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Un volume di 139 pagine, cartonato editoriale con sovracoperta illustrata. Dimensioni: 20x26,5 cm. Ottime condizioni. Numerose riproduzioni di opere a colori nel testo. Traduzione di Umberto Pasti. Prima edizione italiana.
Mm 200x270 L'Arte nella Società, collana diretta da M. Calvesi. Brossura editoriale di pp. 127, ricco apparato iconografico in bianco e nero e colore. Contributi di F. Rella, L. Rognoni, G. Rapisarda, M.T. Giaveri. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
In-4 p., cartonato editoriale illustrato a colori. pp. 333, con 51 figure e 111 tavole, in b.n. e a colori nel t. Catalogo della mostra. In ottimo stato.
157 S. : zahlr. Ill. , 24 cm, Leinen mit OUmschlag Text dt. und engl. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6 Euro, darüber hinaus 7 Euro Porto. -
2004643398Weitra: Publ. P No 1, Bibliothek der Provinz. c 2004. zahlr. Ill. 157 S. 24 cm. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat keine Gebrauchsspuren; Text in Deutsch (ger), Englisch (eng); Gewebe (Schwarzer Leinen) mit Schutzumschlag
1931142901Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark blue grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.9 x 31.1 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1977ABE-1699581526797246 PAGES-35,5 CM X 30,5 CM-OUVERTURES-LA DECADE MAUVE 1876-1885-LE TEMPS DES MANIFESTES ET L'EXIGENCE PRODUITE 1885-1892-L'IMAGE EN CRUE 1892-1896-L'AMBIVALENCE DU DESIR ET DE LA MORT 1870-1900-LE SIGNE EN SITE PROPRE 1894-1896-L'ECRITURE DE L'ENIGME 1896-1900-L'ESPACE DU REVE 1900.-BIBLIOGRAPHIE-DICTIONNAIRE-INDEX-TABLE DES ILLUSTRATIONS-JAQUETTE ILLUSTREE-LIVRE PROPREMENT DIT ETAT NEUF-1 DECHIRURE 6 CM EN MARGE SUP DE 4 DE JAQUETTE-DOS DE JAQUETTE LEGEREMENT INSOLE (500C)
190115840AB1901. Vienna Herzig 1901. 45 : 34 cm. Original photoengraving in an gilt frame designed by Josef Hoffmann especially for Gustav Klimt. Contemporary beautiful photoengraving of Klimt's famous Judith. Published in the book 'Ars Nova' in 1901 shortly after Klimt finished the painting. In perfect condition and in a special frame designed by Josef Hoffmann especially for Gustav Klimt. Judith and the Head of Holofernes also known as Judith I German: Judith und Holofernesis an oil painting by Gustav Klimt painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance. Judith was the biblical heroine who seduced and then decapitated General Holofernes in order to save her home city of Bethulia from destruction by the Assyrian army. When Klimt addressed the biblical theme of Judith the historical course of art had already codified its main interpretation and preferred representation. Many paintings exist describing the episode in a heroic manner especially expressing Judith's courage and virtuous nature. Judith appears as God's instrument of salvation but the violence of her action cannot be denied and is dramatically shown in Caravaggio's rendering as well as those of Gentileschi and Bigot. Other representations have depicted the subsequent moment when a dazed Judith holds Holofernes' severed head as Moreau and Allori anticipate in their suggestive mythological paintings. Klimt deliberately ignores any narrative reference whatsoever and concentrates his pictorial rendering solely on to Judith so much so that he cuts off Holofernes' head at the right margin. And there is no trace of a bloodied sword as if the heroine would have used a different weapon: an omission that legitimates association with Salome. The moment preceding the killing the seduction of Nebuchadnezzar's general seems to coalesce with the conclusive part of the story. unknown
190115840ABVienna, Herzig, 1901. 45 : 34 cm. Original photoengraving in an gilt frame designed by Josef Hoffmann especially for Gustav Klimt.
190165376(Wien, Druck von Adolf Holzhausen, 1. Januar 1901). Blattgröße 24,5 x 22,7 cm.
In-4 (cm 29x22), pp. 90+indici, legatura edit., sovracoperta ill., numerose ill. b.n. e a colori nel testo. "Le gemmme dell'arte 2" . Ordinari segni del tempo. MOLTO BUONO.
