1 544 résultats
63-6374New York: Vanguard 1969. Sound Record Long-Playing Microgroove 33 1/3 rpm 12 inch. Very Good with minor staining to cover. Performed In Spanish.Provenance: from the Collection of Kenneth Rexroth Poetry Recordings. New York: Vanguard, 1969. unknown
1988Q-0946590893Tate Gallery 1988-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Tate Gallery paperback
198867213Gallery; University of Washington Press Distribution. New. 1988. Paperback. 0946590893 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 312 pp. With 349 ills. 105 col. . 27 x 23 cm. -- with a bonus offer-- . Gallery; University of Washington Press (Distribution) paperback
1988634a4290UK: The Tate Gallery 1988. Book. Illus. by Picasso Pablo. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 311 pages. Biography. Bibliography. Over 100 works illustrated in colour. "Focuses our attention on this industrious period of Picasso's art. The intimate relationship between the artist and his model and the bold colours and freedom with which Picasso has approached his subject are both stimulating and provocative. Five essays by distinguished art historians and critics together with a fully illustrated biography offer the reader fascinating insights into Picasso's life and work during the years 1953-1973." - from back cover. Above-average wear and soiling. Usual library markings. Binding intact. A worthy reference copy. The Tate Gallery Paperback
19312428Paris: Ambroise Vollard 1931. First edition. No. 217 of 240 copies on Rives paper of a total edition of 305. 13 original etchings by Pablo Picasso and 67 wood engravings after drawings by the artist engraved by George Aubert. Bound in gray calf by Renée Haas and collaborators Renaud Vernier and Claude Ribal. Front and back covers with a black and gray inlaid checkerboard pattern with alternating gold squares mounted each cover with inlaid red line vertically zigzagging with white mirrored line throughout lettered in gilt on the spine; all edges gilt; red suede doublures gray suede endleaves; morocco-tipped slipcase with suede-lined chemise spine mirroring volume spine text. Original wrappers bound in. An excellent copy. <br /> <br /> The binding dated 2008 is the work of three hands: the designer Renée Haas and Renaud Vernier and Claude Ribal executors of the binding. According to the Pierre Bergé catalogue description of the binding on Matisse's Jazz executed by the same trio in 1983 "Renée Haas reserved her talents only for a few lucky collectors hence the rarity of her bindings on the market today."<br /> <br /> In 1926 Ambroise Vollard commissioned illustrations from Picasso for The Unknown Masterpiece a formidable Balzacian reflection on pictorial creation in which his "text declares his aesthetic faith in artists and their search for inspiration despite their struggles to reach their goals." Johnson Artists' Books in the Modern Era. And as Strachan notes "who better than Picasso could understand and convey the restlessness of an artist battling with the inexpressible" "The diversity yet harmony of Picasso's genius is represented here by the inclusion of both abstract and classical styles in a single volume. The wood-engravings reproduce Cubist figures still-lifes and the sparkling 'constellation drawings' of 1926 while the etchings are classical in character combining pure line with cross-hatching." Garvey The Artist and the Book One of the most important livres d'artistes of the twentieth century; as Chapon notes "un des ouvrages qui fait le plus honneur à Vollard reste Le Chef-d'oeuvre Inconnu."<br /> <br /> Goeppert-Cramer Picasso no. 20; Hyza et. al. Picasso et le livre d'artiste pp. 56-57 ; Garvey The Artist and the Book 1860-1960 no. 225; Garvey & Wick The Arts of the French Book 1900-1965 no. 18; Johnson Artists' Books in the Modern Era no. 54; Mellby Splendid Pages p. 209; Coron De Goya à Max Ernst pp. 255-262; From Manet to Hockney 92; Skira Anthologie du Livre Illustré par les Peintures et Sculpteurs 293; Strachan The Artist and the Book in France pp. 60-62 339; Chapon Le Peintre et le Livre pp. 57 74-78 281. Carteret Le trésor du bibliophile: livres illustrés modernes 1875 à 1945 vol. 4 p. 51. Ambroise Vollard unknown
