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1800ABC_48443The Netherlands 1800. Splendid late 18th-century ca. 1790 gold-tooled red morocco sewn on 4 supports with a smooth spine bound by the so-called Second Dissertation Bindery Leiden ca. 1780-ca. 1794; Storm van Leeuwen IIA pp. 350-358 with 4 closing loops on the front board 1 top edge 2 fore-edge 1 bottom edge connecting to 4 closing knotted buttons on the back board. Both boards show 3 gold-tooled floral frames built up from 2 different rolls with small corner pieces in between the inner frame with 4 larger floral corner pieces and a large lozenge shaped centrepiece built up from multiple impressions of 5 different floral and animal stamps. Further with a gold-tooled spine and board edges gilt edges and marbled endpapers. Large 4to. With 162 signatures on 160 vellum or paper cuttings mostly vellum including 2 cuttings with 2 signatures each mostly from the 17th century some from the 18th century and a few from the early 19th century. Further with one large printed coat of arms of the Wassenaer family on the verso of the title-page an engraving ca. 9.5 x 7 cm showing the house of Jacob Cats on the verso of leaf 34 and with 19 printed coats of arms on the versos of several leaves 16 depicting a coat of arms with the name of the family below and 3 blank shields. The title page headings and captions all in a very neat late-18th-century or early 19th-century cursive script written in Dutch using brown ink. Remarkable collection of 162 signatures of mainly 17th-century 16th- to early 19th century Dutch and international prominent people - from statesmen like Stadtholder Maurice of Orange Count of Nassau etc. and Grand Pensionary of Holland Johan de Witt 1625-1672 royals like King Philip II of Spain 1527-1598 and William III of Orange Stadtholder of the Dutch Republic and later King of England Scotland and Ireland 1650-1702 and government officials like "Griffier" to the States General François Fagel 1629-1746 the most important clerk of the Dutch Republic's government to authors poets and scholars like P.C. Hooft 1581-1627 and Nicolaas Tulp 1593-1674. For each individual mentioned in the present work their signature - on a separate vellum or paper cutting mounted on the recto of the leaf - appears next to a short biographical description. Some biographical descriptions are more extensive than others but two names appear without any further information. The first is Caspar Clotterbooke leaf 30 who is listed as a secretary for the council of the States of Holland in the 18th century 1778. He was born in The Hague in 1720 held several high positions in the councils of Haarlem and the States of Holland as a representative of that city and died childless in 1817. The second is Hendrik Nobel who is listed in the second part among royals statesmen military commanders scholars and others. He lived from 1568 to 1649 and was appointed as "bewindvoerder" administrator or governor of the Rotterdam Chamber of the Dutch East India Company VOC. In two cases one cutting contains two signatures - those of Johan van Hoorn and Abraham van Riebeek appear together as well as those of Adriaan Valkenier and Johannes Thedens; all four were Governor General of the Dutch East Indies resp. from 1704-9 1709-13 1737-41 and 1741-43. In the case of William III two signatures are included for one single individual - the first is his signature as Prince of Orange and the second is his signature as King of England Scotland and Ireland "William R.". The work was bound by the so-called Second Dissertation Bindery in Leiden which was active at the end of the 18th-century between ca. 1780-1794 Storm van Leeuwen. The work was most likely produced as an album with blank leaves to be used as a notebook or scrapbook album of some sort at a later date. The paper used in the album is clearly watermarked throughout for example a lion within a crowned medallion pro patria eiusque libertate countermarked J. Honig & Zoonen. The firm Honig or Honigh Zaandam the Netherlands was active from the late 17th century until the late 19th century but was known as J. Honig & Zoonen during the 18th century. The paper is most likely contemporary to the binding. While several of the cuttings containing signatures are also dated - as part of the signature itself or separately added - these dates represent the exact or otherwise approximate date the particular signature was produced. The majority of the signatures can be traced back to the 17th century but were probably cut from official hence the vellum documents to be sold as collector's items around the beginning of the 19th century.The present work was part of the collection of A.M. van den Broek 1932-1995 an antiquarian book print and art collector from Haarlem. His collection mainly contained works focussed on Haarlem and its surroundings. The present work includes 7 signatures from prominent Haarlem representatives in the "Commons" the council of the States of Holland during the 17th- and 18th centuries.The binding shows very slight signs of wear two scratches on the front board some rubbing along the spine and closing knotted buttons on the back board the gutter of the first and second front flyleaves is slightly exposed without affecting the integrity of the binding. Further with some minor offsetting on the blank versos of the leaves from the signature cuttings. Otherwise in very good condition. A remarkable collection of signatures from mainly 17th century prominent Dutch and international statesmen and other famous people.l Cf. for the binding: Storm van Leeuwen IIA pp. 350-358. hardcover
17821205502Nürnberg, Weigel u. Schneider, 1782. Titelkupfer, 34, 260 S. Hldrbd d. Zeit (berieben, Stempel u. Sign. auf Vorsatz u. Titel).
