29 262 résultats
197856289Los Angeles CA & Detroit MI: Chrysler Corp. ca. 1978-1980. 4to. 103 colour and black & white photographs sized 8 x 10 in. w/ nearly all featuring inventory numbers on versos many w/ concept artist’s identifying marks at lower fore-edge of images all w/ 3-hole punch at upper fore-edge. Black vinyl 3-ring binder manuscript label on spine w/ 1 sheet of manuscript tucked-into front cover entitled “Image Studies†rounded corners slight shelfwear light toning to leaf of manuscript NF exemplar. A fascinating Chrysler Corp. Design Group photo archive documenting the development of the full scale mock-ups and designs for the 1978 & 1979 Chrysler 300 Chrysler Cordoba as well as the rebadged Dodge Charger early concepts for the Dodge Minivan 5 years before introduction and the under appreciated Dodge Omni rally car. Many of the Chrysler concept car designs included here are signed by such artists as Svensen Kreiling and the famed Stewart Reed. The album opens with concept car designs for the 1979 Chrysler Cordoba 300 offering views of a concept car mock-up not only featuring a split between two different designs but also different wheels as well as views of the designs littering the walls and ceilings of the Chrysler Corp. Design Group studios. It also shows the nascent red & blue pinstriping on silver when the eventual production model featured that on a white background. Also shown are the development photos for the rebadged Dodge Challengers and Dodge Chargers basically reusing the Mitsubishi Galant Lambda as a base. Many of these Chrysler/Dodge/Plymouth Mopar concept cars are shown with a variety of artists’ renderings for Targa tops sleek modern lines and colours which unfortunately for Chrysler never made it into general production because if they had Chrysler may not have needed the 1979 bailout by the US Government. Of particular interest are the artists renderings of a 1978 Dodge Omni as a rally car and two very early concept designs for the Dodge/Chrysler minivan project led by Stewart Reed. The unsung Dodge Omni and Plymouth Horizon developed by Chrysler’s European Division were Chrysler’s first front-wheel compact car beating the K-Car to market by over three years and with its’ handling and popularity even received the attention of Carroll Shelby who worked to convert them into true performance race cars. The Minivan would remake the American auto market from the time of its eventual production introduction in 1984 revive the fortunes of Chrysler and spawn many competitors such as the Chevrolet Astro Ford Aerostar Toyota Previa and many others. Reed worked in Chrysler’s design group from 1971 to 1980 as part of the initial Minivan design team then Toyota’s Calty Design Research Inc. in Newport Beach CA and after 1994 operated his own design studio in Plymouth MI creating such concept vehicles as the 1998 Gear Box SUV and the 2001 Cunningham C7 Car. See: David Zatz The Chrysler Cordoba And 300: “Personal Luxury†Allpar Feb. 9 2017; Pete Dunton 1978-1990 Dodge Omni -- the Little Car that Rescued Chrysler Old Car Memories Nov. 24 2018; William Stopford The Most Obscure Special Editions and Forgotten Limited-Run Models: Mopar Edition Part III -- A Trip to Aspen Curbside Classic Nov. 13 2015. Chrysler Corp., unknown
1901891941901. DESIGN KOSUGI Sugimura & YOKOI Tokifuyu designers. DAI NIHON BIJUTSU ZUFU 4 vols. Tokyo Yoshikawa Hanshichi Meiji 34 1901. 4 plate volumes orihon folding albums illustrated with 154 pages of color woodcut. 25.1 x 18.5 cm Complete as such BUT not including the 4 text volumes. A lovely compendium of traditional design. Very good colors impression and condition. Volume 4 is split at one fold; its rear cover is detached and its front cover attached with a tissue repair. unknown