51-1019Paris: Ambroise Vollard 1931. 13 original etchings unbound as issued in a sleeve inside the bound book. One of 65 deluxe copies no. 10 on Imperial Japan paper signed by Picasso and Vollard. Only the deluxe copies on Japan paper were signed on the colophon by the artist and publisher. This copy without the second suite on Rives. Housed in a custom clamshell case encased throughout in three leathers by the celebrated binder Alexandr Mosalov. References : Cramer Pablo Picasso les livres illustrés n° 20 ;Bloch: 82-94; Livre no 19. Un des précieux exemplaires sur Japon sans la suite.In-4 228 x 250 mm. En feuilles sous chemise rempliée illustrée. Quelques défauts à la couverture dos et bords inférieurs du premier plat légèrement passés accident à la coiffe supérieure quelques taches coin inférieur du premier feuillet blanc coupé bords des planches de la suite très légèrement maculées sans atteinte aux gravures.13 eaux fortes originales hors texte dont la table des gravures et 67 dessins gravés sur bois de Pablo Picasso. Paris: Ambroise Vollard, 1931. hardcover
1962OP-1298Galerie Bayeler Basel 1962. paperback. fine. Galerie Bayeler, Basel unknown
1945208921Paris: Gallimard 1945. Softcover. VG/VG: Wear to the edges and corners of both the dust jacket and the wraps. Tanning to the pages. A white softcover book with red and black text on the front cover and a rice paper dust jacket. 63 pages. Text is in French. A play written by Picasso over a three-day period; rarely performed due to its "sheer incomprehensibility." It has no discernible plot. It was first directed by Albert Camus in 1944; David Hockney acted in a staging by the Guggenheim Museum in 1984. Gallimard paperback
194550091<p>This is one of the 2200 copies printed. This copy is frail and chipped all around. The text is fine though in French. Please handle with care when you open it. This book ships from Philadelphia PA USA. H515box</p> Gallimard paperback
1945W1169Paris: Collection Metamorphoses /Librairie Gallimard 1945. 62 pages. Limited edition: numbered 221/550 of total edition of 2240. This play by Picasso is quite scarce especially in dust jacket! The gilt-decorated paper-covered boards are clean and bright with a small area of faint foxing and one tiny rub mark. Internally the paper is near fine except for a 1 1/4" X 2 1/2" water stain on the free front endpaper that is reflected only faintly on the half-title page. The dust jacket is clean and bright with minor foxing 3 tiny areas of edge chipping and a 1" X 1 1/2" triangular wrinkle/tear on the back panel without paper loss. Condition is far better than it sounds. First Edition. Hardcover. Very Good/Near Very Good. 12mo - over 6¾" - 7¾" tall. Book. Collection Metamorphoses /Librairie Gallimard Hardcover
1945518034Paris: NRF / Gallimard 1945. Softcover. Very Good/Very Good. First edition trade issue. Octavo. 62pp. Printed wrappers. Small chip at crown and nick at base of spine front cover has two tiny closed tears at fore-edge else a very good bright copy in publisher's unprinted glassine dust jacket tanned at extremities with a few nicks else very good. Publisher's printed wrap-around band stating: "Picasso auteur dramatique. nrf" is laid into the book. Limited to 1660 copies of a total edition of 2200. Noted French theatre scholar and author Jacques Guicharnaud's copy with his tiny ink name on front flyleaf. Text in French. NRF / Gallimard unknown
1945296261945. S.l. Gallimard / Coll. ''MÂŽtamorphoses'' 1945. Un vol. au format gd in-12 188 x 138 mm de 62 pp. Reliure d'ÂŽdition de plein cartonnage crÂme plats agrÂŽmentÂŽs d'un semis de pointillÂŽs dorÂŽs ÂŽtoiles dorÂŽes entrelacs de filets stylisÂŽs noir au centre dos lisse ornÂŽ d'ÂŽtoiles dorÂŽes entrelacs de filets noirs titre frappÂŽ ˆ l'oser ÂŽbÂne. Edition originale. Un des exemplaires numÂŽrotÂŽs du tirage sur ch‰taignier ; comptant ici parmi les 550 reliÂŽs d'aprÂs une maquette de Paul Bonet. ''Il faudrait une fois pour toutes expliquer ˆ notre cousine les causes ou les consÂŽquences de notre mariage adultÂŽrin''. Huret Les Cartonnages NRF 414. Coiffes trÂs lÂŽgÂrement ÂŽlimÂŽes et plats prÂŽsentant un ÂŽclat trÂs lÂŽgÂrement altÂŽrÂŽ. Du reste trÂs belle condition. b42961 unknown
194516148Paris: Gallimard 1945. Fine. Gallimard Paris 1945 14 x 19.50 cm broché First edition on chestnut. A small marginal tear without gravity on the second board nice complete copy of his trailer. Gallimard unknown
dola3264New York: Harry N. Abrams Inc. 1970. First Edition this one of 660 Abrams copies of a total edition 1998 copies shared between three publishers in Paris New York and Bremen. Printed under the personal supervision of Picasso the prints are the exact size of the original drawings and were made with the same materials as used by the artist: grease crayon lithographic tusche lead pencil and charcoal instead of the usual printing inks. 4to. 71 lithographed reproductions of pencil drawings by Picasso 26 in colour printed on hand-made Vélin d’Arches. loose gatherings as issued in cloth clamshell box with leather strap closure & matching cloth chemise. Fine copy. dola3264 New York: Harry N. Abrams Inc., [1970] hardcover
