La FARINA GiuseppeAntiquariat.de
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1842461253Firenze: Luigi Bardi editore. 1842. 366; 1 vorne + 65 Stiche; 430; 34 Stiche. 31,5x23,5cm. Zustand: Gut min. bis gering gebräunt, etwas wellig, bei den Stichen gibt es geringe, leichte und manchmal auch etwas mehr als braunfleckige Spuren (Innen); Kleiner Schrifteintrag vor dem Titelblatt; Einband (Außen) hat leichte Gebrauchsspuren; Ist stellenweise leicht bestoßen-berieben; Halbpergament
1882027104London: B T Batsford 1882. First Edition . Green Cloth Gilt. Very Good. Illustrations "chiefly" By the Author. Xiii Errata Slip Tipped In 283 Pp 28 Batsford Catalogue Of Books In The Decorative Arts. First Printing. Lightly Worn With 1/16" To 1/8" Areas Of Fraying At Tips Fraying Across Top And Bottom Of Spine Spine Gilt Complete And Clear Cover Gilt Bright But Not Brilliant. Patterned Endpapers. No Names Or Marks. <br/> <br/> B T Batsford hardcover
1895042909London: J. M. Sdent 1895. 1st Edition 1st Printing. Hardcover. Very Good . Viii 251 Pp. Red Cloth Gilt Top Edge Gilt. First Printing Uncorrected Missing Letter On P. 198; Currey Reports That Wells & Hammond Is Incorrect Reversing The Order Of The Bindings And That This Is The First Binding And Far Commoner Than The Binding Lacking The Gilt Rackham Figure On The Front Cover; We'll Give Currey A Vote Of Authority On This. Light Wear And Dust No Fraying Gilt Bright Some Fading To Spine Cloth. Large Illustrated Bookplate Of Walter Dexter Showing A Smiling Man With A Hook For A Right Hand. <br/> <br/> J. M. Sdent hardcover
1888221661888. Original patent documentation for Edmond Verstraete's innovative 1888 railway car design an uncommon surviving artifact from the era of rapid industrial expansion and technological advancement in American rail transport. Verstraete Edmond. Railway Car. Washington D.C.: U.S. Patent Office July 24 1888. Patent No. 386512. First edition. 2 printed lithograph sheets measuring 9" x 7". Signed by inventor and witnesses. Includes two detailed mechanical drawings by Verstraete with formal submission details signed by the inventor and his attorney.<br /> <br /> This patent filed during a period when the U.S. railroad network was transforming American commerce and mobility documents Verstraete's reconfiguration of the passenger car interior and structural layout. The diagrams show side and overhead views of a self-contained passenger railcar marked by articulated platform entries segmented internal seating and a defined vestibule region. Of note are the annotated elements marked "x" in red ink labeled as "Lower entries" and "Passengers" likely indicating areas of operational focus or examiner queries. The first sheet offers a longitudinal cross-section while the second presents a plan and elevation revealing design emphasis on safety comfort and structural balance.<br /> <br /> The late 19th century witnessed a proliferation of railway car patents as inventors sought to enhance efficiency passenger experience and operational safety in the context of growing urban transit systems and long-haul travel routes. Verstraete's work fits within this inventive surge paralleling the emergence of Pullman cars electric trolleys and elevated rail networks. As cities like New York Chicago and San Francisco expanded rail-based infrastructure designs such as this laid the groundwork for more integrated mass transit and intercity rail travel. Light toning minor smudge at lower margin of first sheet archival notations in red and pencil at margin; "EXAMINER" hand-stamped at top. Overall very good condition. A scarce and compelling primary document reflecting the ingenuity and regulatory mechanics of the Gilded Age railroad boom ideal for researchers in industrial history transportation technology and the evolution of public transit. unknown
180322307Paris, Janet, o.J. (1803 ?). Mit altkoloriertem, gestochenem Titel und 12 altkol. Modekupfern. 12 SS., 12 Bll, SS. 13 - 24 (paginierter Text ist gestochen). 16° (ca. 6 x 10 cm), flexibler Pappband der Zeit mit Buntpapierbezug (kleine Bezugsschäden, berieben und bestoßen).
