112 résultats
189064956-A-57321Paris: Leon Vanier ca 1890. Small folio blue boards with silver diagonal lettering and vignette of Pierrot with a nimbus around his head Orig. covers contents loose. Complete with 41 loose sheets as issued including pictorial title and preface by the author. Each plate engraved on chine. Linnen boards sl. scuffed on extremities but all in all in a very good condition. First plate browned and a moisture spot of appr. 10 x 5 cm not affecting the picture. Last plate somewhated browned. All further plates in fine condition. [Leon Vanier] hardcover
1916007546Paris: Devambrez 1916. Limited Edition. Full Vellum. Near Fine. A unique copy with one autographed manuscript page and two original watercolor compositions one on the front cover vellum and the other serviing as a frontis. These special features are over and above being one of 300 copies in the limitation. 4to. 23.5 by 18.5 cm. Unpaginated the notebook of which this is a facsimile reproduction had a few early leaves paginated. 54 leaves with content often front and back but sometimes just the recto. Virtually all the color illustration is on the rectos and almost every recto has a full page color illustration or a color illustration which dominates the page. The facing versos have most of the newspaper clippings shorter commentary sometimes letters an occasional vignette. Scarce -- OCLC First Search identified just two institutions with holdings of the hard copy of the book. Cover is soiled and foxed yet painting comes through still vibrant bright vivid. Devambrez unknown
B173285-1Paris Devambez 1915. 102pp. Prof. illus. in color. 4to. Flexible boards. Publishers slipcase. New fitted cloth clamshell case. One of 300 hand-numbered copies signed in red ink by the artist in the justification. Paris (Devambez), [1915?]. hardcover
2172647Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172649Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172648Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
51-4713Paris : Devambez 1918 . Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room. Paris : Devambez, [1918] hardcover
2182824Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1881. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
21406Paris: Kleinmann. Print. Very good condition. Adolphe Willette original lithograph illustrated advertisement showing a topless young cabaret performer carrying a round gift box marked "Bonne Annee" stepping through a large oval frame as a young girl assists. Signed in the plate at lower left.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge whose many works in the illustrated press Le Pied de Nez le Courier Francais and Le Rire often appeared under various pseudonyms. He was active during the Belle Epoque and Art Nouveau period and was a member of the Cornet Society a group of artists musicians writers academics and playwrights who gathered at various restaurants around Montmartre. Known for his lithographs posters paintings and illustrations Willette was called the "Pierrot of Montmartre" because of his fascination with this comedia del'arte character. Willette's famous 'Parce Domine' painting with many Pierrot figures first decorated the Montmartre cabaret Le Chat Noir; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche.<br /> <br /> Image 11 x 8 1/2" hinged on one side only onto heavier stock 12 1/2 x 10 1/4" Kleinmann unknown
16-4469Paris: 1898-1922. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette 30 July 1857 – 4 February 1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions des droits d’auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle Jacques-Louis Duchemin 1895-1978 membre et juriste du Syndicat de la propriété artistique puis son fils Wladimir Duchemin 1941-2018 directeur de la Société de la propriété artistique des dessins et modèles Spadem se sont battus pour mettre sur pied et défendre les droits des peintres·ses. Rémunération contrefaçon diffusion exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand·es créateur·rices du XXe siècle. Provenance:Fonds d’archives Duchemin par descendance Paris: 1898-1922 unknown
19598701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9†x 6â€. Stapled wrappers. pp. Very good plus: minimal wear and light toning. <br /> <br /> This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was<br /> <br /> “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.â€<br /> <br /> Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs.<br /> <br /> The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator.<br /> <br /> A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
19594889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown
189625811896. An engraved poster welcoming the new year of 1896. A naked woman representing 1896 is at the helm of a boat which has the debris of 1895 in its wake. Tipped onto white backing cardboard. Signed in the plate A. Willette. To the bottom right is 'Phg V. Michel'. The debris of 1895 includes the words 'Panama' and 'Arton'. These appear to relate to Émile Arton a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. Adolph Willette was strongly anti-Semitic. Poster is clean and tidy with no significant marks. Black and white. Overall in Very Good condition. Poster size: 610 x 460 mm 24 x 18 inches. Adolphe Léon Willette 1857–1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-Semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots « Panama » et « Arton ». Celles-ci semblent concerner Émile Arton un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm 24 x 18 pouces. Adolphe Léon Willette 1857-1926 était un peintre illustrateur caricaturiste et lithographe français ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889. unknown
