Pablo PicassoBiblio.com
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2003448985Textura ediciones S.L. -2003 2003. Aceptable. Materia/s: OHM3HFTMCB. las laminas de 225 x 32 cm tienen las siguientes tematicas: En el circo: la amazona rubia la amazona morena acrobatas jirafas y nadadoras - halterofilia buen estado Textura ediciones, S.L. -2003 unknown
19361720London: Zwemmer Gallery 1936. First edition. Illustrated stapled wrappers. 8 pp. Attractive catalogue of a Picasso show printed letterpress on white blue and yellow paper with two mounted plates listing 57 items. Front and rear cover sheets foxed on both sides. Zwemmer Gallery
51-2890New York: Harry N. Abrams circa 1980. 4to. 4 pp. Lists original graphic works with prices by Agam Albers Alechinsky Appel Berarden Frankenthaler Motherwell Picasso Indiana Rauschenberg Newman et al. New York: Harry N. Abrams, circa 1980 unknown
68-2418New York NY: Perls Galleries 1947. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1947. paperback
68-2420New York NY: Perls Galleries 1949. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1949. paperback
68-2416New York NY: Perls Galleries 1945. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1945. paperback
68-2419New York NY: Perls Galleries 1948. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1948. paperback
68-2417New York NY: Perls Galleries 1946. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1946. paperback
193989995Paris: Paul Rosenberg 1939. Fine. First presentation at the Paul Rosenberg Gallery in Paris of an artwork foreshadowing the bull of Guernica: The Negro Sculpture before the Window. Paul Rosenberg Paris 1939 11 x 13.5 cm Une feuille pliée 4 pp. Rare first edition of the catalogue for Picassos final exhibition at the Galerie Paul Rosenberg in Paris held from 17 January to 18 February 1939 at 21 rue La Boétie. The front wrapper is illustrated with a black-and-white photograph of the exhibitions centrepiece: La sculpture nègre devant la fenêtre now known as Buste de Minotaure devant une fenêtre Private Collection; see Zervos vol. VIII p. 360. Painted on 19 April 1937 the work is widely regarded as a precursor to the bull of Guernica executed only a few weeks later. An excellent well-preserved copy. The plaquette lists the 33 works exhibited arranged by year of execution- 1936 1937 and 1938. The verso carries the notice of the next exhibition Centenary of Cézanne dated 20 February 1939. These two events were followed only by a final show devoted to Georges Braque before the gallery closed and Paul Rosenberg left France for permanent exile in the United States. The event met with considerable success as reported by the American collector and sculptor Meric Callery to Alfred H. Barr the first director of the Museum of Modern Art in New York: ""R's Rosenberg present show of Picasso is surprising in that it is so pretty colorful and gay. They have had over 600 people per day to see it."" Making Modernism Michael C. FitzGerald 1996 The adjectives pretty colourful and gay may seem surprising given both Picassos style and the political context of 1939. Indeed the exhibition - comprising chiefly still lifes painted between 1936 and 1938 in the Tremblay-sur-Mauldre studio - appears at first sight to contrast sharply with the tragic contemporary events. From 1937 onwards the Nazis began confiscating over 20000 modern artworks to mount the notorious Entartete Kunst Degenerate Art exhibition. Circulated throughout Germanys major cities it culminated in June 1939 in a large-scale auction to finance the war preceded by the burning of more than 5000 paintings in the courtyard of Berlins main barracks. Fully aware of the ongoing tragedy Paul Rosenberg took measures to save as many works as possible organising in the same year the first retrospective of Picasso at the Museum of Modern Art where Guernica was displayed and preserved. In 1940 he took permanent refuge in New York opening his celebrated gallery on 79th Street while some 2000 works he could not take with him were looted by the Nazis. Belying its seemingly innocuous appearance the exhibition of recent works by the foremost representative of so-called Degenerate Art held by a Jewish dealer constituted a genuine act of resistance to the rise of Nazism. Yet it was above all through a single work prominently displayed in the main salon and reproduced on the catalogues front that Rosenberg and Picasso transformed the still-life exhibition into a profoundly political statement. Later known as Buste du Minotaure devant une fenêtre this transitional work as noted by the art historian Vérane Tasseau is highly symbolic: The bull does not stand for fascism but for brutality and darkness Picasso remarked in the autumn of 1944 during an interview with the young painter Jerome Seckler for the American Marxist journal New Masses. Seckler had hoped to elicit from him the assertion that the late 1938 series of still lifes with bull heads was a political statement in continuity with Guernica."" This first bulls head in the still-life series gradually evolved over the course of 1938 into a curious zoomorphic human visage. It is nevertheless still titled in the catalogue La sculpture nègre devant la fenêtre. Although this title was not retained in subsequent monographs it establishes a remarkable link between two major themes in Picassos oeuvre: th Paul Rosenberg unknown
1983143492Arti 1983. Bon Etat aspect 4e plat assez salie intérieur frais. in8. 1983. Broché. Arti unknown
13216Bern Editions Kornfeld u. Klipstein 1968. 4° 310 S. 1399 Abb. Fronti. OLwd. mit OU. OU randrissig u. unfrisch Lwd. an den Kapitalen etw. gebräunt Buch sonst tadellos. Bd. III des Kataloges des gesamten edierten graphischen Werkes von Picasso. Erstausgabe. Text frz. 010 Bern, Editions Kornfeld u. Klipstein, 1968 unknown
