Dali, SalvadorBiblio.com
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195713119Paris: Les Editions Du Chene 1957. 1st Edition. Dali. Dali. 1st Edition. Signed by Author. A very uncommon Dali monograph with an extraordinary two page Dali presentation inscription. First edition. 4to. 14 1/2' x 11" French style wrap-a-round stiff paper covers with a mounted colour illustration on the front panel. 11pp Tapie introduction in French; 16 exquisite full colour plates each mounted on the recto of each page; & a 5 pp biography at the rear. All of the mounted illustrations are of excellent quality and include: "La Harpe Invisible Fine Et Moyenne" "Spectre De La Libido" "Le Severage Du Meuble Aliment" "Le Chevalier De La Mort" "Les Atavismes Ce L'Angelus De Millet" "Pain" "Leda Atomica" "Madone De Port-Lligat" "Paysage De Port-Lligat" "Assumpta Corpuscularia Lapislazulina" "Persistance De La M emoi re" "Le Christ En Croix" "Vitesse Supersonique Staique De La Madone De Raphael" "La Cene" a detail of "La Cene" & "Nature Morte Vivante". On the front endpapers is a large & bold Dali inscription that read "Pour Comte Du Liege / Dali / 1958 . The Comte Du Liege is a Regal title of the Belgian Royal Family and is akin to the rank of a Duke. The best Dali inscriptions are noted for their flare & elaborate Daliesque design - this one is no exception. A superb example from perhaps the greatest artist of this past century - we know he would agree. Les Editions Du Chene unknown
74808<p>Salvador Dali<br />James the Greater from The Twelve Apostles 1977<br />Lithographs in colors with embossment on Arches paper<br />Hand signed lower right<br />Edition EA lower left<br />Sheet size 64.5 x 47.5 cm<br />Published by Wajntrob Moore Lancel & Carpentier</p><p>LITERATURE: Field 72-14L</p>
196974784<p>Salvador Dali<br />Miserable Flat from Marquis de Sade Suite 1969<br />Lithograph <br />Edition XXVI / XC<br />Hand-signed lower right<br />Image size: 52.5 X 42.5 cm<br />Frame size: 76.5 x 62.5 x 2.5 cm<br />Published by Shorewood Publishers New York<br />It is framed with a wood-style aluminum frame an acid-free mat and an acid-free back and UV-protected acrylic glass</p>
74778<p>Salvador Dali<br />Peter Keeper of the Keys from The Twelve Apostles 1977<br />Lithographs in colors with embossment on Arches paper<br />Hand signed lower right<br />Edition EA lower left<br />Sheet size 64.5 x 47.5 cm<br />Published by Wajntrob Moore Lancel & Carpentier</p><p>LITERATURE: Field 72-14G</p>
74805<p>Salvador Dali<br />Phillip from The Twelve Apostles 1977<br />Lithographs in colors with embossment on Arches paper<br />Hand signed lower right<br />Edition EA lower left<br />Sheet size 64.5 x 47.5 cm<br />Published by Wajntrob Moore Lancel & Carpentier</p><p>LITERATURE: Field 72-14</p>
196974860<p>Salvador Dali<br />Tancreds Oath from Marquis de Sade Suite 1969<br />Lithograph <br />Edition 110/160<br />Hand signed lower right<br />Image size: 53 X 42.5 cm<br />Sheet size: 65 x 50 cm<br />Published by Shorewood Publishers New York<br />Reference: Field 69-1 X<br />Unframed</p>
196974785<p>Salvador Dali<br />The Death of Clorinda from Marquis de Sade Suite 1969<br />Lithograph <br />Edition XXVI / XC<br />Hand-signed lower right<br />Image size: 52.5 X 42.5 cm<br />Frame size: 77 x 64.5 x 3.5 cm<br />Published by Shorewood Publishers New York<br />It is framed with a purple-golden aluminum frame an acid-free mat and an acid-free back and UV-protected acrylic glass</p>
196974787<p>Salvador Dali<br />The Prison from Marquis de Sade Suite 1969<br />Lithograph <br />Edition XXVI / XC<br />Hand-signed lower right<br />Image size: 52.5 X 42.5 cm<br />Frame size: 75.5 x 62.5 cm<br />Published by Shorewood Publishers New York<br />It is framed with the wood style aluminum frame the acid-free mat and the acid-free back and UV-protected acrylic glass</p>
74779<p>Salvador Dali<br />The Watcher from The Twelve Apostles 1977<br />Lithographs in colors with embossment on Arches paper<br />Hand signed lower right<br />Edition EA lower left<br />Sheet size 64.5 x 47.5 cm<br />Published by Wajntrob Moore Lancel & Carpentier</p><p>LITERATURE: Field 72-14K</p>
