Aa.Vv.MareMagnum
29 262 résultats
Volume in lingua italiana ed inglese. Coperta rigida a tutta tela beige con titoli impressi in oro al dorso ed al piatto anteriore mostrante quasi impercettibili segni di usura da sfregamento. Pagine in buono stato di conservazione anche se già lette e sfogliate ricche di illustrazioni a colori nel testo. Numero pagine 214. USATO
I edizione, introduzione di Andrea Carandini, pagine in ottimo stato di conservazione, con 118 figure in nero nei testi, appena ingialliti i bordi, brossura editoriale illustrata, lucida, con alette e con lievissimi ed inevitabili segni di usura. Numero pagine 283 USATO
Legatura tutta tela verde, con titoli in oro al piatto ed al dorso all'interno di tassello nero, leggermente scolorita dal tempo, con piccoli aloni chiari e piccole abrasioni. Pagine leggermente brunite, come pure i tagli, salde, con ampio margine e qualche leggera gora, con tracce di umidità ed alcune unite tra di loro, corredate da numerose illustrazioni nel testo, a colori ed in bianco e nero, con didascalia e da una carta ripiegata a fine volume. Numero pagine 337. USATO
Volume edito con la consulenza di Sotheby's. Pagine in buono stato di conservazione anche se già lette e sfogliate e quasi impercettibilmente ingiallite dal tempo ai tagli ricche di illustrazioni in bianco e nero ed a colori. Coperta rigida in cartonato nero con titoli impressi in oro al dorso. Numero pagine 176. USATO
Volume numero 35 appartenente alla collana Le chiese di Roma illustrate, nuova serie, collana di monografie fondata da Carlo Galassi Paluzzi. Copertina leggermente stanca agli angoli, ai margini e alle estremità del dorso, dove è presente una piega sulla lunghezza; piatti lievemente macchiati. Pagine ben salda alla cerniera, con ampio margine, su carta patinata. Presenti numerose illustrazioni in bianco e nero, nel testo, con didascalia. Numero pagine 267. USATO
II edizione, prefazione dello stesso A., pagine ingiallite ai bordi causa tempo, con figure in nero nei testi, brossura editoriale flessibile, illustrata, con tracce di polvere, ingiallita ai margini e con lievissime tracce d'uso. Numero pagine 220 USATO
Volume numero 4 appartenente alla collana collezione d'arte. Sovraccoperta usurata agli angoli, ai margini e alle estremità del dorso, con presenza di strappi su entrambi i piatti; presente angolo ritagliato al risvolto superiore. Legatura con titoli solo al dorso lievemente macchiata ai piatti e alle estremità del dorso. Leggera fioritura alle controguardie. Pagine salde alla cerniera, con ampio margine, brunite, così come i tagli. Presente fioritura sparsa. Numerose le tavole fuori testo, su carta patinata, con illustrazioni in bianco e nero, con didascalia. Numero pagine 52. USATO
Hardcover Like New. Ships directly from publishers. Pls. allow a minimum of 25 business days delivery time being a new book from publisher.
1937Alibris.0029529The Commercial Press. 1937. Trade paperback. paper along spine is falling apart cover has tears to edges & creasing cover is faded back cover is detached by present pages are in nice condition. 48 p. Includes illustrations. . 24 illustrations with description on facing translucent onion-skin pages xi pp. preliminary material. Prefaces in French and Chinese. The Commercial Press paperback
194258639Washington DC: El Coordinador de Asuntos Interamericanos 1942. Poster. Good. A suite of three WWII posters 20" x 14". Each poster has been mounted to a thin cardboard. With some creasing and occasional small losses from the edges. The largest loss is from the top right corner of the "palabra" poster measuring 4" x 3". The posters also have a general layer of light glue-staining.<br /> <br /> Three American WWII posters depicting the themes of Freedom of Worship Freedom from Want and Freedom of Speech. These posters were meant to highlight Franklin D. Roosevelt's four freedoms here three and to sway Latin American opinion against Germany Italy and Japan.<br /> <br /> The Spanish text at the foot of each poster reads: "One of the 4 liberties for which the allies fight." Edward McKnight Kauffer 1890-1954 was an American artist and graphic designer who worked mostly in the realm of poster art. He was born in Montana however he moved to England and became an expatriate. He was very influential in Europe however he was only known in the United States by a handful of those well versed in the study of design. Interestingly despite his obscurity in America in 1937 the Museum of Modern Art gave him a prestigious one-man show. At the time of the exhibition copy agents were continuing the tradition of using posters with romantic imagery and only a few designers were able to gain any attention from breaking free of this type of imagery. Still remaining in obscurity Kauffer returned to England only returning to New York City after the war broke out in 1940. He only received honors in the United States posthumously when he finally received an AIGA award.