1 544 résultats
1986111878Boston : Atlantic Monthly Press 1986. First Edition. Hardback. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 349 pages; Physical desc. : 349 p. : ill. some col. ; 32 cm. Catalog of an exhibition held at the Pace Gallery New York May 2-Aug. 1 1986. Bibliography: p. 347. Subject: Picasso Pablo 1881-1973 - Exhibitions. Picasso Pablo. - Sketchbooks. Boston : Atlantic Monthly Press hardcover
1986111871Boston : Atlantic Monthly Press 1986. First Edition. Hardback. Fine cloth copy in an equally fine dw with publisher's sash. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 349 pages; Physical desc. : 349 p. : ill. some col. ; 32 cm. Catalog of an exhibition held at the Pace Gallery New York May 2-Aug. 1 1986. Bibliography: p. 347. Subject: Picasso Pablo 1881-1973 - Exhibitions. Picasso Pablo. - Sketchbooks. Boston : Atlantic Monthly Press hardcover
1359CBReinbek bei Hamburg Rowohlt 1986. 4°. 349 S. Mit zahlreichen z.T. farbigen Abbildungen. Orig.-Leinenband mit Schutzumschlag in Schuber. unknown
198626378<p>Boston:: Atlantic Monthly Press 1986. First Printing of the First US Edition. A Near Fine copy in a Fine dust jacket. The Sketchbooks of Picasso is the only collection available of the private sketchbooks of Pablo Picasso which he began in Barcelona in 1894. For more than seventy years as the young painter blossomed and matured into the greatest artist of the twentieth century he kept a record of his ideas and thoughts so that by 1964 there were 175 sketchbooks a unique and startling picture of the mind of a genius at work. Accompanying the major sections are essays by six of the greatest American art historians: E.A. Carmean Sam Hunter Rosalind Krauss Theodore Reff Robert Rosenblum and Gert Schiff. A foreword by Claude Picasso the artist's son and a reminiscence by Francoise Gilot Claude's mother provide a more personal understanding of the part the sketchbooks played in Picasso's life.</p> Atlantic Monthly Press, hardcover
86277Couverture rigide. Bon/1956. in-8. Monaco 1956 in-8 115pp broché Superbe exemplaire non coupé de l'édition originale numérotée un des 30 exemplaires sur papier Pur Fil des papeteries Lafuma à Voiron! Exemplaire n° L.2. unknown
2026__2370742720Editions Skira Paris 2026. Hardcover. New. 208 pages. 9.45x0.91x12.01 inches. Editions Skira Paris hardcover
51-3606Vallauris: 1957. Linocut on the cover. Edition of 200 copies this one hors commerce and not numbered.Image 78 x 130mm. on cover 235 x 155mm. Picasso Project L-025; Bloch1273; Baer IV1046; Cramer 89. Fine. Vallauris: 1957 unknown
02-0651Montpelier: World Treasure Society 1980. Color reproduction. One of 5000 numbered copies on Arches. Image Size: 21.5 x 13 inches Size: 30 x 20.5 in. 76.2 x 52.07 cm Montpelier: World Treasure Society, 1980. unknown
200979565Institute. New. 2009. Hardcover. 8448251466 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish Valencian and English with portions in Spanish only. 240 pp. 25 x 21 cm. -- with a bonus offer-- . Institute hardcover
75-2279Berlin DE: Dietrich Reimer Verlag 2003. 8vo. Hard Covers. Very Good. Red cloth over boards. Very good dust jacket. 305 pp.Color and black and white plates throughout.Auf Deutsch. There might be an additional charge due to the large size of the book. Berlin, DE: Dietrich Reimer Verlag, 2003 hardcover
2009260197Barcelona: Museu Picasso 2009. First. hardcover. fine. Kees Van Dongen. Illustrated throughout mostly in color. 219 pages with text in Spanish. 4to thick pictorial boards issued without dust wrapper.Barcelona: Institut de Cultura de Barcelons & Museu Barcelona 2009. First edition. A fine copy of this scarce exhibition catalogue.<br/> <br/> Museu Picasso unknown
201194842Walther Konig König Koenig. New. 2011. Paperback. 3865609678 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 144 pages; 109 illustrations including 89 in color. -- with a bonus offer-- . Walther Konig (König, Koenig) paperback
8493723398.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
201087504Hatje Cantz. New. 2010. Hardcover. 3775725601 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 284 pages; 259 illus. -- with a bonus offer-- . Hatje Cantz hardcover