1765250737Nuremburg 1765. 1 vols. c. 14" x 9 ". Fine. 1 vols. c. 14" x 9 " Great Flower Books p.75; Women of Flowers p. 73. Great Flower Books p.75; Women of Flowers p. 73 <br/><br/> unknown
176517088Søe Etaten Tøy-Huus den 2den Januarij Ao 1765. 8vo-oblong. Contemporary Cambridge style mirror binding with King Frederik V's large monogram to both front and back board. All edges gilt. Written on good paper. 61 ff.
176517088Søe Etaten Tøy-Huus den 2den Januarij Ao 1765. 8vo-oblong. Contemporary Cambridge style mirror binding with King Frederik V's large monogram to both front and back board. All edges gilt. Written on good paper. 61 ff. <br/><br/><em>The manuscript is a complete register of the navy’s ships as of the year 1765 with detailed numerical specifications of the armament of every vessel including calibres etc. At the end the land batteries are likewise described together with their inventory holdings. The manuscript was probably prepared for the King as an up-to-date information on the strength of the realm at sea and on land. </em> unknown
17112110502150908978Not Available 1711. Soft Cover. Fine. Volume: 1 Not Available paperback
17681206031768. First Edition. CATHERINE THE GREAT. The Grand Instructions to the Commissioners Appointed to Frame a New Code of Laws for the Russian Empire: Composed by Her Imperial Majesty Catherine II. Empress of All the Russias. To which is prefixed A Description of the Manner of opening the Commission with the Order and Rules for Electing the Commissioners. London: T. Jefferys 1768. Quarto contemporary marbled boards rebacked in period-style calf-gilt red morocco spine label raised bands; pp. i-v vi-xxiii 1 3-258. $5000.First edition in English of the celebrated Nakaz of Catherine the Great drawing extensively on Montesquieu's Spirit of the Laws heralded by Voltaire and Diderot initially issued in Russia in 1767 ""the single piece of Russian legislative material best known abroad""aligned with the later American constitution for its ""shared characteristics and techniques"" highly elusive in contemporary boards.""Born into a family of obscure German aristocrats delivered to St. Petersburg at the age of 14 and married in great pomp to the feckless heir to the Russian throne Catherine found herself"" in a loveless marriage and without political support Smithsonian. In 1765 after Peter's death and several years into her reign Catherine began crafting the Nakaz working on its almost daily for nearly two years. ""Fundamentally the Nakaz which Voltaire is said to have called the finest monument of the century is a legal and a political document. It represents Catherine's ambition early in her reign to remodel Russia's laws in accordance with new principles expounded in Western Europe. The Nakaz consists of three parts containing 655 articles in all. The major part 526 articles was made public in Moscow on July 30 1767. It treats the historical development of Russia and monarchial absolutism; the nature and forms of laws; crime and punishment; social structure and religious freedom. On February 28 and April 8 1768 two supplements of 40 and 89 articles respectively dealing with police expenditures revenues and taxation were added to the Nakaz"" Dmytryshyn Economic Content 1-2. ""While she worked alongside a secretary it was Catherine herself who selected and organized the material and wrote out the finished version."" In creating the Nakaz she chose her texts carefully. Nearly 300 ""owe something to Montesquieu's Spirit of the Laws 1748"" with about 100 clauses traced to Beccaria's On Crimes and Punishments 1764 and many from Voltaire's Encyclopédie."" While the Nakaz is ""not a written constitution it nonetheless shared characteristics and techniques with later texts that were constitutions"" Colley Gun Ship and Pen 61-73 emphasis in original.Catherine was ""not out to create a constitutional monarchy"" yet her Nakaz ""was innovative and influential the Legislative Commission that met in Moscow in August 1767 to discuss the Nakaz differed from later seminal