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1971N - 2024 - 120<p>Paris Éditions de l'atelier Crommelynck 1971. La tragicomedia de Calisto y Melibea known as La Celestina novel attributed to Fernando de Rojas published in 1499 illustrated by Picasso with 66 etchings with aquatints dated in plate between April 11 and August 19 1968 unsigned. The etchings done for la Celestine are part of the 347 series Picasso worked to the etchings almost daily with Aldo and Pietro Crommelynck at their atelier in Mougins using different techniques. After the impressions were pulled 66 etchings were chosen by Picasso to illustrate La Celestine. The character of La Celestine was first portrayed by Picasso on a painting in 1903. Limited numbered editions in 400 copies on Richard de Bas laid paper watermarked La Celestine. Copy n 48 signed on justification page by Picasso in pencil. Bound in parchment board protective jacket and slipcase. Ref: Cramer 149. Complete and in very good condition.</p> Éditions de l'atelier Crommelynck hardcover
1953D08KS1090Compagnie des Arts Photomecaniques Paris 1953. 1st Edition. SOFTCOVER. Quarto size 4to in colour printed stiff glossy card covers 104pp numerous plates some in colour. An excellent survey of contemporary modern ceramics. Text in French __CONDITION : A well preserved FINE unread copy spine and cover edges a little tanned. . __We always ship in PROTECTIVE CARD PARCELS Compagnie des Arts Photomecaniques, Paris paperback
19711154825Skira 1971. Softcover. Very good. Text is in French.<br /> <br /> Great condition. Covers are tanned but readability is not impacted. Lamination on covers is peeling. Text block and inside edges are tanned but legibility is not affected. Pages are clean and unmarked. Skira unknown
1971111778GenÂve : Skira 1971. 230x165mm. photos couleurs et n/b reliure d'ÂŽditeur. Reliure en cuir sous embo”tage cuir lÂŽgÂrement ÂŽraflÂŽ au dos autrement bon ÂŽtat.Exemplaire de luxe numÂŽrotÂŽ 356/1125. 635 Skira unknown
1971467272Genève : Albert Skira 1971. First Edition. Softcover. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists’ preparatory studies. French art. Art history. European painting. Visual arts. Genève : Albert Skira paperback
1943208661Robert-J. Godet éditeur 1943. Number 23 of 25 such copies. Paperback. Bound book is VG with expected age-toning to the solid covers. Accompanying suite is as good as can be hoped for with the thin paper printed wraps broken at the spine and the 18 prints most with acidic sheets between that are printed on low-quality acidic paper solid clean with a noted printing smudge on one about 1/10 an inch in size and undamaged but wanting some conservation or de-acidification. Again in case you have not noted otherwise THE BLACK AND WHITE SIGNED ETCHING is lacking but the limitation page is signed by both Hugnet and Picasso and there is a unique collage by Hugnet to noted collectors on the half-title. Thick wrapped cardstock glued covers with printed lettering in black and green. Unpaginated 38 pp with the 6 zincographs bound in and then containing in a separate folder a suite of 3 copies each in a different color of the 6 bound zincograph plates from the book. LACKS THE BLACK AND WHITE ETCHING but contains a custom-designed and signed presentation collage by Georges Hugnet to Nannette and Herbert Rothschild on the half-title with painted design and applied materials dated April 9 1956. First edition printed in 525 numbered copies: 25 on Arches vellum signed by the author and illustrator. This is one of the first 25 copies on Arches vellum signed by the author and the painter with the set of three engraving colors red ochre and blue-green in the separate suite and 1 original etching by Pablo Picasso SIGNED ETCHING IS NOT PRESENT IN THIS COPY. The justification indicates: "the illustrations were etched by Pablo Picasso in order to be printed in the text through common typographic means. The etching meant only for the first prints is one of six illustrations printed in intaglio on Roger Lacouriere's printing press." An additional 500 regular copies with no suite and no etching on Lafuma plus VI author's copies on arches and III nominatives on bristol. The request to insert by Paul Eluard is entitled "Pour Georges Hugnet" 1 p. and is present as called for. Also contains some other laid-in items including a dated 1956 photograph of Hugnet along with a lithographed invitation to an exhibition of graphics by Hugnet at Galerie Furstenberg dated 1954 contains a colored illustration on the right inside panel and a printed belly-band of unknown relation to the artist or publication. Robert-J. Godet éditeur paperback