1950N - 2023 - 74<p>L'Age de Soleil. With one original dry point by Picasso. GODET Robert-J. Paris: Aux dépens de l'auteur 1950. One of 100 copies on Vélin du Marais with frontispiece etching "Picasso pour Roby" in black and with an ORIGINAL POINTE-SÈCHE La Torera dated in plate 29 April 1944. In the original stiff wrappers lightly tanned. Ref: Cramer n° 57.</p> Aux dépens de l'auteur
195079413Paris: Robert J. Godet 1950. Fine. Robert J. Godet Paris 1950 23 x 28.50 cm broché Illustrated edition as frontispiece with an engraving by Pablo Picasso on a loose leaf one of 1000 numbered copies. Covers and boards stained small tears on spine. Our copy is decorated with an original drawing dated and signed by Robert J. Godet representing a statue of a woman surmounted by a sun casting its rays upon her matching this poetic autograph inscription which accompanies it: ""bel âge en vérité / Nadine soleil couchée / Nadine soleil-chat / Petite Nadine / Soleil qui a encore peur de briller."" ""beautiful age indeed / Nadine setting sun / Nadine sun-cat / Little Nadine / Sun who is still afraid to shine."" Provenance: from the library of Nadine Nimier wife and widow of Roger Nimier. Robert J. Godet hardcover
195789530Cannes 1957. Fine. ""The 7th Bull races"" Cannes 13 juin 1957 21 x 27 cm 2 pages sur un feuillet Multi-coloured autograph letter from Pablo Picasso to Max Pellequer signed and dated by the author on June 13 1957. The document includes the autograph address of his villa La Californie. 2 pages on one sheet 22 lines in green blue and red pencils on a watermarked sheet. Minor folds. An exceptional account of Pablo Picasso's passion for bullfighting a recurring theme in his art since his very first works painted at the age of eight ""The Little Yellow Picador"" 1899. Pablo Picasso gives Max Pellequer and his wife details regarding a trip to Arles on July 5 6 and 7 1957 to which the artist has invited them along with a handful of friends. With undisguised enthusiasm he announces that he has booked their rooms at the ""Norpinus"" Nord-Pinus and their seats for the bullfight. Only after providing this essential information does the painter mention the opening of his exhibition at the Réatu Museum and the official dinner with Douglas Cooper the great collector and the mayor of Arles Charles Privat: ""Dinner with Cooper & the mayor"". A performance of ""Aïda at the bullring"" is also scheduled during this Arlesian getaway which ends on the 7th with an intriguing ""bull run with the presence of a black king"". In the 1950s Pablo Picasso and Jacqueline Roque are regular visitors to the Arles bullrings. At that time the painter is not discovering the city. Fascinated by Van Gogh's portraits he paints his first Arlésienne in 1912 and his last featuring Jacqueline just after writing this letter in 1958. But it is his love of bullfighting that will ultimately bind the Andalusian to the bullfighting capital of Provence. From his early Barcelona works Scène de corrida and courses de Taureaux presented to Ambroise Vollard in 1901 to the famous and omnipresent theme of the Minotaur Picasso was one of the main promoters of bullfighting in France. In the late 1950s Arles becomes the painter's mecca for his passion immortalised in 1956 by David Douglas Duncan who photographed Pablo in the Arles bullring captivated by the bullfights. This exceptional letter bears witness to the excitement of the artist who at the height of his international fame becomes for the time being a groupie happy to accommodate his friends in the legendary ""Norpinus"" hotel known for hosting toreros after their bullfights. Bullfighting also features in the other major events presented by the artist in the 22 lines of our sheet. He announces the opening of his first exhibition at the Musée Réattu which gives pride of place to the figure of the bull in Picasso's work. Among the paintings on display from July 6 to September 2 1957 38 of the artist's artworks will be exhibited for the first time. Picasso the main lender for this event will ironically be absent from the opening too busy painting portraits of Jacqueline using pigeon feathers. The author continues his letter by proposing a dinner with British collector Douglas ""Cooper"" who along with the Barcelona Museum