constitution-making assemblies but it also anticipated and even exceeded them. Like the convention that met in Philadelphia in 1787"" this Russian Commission assembled delegates from across the empire. Further these ""Moscow deputies were also markedly more diverse in terms of social economic religious and ethnic background than the men of Philadelphia women too received some recognition in this Moscow commission something that did not happen in revolutionary America Moreover in sharp contrast with the men of Philadelphia in 1787 not all of the Moscow deputies were white and not all of them where Christian"" Colley 73-77. ""It was doubtless because of its 'radical' content that its publication was banned in France The significance of the Nakaz centers not only in its West European content"" but also on distinctive aspects of Russian culture that ""make the Nakaz an outstanding document in Russian political economic and historical literature"" Dmytryshyn 9. The Nakaz was never enacted yet it is ""the single piece of Russian legislative material best known abroad. It secured for Catherine the encomium 'the Great'"" Yale Law School. First edition in English. Catherine's manuscript was written in French from which she produced a Russian translation First editions were published in Moscow on August 10 1767 in Russian and German: a first German edition appeared in 1769. Little is known of translator Mikhail Tatischeff other than that he was attached to the Russian Embassy in London. Engraved ornamental initials and headpieces. Mispaginated as issued without loss of text. ESTC N6651. With trace of bookplate removal; later blank free endpapers. Bookseller ticket.Text fresh and fine light edge-wear rubbing to contemporary marbled boards. A handsome wide-margined near-fine copy. hardcover
176749062Leiden: Samuel and Johannes Luchtmans 1767. Second Schultens edition. Hardcover. Very Good. Three parts quarto. a-r4 s2 t4 -t4 A-4P4 = 409 leaves. 14 cxxxii 301 302-603 1 blank 68 indicespp. Engraved printer’s device at title heraldic cartouche at dedication; woodcut head- and tail-pieces lettrines; divisional titles at 2C3 and 2P4 register continuous. Prize dedication at front endleaf. Library stamps and endleaf and title. Contemporary half calf over lightly rubbed marbled boards; spine with morocco lettering piece; partially detached green silk ties. A clean fresh amply-margined copy.<br /> <br /> Second Schultens edition a line-for-line reprint of the 1748 edition with only the indices expanded. This Arabic grammar and chrestomathy with a long excerpt from the Hamasa of Abu Tammam edited by Schultens for the first time embodies the collective scholarship of numerous early modern students of the Arabic language spanning more than a century including such notables as Joseph Scaliger 1540-1609; Thomas Erpenius 1584-1624; Jacobus Golius 1596-1667 and Albert Schultens 1686-1750. The Grammatica arabica "the first scientific Arabic grammar written by a European scholar" Smitskamp is the work of Thomas Erpenius and was first published in 1613; his edition of selections from the Fables of Luqman appeared in 1614. Later editions of the Grammatica were edited by Golius Erpenius' successor to the chair of Arabic at Leiden. The selections of anonymous Arabic proverbs were first edited by Erpenius and Scaliger. The Schultens' editions expand the critical apparatus and add a long preface along with selections from the ten-book anthology of Arabic poetry compiled in the ninth century by Abu Tammam fl. 808-842.<br /> <br /> The collection of ancient Fables traditionally ascribed to Luqman the Sage has long provided elementary reading material for young students of Arabic. In his classic anthology Henry Coppée provides an English translation of the first fable in the present selection p.207 The Lion and the Two Bulls: One day a lion attacked two bulls but the two joined their forces and struck him with their horns; they thus prevented him from separating them. He then addressed one of them and deceived him by promising that he would never undertake anything against him. He thus succeeded in separating him from his companion. Deceived by this promise the two bulls left each other; whereupon the lion tore them in pieces one after the other. Moral: When people of two adjoining towns unite in opinion and purpose their enemies' efforts against them are vain; but when discord divides them they both perish.