93 résultats
1885D2538Paris: A. Quantin 1885. Paperback. Very Good. Plain paper wraps with full-color illustrated jacket in glassine. Illustrated throughout with vignettes and tissue-guarded full-color plates. Includes a nice band of placeholder ribbons. Some light browning along edges of text block; glassine just a little chipped at spine tips and corners; first four pages starting. Nice. <br/><br/> A. Quantin paperback books
186935984Boston: Bradlee Whidden 1869. Folio. 15 chromolithographic plates after Frederic Remington A.B. Frost Fred Cozzens R.F. Zogbaum Henry Sandham and others. 32 ff. letterpress. Expertly bound to style in full dark purple straight grained morocco.<br/> <br/> A rare large-format work on sport in late 19th-century America including Frederic Remington's first two published prints in color a rare A.B.Frost image of deer-hunting and images from Fred. S.Cozzens and other top illustrators of the day.<br/> <br/> The present work includes six angling plates three of fly-fishing four plates of game-bird hunting and five of hunting larger game. Each of the fifteen subjects is first described in general terms on a single leaf of text followed by a second leaf giving a first-hand account of catching or shooting the subject followed by a chromolithograph illustrating the first-hand account. According to Gould's preface the plates are all from water-colours especially commissioned for the work which were subjected to the critical scrutiny of a group of anglers/sportsmen who judged them for technical accuracy. The plates are as follows: 1. Killing the Salmon. Henry Sandham. 2. A Moose hunt. Henry Sandham. 3. Trout fishing. Henry Sandham. 4. Fly-fishing for Black Bass. S.F. Denton. 5. Hunting Antelope i.e. Prong-horn. Frederic Remington. 6. Catching a Tarpon. Fred. S. Cozzens. 7. Mallard shooting. S.F. Denton. 8. Catching a Mascalonge. Frank H. Taylor. 9. A Wild Turkey hunt. R.J. Zogbaum. 10. Sailing for Bluefish. Fred S.Cozzens. 11. Hunting the Virginia Deer. A.B. Frost. 12. A day with the Prairie Chickens. R.F. Zogbaum. 13. A hunt above the timber-line Big-horn. Edward Knobel. 14. Canada Goose shooting. Frederic Remington. 15. Stalking the Wapiti. Henry Sandham. The two plates by Frederic Remington Hunting Antelope Hassrick & Webster 434 and Goose Shooting Hassrick & Webster 435 are also listed by Peggy and Harold Samuels Remington The Complete Prints New York 1990 pp.152-3 with the comment that they are the first and second Remington prints to appear in color. They were preceded only by a series of four monochrome photogravures for John Muir's Picturesque California 1888 and two other individual prints both black and white. Arthur Burdett Frost is now perhaps best known for his sporting pictures and prints but an aversion to deer-hunting meant that he rarely pictured shooting scenes that featured anything other than small game. His image Hunting the Deer is recorded and illustrated in Henry M.Reed's The A.B.Frost Book Charleston 1993 pp.101 104-5 but the author was apparently unaware that it was issued as part of the present work which is not included in the extensive appendix of books illustrated by Frost.<br/> <br/> Phillips p. 141; Wetzel p. 146; Sherwin sale 1946 lot 238; Bruns G120; Heller 1:502; Bennett p.48; Tyler Prints of the West pp.127 & 174; not in Reese Stamped with a National Character. Bradlee Whidden unknown
186935984Boston: Bradlee Whidden 1869. Folio. 15 chromolithographic plates after Frederic Remington A.B. Frost Fred Cozzens R.F. Zogbaum Henry Sandham and others. 32 ff. letterpress. Expertly bound to style in full dark purple straight grained morocco.<br/> <br/>A rare large-format work on sport in late 19th-century America including Frederic Remington's first two published prints in color a rare A.B.Frost image of deer-hunting and images from Fred. S.Cozzens and other top illustrators of the day.<br/> <br/>The present work includes six angling plates three of fly-fishing four plates of game-bird hunting and five of hunting larger game. Each of the fifteen subjects is first described in general terms on a single leaf of text followed by a second leaf giving a first-hand account of catching or shooting the subject followed by a chromolithograph illustrating the first-hand account. According to Gould's preface the plates are all from water-colours especially commissioned for the work which were subjected to the critical scrutiny of a group of anglers/sportsmen who judged them for technical accuracy. The plates are as follows: 1. Killing the Salmon. Henry Sandham. 