74777<p>Salvador Dali<br />Thomas Lancelot healing Sir Urre from The Twelve Apostles 1977<br />Lithographs in colors with embossment on Arches paper<br />Hand signed lower right<br />Edition EA lower left<br />Sheet size 64.5 x 47.5 cm<br />Published by Wajntrob Moore Lancel & Carpentier</p><p>LITERATURE: Field 72-14J</p>
197386530Paris: Nouvelles Editions Françaises 1973. Fine. Nouvelles Editions Françaises Paris 1973 24.50 x 32.50 cm reliure de l'éditeur Illustrated edition with 48 color plates reproducing works by Salvador Dalí. Leaves slightly warped at upper margin. Publisher's binding in full olive green skyvertex smooth spine minor rubbing traces to joints. Rich iconography. Large and beautiful signature with a shooting star drawing in blue felt-tip pen by Salvador Dalí covering the half-title page and the facing page. Nouvelles Editions Françaises unknown
1997C93001Prestel Publishing. As New. 1997. HARDCOVER. 3791312790 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. Corresponds to ISBN: 3791312790. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Prestel Publishing hardcover
1970DALISALV001705Harry N. Abrams. New York. 1970. First U.S. edition. Translated by Eleanor R. Morse. Octavo. pp viii 157. Copiously illustrated. Full linen cloth.Inscribed extravagantly by Dali in pencil on the copyright page: ''OWEN - Dali 1973''. The recipient is the publisher Peter Owen who published the revised U.K. edition of Dali's novel Hidden Faces in 1973. Owen made three visits to Dali in Spain to discuss the novel's copyright and this copy was no doubt signed during one of these visits.Fine in very good dustwrapper rubbed and nicked at the top edge. Harry N. Abrams. New York. hardcover
196974880<p>Salvador Dali<br />The Siege of Jerusalem The Arrival of Dumont from the Marquis de Sade 1969<br />Lithograph<br />Edition: EA lower left<br />Hand signed lower right<br />Image size: 53 x 43 cm<br />Sheet Size: 65 x 50 cm<br />Publisher: Shorewood Publishers New York<br />Reference: Field 69-1 M</p>
74900<p>Salvador Dali <br />A plate from Les Songes drolatiques de Pantagruel 1973<br />Lithograph on Japanese paper<br />Hand signed lower right<br />Numbered 72/250<br />Printed by Grapholith<br />Published by Carpentier Geneva with margins <br />Sheet 76 x 56cm</p><p>Reference: Field 73-7-H; M&L 1418a</p>
19335493171933. Unbound. Fine. Broadside. Yellow quarto sheet printed recto only. Folded twice and with a very tiny stain else fine. A statement prepared by Salvador Dali before his arrival in New York in anticipation of his first solo exhibition at the Lucien Levy Gallery from November 21 to December 8 1933. The statement quotes fellow surrealist and later antagonist Andre Breton includes Dali's denial as to the meaning of his works: "I never have the slightest idea what my pictures mean"; how after painting his wife one autumn afternoon he was "finally able to attain images sufficiently lucid and ‘appetizing' for exhibition in New York"; and ending with a final question; "New York: why why did you erect my statue long ago long before I was born higher than another more desperate than another" Confusion about this statement abounds with some claiming the broadside was distributed at the 1939 World's Fair where Dali had a pavilion or later in 1941 calling it a response to criticism from a statement by Breton. Our research - and Dali's own printed words "I have never been to America" - supports Dali biographer Ian Gibson's belief that this broadside was issued in late 1933 as advance publicity for the painter's first solo American exhibition close on the heels of increased interest in the artist following the Surrealist show the year before that debut his icon painting The Persistence of Memory. Rare. OCLC locates two copies and we have located at third the Queen's Public Library in New York. unknown