<br /> <br /> Annotations and Provenance: The front endleaf contains a prize inscription dated XIII ante Cal. Septembr. MDCCCXXXV 1835 for the achievement of Bartholomeus Joannes Westerbeek Van Eerten signed by the curators of the Doetinchem gymnasium. Excerpts from Brill catalogues noting the 1636 and 1748 editions of Erpenius' Grammar are tipped-in at the front endleaf. Old library stamps of a Dutch theological school appear at the front endleaf and title. Full title: Grammatica Arabica cum Fabulis Lokmani etc. Accedunt excerpta anthologiae veterum Arabiae poetarum quae inscribitur Hamasa abi Temmam ex. mss. biblioth. Academ. batavae edita conversa et notis illustrata. Praefatio imaginariam linguam scriptionem et lineam sanctam Judaeorum confutat. Ed. 2. cum indice locupletiore<br /> <br /> References: Brunet 2 1050. De Sacy 2765 among the Arabic grammars noted in the NYPL priced copy this was the stand-out lot going for 13 fr. most others selling for between 1-3 fr. Schnurrer 106. Smitskamp PO 75. H. Coppée The Classic and the Beautiful from the Literature of 3000 Years. Samuel and Johannes Luchtmans hardcover
17582137747Leipzig, J. Fr. Gleditsch, 1758. 8, 988 Sp.; 1 Bl., Sp. 989 - 2216, 7 Bl. Mit gestoch. Titelvignette u. 2 gestoch. Kopfvignetten. Neuer Hldrbd (durchgehend etwas braunfleckig, Titel etwas angestaubt u. mit Stempel auf Rücks.).
17772318BBLeipzig, Weidmanns Erben und Reich, 1777. Gr.-8°. 1 Portrait, 13 Bl., 574 S.; 1 Bl., 618 S., 29 Bl. Mit 4 gefalteten Karten und 1 Tafel. Pappbände der Zeit mit Rückensch. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C 2 Bände.
17772318BB2 Bände. Leipzig, Weidmanns Erben und Reich, 1777. Gr.-8°. 1 Portrait, 13 Bl., 574 S.; 1 Bl., 618 S., 29 Bl. Mit 4 gefalteten Karten und 1 Tafel. Pappbände der Zeit mit Rückensch.
17483635FBFrankfurt/Leipzig, 1748. 8°. 21 x 18,5 cm. [3] Blatt, 178 Seiten. Pappband der Zeit mit marmoriertem Deckelbezug und rotem Sprengschnitt. [4 Warenabbildungen]
17921014903Braunschweig, Schulbuchhandlung, 1792. 8 Bl., 770 S., 1 Bl. Hldrbd d. Zeit m. goldgeprägtem Rückenschild (Einbd etwas fleckig u. beschabt, Vorsätze leimschattig u. m. leichten Klebespuren, Stempel verso Titel, gering fleckig).
178920339Barby: Den Brudergemeinen 1789. First Edition. 8vo pp. 16 784. Bound in contemporary boards most of the paper covering worn away A clean tight copy of the first issue with only 6 lines of errata. Howes L474. Howes: "Official account of work among the Indians on the New York Pennsylvania and other frontiers 1735-87. The English edition omits naming some former antagonists who had later become friendly. Den Brudergemeinen unknown books
179030541Leipzig, Otto Wigand, 1790-1792. 8vo. Ldr. d. Zeit m. fragmentar. RSchildern. Marmorierte Vorsatzpapiere, Grünschnitt.
1797242011797 A Paris : Chez l'auteur, [1797 ou 1798] 1 est. : pointillé ; 27 x 20,5 cm (tr. c.),Lafitte del. ; Tresca sculp.Auteur: Salvatore Tresca; Louis Lafitte- A Paris : Chez l'auteur, [1797 ou 1798] 1 est. : pointillé, color à la poupée ; 27 x 20,5 cm (tr. c.) Lafitte del. ; Tresca sculp.Images de la Révolution française .Figures allégoriques -- 1789-1799 Typologie:Calendrier …[Calendrier républicain] : [estampe] / [dessiné par L. Lafitte] ; [gravé par S. Tresca].Sous plexiglas,cadre moderne,cache aux limites de l'image à marges collées ,dans l'état,trés rare. Publication:[Paris] : [L. Lafitte], [1797 ou 1798] Lafitte, Louis (1770-1828)Description matérielle:1 eau-forte, pointillé, coul. ; 27 x 20,5 cm (tr. c.) .Image visible sur https://fr.wikipedia.org/wiki/Calendrier_républicain
17101316129Halle, Zeitler, 1710. Kl.-4to. 1 Bl., 62 S. Rücken-Broschur (gleichmäßig leicht gebräunt).
