Picasso, PabloBiblio.com
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0486278778.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004SONG1878972367Exact Change 2004-05-02. paperback. Used: Good. 6.00x0.90x7.90. Buy with confidence. Excellent Customer Service & Return policy. Exact Change paperback
2004Q-1878972367Exact Change 2004-05-02. Paperback. New. In shrink wrap. Looks like an interesting title! Exact Change paperback
01-0902Paris ca. 1970s. Distributed graphics by Dow & Frosini. Color silkscreeen measuring 12 x 16 inches 31 x 41 cm. After fresco at Musée Nationale Picasso La Guerre et la Paix Vallauris France. Paris, ca. 1970s. Distributed graphics by Dow & Frosini. unknown
1970B15NS1139Calder & Boyars London 1970. 1st Edition Thus. SOFTCOVER. 8vo in illustrated stiff card covers 95pp __CONDITION : VERY GOOD a well preserved clean and tight copy mild tanning to spine rear cover and page-block edges name on blank verso of front cover. . __To see more of our Plays and scripts type DbbPLAYS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Calder & Boyars, London paperback
104308London Calder and Boyars 1970. . First edition in English first impression hardback issue. Inscribed and with an original pastel by the translator. 8vo; publisher's black boards titles to spine in silver. With the dust jacket. A very good copy in the lightly rubbed dust jacket with one or two very short tears.<br /> A superb presentation copy inscribed by the translator within a full page pastel artwork of a stylised flower/sun 'for Peggy with love Roland'. Though tempting to imagine the book to have been inscribed to the great Peggy Guggenheim the actual presentee is a much closer association for Penrose. Rosamund Berniers née Rosamond Margaret Rosenbaum was an art critic and long-time friend of the translator. Penrose a considerable artist in his own right is perhaps best known as the greatest proponent of Surrealism in the UK. Instrumental in staging the 1936 International Surrealist Exhibition in London he would would go on to establish with Lee Miller The Elephant Trust whose goal is "to develop and improve the knowledge understanding and appreciation of the fine arts in the United Kingdom." Penrose would often illustrate his presentation inscriptions but this one is particularly nice.<br /><br />Rosamond Berniers née Rosamond Margaret Rosenbaum was familiarly known as Peggy.<br /> London, Calder and Boyars, 1970. hardcover
09-0138Beverly Hills Calif.: Galerie Michael 2003. Oblong 4to. wraps. 60 pp. Richly illustrated 92 color plates / works. Descriptions. Price list laid in. Fine. Beverly Hills, Calif.: Galerie Michael, 2003 paperback
2021__3775748059Hatje Cantz Verlag Gmbh & Co Kg 2021. Hardcover. New. 01 edition. 224 pages. 10.75x9.00x1.00 inches. Hatje Cantz Verlag Gmbh & Co Kg hardcover
198360981Gallery. As New. 1983. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 154 pp. With 73 ills. 15 col. . 24 x 24 cm. -- with a bonus offer-- . Gallery paperback
200384056NY: Gagosian Gallery 2003. First edition. 4to. 142 pp. Tiny bump to base of spine else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated. NY: Gagosian Gallery unknown
2003333900New York: Gagosian 2003. paperback. fine/fine. Picasso. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. 4to stiff card pictorial binding sewn Japanese style with matching dust wrapper; unpaginated. New York: Gagosian Gallery 2003. Fine.<br/> <br/> Exhibition catalog.<br/> <br/> Gagosian unknown
2003411167New York: Gagosian Gallery 2003. First edition. Generally a clean copy. 11.5 x 8.5 inches. 145 pages. Profusely illustrated in color. Original wrappers; pictorial dust jacket. Gagosian Gallery unknown
1982T1903679Pace Gallery New York 1982. 1st Edition. SOFTCOVER. Extra Large 4to. in illustrated stiff card covers 72pp on thick art paper plates in colour and b/w etc __CONDITION : An extremely well preserved AS NEW copy faint sunning to spine. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Pace Gallery, New York paperback
1986G0871130823I3N00Pace Gallery 1986. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Pace Gallery hardcover
0871130823.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1986173588New York: The Pace Gallery 1986. Softcover. VG- edges of portfolio case scuffed and bumped. Poster 30"x 25 1/2" folded to 8 1/2' by 13" in illustrated cardboard portfolio case 6 illustrations. Poster 30"x25 1/2" from Je Suis Le Cahier The Sketchbooks of Picasso exhibition held at the Pace Gallery from May 2- August 1 1986. Poster is folded into 8 1/2' by 13' fitting inside illustrated cardboard portfolio. The Pace Gallery paperback
60425Universe Publishing Rizzoli International Publications Inc. New. Hardcover. 0789300931 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. With 47 ills. 43 col. . 19 x 20 cm. -- with a bonus offer-- . Universe Publishing, Rizzoli International Publications, Inc. hardcover