2. A Moose hunt. Henry Sandham. 3. Trout fishing. Henry Sandham. 4. Fly-fishing for Black Bass. S.F. Denton. 5. Hunting Antelope i.e. Prong-horn. Frederic Remington. 6. Catching a Tarpon. Fred. S. Cozzens. 7. Mallard shooting. S.F. Denton. 8. Catching a Mascalonge. Frank H. Taylor. 9. A Wild Turkey hunt. R.J. Zogbaum. 10. Sailing for Bluefish. Fred S.Cozzens. 11. Hunting the Virginia Deer. A.B. Frost. 12. A day with the Prairie Chickens. R.F. Zogbaum. 13. A hunt above the timber-line Big-horn. Edward Knobel. 14. Canada Goose shooting. Frederic Remington. 15. Stalking the Wapiti. Henry Sandham. The two plates by Frederic Remington Hunting Antelope Hassrick & Webster 434 and Goose Shooting Hassrick & Webster 435 are also listed by Peggy and Harold Samuels Remington The Complete Prints New York 1990 pp.152-3 with the comment that they are the first and second Remington prints to appear in color. They were preceded only by a series of four monochrome photogravures for John Muir's Picturesque California 1888 and two other individual prints both black and white. Arthur Burdett Frost is now perhaps best known for his sporting pictures and prints but an aversion to deer-hunting meant that he rarely pictured shooting scenes that featured anything other than small game. His image Hunting the Deer is recorded and illustrated in Henry M.Reed's The A.B.Frost Book Charleston 1993 pp.101 104-5 but the author was apparently unaware that it was issued as part of the present work which is not included in the extensive appendix of books illustrated by Frost.<br/> <br/>Phillips p. 141; Wetzel p. 146; Sherwin sale 1946 lot 238; Bruns G120; Heller 1:502; Bennett p.48; Tyler Prints of the West pp.127 & 174; not in Reese Stamped with a National Character. Bradlee Whidden unknown books
1882WRCAM36493BWashington: text: Government Printing Office; atlas: Julius Bien & Co. of New York for the Government Printing Office 1882. Quarto text volume with folio atlas. Text: 1p. advertisement series title title as above. Forty-two plates maps and charts including two chromolithographed views by Sinclair after Holmes seventeen wood- engraved views eight after Thomas Moran nine after Holmes four "Heliotype" plates ten double-page. Atlas: Mounted on guards throughout. 1p. letterpress text otherwise lithographed throughout. Title-leaf twelve double-page map-sheets after Dutton eleven printed in colors ten double-page sheets of views after Holmes 9 and Moran 1 five chromolithographed and five printed in tints all printed by Julius Bien & Co. Text: Original cloth neatly rebacked to style. Minor shelf wear. Atlas: Original cloth titled in gilt on front board. A bit of shelf wear corners bumped. Ink stamp on titlepage. Text and atlas both very clean internally. A very good set. "One of the grandest publications of the scientific expeditions in the American West.depicting the Grand Canyon in a series of magnificent panoramas" - CREATING AMERICA. The work includes illustrations by arguably the two greatest American topographical artists to record this era of westward expansion: William Holmes and Thomas Moran. The handsomely illustrated text volume was intended to accompany Dutton's impressive atlas of maps and panoramas of the Grand Canyon. Many of the plates in the text volume are from drawings by W.H. Holmes. <br> <br> The atlas includes eight beautifully executed maps of the region on twelve sheets as well as the ten sheets of views. The views include a number of images that are designed to form larger continuous panoramas. The greatest of these is Holmes' view from Point Sublime in the Kaibab: the three chromolithographed sheets numbered XVI- XVII if joined would form a single panoramic view with an image area measuring approximately 17 x 90 inches. It is interesting to note that the first of these sheets includes what may be a self-portrait and portrait respectively of Holmes and Dutton: two figures are visible at the edge of the canyon one is seated and clearly sketching Holmes while the second figure bends down to examine his companion's work Dutton. William Goetzmann calls W.H. Holmes "the greatest artist-topographer and man of many talents that the West ever produced.his artistic technique was like no other's. He