1719151450London: S H Editions 17 April 1964 / 2021. Unseen photographs from the set of a Hard Day's Night Edition 1 of 35 artist's name blindstamp lower right publisher's blindstamp lower left numbered in black pen to verso. In the spring of 1964 just a week after returning from their first tour of the United States the Beatles started to shoot their first film A Hard Day's Night. Photographer Lord Chistopher Thynne 1934-2017 the son of the 6th Marquess of Bath was invited onto the set for two days of filming. During this time he took candid photos of the Fab Four on and off set using medium-format and 35mm film. The negatives remained undeveloped for 57 years and were recently discovered among the family papers. Each of the developed prints are now available in two sizes and are strictly limited to 35 in each size. Please allow two weeks' delivery time on this print. Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper. Sheet size: 41.5 x 35 cm. Framed size: 57.5 x 46.5 cm. Excellent condition. Presented in a black wooden frame with conservation acrylic glazing. PH 151450 S 105513. unknown
170448770Amsterdam, Franciscus Halma, 1704. Folio. (45,5 x 29 cm.). Contemp. full blindtooled Dutch vellum. Raised bands. Spine ends with tears, some cracking along fronthinge, but not loose. Vellum at frontcover a bit soiled. Egraved titlepage (Coxis del., ianen fecit). Printed titlepage in red/black with an engraved vignette. 15,(119),51,(1) pp., 1 engraved plate with portrait and coat of arms. 4 large folded engraved maps. Light yellowing to margins of textleaves, but maps and text fine and clean. (3 of the maps engraved by F. Halma).
170448770Amsterdam Franciscus Halma 1704. Folio. 455 x 29 cm. Contemp. full blindtooled Dutch vellum. Raised bands. Spine ends with tears some cracking along fronthinge but not loose. Vellum at frontcover a bit soiled. Egraved titlepage Coxis del. ianen fecit. Printed titlepage in red/black with an engraved vignette. 15119511 pp. 1 engraved plate with portrait and coat of arms. 4 large folded engraved maps. Light yellowing to margins of textleaves but maps and text fine and clean. 3 of the maps engraved by F. Halma. <br/><br/><em>The maps are the Francois Halma reissues of Sanson's maps from 1683. </em> hardcover
1771Gen66581771. Burns A. Full calf crudely but soundly respined. Title page has been strengthened in the margins with white tape. There is some slight loss of text to the title page. Complete with illustrations and 5 folding plates. A scarce title. ESTC lists 6 locations in UK and 4 in US unknown
17992110502151004680Fugetsu magosuke 1799. Soft Cover. Fine. Number of books: 7 Fugetsu magosuke paperback
1798r2593London: Richard Phillips. G: in Good condition without dust jacket as issued. Cover rubbed and bumped with edge and corner wear. Front cover cracked at joint but holding. Spine rubbed with wear to base. Minor tears at map folds but not impacting on main body of the illustrations. Scattered foxing. Contents tight. 1798. First Edition. Quarter-leather cover. 220mm x 140mm 9" x 6". xv378pp. 2 hand-coloured folding engraved maps and 2 engraved plates. . Richard Phillips hardcover
17998978785W. Bulmer and Co. 1799. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition suitable as a reading copy. Re-bound by library. Size: Octavo. Binding: Rebound marbled boards. Untrimmed page edges. Heavy foxing throughout. Plates and map colours have slightly imprinted on to the opposite pages pages are still legible. Slight yellowing to pages. Please note the Image in this listing is a stock photo and may not match the covers of the actual item800grams ISBN: W. Bulmer and Co. hardcover
1799k013G.302GB: Printed by W. Bulmer and Co for G Nicol Etc 1799. Text approaches near Fine. In old half mid-brown leather and speckled paper covered boards.Gold on burgundy title label. Binding sound but minor wear to extremities. . 1st Edition. Hardback. VG/No DW. Printed by W. Bulmer and Co,, for G Nicol Etc Hardcover