1971mon0003764228Random House 1971-01-01. Hardcover. Acceptable. 3.0000 13.5000 10.0000. The dust jacket is in very poor condition with peeling and water damagr. The copy has minimal water damage in spots along the bottom edge. The pages are lightly tanned at the edges. The copy shows minor external wear but is in otherwise very good condition. Random House hardcover
51-5954Circa 1960s. Continuous tone reproduction of the linocut.50x40 cm 19¾x15¾". Printed signature in lower margin. Copy of Czw. 14; Rodrigio. 041. Circa 1960s unknown
19611399842New York: Harry N. Abrams 1961. First U.S. Edition. Hardcover. Quarto unpaginated. In Very Good condition. Housed in publisher's illustrated paper and green cloth slip case heavily worn and splitting along multiple joints with bottom edge detached. Bound in publisher's illustrated cloth boards. General shelf wear. Discoloration to spine. Previous owner's signature on second free endpaper. Gutter visible in various places. Light age toning throughout. Shelved in Case 11. 1399842. Shelved Dupont Bookstore. Harry N. Abrams hardcover
1968106735Insel Verlag Leipzig 1968. 1st Edition. Hardcover. Near Fine. Collection of graphic works satirizing Franco.Insel-Bucherei Nr. 880. Text in German. Insel Verlag, Leipzig hardcover
198666949Foundation. New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 196 pp. With 143 ills. 85 col. and 109 reference ills. 29 x 24 cm. -- with a bonus offer-- . Foundation hardcover
1120451925. . Lithograph 1925 on Japanese Imperial paper signed lower right an artist's proof gifted directly to Genevieve Laporte from Picasso's private collection aside from the edition of one hundred printed by Engelmann Paris published by D.H. Kahnweiler Galerie Simon Paris image: 12.7 x 11.8 cm. 5 x 4.6 in. sheet: 28 x 22.5 cm. 11 x 8.9 in.<br /> This work is a unique proof gifted to Geneviève Laporte 1926-2012 Picasso's lover during the 1950s. In 1951 Picasso and Laporte began an affair which lasted for two years and during which time the artist presented her with a number of his works. A poet and writer herself Laporte published her book 'Sunshine at Midnight: Memories of Picasso and Cocteau' in 1973.<br /><br />While Pablo Picasso never claimed to be a Surrealist his earlier Cubist works certainly laid the groundwork for such a movement to exist. By the time André Breton's 'Surrealist Manifesto' was published in 1924 Picasso was creating art with a similar surrealist style. The present work demonstrates Picasso's ceaseless desire to present an alternative to realism. The artist challenges our perception of portraiture and reality by capturing the woman's face in a simultaneous profile and frontal-facing perspective. As the viewer our eyes delight in the challenge to understand this surreal vision of a multifaceted woman made up of elegant curving intersecting lines.<br /> Bloch 73; Baer 240; Mourlot XX; Cramer Books 14 1925. unknown
51-1217Paris: D. Lambusier 1945. 4to one of 50 hors commerce copies on papier de lana from a total edition of 1070 copies printed for Georges Bloch frontispiece by Daragnès etching by Picasso 3 of 4 plates by Touchagues and 4 by Dignimont illustrations with a duplicate of the final quire loose as issued in original printed wrapper slipcase lacking one plate one leaf slightly creased backstrip slightly creased at head and foot. Bloch. 372; Baer 799.III.c.; Cramer 41From the collection of the late Picasso collector Stanley Seeger. Paris: D. Lambusier, [1945] unknown
1966112218Cannes 1966. Unpublished and heavily corrected manuscript of Brassai's account of his visit to Picasso A superb unpublished and heavily corrected manuscript in French in which Brassaï recounts his visit to Picasso a long-standing friend at his home near Cannes. Brassaï who photographed much of Picasso's work in the 1940s had published Conversations with Picasso in 1964 in which he created an intimate portrait of Picasso covering their friendship and artistic collaboration and recording each of their meetings with minute detail. Picasso said of the volume "Read this book if you want to understand me". This account is written in a similar style and during the course of the afternoon Picasso speaks about his nostalgia for his old studios his health his enthusiasm for the recently invented felt-tip pen his opinion of his own writings his relationship with his wife Jacqueline and his views on feminism. Though unmarked as such it is from the collection of Brassaï's close friend and colleague photographer Stefan Lorant who founded Picture Post the pioneering pictorial magazine. Quarto 285 x 233. 20 typed sheets in French rectos only legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album with each sheet in a separate clear plastic file. In excellent condition the final page a little creased and with minor loss to right-hand side affecting one letter. Overall fresh and clean. hardcover
