Picasso

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Kalfas Christos - Picasso Sydney, Blaizot Philippe,Biblio.com

Christos Kalfas - Et ainsi fleurit la pensee.

JACOB (Max) & PICASSO (Pablo)Biblio.com

Chronique des temps héroïques.

29341Paris Louis Broder coll. « Écrits et Gravures » n° 2 24 octobre 1956. 1 vol. 185 x 250 mm de 126 p. 8 f. En feuilles sous couverture illustrée chemise illustrée et étui de l'éditeur. . Édition originale posthume du texte de Max Jacob considéré comme ses « Mémoires ». Elle est illustrée par Pablo Picasso de 3 lithographies originales en couleurs et en noir étui couverture et portrait-frontispice 3 pointes-sèches originales et 24 dessins inédits gravés sur bois par Georges Aubert qui rappellent les illustrations du Chef-d’œuvre inconnu. Tirage unique à 170 exemplaires sur vergé de Montval celui-ci un des 30 numérotés en chiffres romains auxquels sont joints 2 états de la lithographie pour l’étui exemplaire n° II signé par Picasso. . Max Jacob livre ici un témoignage de premier ordre celui de ses souvenirs littéraires et artistiques de Montmartre. Il rencontre Pablo Picasso en 1901 à Paris et s'en suit une fraternelle amitié qui fait de lui le témoin quasi quotidien du travail de Picasso désigné comme son héros aux côtés d'Apollinaire lorsqu'il doit écrire sur l'époque de la rue Ravignan. À la mort du marchand Paul Guillaume sa veuve lui demande une préface à un volume des mémoires de son mari. C'est ce projet qui est l'acte fondateur du texte et deviendra ce récit fondamental sur le cubisme : La Chronique des temps héroïques. On y croise outre Picasso et Apollinaire les futuristes et les avant-gardes du XXe siècle. Arrêté et déporté à Drancy où il périra le 5 mars 1944 Jacob ne verra jamais la publication de ces lignes rédigées en 1936-37. Louis Broder se chargera de l'édition d'après un manuscrit complet des huit chapitres et Pablo Picasso se fera un honneur de l'illustrer : il composera une lithographie sur papier report 3 pointes sèches et 2 lithographies en couleurs pour la couverture et l'étui ; 24 gravures sur bois dans le texte de Georges Aubert d'après les dessins de Picasso. Signalons qu'il existe un exemplaire unique sur japon réalisé pour Louis Broder. Il n'existe pas de témoignage aussi vivant et direct que celui-ci sur l'aventure de l'art moderne depuis la bohème montmartroise jusqu'aux frasques des années folles. Complet du bulletin de souscription. Habiles restaurations à la chemise-étui. Paris, Louis Broder, coll. « Écrits et Gravures », n° 2, (24 octobre) 1956. 1 vol. (185 x 250 mm) de 126 p., [8] f. En feuil unknown

Librairie WALDEN · France7 000,00 €

PICASSO, Pablo Eluard, PaulBiblio.com

Conférence de Paul Eluard: Avenir de la Poésie. Samedi 2 Octobre 16 h.15. Affiche Catalogue Invitation pour Deux Personnes.