<br /> <br /> Russian born American artist Alexey Brodovitch 1898-1971 was most known for holding the art director's position at Harper's Bazaar fashion magazine during the years of 1934-1958. Like Kauffer Brodovitch played a significant role in introducing the United States to a substantially simplified modern design already popular in Europe. While at Harper's Brodovitch used art created by Man Ray Salvador Dali and A.M. Cassandre. Brodovitch received an AIGA award in 1987.<br /> <br /> Three boldly modern posters created by two artists who helped pioneer the modern poster in the United States with its symbolic imagery and social relevance. El Coordinador de Asuntos Interamericanos unknown
197119316Paris: Société d'études et de publications économiques 1971. 1st. Hardcover. Very Good/Very Good. 11.2x10.0x1.0in. dust jacket with tear to front panel. Dust jacket in clear protector. <br>The first monograph on this Parisian design house. Illustrations in color and in black and white. Text in French and English. <br>240pp 3.65lb 11.2x10.0x1.0in Société d'études et de publications économiques hardcover
1919004668London: Martin Secker first two issues Cecil Palmer third issue. Printed by Vincent Brooks Day & Son 1919 1923. First edition. Wraps for first issue hardcover paper pastedown second two issues. Very Good. Literary journal with extraordinary roster of contributors including Max Beerbohm Siegfried Sassoon T. E. Lawrence John Doyle Enoch Soames Robert Graves John Crowe Ransome John Masefield John Galsworthy Thomas Hardy Walter de la Mare Rockwell Kent Vachel Lindsay Edwin Lutyens William Nicholson etc. 4to. 32 by 25 cm. Mostly poetry with also a mix of stories dialogues etc. and lovely plates quite a few in color. All produced handsomely and though short-lived the confluence of talent marks these as an unique undertaking. Minor edge chips to wraps of the first volume. Chips along the joints and the spine of the second. Within the leaves are age toned with some scattered light foxing. <br /><br /> Martin Secker (first two issues), Cecil Palmer (third issue). Printed by Vincent Brooks, Day & Son hardcover books
1923004668London: Martin Secker first two issues Cecil Palmer third issue. Printed by Vincent Brooks Day & Son 1923. First edition. Wraps for first issue hardcover paper pastedown second two issues. Very Good. Literary journal with extraordinary roster of contributors including Max Beerbohm Siegfried Sassoon T. E. Lawrence John Doyle Enoch Soames Robert Graves John Crowe Ransome John Masefield John Galsworthy Thomas Hardy Walter de la Mare Rockwell Kent Vachel Lindsay Edwin Lutyens William Nicholson etc. 4to. 32 by 25 cm. Mostly poetry with also a mix of stories dialogues etc. and lovely plates quite a few in color. All produced handsomely and though short-lived the confluence of talent marks these as an unique undertaking. Minor edge chips to wraps of the first volume. Chips along the joints and the spine of the second. Within the leaves are age toned with some scattered light foxing. Martin Secker (first two issues), Cecil Palmer (third issue). Printed by Vincent Brooks, Day & Son unknown
19341497New York: Random House 1934. First American Edition. Saroyan's first book a collection of 26 short stories produced in small numbers. An important copy showing a young Saroyan's early admiration for Valenti Angelo the renown Italian-American illustrator and printmaker. Their friendship would evolve and the two would ultimately collaborate on at least two different projects - 'The Fiscal Hoboes' 1949 and 'The Simple Songs of Katchick Minasian' 1950. A warm inscription in the year of publication linking two important literary Californians. First Printing one of 2000 copies. Octavo 23.5cm; black and gray cloth with gold foil wraparound title band printed in black on spine and front cover; terracotta topstain; 270pp. Inscribed by Saroyan on front endpaper in the year of publication: "To "Val" Valenti Angelo a painter whose work I sincerely admire: With good wishes / William Saroyan / Dec. 1934." Mild sunning to upper board edges endpapers and text edges tanned as is nearly always the case with a touch of softening at the crown and mild dustiness to top edge; Very Good or better. Dustjacket is unclipped priced $2.50 lightly sunned at spine and extremities with some minor edge wear a few tiny nicks to spine ends and some light staining along upper edge of front panel; Very Good. Random House unknown