1971104264Madoura. Very Good. 1971. Wraps. Wraps softcover. 1971. Very Good Plus condition. Madoura. Photography of ceramics. ; 8vo 8" - 9" tall . Madoura paperback
1974238960Roma: Editori Riuniti 1974. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Volume con 340 illustrazioni a colori e 419 in bianco e nero. Cm 28x27. pp. 296. Molto buono Very Good. Sovracoperta leggermente sciupata Worn soiled and chipped dust jacket. Prima edizione First Edition. Editori Riuniti, hardcover
1961239911Torino: Galleria La Bussola 1961. Rilegatura a punto metallico stapled binding. Molto buono Very Good. Catalogo di mostra Galleria La Bussola Torino dicembre 1961. Con 25 piccole illustrazioni in b/n ed elnco delle 66 ceramiche esposte. Cm 215x15. pp. 12. Molto buono Very Good. Piccola abrasione ad una pagina Small abrasion on one page. . <em>Pablo Picasso fu pittore scultore e litografo considerato uno dei più"; grandi artisti del XX secolo e co-fondatore del <strong>cubismo </strong>insieme a Georges Braque. Nato a Malaga Picasso attraversò" diverse fasi artistiche dal periodo blu a quello rosa fino all'innovazione del cubismo con opere come<strong> Les Demoiselles d'Avignon</strong> e l'iconico impegno politico e sociale di <strong>Guernica</strong>. La sua prolifica carriera vide anche esperienze nella scultura ceramica scenografia e fu caratterizzata da una continua ricerca e sperimentazione.</em> Galleria La Bussola, unknown
101378734X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
02-0647Milwaukee Wis.: David Barnett Gallery 1984. Poster. Milwaukee, Wis.: David Barnett Gallery, 1984. unknown
2011103498Dumont Buchverlag. New. 2011. Hardcover. 3832194185 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 320 pages; over 300 illustrations most in color. -- with a bonus offer-- . Dumont Buchverlag hardcover
003014Bievres Essonne: Pierre de Tartas 1976. Book. Fine. Hardcover. Loose sheets in wrappers with Picasso's design printed in relief. This copy with an extra relief printed wrapper. In publishers black cloth clamshell box with gilt and red lettering. Poems by Federico Garcia Lorca in French and Portuguese. Illustrated by Picasso with 4 original full-page color lithographs 10 monochrome woodcut illustrations in the text and 5 6 original embossed prints including the one on the double wrapper all executed after Pablo Picasso. The 4 color lithographs are protected by tissue guards. The lithographs and the embossed prints are plate signed by Picasso. The woodcuts were engraved by Guy Descouens and printed by Pierre Jean Mathan. Inevitable light offsetting from the woodcuts. The original prints were printed on the presses of the Ateliers Desclais. This is number 152 of 220 copies printed on grand velin d'Arches signed by the publisher. The total edition was 306 copies. Sheets measure 37 x 28 cm. the box measures 405 x 305 cm. Very fine copy. . Pierre de Tartas Hardcover
109080Cannes & Paris Degré Quarante et Un 1956. . Limited edition one of 52 copies on vieux Japon from a total edition of 68 signed by Picasso and Ililazd; folio 32 x 22 cm; with 12 engravings of which 2 are hors texte and 10 are in text; pages are folded in three with engraving in centre and text either side; in original vellum wrappers with a drypoint etching on the cover in a folded vellum sleeve with the spine imprinted with the title vellum wrappers slightly stained otherwise a fine copy.<br /> One of 52 copies Chevaux de minuit is one of Picasso and Iliazd's most successful collaborations. 'Picasso's stylistic range from the animals of the 1942 Buffon to these horses is a vast one. Here he has restricted himself to an extreme simplification of outline accented only by the drypoint burr yet vividly descriptive of movement. The typographic layout by Iliazd carefully balances and sometimes echoes the design of the plates' Artist and the Book<br /><br />The poem Chevaux de Minuit by Roch Grey pseudonym of Baroness Hélène Oettingen was edited by Iliazd after her death in 1950. The two had been friends and Ilia Zdanevich felt that the writer's work had been under-appreciated in her lifetime having not received recognition in either mainstream or avant-garde literary circles. It was his aim especially in the later part of his career to bring to light the work of marginal writers by collaborating with famous artists many of whom were his close companions.<br /> Cannes & Paris, Degré Quarante et Un, 1956. hardcover
1956KFZZQ100143art institute of Chicago 1956. Soft Cover. Fine. KFZZQ100143 art institute of Chicago paperback
0847801659New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
159059New York: Harry N. Abrams 0-8109-0397-0 1970. 4to 100pp. Very good plus no dust jacket. Illustrated endpapers color illustrations. Art of Pablo Picasso. Art. Harry N. Abrams Hardcover
ANAIS-0810903970Harry N Abrams Inc. hardcover. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. Harry N Abrams Inc hardcover
1970G0810903970I3N00Abrams Inc. 1970. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Abrams, Inc. hardcover
19704029New York : Harry N. Abrams 1970. 1970. Hardcover. Very Good. 26 p. 80 p. of illus. part col. 29 cm. ; ISBN: 0810903970; 9780810903975 LCCN: 74-160122 ; OCLC: 448021 ; LC: NC248.P5; Dewey: 741.9/44 ; presents 100 drawings and paintings of bullfight scenes illustrated by Picasso and the children of Vallauris France ; color pictorial cloth illustrated endpapers brown lettering ; some foxing ; VG <br/> <br/> New York : Harry N. Abrams, 1970. hardcover
