112 résultats
192054844Paris: E.F. d'Allignan 1920. One of 270 copies. 1 vols. Small 4to. Original wrappers slight staining. Very Good. In quarter blue morocco slipcase with chemise. One of 270 copies. 1 vols. Small 4to. E.F. d'Allignan unknown
1919834G41Paris: H. Floury 1919. First edition. Cloth. Near Fine. 10.5" by 8". Adolphe Willette . A beautifully illustrated first edition autobiography by the renowned French artist Adolphe Willette. The first edition. In full red cloth binding with gilt lettering. With an illustrated title page colour portrait frontispiece and numerous vignette illustrations throughout. In addition to 47 full page illustrations some of which are in colour and printed on handmade paper. Collated complete. An autobiography by the French painter and caricaturist Adolphe Willette. Willette is best known as the architect of the famous Moulin Rouge cabaret. His graphical works made Pierrot the pantomime character a fictional hero of France. With a bookplate to the front paste down and stamp to the front free endpaper from the Royal College of Art in London. In full cloth binding. Externally excellent with light shelf wear to the edges and some fading to the spine. Book stamp to the front paste-down and library stamp to the front free endpaper. Internally firmly bound. Pages lightly age-toned to the edges but otherwise very bright and clean. Closed tear to the bottom of page 37. Near Fine H. Floury hardcover
191940327Paris: Floury 1919. Fine. Floury Paris 1919 20.50 x 26.50 cm broché First edition. Work decorated with numerous in-text illustrations as well as 31 plates 15 of which are in color. Spine marginally faded with some losses at one weakened joint handsome interior condition. Floury unknown
188832574Paris 1888. Fine. Paris 1888 et 1889 29 x 40 cm en feuilles WILLETTE Adolphe & OTHERS Le Pierrot Paris 1888 and 1889 29 x 40 cm unbound. First edition. An almost complete set of this rare satirical literary journal headed and illustrated by Adolphe Willette. 49 issues from 6 July 1888 to 20 September 1889 each comprising two folio leaves the first page with a lithograph by Willette some with caricatures on page three. With Emile Goudeau as its editor-in-chief this journal nominally published on Fridays though not always actually published then includes poetry ads and news in brief but its real value lies in the illustrations done exclusively for it by Willette. A little light foxing and small tears to margin not touching images or text. Adolphe Willette was an inseparable part of Montmartre where he was responsible for the decoration of a number of cabarets bistrots and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. He later worked with a number of newspapers including le Rire and lAssiette au beurre before establishing le Pierrot. A divisive figure he stood as an Anti-Semitic candidate in the municipal elections in Paris in 1889. He proclaimed himself first President of the Republic of Montmartre a philanthropic association aimed at helping the children of that quartier. unknown
190140395Paris: H. Simonis Empis 1901. Fine. H. Simonis Empis Paris 1901 13 x 20 cm relié First collected edition one of the numbered copies printed on hand press. Bradel binding in half indigo boards smooth spine faded bronze sheep title-label marbled paper boards marbled endpapers and pastedowns illustrated original wrappers preserved contemporary binding. Work illustrated with 100 drawings by the author. H. Simonis Empis hardcover
189974842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
188585634Paris: A. Quinzard & CieHenri Tellier 1885. Fine. A. Quinzard & Cie Henri Tellier Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. A. Quinzard & CieHenri Tellier hardcover
188481928Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: ""John Bull au Congo"". Literary contributions by Albert Samain ""Tsilla"" Georges Auriol ""Les neiges de Bretagne"" Maurice Montégut ""Les confidences de l'abîme"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the purpose of promoting the famous cabaret of the same name of which it serves as a record. It published the texts recited during the performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemia and the Parisian effervescence characteristic of that era. Au cabaret Le Chat noir unknown
188481921Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: ""Monstres de Paris. Les peintres incompris : M. Carolus Durand"". Literary contributions by Alphonse Allais ""Moeurs de ce temps-ci"" Georges d'Esparbès ""Les juges"" Jean Lorrain ""Miss Miser"" Camille de Sainte-Croix ""La chanson de la mer de Victor Margueritte"" under the semi-pseudonym of Xernand Fau ""La guerre aux abus"". Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188481920Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette ""C'est un conte blanc - C'est un conte noir"". Literary contributions by Georges Auriol Rodolphe Salis Xernand Fau Adolphe Willette. Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1908C201989Paris: Felix Juven 1908. Hardcover Hardcover. Very Good. Illustrated boards slightly edge worn with slight rubbing to corners and slight mark to rear otherwise near very good indeed. French text. Felix Juven, hardcover
1391789350.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396752021.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391757173.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391756746.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189588065Paris: Edition Le Journal 1895. Fine. Edition Le Journal Paris 1895 19.50 x 28 cm relié First edition published in a small number of copies of this poem by Rodolphe Darzens set to music by Auguste Chapuis one of the rare copies on Japan paper. Work illustrated with 10 original lithographs by Adolphe Willette. Full flexible grey cloth Bradel binding smooth spine decorated with central gilt fleuron gilt date at foot slight rubbing to joints without gravity original wrappers preserved contemporary binding. On the half-title page Rodolphe Darzens has transcribed the poem ""Clair de lune"" the tenth and final poem of this collection. Edition Le Journal hardcover
231220Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1917. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
229157Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
229328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1915. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18852308050061Paris: Leon Vanier 1885. First Edition. Hardcover. Like New. Caricatures Small folio 35 cm. Held in in publisher's blue boards with engraved vignette on upper cover. Rebacked. Excellent binding and cover. 41 engraved plates. Loose as issued. circa 1885 or 1890 Paris: Leon Vanier hardcover
1893208380Delagrave 1893. Bon Etat. in4. 1893. Cartonné. 150 pages. Delagrave unknown
200296246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. <br/><br/> Cambridge University Press hardcover
1418499226.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1907396456Paris : F. Juven 1907. 1st edition. Hardcover. Very good copy in the original gilt-blocked cloth-backed paper-covered boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; 1 vol. : ill. ; 24 cm. Abundantly illustrated some col. Subjects; Caran d'Ache 1859-1909 Views on society. Caricature France History 19th century. Caricatures. Satire. French artists. French caricatures. Paris : F. Juven hardcover
2011G1604587741I3N00Instant Publisher 2011. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Instant Publisher paperback