1933891861933. DESIGN Hisatomi Jun; Yoshida Tamashiro designes. SHINKÔ KOSODE BURI 1 2 3 5. Kyôto Happôdô Shôwa 8 1933 36.1 x 26.1 cm. Each volume of the four of five contains 10 lovely color-printed woodblock design in a kimono sleeve format. A wonderful collection of these "shinkô" "modern" designs. The woodblock printed covers are loose and some folds in the folding albums are starting. Sold with all faults. 4 volumes. unknown books
1901891941901. DESIGN KOSUGI Sugimura & YOKOI Tokifuyu designers. DAI NIHON BIJUTSU ZUFU 4 vols. Tokyo Yoshikawa Hanshichi Meiji 34 1901. 4 plate volumes orihon folding albums illustrated with 154 pages of color woodcut. 25.1 x 18.5 cm Complete as such BUT not including the 4 text volumes. A lovely compendium of traditional design. Very good colors impression and condition. Volume 4 is split at one fold; its rear cover is detached and its front cover attached with a tissue repair. unknown books
196183851New York: Atheneum 1961. First Edition. First Printing. Octavo 22cm; blue cloth-covered boards with titling stamped in gilt on spine; bright red topstain; yellow endpapers; dustjacket; xii23-3675pp. Faint foxing to fore-edge of textblock else Near Fine. Dustwrapper designed by Bill English with photograph by Jean Hollyman unclipped priced $4.95 with trivial surface wear else Near Fine. A strikingly fresh copy with no loss of color to spine panel of dustjacket.<br /> <br /> Contents include Book the First Education for the Citizen and Book the Second The Citizen and the World and follows high school student "Mollymauk" as he navigates karate hypnosis and meeting the wishes of his dream girl. Its satirical film adaptation 1966 was produced directed and co-written by George Axelrod and starred Roddy McDowall Tuesday Weld and Lola Albright. Hine coauthored projects with his wife Sesyle Joslin and the pair also published works with the pseudonym G. B. Kirtland. 83851. Atheneum unknown
195943760Gouda: Drukkerij v/h Koch & Knuttel 1959. First edition. Softcover. g to vg. Large quarto 11 3/4 x 8". Unpaginated. 24pp 3 transparent colored acetate pages. Original photo-illustrated wrappers. Illustrated title page.<br /> <br /> This splendidly produced booklet was intended as a promotional New Year's gift of publisher Koch & Knuttel in Gouda Holland the hometown of photographer and designer Piet Marée who designed the said booklet. <br /> <br /> This work contains 9 full-page b/w photographic reproductions of artwork by Belgian Avant-gardist artist Pierre Toebente 1919-1997 whose entire oeuvre addresses only one major theme namely the human being of which he chose three aspects: the female body the child and the mask.<br /> <br /> Eight of the nine artworks featured in this booklet are wooden masks and the last one depicts a female torso also executed in wood.<br /> <br /> Photographs and book design by the famed Dutch graphic designer Piet Marée 1903-1999.<br /> <br /> Minor shelf wear along edges of wrappers. Little discoloration spot at upper margin of half-title. Text in Dutch. Wrappers in overall good to good interior in very good condition. Drukkerij v/h Koch & Knuttel unknown
20151973<p>First Edition. Artists' book 136 pp. : illustrations in color. Small 4to. Near fine. Illus. stiff wraps with unique collage element on the front cover. 1973</p><p><em>Winant's first major artists' book which includes texts by Matthew Brannon Moyra Davey Courtney Fiske Jim Fletcher Kenneth Goldsmith Jonathan Griffin Geoffrey Hilsabeck Michael Ned Holte Sarah McMenimen Anna Livia Alexander Provan Ross Simonini and John Yau. Per the 2016 review by PhotoEye the work is named after the 1974 Phillip Roth book of the same title yet "My Life as a Man makes no apparent contextual reference to Roth's book but the cover does appear as a small image multiple times in Winant's book. From the opening sequence which groups an image of a naked woman laying face down on a table under the watchful eyes of a team of male doctors with various other images of men gazing at woman it's clear the work offers a pointed critique of the ways in which the female form and gestures are controlled and imaged." Though the edition size is unstated the work is very rare and each copy comes with a unique collaged image on the cover and a folded poster of nearly completed New York Times crossword puzzles by Winant's mother</em>.</p> Horses Think Press