could sketch panoramas of twisted mountain ranges sloping monoclines escarpments plateaus canyons fault blocks and grassy meadows that accurately depicted hundreds of miles of terrain. They were better than maps and better than photographs because he could get details of stratigraphy that light and shadow obscured from the camera.his illustrations for Dutton's TERTIARY HISTORY OF THE GRAND CANON DISTRICT are masterpieces of realism and draftsmanship as well as feats of imaginative observation." <br> <br> The team assembled to carry out this geological survey of the Grand Canyon included some outstanding talents: C.E. Dutton the scientist; Jack Hilliers the photographer; and Holmes and Moran as artist- topographers. The intention of the survey was strictly scientific but as Dutton wrote in his preface "I have in many places departed from the severe ascetic style which has become conventional in scientific monographs." This is also true of Moran and Holmes: both were clearly inspired by their subjects. The overall result is of a quality that would not be possible today. As Wallace Stegner wrote in his introduction to the 1977 reprint: <br> <br> "Later specialization has eliminated from scientific publications most of the elements that make THE TERTIARY HISTORY so charming. No report written as this one is written would now be published by any government bureau. No illustrators like Moran and Holmes would be permitted to illustrate it.A great book.THE TERTIARY HISTORY has kept its value precisely because it does not specialize." FARQUHAR BOOKS OF THE COLORADO RIVER & THE GRAND CANYON 73. Goetzmann EXPLORATION AND EMPIRE pp.512-13. REESE & MILES CREATING AMERICA 40. REESE BEST OF THE WEST 197. [text:] Government Printing Office; [atlas:] Julius Bien & Co. of New York (for the Government Printing Office) hardcover books
188228652Washington: text: Government Printing Office atlas: Julius Bien & Co. of New York for the Government Printing Office 1882. 2 volumes quarto text and folio atlas. Text: 2xiv264pp. plus forty-two plates plans and maps including two chromolithographed views by Sinclair after Holmes seventeen wood-engraved views eight after Thomas Moran nine after Holmes four "Heliotype" plates ten double-page. Atlas: 2title leaf1p. letterpress text otherwise lithographed throughout with twelve double-page map-sheets after Dutton eleven printed in colors ten double-page sheets of views after Holmes 9 and Moran 1 five chromolithographed and five printed in tints all printed by Julius Bien & Co. Short horizontal tear to outer margin of one leaf pp.101-02 slightly longer tears to outer margins of pp.165-66 and pp.245-46 just touching a few words. Repaired tear to front blank of atlas volume a few instances of minor marginal thumb-soiling. Publisher's cloth gilt atlas rebacked with original cloth laid down. Spine ends of text volume chipped with a few small nicks to the cloth along the joints spine lightly sunned corners rubbed<br/> <br/>"One of the grandest publications of the scientific expeditions in the American West. depicting the Grand Canyon in a series of magnificent panoramas" Reese & Miles. `Depicting America.' The work includes illustrations by arguably the two greatest American topographical artists to record this era of westward expansion: William Holmes and Thomas Moran.<br/> <br/>The atlas includes eight beautifully executed maps of the region on twelve sheets as well as the ten sheets of views. The views include a number of images that are designed to form larger continuous panoramas. The greatest of these is Holmes' view from Point Sublime in the Kaibab; the three chromolithographed sheets numbered XVI-XVII if joined would form a single panoramic view with an image area measuring approximately 17 x 90 inches. It is interesting to note that the first of these sheets includes what may be a self-portrait and portrait respectively of Holmes and Dutton: two figures are visible at the edge of the canyon one is seated and clearly sketching Holmes whilst the second figure bends down to examine his companion's work Dutton. W.H. Holmes whom William Goetzmann calls "the greatest artist-topographer and man of many talents that the West ever produced.his artistic technique was like no other's. He could sketch panoramas of twisted mountain ranges sloping monoclines escarpments plateaus canyons fault blocks and grassy meadows that