194391824Robert J. Godet 1943. Fine. Robert J. Godet 1943 23 x 28 cm broché First edition illustrated with 6 original lithographs by Pablo Picasso one of 500 numbered copies on Lafuma paper. A pleasing copy complete with its ""prière d'insérer"" written by Paul Eluard. Robert J. Godet unknown
78617Paris Robert - J. Godet 1943. 4° 32 Bl. 6 Rasterdrucke nach Radierungen von P. Picasso Mit dem eingeklebten Verlegerhinweis von Guy le Pra Broschur m. Transp.-OU. OU mit kleinen Fehlstellen min. angeschmutzt. Innen Papier alterungsbedingt min. gebräunt sonst sauberes Exemplar. EA. Goeppert-Cramer 38. – Bloch livres 37No 201 des 500 exemplaires numérotés sur Lafuma.- Beiliegend eine surrealistische Werbeeinladung «Prière d’insérer» in 14 Punkten von Paul Eluard «pour Georges Hugnet».- Georges Hugnet 1906-1927 verbrachte den größten Teil seiner Kindheit in Buenos Aires. 1913 kehrte er nach Paris zurück. 1920 war das entscheidende Jahr seiner Karriere. Durch Marcel Jouhandeau der im selben Gebäude am Boulevard de Grenelle in Paris wohnte wurden seine ersten Gedichte Max Jacob vorgelegt. Jacob wurde sein Mentor und durch ihn bekam er auch die Kontakte und Zugang zu der Pariser Kunstszene. Während dieser Zeit freundete sich Hugnet mit einer Reihe einflussreicher Künstler des frühen 20. Jahrhunderts an wie Joan Miró Marcel Duchamp Pablo Picasso Tristan Tzara Man Ray und Jean Cocteau.Hugnet kam 1926 in Kontakt mit den Surrealisten nahm an vielen ihrer Aktivitäten teil dichtete schuf Collagen schrieb Bücher und gestaltete Bucheinbände für surrealistische Publikationen auch in Zusammenarbeit mit seinem Freund Joan Miró. 1929 erfolgte die Präsentation seines Filmes La Perle im Studio Ursulines in Paris. In den 1930er Jahren war Hugnet Mitglied der surrealistischen Bewegung. André Breton hatte sich nach der Lektüre von Hugnets Artikel Spirit of Dada in Painting für ihn interessiert; Tristan Tzara machte sie miteinander bekannt. 1936 war Hugnet an der Organisation der International Surrealist Exhibition in den New Burlington Galleries in London beteiligt.1939 wurde er aus der Bewegung ausgeschlossen da er seine Freundschaft mit dem in Ungnade gefallenen Dichter Paul Éluard nicht aufgeben wollte.Mit Unterstützung seines Vaters – ein französischer Möbelhersteller – gründete Hugnet einen Verlag «Les Editions de la Montagne» um seine Werke und die seiner Freunde darunter Tristan Tzara Pierre de Massot und Gertrude Stein zu veröffentlichen.Hugnet schrieb und übersetzte zahlreiche Drehbücher und schuf Buchillustrationen. 010 Paris, Robert - J. Godet, 1943 unknown
1971166837Paris: Éditions de l'Atelier Crommelynck 1971. 66 original Picasso etchings First edition first printing number 36 of 350 copies signed by the artist. La Celestina a major work of Spanish literature first printed in 1499 here translated by Pierre Heugas was illustrated by Picasso as part of the famous 347 series for which Picasso etched 347 plates between March to October 1968 all printed by the Crommelynck brothers. Octavo. With 66 full page original etchings and aquatints of varying sizes dated between 11 April and 18 August 1968 printed on Richard-de-Bas laid paper with La Célestine watermark. Original full parchment boards lettering to front cover in black. Parchment and paper dust jacket lettering to spine in black. Housed in a parchment covered slipcase. Housed in a black cloth flat-back box by the Chelsea Bindery. A fine copy in a fine slipcase. Cramer Illustrated Books No. 140; Bloch 1602. hardcover
02-064420th cent. Poster. 20th cent. unknown
44023Musée Picasso In 8-carré 24 cm 128pp. illustr. et photos une carte postale du Musée jointe: Portrait de Dora Maar bon etat Ats34-Nb-0300 unknown
75-8139Malaga: Museo Picasso Malaga 2017. Fo. Cloth Hard Cover ca. 200 pp. B&W and Color Plates. Dent and Tearing to upper edge of Back cover affecting pages 190 through to the end Fair with water damage. Original Belly Band is Very Good. Oversize Book May require extra Shipping Charges Malaga: Museo Picasso Malaga, 2017 hardcover