1750702461750 | 19.50 x 28 cm | relié
1788ALDR0629Brünn, gedruckt bei Joseph Georg Traßler und im Verlage der Kompagnie (ab Bd 5: und im Verlage R. A. Schrämbls) 1786-1788. 5 Bde. 8°. 324 S., S. 333-421 (Ss. 325-332 fehlen), mit XXI gest., kol. Tafeln, 3 nn. Bll.; 324 S., mit XXII-LX (= 39) gest., kol. Taf., 4 nn. Bll.; 356 S., mit LXI-LXXVII (= 17) gest., kol. Taf., 4 nn. Bll.; Titelbl., 427 S, mit CII-CXL (= 38 v. 39) gest., kol. Tafeln (Taf. CCXVIII fehlt); 482 S., mit CCIII-CCXLIX (= 48) gest., kol. Taf., 5 nn. Bll., mit einigen Zierleisten. Marmorierte Lederbände der Zeit, Rückenschildchen und Rückenverzierung in Goldprägung, einige Bände mit großt. abgeriebenen kleinen Papierschildchen mit handschriftlicher Zählung, Einbanddeckel mit Streicheisenlinien gerahmt, Vorsätze rot marmoriert, Buchschnitte rot gefärbt, bestoßen und berieben, teilw. mit Kratzspuren u. etwas fleckig, an den Kapitalen meist schadhaft, Rückenleder rissig, Leder entlang der Gelenke eingerissen, Bindungen locker. Seiten insgesamt schwach gebräunt bzw. braunfleckig, selten stärker gebräunt, kaum fleckig, mit Randausriss ohne Textverlust im Titelblatt des zweiten Bandes, im siebenten Band fehlt die untere Hälfte des Titelblattes. Mit Bleistiftanmerkungen und -anstreichungen im Text, jeweils einer Zahl in alter Tintenschrift am vorderen Schmutzumschlagblatt oder fliegenden Vorsatzblatt verso. - Aus dem Nachlass des Architekten Johannes Spalt, der es aus der Bibliothek des Architekten Josef Hoffmann erhalten hatte. Mit Spalts Namenszug und dem handschriftlichen Zusatz 'Aus Josef Hoffmanns Bibliothek' mit Bleistift am vorderen Schmutzumschlagblatt avers. VD18 90176952. Vgl. Graesse 1,568 - altösterreichischer Nachdruck der ersten drei, des fünften und siebenten Bandes der umfassenden 'Naturgeschichte der Vögel' des bedeutenden französischen Naturforschers Buffon (1707-1788). Die französische Originalausgabe 'Histoire naturelle des oiseaux' in zehn Bänden erschien erstmals 1770-1786, die deutsche Ausgabe ab 1772. Übersetzer der vorliegenden ersten drei Bände war Friedrich Heinrich Wilhelm Martini (1729-1778), den fünften und siebenten Band übersetzte Bernhard Christian Otto (1745-1835). Ansehnliche Exemplare mit allen - nur Tafel CCXVIII fehlt - sorgfältig altkolorierten Tafeln. Das schadhafte Titelblatt und die fehlenden Seiten aus dem ersten Band liegen in Kopie bei. [3 Warenabbildungen]
193390892s. n. | Paris 1933-1934 | 30.8 x 36.8 cm | Reliure de l'éditeur
Torino, Unione Tipografica Editrice Torinese, 1930, in-4to (cm. 38 x 28) legatura originale cartonato e tela, copertina illustrata (strappo di c.a 5 cm. alla tela della parte superiore del dorso) pp. (8)-168 completamente illustrato da fotografie in nero nel testo e da tavole a colori applicate fuori testo. Mobili di: Mallet Stevens, Gabriel Guevrekian, Andrè Lurvcat, Louis Sognot, Francois Jordain, E. Kohlmann, Renè Herbst, Joubert et Petit, Maurice Matet, Perriand, Robert Block, J.Ch. Moreaux, Michel Dufet. Lampadari di: Jean Perzel, Lacroix, Pierre Chereau. Porte e Cancelli di: L. Barillet, G. Poillerat, R. Subes. Vasi di: Henry Simmen, Emile Lenoble, J. Le Coeur, Massoul, Jean Luce, Leon Zack, M. Daurat. Legature di: Pierre Legrain, De Leotard, Rose Adler. Buona copia.
