EBENISTERIE - DECORATIONMareMagnum
29 262 résultats
Sans lieu, sans date vers 1935-1945. Un ensemble de 49 dessins projets d'ébéniste ou décorateur (+2 petits). Planches sur carton, aquarellées de modéles de meubles mis en situations. Dimensions 39 x 27 cm hors marges - 50 x 32 cm avec marges, la plupart sous serpentes. Salons, salle à manger, bureaux, chambres. Certains meubles ont été inspirés de l'ébéniste suédois MEWESEN. Quelques rousseurs dans certaines marges néanmoins très bon ensemble.
195011018ABKrefeld, Werkkunstschule, n.d.(ca.1950). 38,5 :53 cm. 54 coloured plates. Original half cloth.
1987056020Hambug., 1987. 1987 - 2011. 4°. H OBroschur.
52314Moscow: Gosizdat 1928. Octavo 22.3 × 15.2 cm. Original staple-stitched photo-illustrated wrappers by Aleksandr Rodchenko; 47 1 pp. With two leaves of plates featuring for example photographs and pictures of stage designs by A. Rodchenko to recto and verso on somewhat thicker paper stock. Wrappers somewhat dust-soiled and with traces of use; front cover nearly loosened; few leaves with small annotations; back cover with contemporary Soviet bookstore stamp; else very good. A single issue of this leading avant-garde journal of the eponymous artistic group Levyi front iskusstva Left front of the arts: LEF edited by the futurist poet and artist Vladimir Mayakovsky. Published monthly 1927-1928 twenty-four issues of the journal appeared in total. The original LEF published 1923-1925 introduced Constructivist design and formulated "productivism" as a movement in the arts. The editorial team also understood art as playing a central role in the class struggle. By 1925 just seven issues of the central organ of the Russian avant-garde had appeared. Due to massive criticism of its apparent incomprehensibility to the masses the journal was discontinued. Two years later the series continued under the name Novyi LEF New LEF for two more years with the final year appearing under the direction of Sergei Tretiakov. From the beginning Aleksandr Rodchenko was responsible for the cover design having won a cover design contest in 1923. See John Bowlt and Béatrice Hernad Aus vollem Halse Munich 1993 p. 135f. The 1927-1928 issues focused on Factography or "photography of fact" with a special interest in left-leaning cinema. The new publication positioned itself against the "poor taste" and "lack of class-consciousness" of art of the NEP period. Aware of the upcoming drive toward industrialization the editorial team understood the "twinning of art with production a necessary factor in the industrialization of the country." Novyi LEF featured Rodchenko's photographic experiments which were highly controversial at the time characterized by extreme perspectives dynamic oblique views and spatial superimpositions that significantly influenced the photography of the New Vision see Claudia Gabrielle Philipp in: Kat. MKG Hamburg 2001 p. 205ff.<br /> <br /> Scarce in the trade. One of 3.000 copies printed. <br /> <br /> Cat. MoMa Rowell/Wye 715; Cat. MoMA Rodchenko 210. unknown
BN90654Vitra Design Museum. Balkrishna Doshi: Architektur für den Menschen <br/><br/>Balkrishna Doshi: Architektur für den Menschen Vitra Design Museum; Wüstenrot Stiftung; Kugler Jolanthe and Hoof Khushnu Vitra Design Museum unknown
19963116860New York: Simon and Schuster Editions/Calloway. Fine with no dust jacket. 1996. First Edition; First Printing. Hardcover in box. 0684833026 . First edition. SIGNED by David LaChapelle on blank page opposite half-title. Fine in pictorial boards set inside a pictorial card box. Copy No.40675 152pp. 11" X 14 1/4" The LaChapelle land Map insert is present as well as publisher's book card and opening reception card for the exhibition at the Staley Wise Gallery on November 8 -30 1996 in New York. A superb array of material related to the event. Photographer's FIRST book. Cited in Roth's Book of 1001 Books.; 11" X 14 1/4"; 152 pages . Simon and Schuster Editions/Calloway hardcover
Torino, 1996; ril., pp. 192, 877 ill. col. num. n.t., cm 24x34. (Architettura, Design, Restauro). italiano 88-422-058 Architettura, Design, Restauro ril.