1938TN242526Arthur Tooth & Sons London 1938. 1st Edition. SOFTCOVER. 4to in printed stiff card covers unpaginated approx. 16pp on thick paper 34 item catalogu with 4 tipped-in b/w plates __CONDITION : A well preserved clean and tight VERY GOOD copy flat crease to top corner tip of front cover mildly mirrored by leaves and rear cover. A nice copy of a rare survival. . __We always ship in PROTECTIVE CARD PARCELS Arthur Tooth & Sons, London paperback
195421248901954. Paris: Editions Cercle D'Art. 1954. Folio. Publisher's oatmeal cloth with orange belly-band printed in black and white no dust-jacket as issued spine and upper board lettered in burgundy; pp. '153' i.e. 151 1 2 colophon blank with the two large folding plates in pocket to rear board; slightly shaken; else a very good copy.First trade edition one of 6000 copies of this monumental work on Picasso's enormous two-panel La Guerre et la paix War and Peace - even larger than Guernica - for the deconsecrated Romanesque chapel of the the Chateau de Vallauris published five years before the chapel was officially opened to the public and instrumental in publicising the work.There were also one hundred copies of the edition de tete with an original lithograph by Picasso. To accommodate the vaulted ceilings of the deserted chapel - which Picasso aimed to turn into a 'temple of peace' - he structured the panels on thirty-two pieces of hardboard. He made over two hundred and eighty preparatory drawings several of which are reproduced here. Between 1952 and 1959 the installation 'remained largely unknown. Claude Roy's book on La Guerre et la paix . brought these large panels to wider attention before the chapel's public opening' Forest trans. Jean Cocteau who saw the work being created in Picasso's studio at Fournas - along with amongst others Francoise Gilot and Claude Roy author of the present work - wrote that 'the first impression of La Guerre et la paix is that of a nave a church; it seems that everyone who enters the studio takes off their hat. I take off my hat' ibid. Picasso left the drips of paint as they were arguing that 'one doesn't advise an unhappy person to wipe away their tears'.Goeppert 67. See Forest 'Picasso la guerre et la paix' in Michel and Vandenbussche eds L'idee de paix en France et ses representations au xxe siecle 2018 pp. 349-54. hardcover
19543116682Paris: Editions Cercle D'Art. Near Fine with no dust jacket. 1954. First Edition; First Printing. Hardcover. First trade edition. after a signed limited of 100 copies Near fine in creme-colored buckram binding without dust jacket as issued with orange-colored belly band present. 153pp. 10 3/4" x 14 1/4" Couple mild spots of soiling at bottom edge of covers. A few short tears in tissue guards. 1/2"-inch tear in belly band. Numerous b&w drawings. Features 6 color lithographs on wove paper. Two accordion-fold photolithographs in rear sleeve of Picasso's murals of the same titles -- ""La Guerre" and "La Paix" ; 10 1/2" X 14 1/4"; 153 pages . Editions Cercle D'Art hardcover
19542091202133212845Editions Cervle D'Art 1954. Soft Cover. Fine. Volume: 1 Editions Cervle D'Art paperback
1956265401956. Paris Imprimerie nationale / AndrÂŽ Sauret 1956. Un fort vol. au format gd in-8 224 x 167 mm de 558 pp. brochÂŽ sous couvertures ˆ rabats rempliÂŽs. Tome Ier seul sur 3. Tirage de tÂte : un des 300 premiers exemplaires numÂŽrotÂŽs CCXXVIII du tirage sur grand vergÂŽ d'Arches ; les seuls ˆ comporter un deuxiÂme ÂŽtat volant sur papier de Chine du frontispice figurant en tÂte de l'ouvrage tirÂŽ en lithographie par les soins de Mourlot FrÂres. La Guerre et la Paix narre lÕhistoire de la Russie ˆ lՎpoque de NapolÂŽon Ier notamment la campagne de Russie en 1812. La richesse et le rÂŽalisme de ses dÂŽtails ainsi que ses nombreuses descriptions psychologiques font quÕil est souvent considÂŽrÂŽ comme un roman majeur de lÕhistoire de la littÂŽrature. Tolsto• y dÂŽveloppe une thÂŽorie fataliste de lÕhistoire o le libre arbitre nÕa quÕune importance mineure et o tous les ÂŽvÂŽnements nÕobÂŽissent quՈ un dÂŽterminisme historique inÂŽluctable. Guerre et Paix a engendrÂŽ un nouveau genre de fiction. Bien quÕaujourdÕhui considÂŽrÂŽ comme un roman cette Ãuvre a cassÂŽ de si nombreux codes du roman de son ÂŽpoque que de nombreux critiques ne le considÂŽrÂrent pas comme tel. Tolsto• considÂŽrait lui-mÂme Anna KarÂŽnine comme sa premiÂre tentative de roman au sens o les EuropÂŽens lÕentendaient. Guerre et Paix fut ˆ lՎpoque de sa publication un immense succÂs bien que Tolsto• ne sÕy attend”t pas ce dernier pensant mÂme que son oeuvre passerait inaperÂue. Cramer 202. Couverture prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Petite dÂŽchirure marginale et lÂŽgÂres plissures angulaires affectant la lithographie volante. Du reste trÂs belle condition. Exemplaire non rognÂŽ. b42961 unknown
