits. We expect next week to receive a portrait and a bust of Miss Mary Anderson and possibly a bust of Ellen Terry so you see we are adding to the collection and to the interest of the place.’ On 27 November 1900 he reports that he has been told by ‘Elliott’ that ‘the portrait of the boy with a dog which you recently presented to the Memorial appears to me to be more like the work of Vandyck than of any other artist. I sincerely hope it may be so’. And on 18 January 1901 he writes: ‘The two paintings reached here safely - they are beauties.’ On 3 June 1901 Brassington writes on the wider question of ‘Memorial Picture Gallery’ reporting that he has had ‘a call from Mr Frank Richards 1863-1935; Newlyn School an artist late of Birmingham now of No. 6 Addison Studios West Kensington. / Mr Richards has painted a large picture of “Hamlet†which he wishes to place in the Memorial Picture Gallery. Sir Henry Irving and Mr Flower have offered £10. each towards a subscription to buy the picture for the Memorial and it is possible that Mr Richards may write to you on this subject.’ He gives further details of appeal reporting Edgar Flowers’ opinion that that painting is ‘a fine work of art though in his opinion the face of Hamlet is too old looking’. He discusses the difficulties involved in dealing with such a ‘large Shakespearian picture’ two or three of which have been offered to the Memorial there being ‘no fund for the purchase’ and a reluctance on the part of the governors ‘to make an appeal either to the Governors or the public. The Committee feel that any suggestion of begging for donations should be avoided at the same time they dont like the idea of refusing a good and suitable picture’.Fifteen years later the mood has drastically worsened. Seven items from 1916 mostly carbon copies of TLsS dealing with a complaint by Boddy regarding the handling of a collection of historic portraits presented by him to the Shakespeare Memorial Association in 1900. Boddy states in a TLS copy to Steward Dick from Ashted Row Birmingham 17 June 1916: ‘I was certainly more than surprised to find my pictures scattered about the building in a most indiscriminate manner. I presented them to the Memorial on the distinct understanding that they were to be kept together’. Edgar Flower’s son Archibald replies in an undated carbon from The Hill Stratford on Avon: ‘I am indeed sorry that there should have been any misunderstanding and that you who have been a govener sic so long should have been caused pain by the rehanging of these pictures / At the time you gave these my father was chairman and I had no knowledge of your having expressed any special wish as to the grouping.’ The other five items relating to this complaint are a copy of a letter of complaint from Boddy to W. S. Brassington ‘being that you were Librarian at the Memorial Theatre when I presented my collection of pictures’ stating that he has ‘demanded the return of all my pictures’ and two copy letters from W. S. Brassington to Boddy one referring to ‘these tiresome people at Stratford’ and copies of a memorandum ‘Suggestion for Inscription / Collection of Historic Portraits’ and note to Stewart Dick see below stating that the matter is in the hands of Boddy’s solicitor. Other material comprises: ONE: ALS copy from Boddy to Brassington Ashted Row Birmingham 11 December 1899. Giving details of seven portraits he would be ‘pleased to present’ and suggesting that he visit to view them. ‘Though the portraits do not relate to Shakespeare I think when you see them you will agree with me that they will be a valuable and most interesting addition to your collection.’ TWO: An ALS from Brassington 31 August 1910 hinting at trouble to come with regard to ‘the circumstances connected with your suggestion for a tablet’: ‘Your wishes were clearly expressed to the committee when the pictures were received & would be recorded in the Minute book. / It seems to me that the words quoted by Mr Archibald Flower constitute a condition & that the gift was accepted on those terms - certainly that is what I understood.’ THREE: Two ALsS to Boddy from Stewart Dick one 22 July 1916 on letterhead of the Old Brewery House Stratford-upon-Avon the other undated on same letterhead cancelled in favour of Shakespeare Memorial Theatre. He begins the dated letter: ‘Mr Lowndes has handed me the letter from Messrs Philip Baker & Co regarding your pictures. Dont you think that the best plan will be for me to run up to you one day next week . I am sure after meeting you the other day that we can arrange the matter quite amicably without troubling the lawyers further.’ On the reverse of the letter is a pencil draft of Boddy’s reply informing him that ‘the matter is now entirely in the hands of my solicitors’ for typed carbon of which see above. Dick’s second undated letter is a longish one 4pp 12mo 67 lines apparently from the time of the donation commenting enthusiastically on the pictures and asking for information about them. FOUR: Transcription by Brassington of ‘Suggestion for Inscription’ by Edgar Flower dated April 1900. States that the collection of twelve paintings was ‘presented to the Shakespeare Memorial Association by Evan Marlett Boddy Esqr. F.R.C.S. on condition that the pictures be kept together and not removed from the Memorial Buildings at Stratford on Avon.’ FIVE: An ALS to Boddy from Charles Lowndes 26 April 1900 on Shakespeare Memorial letterhead apologising for spelling Boddy’s name wrongly. SIX: Signed receipt for ‘Black & gold frame’ from J. Morgan of Stratford-upon-Avon 12 January 1901 on his letterhead. SEVEN. Printed notice by ‘Edgar Flower / Chairman’ Shakespeare Memorial Stratford-upon-Avon dated 20 June 1900 regarding ‘Presentation of William Page’s Bronze Bust of Shakespeare’ to the Whitefriars’ Club City of London. EIGHT: Printed ‘Fifty-second Report of the Council to be submitted to the General Meeting of the Governors of the Shakespeare Memorial Theatre Stratford-upon-Avon convened for Monday April 23rd 1928.’ 4pp folio. With long list of officers and governors statement of expenditure and receipts and report of executive council. 20 of Brassington’s 21 letters from between 1899 and 1902, and on letterheads of Shakespeare Memorial, Stratford-upon-Avon; th unknown
201711344Rockport ME: Stagenhoe Press 2017. Artist's book one of 10 copies deluxe issue with an original cyanotype printed on vellum laid into the clamshell box from a total issue of 15 #10-15 without cyanotype and in slipcase all on BFK Rives each signed and numbered by the artist in the colophon. Page size: 8 x 8 inches; 8 leaves 16pp; including colophon. Bound by the artist: drum-leaf binding of blue-grey cloth over boards with tan cloth spine duotone print artist self-portrait used throughout book edged in tan inset into front panel housed in blue-gray cloth over boards custom-made clamshell box by Richard Reitz Smith lined with blue cloth printed with darker blue small images of telephone spine with title and artist printed on spine small phone stamped on front panel. Printed letterpress by the artist in Baskerville Old Face and Century Schoolbook at Maine Media College in a variety of point sizes in blue each page with a series of 4-3-2-1 dots printed in tan in lower right corner of each recto. The artist notes that her poem is "broken up throughout the book and the stilted structure of the verse speaks to the awkward nature of the phone call it describes." The words and tone of the poem are unsparing and relate the desire to be known to those closest to us and the ensuing sadness when we realize this is not possible. The author / artist takes the reader / viewer on an intimate journey highlighted by the use of her self-portrait printed as a duotone on vellum between the last two lines of the poem followed by the same image printed in pale grey with the last line of the poem below the artist's uncompromising gaze. The text is quick and to the point and relevant to us all. The elegant cyanotype printed on vellum laid into the back of the slipcase might have seemed ephemeral had the image not been so strong. Instead it is exactly the opposite. The artist's eyes force viewing and consideration of her words. Beautifully accomplished this is a wonderful example of an idea made concrete by one artist's talent. b. Stagenhoe Press unknown books
1894WRCAM35120Salt Lake City: R.L. Polk & Co. 1894. 2-952pp. including one chromolithographic advertising plate and 43pp. of advertisements printed on tinted stock. Original black half cloth gilt and boards printed with advertisements. Boards and preliminary leaves detached closed tear in cloth of spine. Plate fold strengthened. Internally fine. Overall very good. An exhaustive directory with numerous illustrated advertisements. The chromolithographic plate advertises "The Orcutt Company Leading Lithographers" and depicts a middle eastern market scene. R.L. Polk & Co. hardcover books
198422147Zurich: Parkett Verlag 1984. First Edition. Paperback. Fine. Issue number 2 of this long running art journal. This issue features collaborations with artist Sigmar Polke a piece on Gary Indiana architecture in Berlin and much more. A fine as-new copy still in shrinkwrap. By far the scarcest issue of this magazine. Original Polke multiple included. Parkett Verlag paperback books
Paris, 1894. 4 volumes In/4 demi-chagrin rouge, dos à nerfs à fleurons et titres dorés, illustrations in-texte, 1940 pages, 4 ff. Petites usures sur les coiffes. Plus de 3500 recettes, prés de 5000 articles, prés de 800 figures dans le texte Fruit de dix années de travail, cet ouvrage répertorie par ordre alphabétique recettes, moyens réfrigérants, végétaux... bref, tout ce qui a un rapport avec l’alimentation de l’homme. Vicaire col. 356 pour la première édition de 1883.