1964154557N.p.: N.p. 1964. Vintage oversize design illustration for an embroidered uniform patch worn by Burger Chef employees circa 1964. Sample patch affixed to the top left corner. <br /> <br /> The first Burger Chef restaurant was opened by Frank and Donald Thomas in Indianapolis in 1957. The chain quickly spread across the United States with 335 locations across the country in 1964. The restaurant gained popularity in the early 1970s for the Funburger and the Funmeal which included packaging decorated with stories about the company mascot Burger Chef his sidekick Jeff and their illustrated friends-predating the McDonald's Happy Meal by a number of years. <br /> <br /> Patch measuring 4 x 5 inches affixed to poster measuring 27.5 x 31 inches. About Near Fine with light age-toning and pinholes to the corners. <br /> <br /> Tennyson pp. 68-69 80. N.p. unknown
1915857611915. DESIGN Saikasha. SAIKA. Tokyo 1924-9. 30 issues bound into 10 volumes out of 36 issues bound in 12 volumes. Significant run of the SAIKA series which captured Japanese and Asian design in all its manifestations - objects utensils. fabrics rugs architectural elements lacquerware cloisonnee etc. etc. There is a total of approximately 500 plates of which about 100 are color woodblock printed and another dozen or so are color collotypes and color lithographs. The remainder are collotypes and offset. An interesting series from the reference library of the Mitsukoshi Department Store. Two of the volumes are disbound with a few plates missing but they have the original covers. Sold with all faults and priced accordingly. Unusual set. unknown
189951352New York: Frederick A. Stokes Company 1899. First Edition. Octavo 21.5cm; black and gray illustrated paper-covered boards with title label at upper spine; 962pp; illus. Gentle sunning to spine and upper rear cover light wear to spine ends and board corners with minute board exposure to lower corners a few tiny stains to lower front cover and a tiny vintage booksellers ticket to lower rear pastedown; hinges sound and clean throughout; Very Good. <br/><br/>Attractive copy of this masterpiece of Art Nouveau book design and a key Will Bradley work. The title poem remains Crane's most searing indictment of war condensing the spirit of The Red Badge of Courage into a work of 32 lines. BAL 4083. Frederick A. Stokes Company unknown books
1915857611915. DESIGN Saikasha. SAIKA. Tokyo 1924-9. 30 issues bound into 10 volumes out of 36 issues bound in 12 volumes. Significant run of the SAIKA series which captured Japanese and Asian design in all its manifestations - objects utensils. fabrics rugs architectural elements lacquerware cloisonnee etc. etc. There is a total of approximately 500 plates of which about 100 are color woodblock printed and another dozen or so are color collotypes and color lithographs. The remainder are collotypes and offset. An interesting series from the reference library of the Mitsukoshi Department Store. Two of the volumes are disbound with a few plates missing but they have the original covers. Sold with all faults and priced accordingly. Unusual set. unknown books
196313964-1<p>New York: The Macmillan Company 1963. <i><b>Signed on the title page by Umberto Eco</b></i>. First U.S. edition / First printing. Off white cloth. Near fine with owner name emboss stamp to front free endpaper and also the title page in very good to near fine dust jacket with several edge tears. The author's first book.</p> The Macmillan Company, hardcover
19703115103New York/paris/geneve: Alexandre Iolas. Fine with no dust jacket. 1970. First Edition; First Printing. Softcover. First edition. 'As new' in white printed wrappers with orange title. Stiff plain acetate protective wrapper supplied. unpaginated 6 1/2" X 8 1/4" Features a 2pp. Essay by Henry T. Hopkins and 13 full-page illustrations and 1 b&w. Text in English. The artist's second solo show in New York and first significant exhibition catalogue. ; 6 1/2" x 8 1/4" . Alexandre Iolas. paperback
20153117261Berlin: Spruth Magers Berlin. Very Good. 2015. First Edition; First Printing. Hardcover with promotional poster. First edition. Fine in tan cloth covers without dust jacket as issued with title plate afixed to front cover. Acetate protective jacket supplied. un-paginated 7 1/2" X 9 1/2" 1500 copies produced. The specially produced promotional poster for the exhibtion is aid-into the book.Fine on a sheet folded in eights as received. Image is acrylic Metro Mattress #9. 17 1/4" X 23" Exhibition dated 3. November - 16. January 2016. In Berlin. Perfectly suited to frame. ; 8vo 8" - 9" tall . Spruth Magers Berlin hardcover