1806V121111London, J. Bell 1806 [280] pp. (i.e. pp.335 to 614) + 64pp. Supplement + viii pp., + 25 plates out of text (depicting a.o. 8 fashion designs, 5 patterns for needlework, 5 plates with music scores & 1 large folding plate with two plans of the battle of Jena), 26cm., 20th cy. green cloth binding with some traces of use at spine, text and interior are clean and bright except for few minor stains, very small piece of paper cut out of title page and page one (without loss of text), good condition, [Magazine containing numerous articles regarding all aspects of culture : fine arts, poetry, music, biographical sketches of illustrious ladies, fashion and costume, useful sciences, beauty, etc.], V121111
1900q11b1967kr70Hans Wasserkampf, Hannover, 1900. 3seitige Programm-Broschüre des Residenz Theaters, Hannover für April 1900 mit den Vorstellungen: "Heimath - Zweiter und letzter Sudermann-Cyclus, 3. Abend", Schauspiel von Heinrich Sudermann, Regie Heinrich Matthaes. 21. April 1900; Zweiter und letzter Sudermann-Cyclus, 4. Abend: "Die Schmetterlingsschlacht". 22. April 1900. Zweiter und letzter Sudermann-Zyklus, 5. und letzter Abend: "Das Glück im Winkel". 24. April 1900. Mit zahlreichen zeitgenössischen Reklame-Anzeigen, meist aus der Region Hannover. Auf dem Titelblatt allegorische Darstellung einer Muse in ausgesprochen schöner Jugendstil-Ausführung, sehr sauber gedruckt, ausnehmend frische Farben, Golddruck. Sehr gering lichtrandig, sauber, ausgesprochen guter Zustand. 4° [3 Warenabbildungen] Broschüre
1897009118New York: Dodd Mead & Co. 1897. Book. Near Fine. Decorative Cloth. First Edition Thus. 16mo - over 5¾" - 6¾" tall. Near Fine light soiling at end pages slight spine lean SCARCE in dust jacket Very Good Minus 2" chip at base of spine smaller chips old tape mends the number "9" in blue ink front of jacket. The jacket and cover designs initialed A.M. reportedly for the American Art Nouveau designer Alice Morse. Illustrated by Frederick C. Gordon. Dated 1895 copyright page 1897 title page. A well-regarded novel about a Scottish doctor. Dodd Mead & Co. Hardcover
1820015887Paris Circa 1820 1820. Early Printing . Single Sheet. Near Fine. Color Engraving. Nineteenth Century Engraving 25 5/8" X 19 3/4" On Laid Paper Watermarked Mbm Produced In Color. Complete With Full Margins As Issued With Title In French Below The Image Which Is Approximately 39.5 X 30 Cm. The Engraver's Name Is Also Present At Lower Right. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> unknown
189054084ABBonn, (in Komm.?) Schergens [um 1890]. 2°. 1 Titelblatt und 80 Tafeln (alle lose) Orig.-Leinwand-Kassette. Kassette etwas stockfleckig, Talen im Rand teils geringf. gebräunt.
188830321ABBln, Pasch [1888]. Gr.2°. 30 S., 50 Tafeln. OHLwd-Mappe mit Deckeltitel und Bandschließe. Die Mappe angestaubt und mit Lichtspur, ein Gelenk etwas angeplatzt, die Papiereinschläge der Mappe mit größeren Defekten.
18981904280439xbvkBerlin, Verlag von A. Nesselmann, 1896-1898. Je Jahrgang 4 Seiten Jahrgangstitelblatt und Inhalts-Verzeichnis; Jg. 1: Seiten (1)**-8 (Februar), S. (69)-92 (Okt.-Dez) / Jg. 2: 98 S. (Januar-Dezember) / Jg. 3: 102 Seiten (Januar-Dezember), mit vielen teils großformatigen Abbildungen im Text und pro Nummer meist 3 Bildtafeln*** mit Ansichten ganzer Kutschen und Wagen bzw. Detail- und Konstruktionszeichnungen: insgesamt 8 ganzseitige, 52 halbseitige auf 26 Blättern, 3 doppelseitige, 17 mehrfach gefaltete meist groß-ausfaltbare; Gr.-4to.(ca. 30 x 23 x 3 cm; ca. 1,8 kg.).
