Salvador DaliBiblio.com
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74865<p>Salvador Dalí<br />Bird of Paradise from Hawaii: California Suite 1973<br />Lithograph<br />Image size: 55 x 39 cm<br />Sheet size: 64 x 49.5 cm</p><p>Reference: Fields 73-3A</p>
107427Paris Michèle Broutta et Pamela Verlag 1972. . Limited edition numbered 57 of 150; folio 48 x 35 cm; complete with 10 drypoints printed in colours each signed by Dali in pencil each numbered 57/150 on Richard de Bas paper; each protected by transparent sheet text in Italian printed title and justification pages printed cream dust wrapper slightly marked all loose and housed in red cloth foldover box with title lettered in silver; a fine copy.<br /> An excellent example of the complete portfolio of the Italian text edition of this work on Richard de Bas paper with each coloured etching numbered 57/150 and each signed by Dali in pencil. <br /><br />This collection of erotic love stories first written in the fourteenth century are represented by Dali's highly erotic evocative and ethereal imagery. He captures masterfully the tragic and the comic in his illustration. The images are as follows: 'La Péché Partegé' La fiancé du roi de Garbe Le diable de Enfer l'ange Gabriel L'enfer des Beautés cruelles Le femme adultère le tonneau Blanchefleur Le jument de compère Pierre La ressuscitée.<br /><br />The Richard de Bas paper is of exceptional quality and is produced in a mill dating back to the sixteenth century. This paper was much favoured by Dali and other artists such as Picasso. It was also used for the sole copy of the Constitution of the 5th French Republic of 1958 and the Nobel Prize diplomas have also been written on Richard de Bas paper.<br /> Michler-LApsinger 552-561; Field 72-8 Paris, Michèle Broutta et Pamela Verlag, 1972. hardcover
117889Paris Editions Surréalistes 1930. . Limited edition numbered 2/9 'auteur' on the justification seemingly out of series inscribed by Dali on the half-title in ink 'hommage de l'auteur Salvador Dali'; 4to 19 x 22 cm; 8 illustrations hors-texte of which one is a photolithographed portrait of Gala one an original etching three reproductions of Dali's drawings and three photographic prints; loose as issued in the original aluminium foil paper wrappers covered in red printed glassine very minor loss of wrappers to spine a very good copy.<br /> The first edition of Dali's first surrealist work. <br /><br />The 'femme visible' refers to Dalí's wife Gala who inspired him to create the book and to whom the work is dedicated. Her portrait is placed opposite the metallic covers to provide a reflection of her. It is Dali's manifesto for the paranoiac-critical method a surrealist technique which consists of the artist invoking a paranoid state resulting in a deconstruction of the psychological concept of identity subjectivity thereby becoming the primary aspect of the artwork.<br /><br />The present example is numbered '2/9 auteur' on the justification and signed by the artist on the half-title. The fragile red and metallic jacket which is often found damaged and torn is in remarkably fresh and unrestored condition.<br /> Michler-Lapsinger 4; Launay 288. Paris, Editions Surréalistes, 1930. unknown
193653047Paris: GLM 1936. Fine. Offered to the friend beyond words companion of all wars and of loves as well GLM Paris 1936 12.50 x 17 cm broché First edition one of 100 numbered copies on vellum ours unnumbered the only deluxe papers after 15 copies on Japon. Illustrated with a frontispiece drawing by Salvador Dalí. Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. » It was in 1929 that René Char first discovered the verse of Paul Eluard. Captivated the young twenty-two-year-old poet from L'Isle decided to send him a copy of his collection Arsenal inscribing it with the following dedication: « à Paul éluard enfin. L'Isle 17 septembre 1929. » His elder responded kindly a few weeks later: « Cher Monsieur n'est-il pas possible que nous nous connaissions mieux Ne pensez-vous pas venir à Paris Je serais heureux de vous dire combien j'aime vos poèmes tout ce si beau livre. » The young Char elated set off for the first time to meet his « substitute brother » Laurent Greilsamer René Char Perrin 2012 and soon decided to move to Paris to join his new companions Aragon Breton and Eluard placing himself under the Surrealist banner. Eluard abandoned by Gala