accurately depicted hundreds of miles of terrain. They were better than maps and better than photographs because he could get details of stratigraphy that light and shadow obscured from the camera.his illustrations for Dutton's Tertiary History of the Grand Canon District are masterpieces of realism and draftsmanship as well as feats of imaginative observation." The team assembled to carry out this geological survey of the Grand Canyon included some outstanding talents: C.E.Dutton the scientist; Jack Hilliers the photographer and of course Holmes and Moran as artist-topographers. The intention of the survey was strictly scientific but as Dutton writes in his preface "I have in many places departed from the severe ascetic style which has become conventional in scientific monographs." This is also true of Moran and Holmes: both were clearly inspired by their subjects. The overall result is of a quality that would not be possible today. As Wallace Stegner wrote in his introduction to the 1977 reprint "Later specialization has eliminated from scientific publications most of the elements that make The Tertiary History so charming. No report written as this one is written would now be published by any government bureau. No illustrators like Moran and Holmes would be permitted to illustrate it. A great book. The Tertiary History has kept its value precisely because it does not specialize."<br/> <br/>Francis P. Farquhar The Books of the Colorado River & the Grand Canyon Los Angeles: 1953 73; Goetzmann Exploration and Empire pp. 512-513; W.B. Reese & G.A. Miles Creating America New Haven: 1992 40. [text:] Government Printing Office, [atlas: Julius Bien & Co. of New York (for the Government Printing Office)] unknown books
1900274959Edinburgh: Blackwood 1900. hardcover. very good. Historical descriptions by John Hill Burton. Illustrated with 240 fine steel engravings with tissue guards and many text illustrations in woodcut. 4 volumes tall 4to blue cloth. Edinburgh: Oliver & Boyd n.d. ca. 1900 Very good.<br/> <br/> Blackwood unknown
1900274959Edinburgh: Blackwood 1900. hardcover. very good. Historical descriptions by John Hill Burton. Illustrated with 240 fine steel engravings with tissue guards and many text illustrations in woodcut. 4 volumes tall 4to blue cloth. Edinburgh: Oliver & Boyd n.d. ca. 1900 Very good.<br/><br/> Blackwood unknown books
1867293365London New York: Cassell Petter and Galpin 1867. Hard Cover. Near Fine binding. 16mo.; in the publisher's "window-shade" green cloth with an elaborately stamped gilt device to the center of the upper board; vii. 2 10-309 including the Index; with 8 unnumbered leaves of plates including the frontispiece; followed by 10 pages of ads for Cassell's Illustrated Children's Books; all edges gilt; an exceptionally attractive copy.~~A splendid source book for life during quarantine -- Acting Charades Drawing Room farce; Tableaux vivants; In-door games Intellectual games; Catch games and trick games; Puzzles. Near Fine binding. Cassell, Petter, and Galpin unknown books
1879403845London : ""Boy's Own Paper"" Office 1879. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth over bevelled boards. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains well-preserved overall. Date is suggested/cannot be verified. Physical description; 840 pages 29 cm heavily illustrated illustrated endpapers. Subjects; Children's literature English ; Periodicals. Adventure stories English ; Periodicals. Children's periodicals English. Boys ; Juvenile literature ; Periodicals. Boys ; Periodicals. London : ""Boy's Own Paper"" Office hardcover
18991803120045London : Grant Richards 1899. Hardcover. Good. Two octavo volumes 25 cm. 1899-1900. 12 issues of the entire reissue of the Butterfly. Contemporary 3/4 green Moroccan leather over green linen. iv 278; ii 294 pp; illustrated. Rubbing slight fading to spines. Occasional spotting. Original yellow wraps bound in rear of volumes. Wraps evenly faded and toned. <br> In 1899 Richards attempted to revive a literary monthly created by Walter Haddon in 1893 called The Butterfly. <br> Contributors to The Butterfly which only lasted twelve issues included H. D. Lowry Arthur Morrison Nora Hopper and many others. Each issue was heavily Illustrated with reproductions of drawings by Max Beerbohm S. H. Sime and Joseph Pennell among others. <br> Includes the first appearance of A Vision of Judgment by D.O. H. G. Wells and 3 pieces of fiction by Laurence Housman: The Palace of Content; A Gander and His Geese; and Tales of a Woodcutter The Old Yew Tree and The Whitethorn's Story. <br> From the estate of Jim Graham former Washington D.C. City Council Member 1998-2014. Graham was head of Whitman-Walker Clinic 1984–1999 and a noted gay community pioneer. London : Grant Richards hardcover