Leipzig, Edit.Karl W. Hiersemann, 1888. 40 ilustraciones en b/n fuera texto. Incluye, encartadas con el libro, 10 páginas manuscritas en español con la traducción del texto alemánb, seguramente del antiguo poseedor, el encuadernadoR Josep Capafons. muestras de tela. Leves puntos de óxido. Guardas decoradas. Ex libris. Gran folio. Holandesa. Lomo con tejuelo de piel y dorados. Libro en alemán. Muy buen ejemplar. Folio. 2 fols. Text, forty collotype plates all printed on heavy card. Two leaves containing 48 colour samples.
19584465New York: Lester Rossin Associates 1958. Very good. 4to 295 x 230 mm. Original 4-flap portfolio of brown pictorial paper containing three folders of bifolium sample illustrations designs and photographs loose as issued collated complete. Portfolio margins and folds with a little wear and creasing contents in excellent state. "MAD MEN" ERA GRAPHIC DESIGN BEING A PROMOTIONAL PORTFOLIO FOR A NOTED NYC ADVERTISING AND MARKETING AGENCY. THE PORTFOLIO IS ITSELF INGENIOUSLY DESIGNED AND THE CONTENTS PRESENT A "STABLE" OF INTERNATIONALLY RECOGNIZED ILLUSTRATORS DESIGNERS AND PHOTOGRAPHERS INCLUDING RAY PROHASKA AND D. STONE MARTIN. <br /> <br /> Lester Rossin is recognized as being one of the original "Mad Men" an elevated advertising art and marketing firm that thrived in the 1950s and 1960s. Offered here is an original portfolio of design work that was no doubt distributed to potential clients. The portfolio was designed by Clifford Condak and contains three color-coded folders with samples from the firm's three divisions. The folders are: Illustrators blue folder with a circle: 13 samples; Photographers green / square: 4 samples; and Designers red / triangle: 6 samples. Each folder bears the names of the individuals whose work was contained therein. <br /> <br /> On the front of the portfolio is an extraordinary "raison d'etre" by the firm which bears reprinting:<br /> <br /> "Design is the basis of a creative illustration.<br /> Whatever the medium<br /> message or technique only a<br /> heightened sense<br /> of design will raise the work from craftsmanship to<br /> the level of art. This is our belief.<br /> It is the basis of our<br /> achievement the discipline of<br /> our daily work<br /> and the guarantee of our future."<br /> <br /> On the back of the portfolio is a long list of the company's "Distinctions" including "Bests" at the 1957 International Poster Annual and the American Institute of Graphic Arts. Here the potential client is informed that "In the past 12 months we have designed and produced art for 2198 advertisers 1561 mailing pieces and 932 point-of-sale units." <br /> <br /> On the upper cover is the statement that this "First in a series"; no other subsequent portfolio has been located by us and not even this one is listed in WorldCat. Lester Rossin Associates unknown
2000CNJL795Baltimore Maryland: Dolphin Press / Maryland Institute College of Art 2000. Limited Edition. Hardcover. Fine. Lorenz Hilary. No. 7 of 40 copies of the deluxe edition total edition 100 elephant folio size 40 pp. signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz an artist and printmaker whose work has been exhibited throughout the United States Europe and Asia and the co-founder of the Dolphin Press and writer Albert Mobilio a poet and literary critic whose work has appeared in The Village Voice Harper's Fortune and The New York Times Book Review n. b. artist bios from the book. <br/><br/>The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" n. b. from website of Hilary Lorenz and is a provocative examination of what is now recognised as a pseudoscience.<br/><br/>___DESCRIPTION: Full black Japanese Asahi cloth gilt vignette and lettering on the front board hand-marbled paste-down endpapers hand-sewn binding six etchings interspersed throughout the text both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight elephant folio in size 16" by 13.5" unpaginated with 20 leaves excluding front and back blank leaves per the colophon page a limited edition of 100 copies this being number 7 per the web site for Hilary Lorenz numbers 10-100 were for sale signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth gilt vignette and lettering on the front which mirrors the book lined with maroon paper. With a sheet with a description of the book serving as the prospectus one sheet printed on one side.