2011DADAX0578091577Brand: Living Awareness Productions 2011-09-15. paperback. New. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Living Awareness Productions paperback
181460635London: Printed for F. C. and J. Rivington by W. Bulmer and Co 1814. First Edition. First printing. Quarto 32cm. Rebound in modern half marbled calf and marbled paper over boards titled in gilt on red leather spine label; modern brown endpapers; iii-xvi506lxxv1pp; 7 maps 5 folding one also hand-colored engraved by A. MacPherson after drawings by J. Outhett 27 plates and two in-text vignettes engraved by C. Heath after drawings by H. Salt and occasional relief diagrams. Errata to p.xvi. Former owner T. Bateman's stamp to title page. Lacking the half-title and the chart of Annesley Bay otherwise complete. A sturdy copy board edges gently rubbed slight dustiness to plate edges very occasional spots of foxing generally bright and fresh: Very Good. <br /> <br /> A handsome account of exploration in Ethiopia including depictions of notable nobles archaeological discoveries and hippopotamus hunting. Salt accompanied George Annesley on a tour of Egypt Ethiopia and India in 1802-06; following that he toured Ethiopia in 1809-1810 "as a quasi-official envoy under Canning's sponsorship marching from the Red Sea coast with an escort of 160 bearers to explore trade and diplomatic links with the Ethiopian emperor Wolde Selassie. Britain fearing a French alliance with Egypt wished to secure a port on the Red Sea. Salt carried out a little archaeology discovering at Aksum three large limestone tablets engraved with ancient Ethiopian inscriptions. Little came of the mission for the government but Salt earned over £1000 for the first edition of this book" HOWGEGO II S6. LOWNDES p.2180. Printed for F. C. and J. Rivington by W. Bulmer and Co unknown
189745502Salt Lake City: The Salt Lake Tribune 1897. First edition. Hardcover. Quarto 28.5 cm Rebound in blue cloth over boards with the original front wrap bound in. With a number of contemporary advertisements. Illustrations throughout. Very good. The extremities are rubbed including the gilt stamped title on the backstrip and there are several light scratches on the front board. There is a 4" closed tear in the top edge of the original front wrap along with a handful of shorter closed tears in the edges a few of which have been backed with tape. The last couple of pages also have small closed tears in the edges. Else the pages are free of tears and marks. Flake 7510. A collection of accounts printed in the Salt Lake Tribune between Monday April 5 1897 - July 24 1847 relating the events that happened on the very same day fifty years earlier during the Mormon trek west in the year of 1847. The Salt Lake Tribune hardcover
1975287571975. Mimeographed 118 pages plus additional revised pages dated 9/26-10 /73 pinned in plain covers. Occasional pencil marks and dog ears reveal it was obviously used at some point in production. Directed by John Schlesinger. Signed by the cinematographer Conrad L. Hall and inscribed and signed by Karen Black. unknown
189420183London: Elliot Stock 1894. Limited edition. Hardcover. Fine. Folio. xvi 2771pp. followed by 2pp publisher's catalogue. Illustrated. Blue cloth blocked in gilt on the spine and upper board and in blind on the lower board. Top edge gilt. Patterned end papers.<br /> <p><br /> One of fifty numbered copies of which this is No. 6.<br /> <p><br /> A few spots of very light foxing light wear to the edges and hinges else a very good copy.<br /> <p>. Elliot Stock hardcover
189420183London: Elliot Stock 1894. Limited edition. Hardcover. Fine. Folio. xvi 2771pp. followed by 2pp publisher's catalogue. Illustrated. Blue cloth blocked in gilt on the spine and upper board and in blind on the lower board. Top edge gilt. Patterned end papers. One of fifty numbered copies of which this is No. 6. A few spots of very light foxing light wear to the edges and hinges else a very good copy. Elliot Stock hardcover books
18274729Paris: Chez Bobee et Hingray Treuttel et Wurtz Debure Freres 1827. Hardcover. Very Good. A scarce book; only 300 copies of this French edition were printed. Scattered foxing and toning to contents but in a contemporary armorial French binding leather flaked. 6 folding lithograph plates. <br/><br/> Chez Bobee et Hingray, Treuttel et Wurtz, Debure, Freres hardcover books