198043764Barcelona / Madrid: Editorial Noguer S.A. 1980. First Edition. Quarto 31.5cm x 23.5cm. Pictorial paper boards hardcover; 120pp; illus. Near Fine copy; shelf wear to extremities else clean and tight. Complete catalogue of Picasso's paintings from the Blue and Rose periods. Biography and critical study by Paolo Lecaldano. 64 color plates. Introduction by Alberto Moravia. In Spanish language only. Editorial Noguer, S.A. unknown
63-5365Verviers Belgium: Society Royale des Beaux-Arts 1950. 8vo. 39 pp. Soft covers with Dust Jacket Good with minor losses tears minor staining to DJ & end papers covers detached. Black and white plates. Text in French.From The Library of Herschel Chipp. Verviers, Belgium: Society Royale des Beaux-Arts, 1950. paperback
198666935Museum. New. 1986. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 142 pp. With 167 ills. 27 x 24 cm. -- with a bonus offer-- . Museum paperback
18-6747Bern: Klipstein und Kornfeld 1963. 8vo. 37 pp. Soft Cover. Very Good. Illustrated paper wraps. Pages fine. B&W plates throughout. Text in German. Price list laid in. Extremely Scarce. Bern: Klipstein und Kornfeld, 1963. paperback
1940206211Paris: L'usage de la Parole 1940. First Edition. Spine split; corners bumped; some general soil one very small tear at the top but otherwise without significant wear. 4to 6 unpag. leaves loosely inserted in stiff wrappers. Thomson first set Hugnet's poems to music in 1927. They were his first French songs. Here the songs are printed for the first time in lithographic facsimile of Thomson's handwriting on S.A.V. Vélin scored for voice and piano. The lithographic front wrapper is by Pablo Picasso. As near as we can ascertain a small number of copies were produced to send as gifts to friends and to subscribers to Hugnet's short-lived periodical L'usage de la parole. It seems likely that the songs were intended to be included in a fourth number of the magazine number 3 in April 1940 announced Thomson as a contributor to the next number but the magazine ceased publication before a fourth number could be completed when German armed forces marched into France in May. It is unclear how many copies might have been produced and actually sent to subscribers. The small number of institutional holdings suggests that the wartime conditions must have curtailed the effort. There was also a limited edition said to be only 40 copies signed by Hugnet and Thomson but not Picasso and specially bound. In April of 1940 Thomson wrote to Maurice Grosser: "My Picasso cover for La Valse Grégorienne is quite handsome. It is just the words of the title as I gave them to him and a couple of curlycues added no picture or anything which is exactly what I wanted also the signature large and impressive." Later in his autobiography Thomson confessed that had feared that Picasso's artistic power might overwhelm his own and so he asked him specifically to limit his cover to the text provided. Thomson's musical 'portrait' of Picasso "Bugles & Birds" was composed in April 1940 as a gesture of thanks for this work. Very scarce and fragile. Not recorded in Bloch's Catalogue Raisonée. L'usage de la Parole unknown
194855993Saint-Maurice-d'Ételan: S. n. Pierre Bettencourt 1948. Fine. S. n. Pierre Bettencourt Saint-Maurice-d'Ételan 1948 14.50 x 23 cm broché First edition printed in 101 numbered copies on grand vélin Arches. Illustrated cover by Pablo Picasso. Spine slightly sunned otherwise a good copy. S. n.[ Pierre Bettencourt] unknown
131867Binoche Et Godeau France 1989. 2 Vols. 4tos 56; 56pp. Colour and black & white illustrations. A very good hardback set in like slipcase. Auction catalogues of Picasso's 'Les Noces de Pierrette' the pinnacle of his Blue Period and went on to sell for $49.3 million US and Warhol's 'Ladies and Gentlemen' which was a commissioned series of 26 prints of "impersonal anonymous pictures of transvestites". French/English/Japanese text. Binoche Et Godeau, France, 1989 hardcover