will also be invited to contribute to the exhibition. The ""mayor"" of Arles Charles Privat is the second personality invited to this dinner. Picasso and Privat who meet for the first time in April 1957 will maintain a fruitful relationship that will conclude in 1971 with the artist's donation of 57 artworks to the Musée Réattu. In the second part of the letter Pablo Picasso adds a performance of Verdi's opera ""Aïda"" to the schedule demonstrating the artist's continued keen interest in operatic works more than 30 years after designing sets for the Ballets Russes. Finally the only possible conclusion for Picasso's letter and stay with his friends is to attend of course one final bullfight whose announcement itself seems like the title of a painting: bullfight with the presence of a black king"". We do not know which African dignitary attended the 1957 bullfight but the pain unknown
19221186471922. First Edition. BAKST Léon. L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant. Preface d'André Levinson. Paris: de Brunoff 1922. Large folio original limp cream paper covers uncut custom chemise. $4500.Signed limited first French edition number 308 of only 500 copies signed by both Bakst and publisher Maurice de Brunoff with 56 mounted color plates 54 full-page costumes and sets for the Ballet Russes with letterpress tissue-guards and a portrait of Bakst by Picasso.A gifted painter Bakst is best remembered for the sets and costumes he designed for Diaghilev's Ballet Russes in the early decades of the 20th century. His exotic and sumptuous designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. It was the Ballet Russes that first brought Tchaikovsky's Sleeping Beauty renamed Sleeping Princess to the west in 1921 featuring scenery and costumes by Bakst. ""Bakst's greatest claim to theatrical glory lies in his feeling for synthesis in his impeccable instinct for harmony"" Levinson. Without rare original slipcase. Plates and text fine only minor wear to spine of fragile original paper covers. A beautiful copy. unknown
1985C90962Museum. As New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pages; 80 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Museum paperback
198590962Museum. New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pages; 80 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Museum paperback
ART C 50Book. Fine. Hardcover. FIRST. a fine first in HARD COVER. ONE OF 30 COPIES with LITHOGRAPH OF faunes-et-chevre · Pablo Picasso Number 11. Hardcover
1967126012Paris: Galerie Louis Leiris 1967. Edition of 50. Signed in pencil lower right by Picasso numbered lower left. The plate was originally etched in 1963 of which one image was printed the edition was printed and released in 1967. Aquatint on Vélin de Rives paper. Image size: 31.2 x 41.2 cm. Sheet size: 45.1 x 55.2 cm. Framed size: 57 x 65.7 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation acrylic glazing. Bloch 1115; Baer 1108 IIIBb. unknown
16-6412Paris: Arts du Monde - Librairie Hachette Paris 1954. 4to. 22.5 x 31cm. Original red cloth cover by Matisse. Lithographed frontispiece created for this work by Picasso "La Danseuse" Bloch 767; Mourlot 259;: light foxing at top of the lithograph.415 text illustrations many tipped-in and/or folding color plates some after Léger Miró Bakst among others. . .Goeppert Goeppert-Frank and Cramer. Pablo Picasso: The Illustrated Books. Catalogue Raisonné no. 68. OCLC Number / Unique Identifier:977664915. Paris: Arts du Monde - Librairie Hachette, Paris, 1954 hardcover
2013264603Edizioni del Galluzzo per la Fondazione Ezio Franceschini Firenze 2013. Softcover mit Schutzumschlag Zustand: wirkt ungelesen keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sehr gut. Edizioni del Galluzzo per la Fondazione Ezio Franceschini, Firenze, paperback
1988326917Paris: Didier Imbert Fine Art 1988. hardcover. fine. Picasso Pablo. 67 pages with text in French & English. Illustrated throughout in color and black & white. Short square 8vo grey cloth d.w. board slipcase. Paris: Didier Imbert Fine Art 1988. A fine copy.<br/> <br/> Catalogue for an exhibition held at Didier Imber Fine Art in Paris from May 20 - July 13 1988.<br/> <br/> Didier Imbert Fine Art unknown
