Picasso, Pablo; Et AlBiblio.com
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199876467Reunion Des Musees Nationaux. New. 1998. Hardcover. 2711834441 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 128 pp. With 133 ills. 32 col. 2 foldout. 31 x 25 cm. -- with a bonus offer-- . Reunion Des Musees Nationaux hardcover
1955OP0006<p><strong>Vallauris Years</strong></p><p><strong>Exhibition : Pablo Picasso</strong></p><p><strong>Year : 1955</strong></p><p><strong>Size : 232 x 331 inches 84 x 59 cm </strong></p><p><strong>Color book printing</strong></p><p><strong>Condition : Very Good for its age</strong></p><p><strong>Language: German</strong></p><p><strong>Original & authentic vintage exhibition poster of Pablo Picasso in Berlin in 1955</strong></p><p><strong>The <em>Berliner Zeitung</em> showed drawings from Vallauris 1953/54 from April 28th to May 20th in the <em>Berliner Zeitung - Pavilion</em> in Berlin at the <em>Friedrichstrasse</em> train station in 1955.</strong></p>
19521607150006Paris decembre 1952: Mourlot 1/1/1952. Poster. Very Good. Woodcut lithographic poster by Picasso. 65 x 47 cm. 1000 total on Cranson Paper in Different Colors Mourlot - Paris pub. Ref: Mourlot 68 - Czw 77 The poster is subtitled "Maison de la Pensee Francaise/ 2 Rue de L'Elysee-VIII/ A Partir du 6 Decembre. It is titled "The Goat" in the Catalogue Raisonne. The Maison de la Pensee is where Picasso held his first ceramics exhibition and his largest exhibition of sculptures and drawings in 1951. In the bottom left corner is small text that reads "Mourlot-Paris". The artist's signature is printed in the stone. Included in the Catalogue Raisonne "Picasso In His Posters: Image And Work" by Luis Carlos Rodrigo catalogue number 015 on Pages 1697-1698. See our pictures. Paris decembre 1952: Mourlot unknown
196674882<p>Pablo Picasso<br />Untitled from Le Cocu Magnifique 1966<br />Etching with aquatint<br />Hand signed lower right<br />Numbered 12 / 30<br />mage size: 22.5 × 32.5 cm<br />Frame size: 50.5 x 58 x 2 cm<br />Published by Crommelynck Paris</p><p>Reference Bloch 1249 Baer 1437</p><p>There was also an unsigned and unnumbered edition of 200 with narrow margins</p>
51-0482Geneva: 1968. One of 1500 numbered impressions. Photolithograph printed by Mourlot. 63.5 X 48 cm 25 x 18.89 inches. Centre Culturel International - Université de Genève- Février 1968 - Tirage 1500 ex - Czwiklitzer 271A Rodrigo 170. Geneva: 1968 unknown
1966112218Cannes 1966. Unpublished and heavily corrected manuscript of Brassai's account of his visit to Picasso A superb unpublished and heavily corrected manuscript in French in which Brassaï recounts his visit to Picasso a long-standing friend at his home near Cannes. Brassaï who photographed much of Picasso's work in the 1940s had published Conversations with Picasso in 1964 in which he created an intimate portrait of Picasso covering their friendship and artistic collaboration and recording each of their meetings with minute detail. Picasso said of the volume "Read this book if you want to understand me". This account is written in a similar style and during the course of the afternoon Picasso speaks about his nostalgia for his old studios his health his enthusiasm for the recently invented felt-tip pen his opinion of his own writings his relationship with his wife Jacqueline and his views on feminism. Though unmarked as such it is from the collection of Brassaï's close friend and colleague photographer Stefan Lorant who founded Picture Post the pioneering pictorial magazine. Quarto 285 x 233. 20 typed sheets in French rectos only legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album with each sheet in a separate clear plastic file. In excellent condition the final page a little creased and with minor loss to right-hand side affecting one letter. Overall fresh and clean. hardcover