18973382<p>Frederick A. Stokes Co. New York 1897<b> IN THE ORIGINAL LINEN DUST WRAPPER WITH LETTERING AND DECORATION BY BRADLEY </b>An octavo bound in the original rust colored cloth with a beautiful heavily gilt cover design by Bradley. The book is fine with no wear and the gilt clean bright and unworn. New endleaves with appropriate paper done at some point in the past. The paper backed linen dust-wrapper has wear and tear internally at the folds and is soiled with some darkening to the spine. Gilt titling and decoration by Bradley on the dustwrapper is bright and unworn. Very scarce and a nice example of the early cloth dust wrapper. Illustrated by Madeleine Lemaire.</p> Frederick A. Stokes, Co. hardcover books
18973382<p>Frederick A. Stokes Co. New York 1897<b> IN THE ORIGINAL LINEN DUST WRAPPER WITH LETTERING AND DECORATION BY BRADLEY </b>An octavo bound in the original rust colored cloth with a beautiful heavily gilt cover design by Bradley. The book is fine with no wear and the gilt clean bright and unworn. New endleaves with appropriate paper done at some point in the past. The paper backed linen dust-wrapper has wear and tear internally at the folds and is soiled with some darkening to the spine. Gilt titling and decoration by Bradley on the dustwrapper is bright and unworn. Very scarce and a nice example of the early cloth dust wrapper. Illustrated by Madeleine Lemaire.</p> Frederick A. Stokes, Co. hardcover
186912844Paris: Librairie Generale 1869. 1st. Hardcover. Good. 10.8x7.2x0.9in. paper covered boards with 3/4 cloth; boards are unevenly faded and soiled bumping to corners color plates have pencil number in upper corner 2 plates have old tape repair at gutter pages are generally clean but with toning at gutter. <br>A history of religious civil and military costume in France from the establishment of Christianity to the middle of the 19th century illustrated with 148 hand-colored plates. Text in French. <br>300pp 2.03lb 10.8x7.2x0.9in Librairie Generale hardcover
1895DEMO013574INew York: Dodd Mead 1895. First edition thus. Hardcover. fine. George Wharton Edwards. Octavo full vellum extra gilt top cover marbled endpapers. <br/><br/>Stopford Brooke called this "the most glorious love-song in the English language". One of only 450 copies. Illustrated in an art nouveau style. Parsons declared Spenser to be the third name in English literature. Dodd, Mead hardcover
1823218469Paris: Au Bureau de l'Encyclopédie. 1823. 21cm. Zustand: Gut gering gebräunt, leicht wellig, selten gering fleckig (Innen); Beim Band Planches II. fehlen die beiden Vorsatzblätter und das Titelblatt; Einband (Außen) hat mind. leichte Gebrauchsspuren, das heißt, dass 6-7 Bücher Risse im Kapital oder in den oberen oder unteren Gelenken haben; (1823-1832). Das Photo zeigt eine kleinere Auswahl der Bücher, zur besseren Veranschaulichung; Bei Band 9 fehlt im Hinterdeckel unten etwas von der Beschichtung; Bei Band 22 fehlt ein Stücken vom oberen Buchrücken, dies liegt vorne im Buch; Bei Band 21 fehlt ein Stücken vom oberen Buchrücken; Band 18 hat drei kleine Fehlstellen im Gelenk; Buch ist innen gut / außen zu 30-40% der Bücher akzeptabel; Buchzustand ist zwischen gut und akzeptabel; Halbleder
18462111902160200502Yamatoya keizo 1846. Soft Cover. Fine. Number of books: 2 books Yamatoya keizo paperback
1805biblio167<p><i>The second edition with additions. Longman Hurst Rees and Orme. London. 1805 G. Woodfall Printer Paternoster Row to verso of half title. Octavo. Half title Title xv 300 21 bl. 1 1pp. 6 folding engraved plates. Later half calf marbled boards spine in six compartments leather label gilt lettering rules and embellishment. Minor corner chips to half-title. Short closed fold tear to Plate I. Toned with some light offsetting of plates foxing/browning to index.</i></p><p><i>This edition has an additional plate to the 1790 edition plus additional material. The plates are each dated September 1 1805. </i></p><p><i>Significant to the library of the vine. A handsome volume.</i></p><p><i>William Speechly 1723 – 1819 gardener to the Duke of Portland at Welbeck Abbey Nottinghamshire. ODNB.</i></p><br /> Longman, Hurst, Rees, and Orme. hardcover
189813653Leipzig, E.A. Seemann, 1885 - 1895 und 1898. 12 Bände mit zalhreichen Abbildungen im Text und auf Tafeln, davon einige farbig. 4° (29 x 23 cm und 33,8 x 25,8 cm ). Grünes Orig.-Leinen mit goldgeprägten Rückentiteln.
1859921London: Macmillan 1859. First edition. First edition. Publisher's blue cloth with exquisite cover illustration stamped in bright gold consisting of figures wrapped around and climbing up vines spine gilt lettering. Exquisite double spread wood-engraved frontispiece and illustrations throughout by Richard Doyle. A fine copy of a thoroughly enchanting Victorian book. <br/><br/> Macmillan hardcover books
18959955BBStuttgart, Krais, 1895. Gr. 4°. X, 241, 36 S. Anhang Druckerpressen, Papierfabriken u.a. Über 170 Tafeln. OLn mit geprägtem Deckel, graugrüne Moiréevorsätze mit goldener Reichsadler-Ornamentik., 1
1894886851894. DESIGN HARUNA Shigeharu editor. Kogei Oyo ZUAN ZASSHI 7 issues. No.'s 20-26 Tokyo Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown
1894886851894. DESIGN HARUNA Shigeharu editor. Kôgei Ôyô ZUAN ZASSHI 7 issues. No.'s 20-26 Tôkyô Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown books
18972111902160201434Kazuki Yoshida Dainippon Textile Association 1897. Soft Cover. Fine. Volume: 1 Kazuki Yoshida Dainippon Textile Association paperback
