Pablo PicassoBiblio.com
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19-8647NY: The New York Graphic Society ca. 1960s. Large format color reproduction print poster 28†x 20â€. Very Good. Printed in USA. Copyright The New York Graphic Society. NY: The New York Graphic Society, [ca. 1960s?]. unknown
007553New York: SPADEM/ Pace Gallery Publ. 1986. Poster. Near Fine. Poster. First Printing. 22 1/4"w x 38"h. RARE exhibition poster SIGNED by Paloma Picasso renowned fashion designer and daughter of Pablo Picasso signed lower left and dated by her "86. The exhibition ran at the Pace Gallery New York City from May 2 - August 1 1986. Near Fine faint creases small stain bottom right corner. Well suited for framing will be shipped loosely rolled in a mailing tube. SPADEM/ Pace Gallery Publ. unknown
1986G0871130823I3N00Pace Gallery 1986. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Pace Gallery hardcover
0871130823.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1986173588New York: The Pace Gallery 1986. Softcover. VG- edges of portfolio case scuffed and bumped. Poster 30"x 25 1/2" folded to 8 1/2' by 13" in illustrated cardboard portfolio case 6 illustrations. Poster 30"x25 1/2" from Je Suis Le Cahier The Sketchbooks of Picasso exhibition held at the Pace Gallery from May 2- August 1 1986. Poster is folded into 8 1/2' by 13' fitting inside illustrated cardboard portfolio. The Pace Gallery paperback
19981-0941807207Welcome Enterprises 1998. Hardcover. New. 32 pages. 12.00x10.00x0.50 inches. Welcome Enterprises hardcover
154New York: Museum of Modern Art 1967. . Large 4to gray paper-covered boards cloth spine; dust jacket with a few closed tears New York: Museum of Modern Art, 1967. hardcover
200530814New York: Assouline 2005. Fine copy in printed wrappers housed in portfolio boards. Illustrated slipcase with minor scuffing; near fine. First Edition. Folio. Survey of Picasso's sculptures represented by glorious black-and-white photographs from Brassaï. Introduced by text from Daniel-Henry Kahnweiler. New York: Assouline unknown
195250989New York: Museum of Modern Art. As New. 1952. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block and plates clean and tight to spine - 23 black & white illustrations including cover; frontispiece photo of Picasso's studio tipped in. -- with a bonus offer-- . Museum of Modern Art paperback
196721443New York: The Museum of Modern Art 1967. Brossura wrappers. Molto buono Very Good. Chronology by Alicia Legg. Related works - Bibliography - Catalogue of the exhibition. With 284 reproductions in black and white. Con 284 riproduzioni in nero delle opere ed una tavola a colori in antiporta. Cronologia di Alicia Legg. Bibliografia - Catalogo della mostra. 4to. pp. 232. Molto buono Very Good. Prima edizione First Edition. The Museum of Modern Art, unknown
200384056NY: Gagosian Gallery 2003. First edition. 4to. 142 pp. Tiny bump to base of spine else fine in illustrated wrappers. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. Profusely illustrated. NY: Gagosian Gallery unknown
2003333900New York: Gagosian 2003. paperback. fine/fine. Picasso. Introduction by Diana Widmaier Picasso. Essay by Robert Rosenblum. 4to stiff card pictorial binding sewn Japanese style with matching dust wrapper; unpaginated. New York: Gagosian Gallery 2003. Fine.<br/> <br/> Exhibition catalog.<br/> <br/> Gagosian unknown
2003411167New York: Gagosian Gallery 2003. First edition. Generally a clean copy. 11.5 x 8.5 inches. 145 pages. Profusely illustrated in color. Original wrappers; pictorial dust jacket. Gagosian Gallery unknown
1982T1903679Pace Gallery New York 1982. 1st Edition. SOFTCOVER. Extra Large 4to. in illustrated stiff card covers 72pp on thick art paper plates in colour and b/w etc __CONDITION : An extremely well preserved AS NEW copy faint sunning to spine. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Pace Gallery, New York paperback
1967197133New York: The Museum of Modern Art 1967. First Edition; First Printing. Softcover. Very Good in wraps. Rubbing along panel edges.; 4to 11" - 13" tall. The Museum of Modern Art unknown
198360981Gallery. As New. 1983. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 154 pp. With 73 ills. 15 col. . 24 x 24 cm. -- with a bonus offer-- . Gallery paperback
1989ARIePARI71New York: Harry N. Abrams Inc. 1989. 1989. 4to. pp. 480. 1840 illus. 41 colour. biblio. cloth. dw. First American Edition of the English Translation. F. Hardcover. New York: Harry N. Abrams, Inc., [1989]. Hardcover
1985ARIePARI74New York: Harry N. Abrams Inc. 1985. 1985. 4to. pp. 315. 871 illus. 58 colour. biblio. cloth. dw. First American Edition of the English Translation. F. Hardcover. New York: Harry N. Abrams, Inc., [1985]. Hardcover
199556467San Francisco CA: AW Fine Arts. New. 1995. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 17 volumes published 1995 - 2004 covering the years 1916-1973 have been published. 5 new volumes are in preparation. Approximately 5500 pp. with 21000 illustrations. Includes many works unknown to Zervos. Titles in French and English. Chronology and concordances to Zervos. Two of the volumes catalogue the printed graphic work and are revisions of the Bloch catalogues II & IV. -- with a bonus offer-- . AW Fine Arts hardcover
2021__3775748059Hatje Cantz Verlag Gmbh & Co Kg 2021. Hardcover. New. 01 edition. 224 pages. 10.75x9.00x1.00 inches. Hatje Cantz Verlag Gmbh & Co Kg hardcover
68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
68-2409New York NY: Perls Galleries 1951. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1951. paperback
68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