185079133New York NY USA: Elton & CO and John McLoughlin Circa 1850s. Hardcover. Good. The Charmed Fawn: Pleasure Books for Children Elton & Co John McLoughlin Collection of 4 Titles: Peter the 'Goatherd and Battle of Blenheim' 'Ugly Little Duck or The Beautiful Swan' 'The Story of the Charmed Fawn' and 'The Story of Hans In Luck or the Five Bad Bargains' Rebound Copy Circa 1850's. Cover board depicts 'The Charmed Fawn' states John McLoughlin Successor to ELTON & CO Publisher but the books themselves collected and rebound together only state Elton & CO as publishers. Spine and back board are a maroon wrapping with tanned endpapers. All four books are in tact and complete within the book but have foxing and wear due to age/use. There is a curve to the boards as well. Still very nice rebound collection of Rare Children's story pamphlets circa 1850's. G Elton & CO and John McLoughlin hardcover
1894024029Chicago Illinois: Pilgrim's Progress Publishing Co. 1894. First Thus . Hardcover. Very Good. Barnard Frederick; Dalziel Brothers. Bunyan's celebrated 1678 Christian allegory specifically designed to appeal to young readers with 100 illustrations by Frederick Barnard & other artists as well as engravings by the Dalziel Brothers. In 327 pages with an Introductory Notice of the Author. Copyrighted in 1893 by John C. Winston who also provided the lithographed Frontispiece from 1890 this is the 1894 edition by Pilgrim's Progress Publishing Co. Small quarto 7.75" x 10" has brilliantly decorated brown cloth boards stamped with an elaborate design of Christian on his journey & black lettering to front & spine. Condition is VG- minus: quite clean with the occasional spot or smudge text block strong & straight though both hinges are cracked & rear endpapers have become detached. Modest rubbing to extremities very heavy at both ends of spine & all corners--all show slight tears & fraying. Pages creamy white with age-appropriate tanning heavier to edges. Light foxing to title page which becomes quite heavy on the adjacent tissued guard. No DJ as issued: the boards are lovely enough! Our photos depict the exact book you will receive never "stock" images of books we don't actually have! Same day shipping on all orders received by 2 pm Weekdays Pacific time; later orders Weekends & holidays ship very next business day. <br/> <br/> Pilgrim's Progress Publishing Co. hardcover
1843140947309London: Chapman & Hall / Bradbury & Evans 1843. First Edition. Near Fine. 1843 1845 1846 1846 1848. First editions of all five of Charles Dickens' Christmas Books Smith II.4-6 II.8-9. A Christmas Carol is the first issue with title page printed in red and blue dated 1843 in Roman numerals; half title and verso of title page printed in blue; "Stave I" on page 1. The Chimes first edition second issue with the publisher's name below the plate on the vignette title page. The Cricket on the Hearth first edition second issue with 2pp. ads. The Battle of Life first edition Todd's fifth state of the engraved title page with "A Love Story" in a scroll held by a cupid; terminal ads announce the publication in parts of Dombey and Son and the bound volume of Oliver Twist. The Haunted Man first edition first and only issue.<p>All five volumes bound in full polished calf with elaborate gilt seasonal stamping unique to each book. Morocco title labels to ribbed spines gilt dentelles all edges gilt. Sangorski & Sutcliffe stamp in gilt to front turn-in of each volume. Original cloth covers and spines bound in rear of all volumes but the last. Housed in an open-ended slipcase moderately rubbed and toned covered in the same floral gilt-embellished paper used for endpapers. Near Fine with slightly rubbed spines. Light edge toning to interiors occasional thumbing and staining and spots of foxing. <p>No writer is more closely associated with Christmas than Charles Dickens who began with the immortal A Christmas Carol in November 1843. It was published on December 19 and sold so well there were seven editions by the following May. The Chimes followed in December 1844 and three more books appeared in 1845 1846 and 1848 two of the title page dates follow the then-common practice of dating a book published in November or December with the coming year.