112 résultats
189348437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
199294070Mondadori Electa. New. 1992. Hardcover. 8843537202 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 486 pages; 455 illustrations including 30 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Mondadori Electa hardcover
1916007546Paris: Devambrez 1916. Limited Edition. Full Vellum. Near Fine. A unique copy with one autographed manuscript page and two original watercolor compositions one on the front cover vellum and the other serviing as a frontis. These special features are over and above being one of 300 copies in the limitation. 4to. 23.5 by 18.5 cm. Unpaginated the notebook of which this is a facsimile reproduction had a few early leaves paginated. 54 leaves with content often front and back but sometimes just the recto. Virtually all the color illustration is on the rectos and almost every recto has a full page color illustration or a color illustration which dominates the page. The facing versos have most of the newspaper clippings shorter commentary sometimes letters an occasional vignette. Scarce -- OCLC First Search identified just two institutions with holdings of the hard copy of the book. Cover is soiled and foxed yet painting comes through still vibrant bright vivid. Devambrez unknown
189875920Paris: Théophile Belin 1898. Fine. Théophile Belin Paris 1898 22 x 30 cm relié First edition printed with 200 copies on vellum illustrated with a frontispiece and 12 colour intaglio engraved plates by Willette printed in bistre in the text and in colour for the insets by Vigna-Vigneron comprising the frontispiece in 7 versions including 4 for the decomposition of the colour and 12 insets in 2 versions that is black and white and colour. Bound in pale pink suede spine in two false compartments multicoloured patchwork garland glued to the boards comb-patterned endpapers shimmering covers and spine preserved all leaves have been mounted on guards brown cloth slipcase binding signed D. M. and dated 2015. ""Belle publication côtée une des meilleures de l'artiste qui mérite plus d'attention. Vigna habile artiste restaurateur de gravures anciennes a innové un artistique procédé de reproduction en couleurs qui respecte l'original"" Carteret. Beautiful popular publication one of the artist's best which deserves more attention. Vigna a skilled artist restorer of old engraving invented an artistic colour reproduction process that respects the original Carteret. Théophile Belin hardcover
1992C94070Mondadori Electa. As New. 1992. Hardcover. 8843537202 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 486 pages; 455 illustrations including 30 in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Mondadori Electa hardcover
188818782AB1888. 51 numbers all. Paris 1888 - 1891. 41 : 315 cm. With many illustrations by Willette. Contemporary half cloth with title on spine. The complete set of this rare journal with the always missing last two numbers of the third year no. 1 March 20th 1891 and special numb er from March 5th 1891. Satirical literary journal headed and illustrated by Adolphe Willette. Each issue consists of 2 folio-leaves with a lithograph by Willette on the first page and caricatures on the third page. The journal includes poetry advertisement news etc. but the real value lies in the illustrations done exclusively for it by Willette. - Adolphe Willette was an inseparable part of Montmatre where he was responsible for the decoration of a number of cabarets bistros and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. Later he worked with a nuber of newspapers including le rire and Assiette au beurre before establishing le PÜierrot. - Ocassionaly some light foxing. - Very rare with the last two issues. hardcover
188832574Paris 1888. Fine. Paris 1888 et 1889 29 x 40 cm en feuilles WILLETTE Adolphe & OTHERS Le Pierrot Paris 1888 and 1889 29 x 40 cm unbound. First edition. An almost complete set of this rare satirical literary journal headed and illustrated by Adolphe Willette. 49 issues from 6 July 1888 to 20 September 1889 each comprising two folio leaves the first page with a lithograph by Willette some with caricatures on page three. With Emile Goudeau as its editor-in-chief this journal nominally published on Fridays though not always actually published then includes poetry ads and news in brief but its real value lies in the illustrations done exclusively for it by Willette. A little light foxing and small tears to margin not touching images or text. Adolphe Willette was an inseparable part of Montmartre where he was responsible for the decoration of a number of cabarets bistrots and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. He later worked with a number of newspapers including le Rire and lAssiette au beurre before establishing le Pierrot. A divisive figure he stood as an Anti-Semitic candidate in the municipal elections in Paris in 1889. He proclaimed himself first President of the Republic of Montmartre a philanthropic association aimed at helping the children of that quartier. unknown
2017129128Cambridge University Press. New. 2017. Hardcover. 0521780004 . - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - with a bonus offer-- . Cambridge University Press hardcover
201196809Museum. New. 2011. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. ; 145 color illus. -- with a bonus offer-- . Museum paperback
191985897H. Floury Editeur. As New. 1919. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 183 pages; well illustrated. -- with a bonus offer-- . H. Floury, Editeur paperback
