Picasso

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Karshan, Donald H ; Pablo PicassoBiblio.com

Pablo Picasso : Experiments in Linogravure

Mallen, Enrique; Picasso, Pablo; Maar, DoraBiblio.com

Pablo Picasso and Dora Maar: A Period of Conflict 1936-1946

2021212133Brighton: Sussex Academic Press 2021. Hardcover. NF. Like new besides small stamp on front end paper stating withdrawn from a research library. Octavo. Hardcover. Glossy illustrated boards. xv 364 pages : 1 map ; 25 cm. "Although Pablo Picasso spotted Dora Maar in a café in January 1936 it is highly likely that she had come to his attention prior. As Brassaï a Hungarian-French photographer recalled 'It was at Les Deux-Magots that one day in autumn 1935 he met Dora.On an earlier day he had already noticed the grave drawn face of the young woman at a nearby table the attentive look in her light-colored eyes sometimes disturbing in its fixity. When Picasso saw her in the same café in the company of the surrealist poet Paul Éluard who knew her the poet introduced her to Picasso' Brassaï a.k.a. Gyula Halász 'Conversations with Picasso' University of Chicago Press 1999. Tinged with a seductive mix of violence and dark eroticism this first meeting has attained mythical status in the story of the artist's life. It reads like an unreal fantasy. A mysterious and feline beauty which Man Ray had captured in the pictures he took of her a companion of Georges Bataille Dora was an accomplished photographer close to the Surrealists' revolutionary aesthetics. Picasso addressed her in French which he assumed to be her language; she replied in Spanish which she knew to be his. For the next decade the painter would translate not just his fascination with the woman who had seduced him on the spot but also his desire to escape the grip of someone who for the first time could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur a Sphinx a lunar goddess and a muse. Because of her intense artistic sensibility her poetic gifts and her ability to participate in suffering she was especially qualified to resonate Picasso's own inner torments during these troubled years."--. Sussex Academic Press hardcover

Mullen Books, Inc. ABAA / ILAB · États-Unis100,00 $US≈ 84,61 €

Pablo PICASSO - Georges HUGNET - (Marcel DUCHAMP)Biblio.com

Pablo Picasso - Marcel Duchamp - Non vouloir - Au dépens des mots Pablo Picasso - Marcel Duchamp - Lack of Will - At the Expense of Words

1941911351941. Fine. Complete collection of Surrealist poems published under the Nazi Occupation Non vouloir 1940 ; Pablo Picasso - Marcel Duchamp - Au dépens des mots 1941 19.4 x 29.6 cm Quatre feuillets Rare complete set of four pamphlets with poems by Georges Hugnet in first edition published during the Occupation illustrated by Picasso Joan Miro and Valentine Hugo. The first titled ""Non-vouloir"" was limited to only 26 copies; our copy is one of the 20 copies on vergé antique de Montval following 6 copies on japon. The three others on ordinary paper from a limited edition of 200 copies. ""Non-vouloir"" was the first resistance poem published openly and signed by its author without being subjected to censorship. Composed between March and June 1940 Hugnet's poem stands as a poetic manifesto of refusal against defeat and occupation echoing General De Gaulle's famous radio speach of June 18. Hugnet became an early member of the resistance and joined the group ""La Main à plume"" which printed numerous clandestine tracts. He used his bookbinding workshop to forge false documents and under the pseudonym ""Malo le Bleu"" contributed notably to ""L'honneur des poètes"" a collection of resistance poetry published clandestinely in 1943 by the famous Editions de Minuit. Non vouloir 1940. Printed in red ink. Illustrated with an original frontispiece by Joan Miro. The leaf has been trimmed to form an eight-page pamphlet a barely perceptible shadow left by a paper clip. Pablo Picasso 1941. Illustrated with 6 original zincographs by Pablo Picasso framing a poem by Georges Hugnet from January 1940. Fine copy without crease marks. Marcel Duchamp 1941. Printed in blue ink. Rare copy before the printing of the stencil by Marcel Duchamp mounted as frontispiece representing the mythical moustache he put on the Mona Lisa in 1919. Crease marks leaf cut along the fold at the top of the title page without loss of paper or text. Au dépens des mots 1941. Printed in gold ink illustrated with an original frontispiece by Valentine Hugo. A few very slight traces of sunning. Fine copy without crease marks. unknown

Rare Books Le Feu Follet - Edition-Originale.com · France2 875,00 €

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