Adolphe WILLETTE - (Victor HUGO)Biblio.com
112 résultats
189974842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1916007546Paris: Devambrez 1916. Limited Edition. Full Vellum. Near Fine. A unique copy with one autographed manuscript page and two original watercolor compositions one on the front cover vellum and the other serviing as a frontis. These special features are over and above being one of 300 copies in the limitation. 4to. 23.5 by 18.5 cm. Unpaginated the notebook of which this is a facsimile reproduction had a few early leaves paginated. 54 leaves with content often front and back but sometimes just the recto. Virtually all the color illustration is on the rectos and almost every recto has a full page color illustration or a color illustration which dominates the page. The facing versos have most of the newspaper clippings shorter commentary sometimes letters an occasional vignette. Scarce -- OCLC First Search identified just two institutions with holdings of the hard copy of the book. Cover is soiled and foxed yet painting comes through still vibrant bright vivid. Devambrez unknown
B173285-1Paris Devambez 1915. 102pp. Prof. illus. in color. 4to. Flexible boards. Publishers slipcase. New fitted cloth clamshell case. One of 300 hand-numbered copies signed in red ink by the artist in the justification. Paris (Devambez), [1915?]. hardcover
42095Paris: Leon Vanier 1892. First edition hardback. 4to 31cm x 23cm 54pp vi. 7 black and white plates by Willette and Boutet de Monvel. Bound in full red calf gilt titling to the front board with the original card front cover bound in. The boards are warped the binding is scuffed and a couple of pages are lightly foxed. Overall this copy is in good minus condition. Paris: Leon Vanier, 1892. hardcover
189225949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
2172647Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172649Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172648Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
200296246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. <br/><br/> Cambridge University Press hardcover
51-4713Paris : Devambez 1918 . Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room. Paris : Devambez, [1918] hardcover
2182824Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1881. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2007Q-1877809438Park Place Publications 2007-09-28. Paperback. New. New. In shrink wrap. Looks like an interesting title! Park Place Publications paperback
1907396456Paris : F. Juven 1907. 1st edition. Hardcover. Very good copy in the original gilt-blocked cloth-backed paper-covered boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; 1 vol. : ill. ; 24 cm. Abundantly illustrated some col. Subjects; Caran d'Ache 1859-1909 Views on society. Caricature France History 19th century. Caricatures. Satire. French artists. French caricatures. Paris : F. Juven hardcover
190023933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
188585634Paris: A. Quinzard & CieHenri Tellier 1885. Fine. A. Quinzard & Cie Henri Tellier Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. A. Quinzard & CieHenri Tellier hardcover
21406Paris: Kleinmann. Print. Very good condition. Adolphe Willette original lithograph illustrated advertisement showing a topless young cabaret performer carrying a round gift box marked "Bonne Annee" stepping through a large oval frame as a young girl assists. Signed in the plate at lower left.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge whose many works in the illustrated press Le Pied de Nez le Courier Francais and Le Rire often appeared under various pseudonyms. He was active during the Belle Epoque and Art Nouveau period and was a member of the Cornet Society a group of artists musicians writers academics and playwrights who gathered at various restaurants around Montmartre. Known for his lithographs posters paintings and illustrations Willette was called the "Pierrot of Montmartre" because of his fascination with this comedia del'arte character. Willette's famous 'Parce Domine' painting with many Pierrot figures first decorated the Montmartre cabaret Le Chat Noir; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche.<br /> <br /> Image 11 x 8 1/2" hinged on one side only onto heavier stock 12 1/2 x 10 1/4" Kleinmann unknown
16-4469Paris: 1898-1922. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette 30 July 1857 – 4 February 1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions des droits d’auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle Jacques-Louis Duchemin 1895-1978 membre et juriste du Syndicat de la propriété artistique puis son fils Wladimir Duchemin 1941-2018 directeur de la Société de la propriété artistique des dessins et modèles Spadem se sont battus pour mettre sur pied et défendre les droits des peintres·ses. Rémunération contrefaçon diffusion exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand·es créateur·rices du XXe siècle. Provenance:Fonds d’archives Duchemin par descendance Paris: 1898-1922 unknown
19598701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9†x 6â€. Stapled wrappers. pp. Very good plus: minimal wear and light toning. <br /> <br /> This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was<br /> <br /> “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.â€<br /> <br /> Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs.<br /> <br /> The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator.<br /> <br /> A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
19594889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown
2011G1604587741I3N00Instant Publisher 2011. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Instant Publisher paperback
189625811896. An engraved poster welcoming the new year of 1896. A naked woman representing 1896 is at the helm of a boat which has the debris of 1895 in its wake. Tipped onto white backing cardboard. Signed in the plate A. Willette. To the bottom right is 'Phg V. Michel'. The debris of 1895 includes the words 'Panama' and 'Arton'. These appear to relate to Émile Arton a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. Adolph Willette was strongly anti-Semitic. Poster is clean and tidy with no significant marks. Black and white. Overall in Very Good condition. Poster size: 610 x 460 mm 24 x 18 inches. Adolphe Léon Willette 1857–1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-Semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots « Panama » et « Arton ». Celles-ci semblent concerner Émile Arton un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm 24 x 18 pouces. Adolphe Léon Willette 1857-1926 était un peintre illustrateur caricaturiste et lithographe français ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889. unknown
73-2560Paris: Mairie du XVIIe 1987. 60x40 cm. Color poster. Very Good. Text in French.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 Paris: Mairie du XVIIe, 1987 unknown
1919834G41Paris: H. Floury 1919. First edition. Cloth. Near Fine. 10.5" by 8". Adolphe Willette . A beautifully illustrated first edition autobiography by the renowned French artist Adolphe Willette. The first edition. In full red cloth binding with gilt lettering. With an illustrated title page colour portrait frontispiece and numerous vignette illustrations throughout. In addition to 47 full page illustrations some of which are in colour and printed on handmade paper. Collated complete. An autobiography by the French painter and caricaturist Adolphe Willette. Willette is best known as the architect of the famous Moulin Rouge cabaret. His graphical works made Pierrot the pantomime character a fictional hero of France. With a bookplate to the front paste down and stamp to the front free endpaper from the Royal College of Art in London. In full cloth binding. Externally excellent with light shelf wear to the edges and some fading to the spine. Book stamp to the front paste-down and library stamp to the front free endpaper. Internally firmly bound. Pages lightly age-toned to the edges but otherwise very bright and clean. Closed tear to the bottom of page 37. Near Fine H. Floury hardcover
191940327Paris: Floury 1919. Fine. Floury Paris 1919 20.50 x 26.50 cm broché First edition. Work decorated with numerous in-text illustrations as well as 31 plates 15 of which are in color. Spine marginally faded with some losses at one weakened joint handsome interior condition. Floury unknown