16-4469Paris: 1898-1922. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette 30 July 1857 – 4 February 1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions des droits d’auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle Jacques-Louis Duchemin 1895-1978 membre et juriste du Syndicat de la propriété artistique puis son fils Wladimir Duchemin 1941-2018 directeur de la Société de la propriété artistique des dessins et modèles Spadem se sont battus pour mettre sur pied et défendre les droits des peintres·ses. Rémunération contrefaçon diffusion exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand·es créateur·rices du XXe siècle. Provenance:Fonds d’archives Duchemin par descendance Paris: 1898-1922 unknown
537Sunned to spine; extremities rubbed and bumped; light toning occasional edge tears. Very good. NPD-537. <p>Paul Beuve. Adolphe Willette artist 1857 - 1926. Iconographie de A. Willette De 1861 A 1909. Paris: Charles Bosse 1909. Limited edition No. 94 of 174 numbered copies on Arches paper from a total limitation of 200.</p> <br /> <p>Small quarto. 6 viii 81pp. Illustrated with 7 hors-texte heliogravure and copperplate engraved plates 5 in color 13 text vignettes 3 in color 1 monochrome illus. after Rouveyre printed on brown paper and 3 additional color plates. Bound in green quarter morocco over mottled paper boards titles in gilt to spine five raised bands marbled endleaves. With pochoir plate of Willette's Chasseur de Vincennes engraved by Devanbez and an illustration after Willette's Marianne et L'Ours du Nord laid-in. Text in French. </p> <br /> <p>From the collection of renowned Parisian publisher and bibliophile Edouard Champion with his numbered catalogue ticket to front pastedown.</p> . unknown
51-4726Paris : Devambez 1915 . Original lithograph poster. 118 x 80cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . A poilu embracing a girl. Behind them is a sewing machine and a tipped chair; a little dog is in the left-hand corner. Caption: Enfin seuls . . .! Alone at last .Library of Congress Control Number99613767 Paris : Devambez, 1915 hardcover
51-3384Paris: Armand Magnier 1887. 40 unbound plates 34 x 25.5 cm. Engraved cover and 39 of 40 engraved plates. Lacking the preface page. Monod 11540. Carteret IV 410. Paris: Armand Magnier, 1887. unknown
189974842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
51-4713Paris : Devambez 1918 . Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room. Paris : Devambez, [1918] hardcover
2018ASAP-9781839374944Glenco Vocational Books 2018. New. Glenco Vocational Books unknown
2018ASAP-9781839374944Glenco Vocational Books 2018. New. Glenco Vocational Books unknown
1916321530Paris: Devambez 1916. Adolphe Willette. Original Poster. Lithograph. Measures 44.25" x 31"<br/> <br/> This surreal and allegorical WWI poster depicts Bacchus atop a wine barrel hitting a German soldier with a grapevine. The text underneath the scene reads "Go away phylloxera!" equating the solider with a pest to grapevines. A French soldier stands behind the conflict smiling jovially and drinking wine. The poster advertises October 15 a day to support war work in the French department of the Herault. Adolphe Leon Willette 1857 %u2013 1926 Painter illustrator lithographer. designer decorator of restaurants and cabarets such as 'Le Chat noir' and 'Le Moulin Rouge'.<br/> <br/> Devambez unknown
189225949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
190023933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
1906189471Paris: A. Blaizot 1906. 59/116. Softcover. VG light wear to wraps pages are clean and clear illustrations are crisp. Tan wraps with black and red lettering; 82 uncut and untrimmed pages; color frontispiece by Felicien Rops and original lithograph by Adolphe Willette. Printed in edition of 116 copies this being number 59. Text is in French. The Painters of the Integral Woman: Felicien Rops and A. Willette. A. Blaizot paperback
19594889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown
189588065Paris: Edition Le Journal 1895. Fine. Edition Le Journal Paris 1895 19.50 x 28 cm relié First edition published in a small number of copies of this poem by Rodolphe Darzens set to music by Auguste Chapuis one of the rare copies on Japan paper. Work illustrated with 10 original lithographs by Adolphe Willette. Full flexible grey cloth Bradel binding smooth spine decorated with central gilt fleuron gilt date at foot slight rubbing to joints without gravity original wrappers preserved contemporary binding. On the half-title page Rodolphe Darzens has transcribed the poem ""Clair de lune"" the tenth and final poem of this collection. Edition Le Journal hardcover
1921665761921. Fine. 1921 25 x 32.30 cm une feuille Extremely rare and humoristic menu pamphlet from the souper démocratique democratic supper organised by the République de Montmartre newly founded in 1921. The date shown is a parody of the republican calendar: ""17 Neigeôse An I"". A magnificent original wood engraving representing the Communards on the Montmartre hill and bearing the monogram Armand adorns the first board. In the spirit of the Paris Commune the République de Montmartre was created in the early 1920s by the Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Millière Raoul Guérin and Jules Depaquit. Their parties and banquets often organised in Montmartre's legendary venues Moulin de la Galette cirque Médrano Moulin Rouge were intended to unite the Montmartre community by mutual aid and sociability. This menu is a rare testimony of the beginnings of this joyful and festive organisation which is delivering here a very comical banquet where one serves Fois d'aristocrates truffés de chez Julien Julian's truffled aristocrat livers Salade d'Emigrés Salad of Expatriates and Fruits de la Révolution Fruits of the Revolution. It ends with the motto SALUT FRATERNITE et BON APPETIT ! CHEERS FRATERNITY and BON APPETIT! unknown