73-2560Paris: Mairie du XVIIe 1987. 60x40 cm. Color poster. Very Good. Text in French.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 Paris: Mairie du XVIIe, 1987 unknown
65405-A-57654H. Floury Paris 1919. First edition with original red Morocco half-leather binding corners red morocco marbled boards. Top end edges gilt. 27x21 cm. With frontispice original lithographs tipped-in colour plates and many ills in the text. 183 p. Edges and corners of cover somewhat worn ex libris on inside front board pages slightly browned. H. Floury, Paris, 1919 hardcover
191946651Paris: H. Floury Éditeur 1919. Large 4to 27x21 cm. Contemporary half cloth with cloth corners; gilt title on spine; covers marbled paper; decorated endpapers. Original illustrated wrappers preserved. ii184 pp. With title-vignette title printed in red and black. With frontispiece in colours pasted in and 15 other colourplates 7 pasted in including 1 double-page plate 15 black and white plates 2 double-page. Together 31 plates. And many illustrations 18 full page illustrations in text almost all after designs of Adolphe Willette 1857-1926 painter illustrator caricaturist and writer. - Minimal tear in first hinge binding; small tear in inner margin of a few leeaves repaired but on the whole a good copy of his autobiography. H. Floury, Éditeur hardcover
1919169302Paris: H. Floury 1919. Hardcover. G-. Boards and cloth show some tanning. Spine is slightly shaken a few pages are slightly loose from spine but attached. Writing on half-title page and an illustration. Some tanning and minor smudging inside although mostly clean. Blue marbled boards with 3/4 tan cloth. 183 pp. 8 color plates tipped in plus many additional BW and color illustrations. Text in French. 50 copies of this book were printed in Japan. H. Floury hardcover
1919037484Paris: Floury 1919. 1st Edition 1st Printing. Hardcover. Near Fine. Color Plates Illustrations In Text. 183 Pp. Three Quarter Red Morocco Over Paper Colored In Red Black And Gilt Multicolor Paint-Splash Endpapers Original Wrappers Bound In Top Edge Gilt. Original Lithographs Color Plates Tipped-In Color Plates Illustrations Throughout. Lightly Used Recently Refurbished. <br/> <br/> Floury hardcover
191985897H. Floury Editeur. As New. 1919. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 183 pages; well illustrated. -- with a bonus offer-- . H. Floury, Editeur paperback
537Sunned to spine; extremities rubbed and bumped; light toning occasional edge tears. Very good. NPD-537. <p>Paul Beuve. Adolphe Willette artist 1857 - 1926. Iconographie de A. Willette De 1861 A 1909. Paris: Charles Bosse 1909. Limited edition No. 94 of 174 numbered copies on Arches paper from a total limitation of 200.</p> <br /> <p>Small quarto. 6 viii 81pp. Illustrated with 7 hors-texte heliogravure and copperplate engraved plates 5 in color 13 text vignettes 3 in color 1 monochrome illus. after Rouveyre printed on brown paper and 3 additional color plates. Bound in green quarter morocco over mottled paper boards titles in gilt to spine five raised bands marbled endleaves. With pochoir plate of Willette's Chasseur de Vincennes engraved by Devanbez and an illustration after Willette's Marianne et L'Ours du Nord laid-in. Text in French. </p> <br /> <p>From the collection of renowned Parisian publisher and bibliophile Edouard Champion with his numbered catalogue ticket to front pastedown.</p> . unknown
20031225067PN. New. 2003. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1916321530Paris: Devambez 1916. Adolphe Willette. Original Poster. Lithograph. Measures 44.25" x 31"<br/> <br/> This surreal and allegorical WWI poster depicts Bacchus atop a wine barrel hitting a German soldier with a grapevine. The text underneath the scene reads "Go away phylloxera!" equating the solider with a pest to grapevines. A French soldier stands behind the conflict smiling jovially and drinking wine. The poster advertises October 15 a day to support war work in the French department of the Herault. Adolphe Leon Willette 1857 %u2013 1926 Painter illustrator lithographer. designer decorator of restaurants and cabarets such as 'Le Chat noir' and 'Le Moulin Rouge'.<br/> <br/> Devambez unknown
51-4726Paris : Devambez 1915 . Original lithograph poster. 118 x 80cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . A poilu embracing a girl. Behind them is a sewing machine and a tipped chair; a little dog is in the left-hand corner. Caption: Enfin seuls . . .! Alone at last .Library of Congress Control Number99613767 Paris : Devambez, 1915 hardcover
188818782AB1888. 51 numbers all. Paris 1888 - 1891. 41 : 315 cm. With many illustrations by Willette. Contemporary half cloth with title on spine. The complete set of this rare journal with the always missing last two numbers of the third year no. 1 March 20th 1891 and special numb er from March 5th 1891. Satirical literary journal headed and illustrated by Adolphe Willette. Each issue consists of 2 folio-leaves with a lithograph by Willette on the first page and caricatures on the third page. The journal includes poetry advertisement news etc. but the real value lies in the illustrations done exclusively for it by Willette. - Adolphe Willette was an inseparable part of Montmatre where he was responsible for the decoration of a number of cabarets bistros and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. Later he worked with a nuber of newspapers including le rire and Assiette au beurre before establishing le PÜierrot. - Ocassionaly some light foxing. - Very rare with the last two issues. hardcover