19705749New York: Harry N. Abrams In. 1970. First Edition. Hardcover. Near fine/very good. SIGNED by Dali in customary wild style: "Sinterklaas by Sinterklaas / / December 5 1970" Santa Claus by Santa Claus parodying the book title in Dutch. Dali was on a book tour in December 1970 and there is a famous photograph taken December 9. This copy was acquired from artist Chuck Close's personal library it may have been personally signed to Close or possibly given to him as a Christmas present. In New York in 1976 Dali painted "Gala Contemplating the Mediterranean Sea which at a distance of 20 meters is transformed into the portrait of Abraham Lincoln Homage to Rothko" in dialogue with Close's photorealistic paintings. Close selected a Dali portrait for his unconventional 1991 curated exhibition Head-On/The Modern Portrait at MOMA and spoke of his appreciation for Dali's "Gala's Back" in interviews. Several of Dali's Gala paintings are featured in this book.Near fine in very good dust jacket with short closed tears to the upper and lower edges. Harry N. Abrams, In. hardcover
1960SAD0021960 Original 10 ¼" x 13" wood engraving in a 20 ¼" x 23" frame. Signed by Dalí in red and signed again in pencil. Original color wood engraving of Minos judging sinners printed on BFK Rives paper with a deckled bottom edge blindstamp of the editor J. Estrade of Les Heures Claires and "g.a. VIII/VIII" numbering in pencil to lower left matted in white and in a black frame. Fine. Overall a memorable work by the great Spanish artist. In 1951 the Italian government commissioned Salvador Dalí to create 101 watercolor illustrations for Dante's The Divine Comedy to celebrate the 700th anniversary of the great Italian author's birth. The decision to hire Dalí who was Spanish and a self-proclaimed "Surrealist void of all moral values" was controversial and the government eventually dropped the commission. Nevertheless Dalí deeply inspired by Dante's masterpiece continued creating watercolors finally completing the project in 1959. Dalí struck a deal with his friend French publisher Joseph Forêt of Les Heures Claires to turn the watercolors into engravings for a lavish illustrated edition of The Divine Comedy. Two master engravers spent five years 1959 - 1964 reproducing the watercolors into wood engravings a process that required roughly 3500 wood blocks around 35 for each print. Three limited editions of Dalí's illustrated version of the Divine Comedy were ultimately released between 1960 and 1974: 4765 in French 3188 in Italian and 1000 in German. In all the project took more than a decade and is now recognized as one of Dalí's most towering achievements. Salvador Dalí 1904 - 1989 was an influential Spanish surrealist artist best known for paintings including The Persistence of Memory 1931 The Elephants 1948 and Cabaret Scene 1922. Dalí illustrated a number of famous literary works throughout his career including Dante's The Divine Comedy Cervantes' Don Quixote Lewis Carroll's Alice's Adventures in Wonderland and Shakespeare's Macbeth. The Divine Comedy Dante's allegorical masterpiece describes Dante's journey with the poet Virgil through Hell Purgatory and Heaven. The narrative poem is regarded as one of the greatest works of literature and helped standardize the Italian language as we know it today. Influential modernist poet T.S. Eliot wrote in an essay "Dante and Shakespeare divide the modern world between them; there is no third." In Inferno Canto V Dante and Virgil reach the second circle of Hell and witness the monster Minos judge and assign a line of sinners to their respective torments. The number of times Minos wraps his tail around himself determines which level of Hell a sinner will be sent to. . Fine. Illus. by Dalí Salvador. Lithograph. paperback
1960SAD0011960 Original 10 ¼" x 13" wood engraving in a 20 ¼" x 23" frame. Signed by Dalí in red and signed again in pencil. Original color wood engraving of the boatman Charon crossing the Acheron printed on BFK Rives paper with a deckled bottom edge blindstamp of the editor J. Estrade of Les Heures Claires to lower left matted in white and in a black frame. Fine. Overall a striking work by the great Spanish artist. In 1951 the Italian government commissioned Salvador Dalí to create 101 watercolor illustrations for Dante's The Divine Comedy to celebrate the 700th anniversary of the great Italian author's birth. The decision to hire Dalí who was Spanish and a self-proclaimed "Surrealist void of all moral values" was controversial and the government eventually dropped the commission. Nevertheless Dalí deeply inspired by Dante's masterpiece continued creating watercolors finally completing the project in 1959. Dalí struck a deal with his friend French publisher Joseph Forêt of Les Heures Claires to turn the