1120451925. . Lithograph 1925 on Japanese Imperial paper signed lower right an artist's proof gifted directly to Genevieve Laporte from Picasso's private collection aside from the edition of one hundred printed by Engelmann Paris published by D.H. Kahnweiler Galerie Simon Paris image: 12.7 x 11.8 cm. 5 x 4.6 in. sheet: 28 x 22.5 cm. 11 x 8.9 in.<br /> This work is a unique proof gifted to Geneviève Laporte 1926-2012 Picasso's lover during the 1950s. In 1951 Picasso and Laporte began an affair which lasted for two years and during which time the artist presented her with a number of his works. A poet and writer herself Laporte published her book 'Sunshine at Midnight: Memories of Picasso and Cocteau' in 1973.<br /><br />While Pablo Picasso never claimed to be a Surrealist his earlier Cubist works certainly laid the groundwork for such a movement to exist. By the time André Breton's 'Surrealist Manifesto' was published in 1924 Picasso was creating art with a similar surrealist style. The present work demonstrates Picasso's ceaseless desire to present an alternative to realism. The artist challenges our perception of portraiture and reality by capturing the woman's face in a simultaneous profile and frontal-facing perspective. As the viewer our eyes delight in the challenge to understand this surreal vision of a multifaceted woman made up of elegant curving intersecting lines.<br /> Bloch 73; Baer 240; Mourlot XX; Cramer Books 14 1925. unknown
51-1217Paris: D. Lambusier 1945. 4to one of 50 hors commerce copies on papier de lana from a total edition of 1070 copies printed for Georges Bloch frontispiece by Daragnès etching by Picasso 3 of 4 plates by Touchagues and 4 by Dignimont illustrations with a duplicate of the final quire loose as issued in original printed wrapper slipcase lacking one plate one leaf slightly creased backstrip slightly creased at head and foot. Bloch. 372; Baer 799.III.c.; Cramer 41From the collection of the late Picasso collector Stanley Seeger. Paris: D. Lambusier, [1945] unknown
192988960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
196039516Palma de Mallorca: Las Ediciones de Papeles de Son Armadans 1960. Picasso. FIRST EDITION OF THIS PART OF TROZO DE PIEL PICASSO'S MOST IMPORTANT LITERARY WORK AND HIS ONLY SIGNIFICANT WORK IN SPANISH. 4 blank leaves 19 pp 6 blank leaves. Printed text on the left a facsimile of Picasso´s manuscript on the right. ONE OF ONLY 88 NUMBERED COPIES PRINTED ON EXTREMELY FINE GUARRO WOVE PAPER THE ENTIRE EDITION. Large folio. Loose as issued in original wraps and parchment-backed cloth chemise. FINE AND BRIGHT WITH NO DEFECTS. EXTREMELY RARE. <br/><br/> Las Ediciones de Papeles de Son Armadans paperback
196039551Marid -- Palma de Mallorca: Papeles de Son Armadans 1960. THE EXTREMELY RARE DELUXE ISSUE OF NUMBER 52 OF PAPELES DE SON ARMADANS CONTAINING THE FIRST SECTION OF PICASSO'S "TROZO DE PIEL" "Hunk of Skin" HIS VERY FIRST PUBLISHED LITERARY WORK IN SPANISH. Also includes Anthony Kerrigan's "Crónica de un viaje a Picasso" that explains the genesis of the work. 112 XVI pp. two photographic plates including one by Jacqueline Roque Picasso's wife the immediately precedes Picasso's work. ONE OF ONLY 50 NUMBERED COPIES PRINTED FOR SUBSCRIBERS ON EXtREMELY FINE MUNNE LAID PAPER this copy printed for the Marqués de Pelayo. 8vo. Original wraps. FINE AND BRIGHT. Rare and important. <br/><br/> Papeles de Son Armadans paperback
198666949Foundation. New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 196 pp. With 143 ills. 85 col. and 109 reference ills. 29 x 24 cm. -- with a bonus offer-- . Foundation hardcover
1994Q-1558598367Abbeville Pr 1994-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Abbeville Pr paperback
1968106735Insel Verlag Leipzig 1968. 1st Edition. Hardcover. Near Fine. Collection of graphic works satirizing Franco.Insel-Bucherei Nr. 880. Text in German. Insel Verlag, Leipzig hardcover
192720257Paris: Shakespeare and Co. Near Fine. 1927. First Edition. Softcover. 7 1/2"; 164 pages . Shakespeare and Co. paperback