<br /> <p>The enduring appeal of Dickens’ Christmas stories lies in his unmatched ability to combine sentimentality with melancholy or righteous fury a balancing act of light and dark. A Christmas Carol composed as Dickens walked weeping through the dark London streets was intended to draw attention to the plight of the working poor in London. The Chimes attacks the cruelty and hypocrisy of the rich and the protagonist of The Cricket on the Hearth contemplates murder. The Haunted Man the last novella emphasizes the need to remember past sorrows and hardships.<br /> <br /> <p>Dickens wanted his Christmas books to be pretty – his specifications for the first cut severely into his profits – and it is appropriate that these copies have been given jewel-like bindings by Sangorski & Sutcliffe one of the most famous fine binderies in the English-speaking world. A beautiful set of beautiful stories illustrated by the leading artists of the day. Chapman & Hall / Bradbury & Evans unknown
1843540812London: Wm. S. Orr & Co 1843. Hardcover. Very Good. First edition. Quarto. Printed on various color leaves with a publisher’s advertisement on recto of final leaf. Humorous articles verses etc. by Dickens Thackeray and others. Illustrated throughout with wood engravings designed by Alfred Forrester known under the pseudonym of Alfred Crowquill John Leech and others. Contemporary bookseller’s ticket and later owner’s small bookplate on front pastedown autograph note in pencil on front free endpaper. Contemporary half polished levant and pebbled cloth over boards gilt decorated spine with red titling label cream endpapers all edges gilt. Head and tail of spine and one corner tip neatly refurbished in matching leather joints are rubbed with light wear at corners a few small stains on endpapers very good. Wm. S. Orr & Co hardcover
185316150London: David Bogue etc. Fair with no dust jacket. 1853. Hardcover. Chipping to spine heads and tails complete rear edge tear on second and fourth volumes some loose plates 1853 fold-out in two pieces gutter starting and some with hand-stitched repairs worn. With care still solid hardcovers. ; All nineteen annual issues from 1835 to 1853 bound in four volumes. Not the 1860 Hotten reprint as contains the calendars etc. The Almanack for each year has separate title page and paging. Contents: Comic Almanack 1835-37 edited by Horace Mayhew and illustrated by George Cruikshank published by David Bogue; Comic Almanack 1838-40 by Rigdum Funnidos Gent. and illustrated by George Cruikshank imprinted for Charles Tilt Bibliopolist; Comic Almanack 1841-43 by Rigdum Funnidos Gent. and illustrated by George Cruikshank imprinted for Tilt and Bogue Bibliopolists; Comic Almanack 1844-45 by Rigdum Funnidos Gent. and illustrated by George Cruikshank imprinted for David Bogue Bibliopolist; Comic Almanack 1846 edited by Horace Mayhew and illustrated by George Cruikshank David Bogue; Comic Almanack 1847 by Rigdum Funnidos Gent. and illustrated by George Cruikshank imprinted for David Bogue Bibliopolist; Comic Almanack 1848 edited by Horace Mayhew and illustrated by George Cruikshank imprinted for David Bogue Bibliopolist; Comic Almanack 1849 edited by Horace Mayhew and illustrated by H G Hine and others imprinted for David Bogue Bibliopolist; Comic Almanack and Diary 1850 edited by Henry Mayhew and illustrated by George Cruikshank David Bogue; Comic Almanack and Diary 1851 edited by Henry Mayhew and illustrated by George Cruikshank and H G Hine David Bogue; Comic Almanack and Diary 1852 illustrated by George Cruikshank David Bogue; Comic Almanack 1853 edited by Robert B Brough illustrated by George Cruikshank and H G Hine London: David Bogue. Fold-outs for 1850 and 1851 are hand-colored. Bookplate of Chas. Smith Jr Tappan Rockland Co. N. Y. "By My Books I Live" on volume one paste-down. Albert M Cohn; George Cruikshank: A Catalogue Raisonne of the work executed during the years 1806-1877; 184. There are no covers nor advertising bound in. Per Cohn there should be 195 Cruikshank plates however in 1841 two plates are replace by duplicates of 1841 plates in 1842 one plate is replaced by a duplicate of another 1842 plate and the November 1842 plate is missing. Foldouts from 1852 and 1853 are not hand-colored. Therefore of the expected 195 Cruikshank plates only 194 are present and 191 are as called for. Additionally Cohn calls for the 1835-37 to have been printed by Tilt these have Bogue on the title pages. Overall a worn and slightly imperfect set of the full run of the Comic Almanack suitable for savoring the George Cruikshank plates and text illustrations. . David Bogue etc hardcover