<br/> <br/>___CONDITION: Volume is fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - crisp as new. Slipcase is also fine strong and sturdy clean without wear. The prospectus sheet is near fine clean with very light toning to the edges and light wear to the corners else fine.<br/><br/>___POSTAGE: Please note that this is an oversize book and additional postage may apply as the standard does not always cover costs; please contact us for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Dolphin Press / Maryland Institute, College of Art hardcover books
2000CNJL795Baltimore Maryland: Dolphin Press / Maryland Institute College of Art 2000. Limited Edition. Hardcover. Fine. Lorenz Hilary. No. 7 of 40 copies of the deluxe edition total edition 100 elephant folio size 40 pp. signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz an artist and printmaker whose work has been exhibited throughout the United States Europe and Asia and the co-founder of the Dolphin Press and writer Albert Mobilio a poet and literary critic whose work has appeared in The Village Voice Harper's Fortune and The New York Times Book Review n. b. artist bios from the book. <br /> <br /> The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" n. b. from website of Hilary Lorenz and is a provocative examination of what is now recognised as a pseudoscience.<br /> <br /> ___DESCRIPTION: Full black Japanese Asahi cloth gilt vignette and lettering on the front board hand-marbled paste-down endpapers hand-sewn binding six etchings interspersed throughout the text both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight elephant folio in size 16" by 13.5" unpaginated with 20 leaves excluding front and back blank leaves per the colophon page a limited edition of 100 copies this being number 7 per the web site for Hilary Lorenz numbers 10-100 were for sale signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth gilt vignette and lettering on the front which mirrors the book lined with maroon paper. With a sheet with a description of the book serving as the prospectus one sheet printed on one side.<br /> <br /> ___CONDITION: Volume is fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - crisp as new. Slipcase is also fine strong and sturdy clean without wear. The prospectus sheet is near fine clean with very light toning to the edges and light wear to the corners else fine.<br /> <br /> ___POSTAGE: Please note that this is an oversize book and additional postage may apply as the standard does not always cover costs; please contact us for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Dolphin Press / Maryland Institute, College of Art hardcover
This is a very good hardcover copy in the original binding of brown marbled paper boards with an all-over green design. There is a large printed paper label with the title inset in an elaborately lithographed Gothic style frame. Tan paper covered spine of dark green cloth. The edges of the covers have a little wear. Inside there is an elaborately detailed title-page followed by 32 of 40 numbered plates. No evidence of plates being removed, as binding still very tight, but normally with 40 plates. All plates are black & white lithographs showing an amazing variety of typefaces and alphabets. Many are composed out of very imaginatively worked animals, plants, people or inventions forming the letters. A classic of this genre, here an incomplete copy with various faults, such as browning, tiny foxing, and 2 instances of later careful coloring of initials on different plates. Quite rare in the original binding. Large oblong folio, 11" high X 13 1/2" wide. Call or e-mail for digital photos. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
19204462EBPlauen, Oscar Haebler, bzw. Christian Stoll, o.J. [1920]. 2°. 41 cm. Titelblatt, 16 lose Blatt. Titelblatt, 12 lose Blatt. Original-Halbleinenmappen mit Titelschildchen und Schließbändern. [5 Warenabbildungen] (Studio d'Arts decoratifs).