who left him for Dalí offered Char to live in his apartment on rue Becquerel. The two bachelors soon engaged Odette a young maid who was more than agreeable: « Char enjoyed this refined service but was nevertheless surprised by the marked kindness of this pretty brunette. One day he took her in his arms. The young beauty smiled yielded and proved herself expert. That evening René recounted his adventure to Eluard who the next morning had his breakfast served in bed and invited Odette to join him. A temporary trio was thus formed. » op. cit. Char and Eluard now inseparable shared a taste for revelry and frenetic seduction roaming the Parisian boulevards in search of adventure. Thus on the evening of 21 May 1930 they met a destitute actress and trapeze artist: Nusch. « Eluard decided to take her back like a precious parcel to rue Becquerel. But it would take all the friendship of Char and his powers of persuasion to convince the young woman to stay giving Eluard the timeall the timeto fall in love. » op. cit. Char thus played the role of mediator enabling Eluard to win the great love of his life who died prematurely in 1946 of a cerebral haemorrhage. Despite several passing quarrelsnever over women but always over ideasthe two poets maintained a strong bond of friendship and intellect until the end of Eluard's life. « Je suis vieux René par instants à force de ne plus aimer la vie. Je vis par devoir. Mais je t'aime profondément comme je t'ai toujours aimé : ne te choque de rien ; venant de moi tout est pour moi affection et admiration. . Quelle preuve de plus peux-tu en avoir que je te dise que tu es le seul homme à qui je pourrais avouer ce grand vide que je porte en moi et devant qui je pourrais pleurer autant que j'en ai toujours envie. » GLM hardcover
103216. Colour lithograph with screenprint and etching with collage elements 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 H unknown
1032181975-76 . Colour lithograph with screenprint and etching with collage elements 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 E 1975-76 unknown
1032171975-76 . Colour lithograph with screenprint and etching 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 F 1975-76 unknown
1032191975-76 . Colour lithograph with screenprint and etching 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 D 1975-76 unknown
1033891975-76 . Colour lithograph with screenprint and etching with collage elements 1975 on Rives BFK paper signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper the total edition was 600 on various paper types etching printed by Regal Paris lithograph by Desjobert Paris published Merrill Chase Chicago sheet size: 87 x 68.2 cm. 34¼ x 26¾ in.<br /> <br /> Michler/Löpsinger 822-831; Field 75-11 C 1975-76 unknown
74913<p>Salvador Dalí <br />Dawn at Port Lligat Venus with drawers 1970<br />Lithograph<br />Hand-signed lower right<br />Edition 126/250<br />Sheet size: 90 x 61 cm<br />Image size: 75.5 x 56 cm<br />Published by Courtleigh Graphics<br />Reference Michler/Löpsinger 1284 Field 78-1</p>
1968003145<p>Paris: Editions Argillet 1968. Book. Fine. Hardcover. Signed by Illustrators. Loose sheets in wrapper chemise and clamshell box. Clamshell box with gilt embossed illustration on front cover and gilt titles on spine. Chemise with gilt signature of Dali on front cover. Wrapper repeating the illustration on the box in blindstamp. Clamshell box with light wear. With 18 original engravings in black and white by Salvador Dali of which 10 full page and 8 smaller etchings 7 out of tekst and 1 in text. The 10 full page engravings with the blindstamped signature of Dali in the margin. All etchings protected by tissue guards. Hand signed in pencil by Dali on the limitation page also containing the publisher's stamp and Dali's blindstamped signature. Limited edition of 299 copies printed by the Presses du Palais Royal. This is number 90 and one of the limited edition of 75 copies printed on Arches teinte. With an extra suite of 6 out of 10 etchings on loose sheets in wrapper. All engravings with strong impressions 1 etching with light crease to corner not affecting the print. Sheets measure 383 x 285 cm. Box 405 x 305 cm. Very fine collectible copy.</p> Editions Argillet hardcover
193388275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
1967183326Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1185. unknown