193748609Paris.: G. L. M. Guy Lévis Mano. 1937. Loose as issued poster and invitation original publisher's orange glazed paper wrappers stitched as issued with illustration by Picasso printed titles and advertisments in black to covers. Folio. 502 x 325 mm. 12mo. 184 x 138 mm. 16mo. 138 x 104 mm. Poster of cream paper glazed red / orange recto and with Picasso's illustration from 'Grand Air' and printed text in black the title above and conference details beneath the invitation a bifolium of thick cream wove paper Picasso's illustration at left with printed details of the conference at right in black the catalogue on cream wove paper leaf with definition of 'Surréalisme' from the 1924 manifesto and list of conferences recto verso with advertisement for works by Eluard leaves with quotations by Eluard regarding poetry quotations from various Surrealist-approved poets 'Signe ce que tu approuves' inserted leaves of grey paper with advertisements for publications by GLM central spread with 'Programme' and final leaf with advertisments. The very rare poster by Picasso together with the catalogue and the invitation - also with the same image by Picasso - for Paul Eluard's 1937 conference 'Avenir de la Poésie'.Paul Eluard's conference 'Avenir de la Poésie' Future of Poetry was held on October 2nd 1937 at the Comédie des Champs-Elysées 15 Avenue Montaigne the 'Salon Dada' in 1921 had been held at number 13 at 16.15 p.m. as part of the Exposition Internationale 1937. It seems surprising at least with hindsight to imagine that a Surrealist conference might occur under such an umbrella but the Surrealists were nothing if not serious and Eluard's devotion to poetry cannot be questioned or underestimated.'Avenir de la Poésie' saw Eluard as well as a number of actors close to the Surrealists Michèle Alfa Marcel Herrand who had participated at the dada evening 'Le Coeur à Barbe' in 1921 Jean Marchat Jean-Louis Barrault and Sylvain Itkine whose group 'Le Diable Ecarlate' featured extensively in the Exposition reading poems. The list of poets is comprehensive and included Petrus Borel Charles Baudelaire Gérard de Nerval Germain Nouveau the Comte de Lautréamont Isidore Ducasse Rimbaud Charles Cros Jarry Apollinaire Reverdy Breton Henri Michaux Tzara Péret René Char Eluard himself and Picasso.The poster invitation and catalogue all feature to the front cover a reproduction of the engraved collaboration between Picasso and Eluard 'Grand Air'. The very rare print 'Grand Air' was issued - a few proofs aside - only with the ten copies of the édition de tête of Eluard's verse collection 'Les Yeux Fertiles'. Eluard and Picasso had each contributed to 'Grand Air' Eluard a poem of eighteen lines and Picasso the pictorial frame: at right a nude female minotaur a mask opposite at left out of which the minotaur seems to have snatched the left eye above a rocky landscape with a reclining smoking figure with cat beneath; that the cat appears to be suckling three small black fish underlines the essential Surrealism of the whole.'Le pain est plus utile que la poésie. Mais l'amour au sens complet humain du mot l'amour-passion n'est pas plus utile que la poésie.' Paul Eluard. For the material presented here Eluard's central verse has been replaced with the title of the conference 'Avenir de la Poésie' with his retained signature beneath while the entirety of Picasso's framing is present and the image is attributed to him for the catalogue and invitation at lower left. Details of the conference are printed above and beneath for the catalogue and poster and facing the illustration on the invitation.The poster is not described by Christophe Czwiklitzer in his 1968 'Catalogue Raisonné des Affiches de Pablo Picasso'. The first 'original' poster listed an original lithograph is from 1948 while the first 'exécutées par différents procédés de reproduction' is from 1939.While the catalogue 'Avenir de la Poésie' is rare and the invitation rarer still we trace no other examples of the poster in any collection public or private. G. L. M. (Guy Lévis Mano). unknown

Sims Reed Rare Books · Royaume-Uni9 500,00 £GB≈ 10 847,10 €

CESAIRE, Aime & PICASSO, PabloBiblio.com

Corps Perdu

1950331546Paris: Fragrance 1950. Limited. unbound. fine. Picasso. Ten Poems by the West Indian Martinique poet Aime Cesaire together with an abundance of finely printed illustrations by Picasso: an etched title on the cover a fine original etching/drypoint portrait frontispiece 10 aquatints each illustrating a poem title and 20 drypoint engravings all on Montval wove paper with a "Corps Perdu" watermark. Folio. Folded sheets loose as issued in original white printed paper wrappers; housed in a vellum-backed orange board chemise and orange board slipcase. One skillfully mended repair on rear paper wrapper otherwise an immaculate copy in very fine condition. Limited first edition. From a total printing of 219 copies there are five distinct variants on different papers but this is perhaps the most special iteration of this unusual book -- not listed on the limitation page -- being number I of only III copies reserved for the artist himself; inscribed by Picasso in blue & red pencil on the limitation page to Felia Leal a close friend and the publisher of this edition and containing an entire extra suite of all 32 plates printed on Vieux Japon in a folder which Picasso has handwritten "Suite de Corps Perdu Picasso" in blue pencil. Cesaire was the "figurehead of the 1930s Negritude movement in France a group of writers who hoped to foster a sense of shared heritage throughout the African diaspora reasserting their identities in opposition to Western colonial perspectives" MoMA. Picasso became friendly with Cesaire when they met in Poland at the 1948 Communist-led World Congress of Intellectuals for Peace and they soon collaborated on this important book. Cesaire wrote the poems intertwined surrealistic pieces that explore themes related to dreams the unconscious and the irrational. A powerful surrealist exploration of the colonial legacy of dispossession and violence calling for a radical renewal of identity through the reclamation of the "lost body" of the black individual and collective and Picasso created the spare drawings a fusion of male and female sexual organs with plant and insect-inspired forms evocative of the Cuban painter Wilfredo Lam. -- Bloch 632-633; Baer 840-871; Cramer 56. "Crowned Poet" the excellent frontispiece was used for the poster for the first Congress of Black Writers and Artists organized by Presence Africaine at the Sorbonne in 1956. Fragrance unknown

Argosy Book Store · États-Unis135 000,00 $US≈ 114 223,50 €

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