195261224Paris: Gallimard 1952. Fine. Gallimard Paris 1952 12.50 x 19 cm broché First edition one of 26 numbered copies on Madagascar paper the tirage de tête. Illustrated with a frontispiece by Pablo Picasso preface by André Salmon. Rare and nice copy despite a small tear in the margin of lower cover. Gallimard unknown
2247Paris Durand 18 rue Seguier Societe Litteraire de France 1919. 4to. Picasso's first illustrated book. One of an edition of 750 numbered examples on velin Lafuma including 50 with the illustrations on blue velin. They were created with the collaboration of Reymond. Paper wraps in perfect condition. unknown
19195471CB1919. Paris Société littéraire de France 1919. 4°. 114 S. 2 Blatt. Mit zahlreichen Textillustrationen. Original-Broschur. Monod 10101. - Eines von 700 numerierten Exemplaren auf Vélin Lafuma aus einer Auflage von 750. - André Salmon 1881-1969 Dichter und Kunstkritiker war ein früher Verfechter des Kubismus und verkehrte im Atelierhaus Bateau-Lavoir mit Picasso. - Der vordere Falz komplett durchgebrochen und der Rücken mit Fehlstellen und Einrissen. unknown
1919097566Paris: Paris Société Littéraire de France 1919. Limited to 750 copies. 1141pp. Bound in original publishers grey softcover. Wear loss on tail of spine. Binding in good clean condition. Glassine wrapper worn with loss on spine otherwise in good condition. Internally pages clean throughout. A nice clean copy. . Limited Edition. Soft Cover. Very Good. Illus. by Picasso. 8vo. Paris, Société Littéraire de France Paperback
1965N5006Paris: Cercle D'art 1965. Original Cloth w. Dust Jacket. Very Good/Good. 4to- Big. Picasso. 197pp. Richly illustrated. Large 4to. Dust jacket at spine side with some markings. OTHERWISE A VERY GOOD CLEAN AND FRESH COPY.- With decorative Hebrew ex libris <br/> <br/> Cercle D'art hardcover
1964205995np: np 1964. First edition. Number 189 from an edition of 375 copies in French from a total edition of 750. Features a softcover leperello with commentary text in French by Marcel Duhamel. Include a small hardcover that measures 3" by 4" that is a facsimile of a sketchbook by Picasso. Text booklet and sketchbook are in very fine condition and in a fine publisher envelope and in an about very good printed plastic slipcase that has some of the typical splitting and wear. A lovely copy of this very fragile and attractive production. np unknown
1939172347Paris: Jonquières 1939. Edition of 226. Signed in red pencil crayon lower right by Picasso numbered in pencil lower left. Linocut on Velin d'Arches paper lower edge deckled. Image size: 15.9 x 20.2 cm. Sheet size: 36.7 x 28 cm. Framed size: 48.6 x 43.3 cm. Toning to margins otherwise a bright impression. Presented in a handmade white gold leaf frame with conservation acrylic glazing. Bloch 326; Baer 1028; Cramer 84. unknown
1952PICASSOP013319Souillac. Octobre 1952. First edition. Quarto. 56 pages. Illustrated mostly with photographs. Card wrappers. The entire issue is devoted to Picasso. Interviews and essays. The contributors are Maurice Raynal Daniel Henry Kahnweiler Pierre Reverdy George Besson Tristan Tzara Paul Gay Edouard Pignon and Claude Roy.At page 51 there are three photographs of Picasso one of which is with Edouard Pignon. The page is signed by both of them and dated by Pignon 25 mai 53.Head and tail of spine a bit rubbed. Near fine. Souillac. Octobre, unknown
1952TH241414Souillac Mulhouse 1952. 1st Edition. SOFTCOVER. Special issue of le Point XLII October 1952 devoted to Picasso who has signed this copy in ink on the title-page no other marks or inscriptions. Provenance: from the estate of the Canadian artist Kathleen Daly Pepper. 4to in stiff card covers with colour printed over-wrapper 56pp b/w plates photos and facsimiles etc. Text in French Housed in an attractive custom made archival case. Full provenance provided __CONDITION : A well preserved FINE very clean and tight unmarked copy pages very slightly tanned in a slightly edge-rubbed but otherwise FINE wrapper. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Souillac, Mulhouse paperback
1952142330souillac lot mulhouse 1952 soft cover with dust jacket in near fine condition. 1st Edition. Soft cover. Near Fine/Near Fine. souillac [lot] mulhouse paperback
198767332Paris-Musees; Et Al. New. 1987. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text in French. 310 pp. With 258 ills. 243 col. . 28 x 25 cm. -- with a bonus offer-- . Paris-Musees; Et Al paperback