1967183329Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition. Field 67-6; Michler & Lopsinger 1190. unknown
1967183324Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. There was also an edition of 250 on Arches paper. Edition of 50. Coloured lithograph after an original gouache on Japon paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in handmade white gold frame with conservation acrylic glazing. Excellent condition Field 67-6; Michler & Lopsinger 1191. unknown
149869New York: Harry N. Abrams Inc. Publishers 1974. The New Concise Nal Edition of this lavishly illustrated work by Salvador Dali. Quarto original pictorial wrappers with 98 illustrations in both black and white and color interspersed with text. Boldly signed and dated by Dali in thick felt tip purple marker on the verso of the front cover and the front free endpaper with his enormous signature and a large drawing of a flower “Dali 1975.†In near fine condition with creasing and rubbing. Text by Max Gérard. Introduction by Dr. Pierre Roumeguère. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Harry N. Abrams, Inc., Publishers unknown
74877<p>Salvador Dalí<br />Don quichotte from the series Les Chevaux Daliniens 1970<br />Lithographs with embossing<br />Image size:<br />Sheet size: 65 x 50 cm<br />Numbered 44/250 lower left<br />Hand signed lower right<br />Printed by Wolfensburger Zurich<br />Published by Wajntraub & Carpentier Paris<br />Reference Michler & Löpsinger 1279</p>
74870<p>Salvador Dalí<br />Le chevalier Chretien from the series Les Chevaux Daliniens 1970<br />Lithographs with embossing<br />Image size:<br />Sheet size: 65 x 50 cm<br />Numbered 44/250 lower left<br />Hand signed lower right<br />Printed by Wolfensburger Zurich<br />Published by Wajntraub & Carpentier Paris<br />Reference Michler & Löpsinger 1266</p>
74879<p>Salvador Dalí<br />Neptune from the series Les Chevaux Daliniens 1970<br />Lithographs with embossing<br />Image size:<br />Sheet size: 65 x 50 cm<br />Numbered 44/250 lower left<br />Hand signed lower right<br />Printed by Wolfensburger Zurich<br />Published by Wajntraub & Carpentier Paris<br />Reference Michler & Löpsinger 1266</p>
1967163543Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967173254Paris & New York: Leon Amiel 1967. From Dali's "Twelve Signs of the Zodiac" portfolio Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. This is one of 12 plates from the Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches watermaked paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 67-6. unknown
1967163542Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967173250Paris & New York: Leon Amiel 1967. One of 12 images from the Twelve Signs of the Zodiac portfolio. Edition of 250. Coloured lithograph after an original gouache on Arches watermaked paper. Signed in pencil lower right by Dali and numbered lower left. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Presented in a white gold leaf frame with conservation acrylic glazing. Excellent condition. Field 67-6. unknown
1967163540Paris & New York: Leon Amiel 1967. Edition of 250 on Arches paper. Signed in pencil lower right by Dali and numbered lower left. One of 12 prints from The Twelve Signs of the Zodiac portfolio. Coloured lithograph after an original gouache on Arches paper. Sheet size: 72.8 x 51.8 cm. Framed size: 90.7 x 70.2 cm. Excellent condition. Presented in a white gold leaf frame with conservation acrylic glazing. Field 67-6. unknown
149870New York: Ballantine Books 1974. First edition second printing of this illustrated work by Salvador Dali. Quarto original pictorial wrappers illustrated with 40 glossy color plates. Presentation copy boldly inscribed by Salvador Dali in black felt tip on the verso of the front cover and half-title page with his enormous signature and a large drawing of a woman's head wearing a conical hat to the bottom left. In fine condition. Edited by David Larkin. Introduction by J.G. Ballard. The infamous Surrealist in full colour and in his own words Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter sculptor writer and film maker Salvador Dali 1904-1989 was one of the century's greatest exhibitionists and eccentrics -- and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. He brought extraordinary sensitivity imagination and concern for precision to bear upon submerged levels of consciousness. Ballantine Books unknown