20071-1424330734Triple Constraint Inc. 2007. Paperback. New. 196 pages. 10.80x8.30x0.60 inches. Triple Constraint, Inc. paperback
190011706Anstalt J. Gasterstaedt, Wien ca. 1900. 106 Tafeln mit 2804 Abbildungen in Hälfte der Naturgrösse dunkelgrüner Kaliko - Einband, gebundene Ausgabe, goldgeprägter Deckel, Exemplar in guten Erhaltungszustand
Most comprehensive and richly illustrated reference work of the world's second largest tapestry collection, nowadays based in the Vienna Kunsthistorisches Museum and once inherited by the Habsburg court. - Contents: Present particularly rare edition contains of 271 original photographies and 30 halftone prints of 301 (of about 900) tapestries made in the regions of Brussels (16th - 18th ct.) or Lorraine (18th ct.), once accumulated by the Habsburg emperors while controlling those territories. Each of the captions contain information about the title, date and place of production as well as inventory number. The exhaustive descriptions of art historian Ludwig Baldass also quote the measurements of the tapestries. - Condition: All traceable copies are loose sets of plates in publisher's portfolios with wrappers, i.e. like published. Our copy instead is skilfully bound in solid and elegant half morocco, though lacking the original wrappers. Joints in parts skilfully restored and with some little wear, otherwise very fine. - Rarity: Present edition was published in 300 numbered copies only, however our copy is without numbering. ABPC, Drouot Digital, LotSearch and JAP record 5 sets at auction since the 1970s (2006, 1988, 1987, 1984 (2), none of them bound like present.
Extensive collection with striking lithographic plates in bright colours showing fine examples of folkloristic ornaments, many of them with Art Nouveau influence. – Contents: Starting with geometric patterns and followed by stylised floral designs, there are also included numerous borders of aprons, corner-pieces in fine open work, simple and ornamental patterns of trimmings, all from national dresses of various regions, accurately and faithfully drawn after the designs and colours of the original garments, adapted the for use in school of arts and crafts. Enclosed is a quarto booklet of 12 pages with explanations how to draw the patterns of different plates, as well as measurements on 15 b/w illustrations and 5 additional illustrations after photos of original garment. – The portfolio is skillfully executed an by Josef Šíma (1859-1929), a high school professor of drawing, collector of folk embroidery and pioneer of documenting folk culture through photography. – The present portfolio was also published with a English, French and German language cover and booklet. - Condition: Upper front band fragmented, cardboard map at edges and corners slightly bumped and worn, boards and last page of text booklet minimally stained title page with slight stains of former cleaning, some plates minimally finger-stained and browned at edges, plate no. XXVIII slightly bumped at upper edge; generally a well preserved portfolio throuhout, in all language variants a very rarely offered item indeed. – Rarity: As of August 27th 2021 there is no other copy available at the market in any of the versions. OCLC and KVK show only 5 copies of the Czech original version in institutional holdings outside of the Czech Republic (Cambridge UL, Cleveland PL, Harvard, Saint Louis PL, Paris [BnF]), none of them cataloguing the originally enclosed booklet. RBH quotes no auction result at all, neighter does JAP/APO. – Reference: Toman, Nový slovník ?eskoslovenských výtvarných um?lc?, 3rd ed., vol. 2 (1950), p. 72 cit. WBIS/CSBA.
<h3>Autore/Curatore: Maria Pospisil (firma autografa)</h3> <h3>Editore: Fratelli Alinari</h3> <h3>Anno: 1944</h3> <h3>Formato: 26x35 cm - Copertina Rigida</h3> <h3>Pagine: 111 + 318 Illustrazioni</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: come da foto, con segni del tempo e di utilizzo. Imperfezioni alle cerniere e al dorso con piccole rotture. Margini delle pagine naturalmente bruniti, lievi aloni. Osservare attentamente le foto e contattatemi per ulteriori informazioni.</h3>