STLE0077bWien Druck Brüder Rosenbaum 1909. 15 x 175 cm. 80 S. XIV S. Verzeichn. der ausstellenden Künstler 1 Bl. Anz. 12 Taf. 1 gef. Grundrissplan der Ausstellungshalle 9 Bll. Anz. OBrosch. m. schwarzgedr. Deckeltitel. Papierbed. gebräunt ansonsten in unberührtem nahezu druckfrischem Zustand. Seltener Katalog der 2. Kunstschau-Ausstellung. Die erste Kunstschau-Ausstellung fand 1908 im Rahmen einer Vielzahl von Veranstaltungen und Festlichkeiten aus Anlass des 60-jährigen Regierungsjubiläums von Kaiser Franz Josef statt. Die Kunst- und Kunsthandwerksausstellung von Künstlern aus dem Kreis um die Wiener Werkstätte und die Klimt-Gruppe fand in einem provisorischen Ausstellungsgebäude auf dem noch unbebauten Gelände des späteren Konzerthausgebäudes statt. In einem eigens von Josef Hoffmann und anderen Architekten geplanten Gebäudekomplex der auch einen Garten und ein Theater umschloß wurde 1908 und 1909 ein nie wieder erreichter Überblick über die aktuellen künstlerischen Produkte und Vorschläge aus allen Bereichen der bildenden Kunst des Kunsthandwerks der Skulptur und der Architektur gezeigt. Kat. Kunst in Wien um 1900 S. 79. Bei der 2. Kunstschau 1909 wurde das Hoffmannsche Wohnhaus mit maschinell hergestellten Möbeln der Deutschen Werkstätten für Handwerkskunst Dresden nach Entwürfen von Richard Riemerschmidt eingerichtet und auch eine Sonderschau mit Werken von Ashbee Mackintosh und anderen britischen Künstlern gezeigt . Sekler Josef Hoffmann S. 119. Schiele zeigte vier seiner Arbeiten und Klimt ermöglichte dem jungen Kokoschka erstmals die Gelegenheit zum Ausstellen. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG. (Wien, Druck Brüder Rosenbaum 1909). unknown
1931181945Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.8 x 31 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown
In-4 (cm 29x22), pp. 92+indici, legatura edit., sovracoperta ill., numerose ill. b.n. e a colori nel testo. "Le gemmme dell'arte" 8. Piccole abrasioni all'angolo del piatto anteriore, ordinari segni del tempo, Buono.
A clean, unmarked copy with a tight binding. Small tears on dust jacket. Bumped corners. Text in Spanish. 10 3/4"w x 12"h. 100 pages.
1985140384Tokyo, Shueisha, coll. « Art Gallery », n° 7 1985 Livre en japonais. In-4 reliure éd. sous jaquette 30,5 cm sur 30,5. 99 pages. Jaquette en bon état. Ouvrage illustré de 59 ill. 59 illustrations. Très bon état d’occasion.
41274Flammarion.1993.Gd.in-4 toilé noir,jaquette illustrée d'un tableau en couleurs,étui illustré.286 p.+ bibliographie et Index.Iconographie importante en couleurs.Photos. Etat neuf.
3854477880.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
199049665New York : Mallard Press, 08.1990. 112 S. ; zahlr. Ill. ; Sprache: Englisch Pp.
2018169895London: Royal Academy of Arts 2018. First Edition. Hardcover. First Edition. Published in conjunction with an exhibition held in 2018 and 2019 at the Royal Academy in London.<br /> <br /> Very Good plus slightly cocked with no dust jacket as issued. Still in publisher's shrinkwrap. Royal Academy of Arts unknown
201811305London; Royal Academy of Arts 2018. 2018. Hard Cover. FIRST EDITION. Quarto pp. 189 1. Illustrated in colour throughout. Bound in absinthe green cloth with pictorial paper panels onlaid to cloth titles in black to upper boards and spine. A Fine copy. An attractive and richly illustrated work published on the occasion of the 2018/19 exhibition "Klimt /Schiele Drawings from the Albertina Museum Vienna" at the Royal Academy in London. Please be aware that this book is much heavier than usual so we will request a contribution towards postage costs for overseas customers. London; Royal Academy of Arts, 2018. hardcover
18-5780Köln: Taschen 2006. Folio. 239 pp. Very Good. Hard Cover. Illustrated red paper covered boards. Dust Jacket Good. One inch tear near head of spine. Minor bumps to corners of boards. Pages fine. Color and B&W plates throughout.ISBN: 3822850160 9783822850169.From the Collection of the Art Historian Peter Selz. Köln: Taschen, 2006. hardcover
201198714Parkstone Press. New. 2011. Hardcover. 1844845907 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pages; 479 illustrations most in color. -- with a bonus offer-- . Parkstone Press hardcover
199883881Benedikt Taschen 1998 In-4 reliure éd. sous jaquette 30,8 cm sur 24,7. 238 pages. Occasion comme neuf. Poids sans emballage : 1400 grammes.
200858132Skira 2008 In-4 broché 27 cm sur 23. 108 pages. Très bon état d’occasion.