18831359696Boston: Houghton Mifflin and Company 1883. Riverside Edition. Hardcover. Octavo; 12 volumes; Riverside edition; G; Hardcover; Spine brown with gold print raised bands; Boards half bound with brown leather to spine and corners and marbled paper to boards toning to spine leather with slight scuffing on some volumes light wear to spine caps edges and corners else clean and strong; Text blocks have gilt top edge marbled endpapers name and date penciled on front endpapers some volumes with uncut pages else clean and tight unless otherwise noted below; Frontispiece and illustrated title page in each volume "illustrated with etchings by Blum Church Dielman Gifford Shirlaw and Turner"; CONTENTS: Vol. I. Twice-Told Tales 538 pages - Vol. II. Mosses from an Old Manse 559 pages - Vol. III. The House of the Seven Gables ; and The Snow Image and Other Twice-Told Tales cracked front hinge; 641 pages - Vol. IV. A Wonder Book ; Tanglewood Tales ; and Grandfather's Chair 637 pages - Vol. V. The Scarlet Letter ; and The Blithedale Romance light spotting on spine; 600 pages - Vol. VI. The Marble Faun or The Romance of Monte Beni 527 pages - Vol. VII. Our Old Home ; and English Note-Books. Vol. I surface tear to front leather at spine edge; 588 pages - Vol. VIII. Our Old Home ; and English Note-Books. Vol. II 619 pages - Vol. IX. Passages from the American Note-Books 458 pages - Vol. X. Passages from the French and Italian Note-Books 574 pages - Vol. XI. The Dolliver Romance ; Fanshawe ; and Septimus Felton : with an Appendix Containing "The Ancestral Footstep" 521 pages - Vol. XII. Tales Sketches and Other Papers : with a Biographical Sketch by George Parsons Lathrop 578 pages. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1359696. FP New Rockville Stock. Houghton, Mifflin and Company hardcover
1826H40537London: Sherwood Jones and Co 1826. First Printing. Hardcover. Good. 2 volumes large 8vo 9.5 x 6.25 inches full midnight blue morocco gilt by Sangorski & Sutcliffe good set with strengthening to outer joints and inner hinges of three of the four boards neatly done. 71 handcolored plates mainly by Robert Cruikshank 1 uncolored woodcut plate and many in-text illustrations contents very good to fine spine color has mellowed to a pleasing dark brown. Sherwood, Jones, and Co hardcover
189888203ZPrivately Printed for Members of The Society of Bibliophiles 1898. Hardcover. Good. Volume II only. This edition was printed on Venetian Deckel Edge Paper and was limited to 1000 copies this copy was number 902. Grey cloth boards with gilt illustrations and lettering along with a gilt top edge of pages. Unmarked with the exception of names written on the front endpaper and flyleaf. Pages are slightly yellowed. Cover has wear and bumping on corners and edge of spine. Some discoloration and soil spots throughout the cover. Privately Printed for Members of The Society of Bibliophiles hardcover
185717417<p>London H. Hering n.d. 1857 First edition. Undated but the December 12 1857 issue of Bent's Literary Advertiser lists the book as recently published. The identity of the poet is unclear though a children's phonic reading book published in 1876 reprints the poem and attributes it to a Frances S. Hodgson not to be confused of course with Secret Garden author Frances E. Hodgson Burnett. Publisher's color-printed white pictorial boards with blue cloth spine. Pale yellow endpapers. . Oblong quarto. . Richly color printed on every leaf. Illumination inspired by the work of Owen Jones and Noel Humphreys. The designs incorporate medieval illumination-inspired initial letters and decorative bands. Text in Gothic script. Foxing to boards and some edgewear. Contemporary ink ownership signature Eliza Maude Widdas to front flyleaf and twentieth century bookplate Edward J. Law to front pastedown. Very clean and bright throughout. A very good copy of a scarce book. We could not locate