watercolors into engravings for a lavish illustrated edition of The Divine Comedy. Two master engravers spent five years 1959 - 1964 reproducing the watercolors into wood engravings a process that required roughly 3500 wood blocks around 35 for each print. Three limited editions of Dalí's illustrated version of the Divine Comedy were ultimately released between 1960 and 1974: 4765 in French 3188 in Italian and 1000 in German. In all the project took more than a decade and is now recognized as one of Dalí's most towering achievements. Salvador Dalí 1904 - 1989 was an influential Spanish surrealist artist best known for paintings including The Persistence of Memory 1931 The Elephants 1948 and Cabaret Scene 1922. Dalí illustrated a number of famous literary works throughout his career including Dante's The Divine Comedy Cervantes' Don Quixote Lewis Carroll's Alice's Adventures in Wonderland and Shakespeare's Macbeth. The Divine Comedy Dante's allegorical masterpiece describes Dante's journey with the poet Virgil through Hell Purgatory and Heaven. The narrative poem is regarded as one of the greatest works of literature and helped standardize the Italian language as we know it today. Influential modernist poet T.S. Eliot wrote in an essay "Dante and Shakespeare divide the modern world between them; there is no third." Inferno Canto III opens with an inscription on the gates of hell: "Abandon all hope ye who enter." Dante and Virgil pass through the gate and encounter the boatman Charon who ferries souls to the opposite shore. . Fine. Illus. by Dalí Salvador. Lithograph. unknown
74869<p>Salvador Dalí<br />Dan from the series Twelve Tribes of Israel 1973<br />Sheet size: 65 x 50 cm<br />Hand signed lower right<br />Numbered 31/195 lower left<br />Printed by Atelier Rigal Fontenay-aux-Roses<br />Published by Transworld Art S.A. Fribourg <br />Reference Fields 72-6</p>
200093363CSIC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
200093364CSIC. New. 2000. Paperback. 8400074521 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 8400074521. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
199586349Prestel Publishing. New. 1995. Hardcover. 3791316028 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 192 pages; 693 illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Lithographs and Wood Engravings Prestel Publishing hardcover
193533031Paris.: Editions Guy. Lévis. Mano. 1935. Original publisher's cream printed wrappers with titles in black to front cover. 8vo. 189 x 142 mm. Half-title printed title leaf with Eluard's preface recto and Penrose's verse final leaf with achevé d'imprimer and justification; the errata leaf is also included loosely inserted. Salvador Dali's copy with a presentation from Penrose.From the edition limited to 320 copies with this unopened copy one of 300 on 'Hélio' and with a presentation from Penrose in blue ink to the half-title: 'à Salvador Dalí / admiratif hommage de / V. Penrose'.Also included loosely inserted is the errata slip for the publication.Valentine Penrose 1898 - 1988 née Marcelle Bouée was the glamorous wife of the English Surrealist poet painter and photographer Roland Penrose. Muse to the Surrealists model for Man Ray Valentine Penrose also appeared in Bunuel's L'Age d'Or as a spirit. Profoundly influenced by Eastern spiritual thought Penrose was also a talented poet and collagist. This her first collection was followed in 1937 by Sorts de la Lueur and Poèmes and in 1951 by Dons des Féminines also with a preface by Eluard. In 1936 she left her husband to live on an ashram in India with fellow poet and Surrealist Alice Paalen. Editions G[uy]. L[évis]. M[ano]. unknown
186948Paris: Simon Wajntraub Peter Moore Ariane Lancel and Jacques Carpentier 1977. One of 12 plates from the Twelve Apostles portfolio also known as the Knights of the Round Table portfolio printed by Atelier Lithographique in Paris. Edition of 350. Original lithograph in 3 colours with gold embossing on Arches watermarked paper right and lower edges untrimmed. Signed in pencil lower right by Dalí numbered lower left. Plate size: 49.5 x 45.7 cm. Sheet size: 65 x 47.8 cm. Framed size: 78.3 x 66.5 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. Field 72-14J. Michler & Lopsinger 1514. unknown