In 8o (cm 16 x 23,5), pp. 114 con illustrazioni fotografiche nel testo e copertina di Albe Steiner. Brossura editoriale. Illustrata da un'iconica immagine grafica, "la copertina di Steiner con diversi livelli di trasparenza, mostra il meccanismo dei tasti, occupando la prima e la quarta di copertina". Rara edizione originale, restituisce in modo dettagliato l'attivita' della fabbrica d'Ivrea, dove tutti i reparti e le relative fasi produttive vengono descritti dalle parole di Fortini e Brizzolara, e corredati da immagini con buona probabilita' opera di Steiner. Emergono anche diversi aspetti dell'architettura industriale degli stabilimenti, per la maggior parte realizzati su progetti di Figini e Pollini, quasi a voler comporre una sequenza filmica, dove l'estensione dell'immagine coincide con il campo di ripresa. In contrappunto, i ritratti di operai e di operaie, mentre in didascalia, testimonianze in prima persona tra aspirazioni, desideri e paure. Si tratta di un tentativo di umanizzazione della fabbrica, forse non riuscito alla perfezione, ma decisamente innovativo, se paragonato a prodotti nazionali di quegli stessi anni. Cfr. C. C. Fiorentino, "Millesimo di millimetro...", Bologna, il Mulino, 2014, p. 208.
1972KOS03400012The Japan Foundation 1972. Soft Cover. Fine. KOS03400012 The Japan Foundation paperback
. – Contents: . – Illustration: . – Condition: Spine skilfully restored, boards occasionally with minor wear, some leaves with very minor foxing. – Rarity: . – References:
19602092902138900082Not Available 1960. Soft Cover. Fine. Number of books: 3 Not Available paperback
194133596<p>New York: Gotham Bookmart Press 1941 First Edition signed issue in full black cloth with gilt-stamped design by Alexander Calder and red & white spine title label one of 100 copies printed on rag paper signed by Jolas only trace shelf wear to the boards tasteful bookplate to pastedown & faint tape shadows to endpapers front & rear from a mylar jacket made by former owner and taped to itself to keep it in place - well-done but unfortunately left these faint shadows to the pages opposite else a Fine copy lacking the printed glassine wrapper of this interesting Jolas-curated venture featuring artwork by Andre Masson & Calder as well as early work from College of Sociology / Surrealist stalwarts Roger Caillois & Georges Bataille along with a literary who's who of the 30s and 40s; 8vo; 201pp colophon. Signed by Author. First Edition. Hard Cover. Fine.</p> Gotham Bookmart Press hardcover
1961KOS047800001Organizing Committee of the Tokyo Olympic Games 1961 Soft Cover Fine
1973KOS049700031Heibonsha 1973 Soft Cover Fine
1982KOS047800063Morikawa 1982 Soft Cover Fine
A cura di Massobrio L. e Ronco G. Roma, 2001; ril., pp. 260, ill., cm 72x50. (Atlanti Linguistici).
188018114ABWien, ca. 1880. 16 : 41 cm.
196827489ABLondon, Holland Press 1968. 2°. XVI, 112 S., (Tafeln), 113-115 S. OLwd mit OU. Kapitale minimal gestaucht, Schutzumschlag geringf. angerändert.
Studi e disegni del Professore Andrea Busiri-Vici, primo architetto della Reverenda Fabbrica, direttore della canonizzazione celebrata dal S. Padre Leone XIII il 27 maggio 1897. Un volume in folio (26x39 cm) di (6)-64-(4) pagine + 5 tavole doppie, tranne una singola, su 9 facciate incise in carta pesante. Cartonato editoriale (un po' sporco, un paio di piccole macchie) con titolo in rosso e nero e facsimile dei drappelli originali del Bernini; invio a penna “Omaggio dell'Autore” a un angolo. Mancanza di 2 cm al dorso, in basso, etichetta al dorso, cerniere fendute. Qualche fioritura soprattutto alle pagine bianche. - Raro documento sul restyling (si direbbe oggi) degli addobbi della Basilica Vaticana operato dal Busiri Vici.
255 pages. Index. Black and white photographic plates. Cheskin was a renowned marketer with many successes to his name, including the development of the Marlboro man. In this book he "unveils tested techniques which guarantee sales success." - from dust jacket. Book clean and unmarked with light wear. Binding tight. Average wear to dust jacket which is now preserved in glossy new archival-grade Brodart. A quality copy of this classic marketing work. Book
1935126378Sans lieu, sans date Sans lieu, sans date vers 1935-1945. Un ensemble de 49 dessins projets d'ébéniste ou décorateur (+2 petits). Planches sur carton, aquarellées de modéles de meubles mis en situations. Dimensions 39 x 27 cm hors marges - 50 x 32 cm avec marges, la plupart sous serpentes. Salons, salle à manger, bureaux, chambres. Certains meubles ont été inspirés de l'ébéniste suédois MEWESEN. Quelques rousseurs dans certaines marges néanmoins très bon ensemble.