much information on Elizabeth Howard-Vyse née Seymour 1815 – 1892 and Fanny Lucy Cecilia Greville 1831 – 1912 in the sources available to us. Howard-Vyse also published a travel account A Winter in Tangier and Home Through Spain 1882. This appears to be Greville's only published book. Howard-Vyse was married to Lt. Col. George Howard-Vyse at the time the present work was published; the couple lived in Windsor which was likely also the home of Greville who was the daughter of a Vice-Admiral in the British Navy. Henry Hering 1814 – 1893 was a publisher society photographer and the last in a family line of bookbinders. Though his primary business venture was not printing he did dabble in printing religious texts and gift books often with his partner Remington and was a promoter of Achille Colas' relief printing process.</p> H. Hering, hardcover
18601086London: Ward & Lock. c.1860. First edition thus. Publisher's original colour-printed pictorial yellow card wrappers. Octavo 25 x 16.5cm. 8pp. printed on one side only and mounted on linen. Each page illustrated with a hand-coloured wood engraving by the Dalziel Brothers. Publisher's adverts to the rear cover verso. A very good copy the binding secure with a little separation to the covers at the foot of the spine a small chip to the head of the rear cover and minor wear to the extremities. The contents with scattered foxing are otherwise in very good order. A scarce mid-nineteenth-century edition of Sleeping Beauty the pages linen-backed and the illustrations hand-coloured. The title forms No. 11 in Ward and Lock's 'The National Nursey Tales' series which according to the publisher's advertisement are "handsomely printed with Coloured Illustrations price 6d. each or on Cloth indestructible 1s. as in the present copy. The attention of the Public is particularly called to this beautiful Series of Children's Books which are in every respect of a superior character. The drawings are by eminent Artists and the Engravings by Dalziel Brothers".</p><p>Only one institutional copy recorded in Britain according to Library Hub V&A. London: Ward & Lock. hardcover
186523803London: Day & Son 1865. First edition. Hardcover. Maroon cloth lettered in gilt rebacked with most of original spine laid down. Aeg. Very good. Jones Owen. Small folio 28 x 22 cm. 52 chromolithograph plates on twenty-six leaves by Owen Jones and Henry Warren on stone by Albert Warren. Each illustration and accompanying text in a distinct decorative border. GORDON N. RAY The Illustrator and the Book in England from 1790 to 1914 notes that in his later years Owen turned to "original designs of his own." This mid-Victorian time period was the heyday of chromolithography printing with this a brilliant example. Embossed cloth decorated in gilt and green with gilt lettering. Lovely example of Victorian binding beveled edges endpapers toned slight toning to a few fore-edges not affecting plates which are brilliant and clean. Endpapers renewed front cover lettered and decorated in gilt with green rectangular border in gilt. Day & Son hardcover
1864mon0000078266Groombridge and Sons London 1864-01-01. Hardcover. Good. 0.0000 in x 0.0000 in x 0.0000 in. Volume V of the Intellectual Observer ILLUSTRATED WITH PLATES IN COLOURS AND TINTS AND NUMEROUS ENGRAVINGS ON' WOOD. Groombridge and Sons, London hardcover
1863mon0000078263Groombridge and Sons London 1863-01-01. Hardcover. Good. 0.0000 in x 0.0000 in x 0.0000 in. 1863 leather bound edition of the intellectual observer volume II - ILLUSTRATED WITH PLATES IN COLOURS AND TINTS AlID NUMEROUS ENGRAVlNGS ON WOOD. Groombridge and Sons, London hardcover
1865mon0000078264Groombridge and Sons London 1865-01-01. Hardcover. Good. 0.0000 in x 0.0000 in x 0.0000 in. 1865 leather bound edition volume VI of the Intectual Observer libris plate to end paper ILLUSTRATED WITH PLATES IN COLOURS AND TINTS AND NUMEROUS ENGRAVINGS ON WOOD Groombridge and Sons, London hardcover
1865mon0000078247Groombridge and Sons London 1865-01-01. Hardcover. Good. 0.0000 cent in x 0.0000 cent in x 0.0000 cent in. Rebound leather edition half bound on brown and burgundy cloth includes two Volumes VII & VIII. REVIEW OF NATURAL HISTORY MICROSCOPIC RESEARCH AND RECREATIVE SCIENCE . VOLUME VII & VIII - ILLUSTRATED with PLATES IN COLOURS AND TINTS AND NUMEROUS ENGRAVINGS ON WOOD from GROOMBRIDGE AND SONS Groombridge and Sons, London hardcover