194046606Berlin: Vereinigte Verlagsgesellschaften Franke & Co. KG 1940. First edition. Softcover. Very good condition. Quarto. 8pp. Original photo-illustrated wraps with white lettering on cover. Illustrated promotional supplement of the periodical Illustrierter Film-Kurier in gravure. The 1940 film "Der ewige Jude" is a propaganda documentary about the world Jewry after an idea by Eberhard Taubert.<br /> <br /> As part of Goebbels' anti-Semitic strategy this film followed the 1937 art exhibition "Der ewige Jude" in Munich and the publication of a book in the same year and with the same title both with derogatory captions asserting the "degenerate Jewish race." Goebbels took an active role in the production of the film and insisted on Fritz Hippler as the director for the film. After the invasion of Poland Goebbels instructed Hippler to send camera crews to Poland to collect footage of Polish Jews. The film starts with an "impressive" foray through the Jewish ghettos in Poland depicting the Jews in filthy living conditions making a living through profiteering instead of honest work. The footage was manipulated in a way to show the Jews as originating in Palestine and from there flooding the earth drawing parallels to the way rats spread through new territory stressing the Jew's ability to adapt to various life styles. <br /> <br /> The promotional is illustrated with photomontages depicting Jews from various walks of life Polish street scenes a Rabbi holding up a knife in line with the brutal depiction of a Shechita as the face of Jewry juxtaposed with gleaming pictures of content German people and thankfulness towards a government willing to solve the "Jewish problem." Text in German. Slight wear along edges small closed tear at bottom of last page and some minor chipping along edges. Vereinigte Verlagsgesellschaften Franke & Co. KG unknown
1981061100Tokyo Japan: Kodansha International 1981. Book. Fine. Hardcover. Inscribed by Authors. First Edition. 4to - over 9" - 12" tall. INSCRIBED. Brown cloth lettered in gold foil. xxii23-223 pp. illus. 1st edition: 1981. Pages adjacent to flyleaves slightly foxed otherwise as issued. Color pictorial dust jacket shows mild surface rubbing price-clipped front flap now in mylar. Inscribed by Nakashima on front flyleaf full signature personalized to Katherine and Edgar Seder dated March 1982. Kodansha International Hardcover
199214255Paris: Michel Aveline Editor 1992. 1st. Hardcover. New/New. 13.2x9.5x1.1in. in shrinkwrap. <br>Alberto Pinto 1945-2012 was a French interior designer of considerable acclaim. This is the first monograph on Pinto highlighting the first 20 years of his work. Exquisite photographs illustrate some of the sumptuous interiors he created including his own apartment in Paris. <br>301pp 4.74lb 13.2x9.5x1.1in Michel Aveline Editor hardcover
Skira, 2014. Libro fotografico, testi in inglese. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with unclipped dust jacket in fine conditions, no inscriptions or markings inside. Worldwide delivery.
1936028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
18512111902160201412Kawauchiya Shinjiro 1851. Soft Cover. Fine. Number of books: 5 Kawauchiya Shinjiro paperback
19212091202133211949Momiyama shoten 1921. Soft Cover. Fine. Volume: 1 Momiyama shoten paperback
18632111902160201223Not Available 1863. Soft Cover. Fine. Volume: 1 Not Available paperback
1963167273New York: Self published 1963. Vintage subscription advertisement for the seminal proto-Fluxus manifesto utilizing George Maciunas' eye-catching designs and advertising a price of $2.98. INSCRIBED and dated by editor La Monte Young in manuscript pencil: "To - / 97 XII 19 5:03:31 PM NYC / La Monte Young." <br /> <br /> La Monte Young is one of the most influential experimental composers of the modernist era and is primarily remembered today as one of the originators of minimalist drone music. Several of Young's compositions were collected in various Fluxus editions beginning in the early 1960s including "Trio for Strings" from the "FLUXUS 1" anthology. <br /> <br /> Single card measuring 2.5 x 10.25 inches glued at the ends and folded to form an open cube. Faint rubbing else about Fine. Self published unknown
197421492New York Thomas Y. Crowell 1974. HBDJ1974. 1st Edition; 1st Printing.with #1 Intact Number Line FINE- in NF DUST jacket; Text pages generally clean & bright DJ minor rub wear light Scuff tiny Chips tears Extremities Blue cloth cover light Wear lettered in White & Orange with Yellow on Spine 276 Pages Index. Signed by Author. First Edition. Hard Cover. New York Thomas Y. Crowell hardcover
Cofanetto contenente 8 volumi, opera completa in ottime condizioni, cofanetto con tracce d'usura mentre i libri sono quasi nuovi, senza sottolineature