1928149110Paris: Transition 1928. The summer 1928 issue of Transition number 13 containing James Joyce's ongoing piece “Continuation of a Work in Progress." Octavo original pictorial wrappers with the cover portrait by Picasso illustrated with black and white photographs throughout including Berenice Abbott's famed portrait of James Joyce. “Continuation of a Work in Progress" is an excerpt of Joyce's experimental novel that would later be published as Finnegans Wake 1939. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. In very good condition with loss to the spine. Cover by Pablo Picasso. Transition was a Paris-based modernist literary journal founded in 1927 by Eugene Jolas that became one of the most influential platforms for experimental writing in the interwar period. Dedicated to challenging traditional literary forms the magazine published work by leading figures such as James Joyce Gertrude Stein Samuel Beckett and Hart Crane often showcasing texts that pushed the boundaries of language and narrative. Its pages were especially important for serializing excerpts of Joyce’s Work in Progress later Finnegans Wake thereby introducing avant-garde readers to his evolving style. Transition unknown
199657513San Francisco: Alan Wofsy Fine Arts 1996. First US edition. 4to. xxii 225 pp. Fine in very near fine dust jacket. A volume in the “Paintings Watercolors Drawings and Sculpture: A Comprehensive Illustrated Catalogue 1885-1973.†San Francisco: Alan Wofsy Fine Arts, unknown
19611399842New York: Harry N. Abrams 1961. First U.S. Edition. Hardcover. Quarto unpaginated. In Very Good condition. Housed in publisher's illustrated paper and green cloth slip case heavily worn and splitting along multiple joints with bottom edge detached. Bound in publisher's illustrated cloth boards. General shelf wear. Discoloration to spine. Previous owner's signature on second free endpaper. Gutter visible in various places. Light age toning throughout. Shelved in Case 11. 1399842. Shelved Dupont Bookstore. Harry N. Abrams hardcover
51-5954Circa 1960s. Continuous tone reproduction of the linocut.50x40 cm 19¾x15¾". Printed signature in lower margin. Copy of Czw. 14; Rodrigio. 041. Circa 1960s unknown
196770424New York: Schoneman Galleries 1967. First Edition; First Printing. Softcover. Very Good in wrappers. Crease to bottom rear corner; 4to 11" - 13" tall. Schoneman Galleries unknown
1971mon0003764228Random House 1971-01-01. Hardcover. Acceptable. 3.0000 13.5000 10.0000. The dust jacket is in very poor condition with peeling and water damagr. The copy has minimal water damage in spots along the bottom edge. The pages are lightly tanned at the edges. The copy shows minor external wear but is in otherwise very good condition. Random House hardcover
194838789Paris: Mercure.-P. for Théatre des Champes-Elysées 1948. The exquisite program for the November 1948 ballet season with the COVER DESIGNED BY PABLO PICASSO. 36 pp. 4 additional pages printed on bluish-gray paper for the program. TEXTS BY SARTRE AND BARRAULT IN FIRST EDITION. Illustrations by Vertès and Bérard. Folio. Loose as issued in original wraps. Wraps splitting a bit at spine without loss else FINE AND BRIGHT. Rare complete and in such fine condition. <br/><br/> Mercure.-P. for Théatre des Champes-Elysées paperback
1959KFZZQ100127Exhibition Implementation Committee 1959. Soft Cover. Fine. KFZZQ100127 Exhibition Implementation Committee paperback
60425Universe Publishing Rizzoli International Publications Inc. New. Hardcover. 0789300931 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. With 47 ills. 43 col. . 19 x 20 cm. -- with a bonus offer-- . Universe Publishing, Rizzoli International Publications, Inc. hardcover
2012ABE-8503061553The British Museum Press London 2012 Rare British Museum Press Limited Edition of only One Hundred. The copies are beautifully printed and are contained in a bronze metallic titled slipcase. Although the copies are un-numbered the British Museum has issued only a hundred copies of this slipcased edition to coincide with the stunning exhibition of the only set in England to be on display. No dustjacket has been issued. A preface by the Director Neil MacGrgor and a scholarly text by Stephen Coppel relate the story of Picasso's most celebrated suite of etchings. This is a superb production. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Limited Edition. Hardcover. New. The British Museum Press, London hardcover
