8 854 résultats
1958156282Stockholm: Svensk Filmindustri SF 1958. Collection of nine vintage oversize double weight reference photographs from the 1958 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> A traveling magic show led by a depressed fraudulent illusionist faces opposition from a small town's authorities who wish to expose the spectacle as a sham. <br /> <br /> Shot on location in Stockholm Sweden.<br /> <br /> 9.25 x 11.75 inches. Generally Very Good with pinholes at the corners and several with small closed tears that have been repaired with archival tape on the versos. <br /> <br /> Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
2000131922Burbank CA: Buena Vista Pictures 2000. Archive of two scripts for the 2000 film including the shooting script with blue and pink revisions bound in and yellow revisions bound separately with the studio's production number rubber stamped randomly on the pages throughout. Copy belonging to Bruce Willis' stand-in Allen Strange with a detailed and nicely anecdotal typed letter signed providing provenance. With director Shyamalan's initials signing off on the script on the last leaf of the shooting script. <br/><br/>An interesting insight into a quiet auteur film that has become a cult favorite here evidenced as the result of some extreme editing. This early draft shows numerous differences between what Shyamalan shot and what made the finished film. Staneruck notes that "Many of the scenes that were shot which in my opinion were stunningly great were discarded after rewrites and lost in the editing . one incredible sequence that was cut shows . Bruce Willis in the shower naked.slowly overcome by emotion and breaks down crying." Staneruck also describes a very expensive shot of the train crash "which was on a 3 axis gimble with 20 stunt people falling about and dying violently. A Big Bucks scene. Gone."<br/><br/>Self wrappers. Title page present dated march . twenty second . two thousand noted as shooting script with credits for screenwriter Shyamalan. 129 leaves mechanical duplication with pink and blue revision pages throughout dated either April 7 2000 or April 12 2000 with 37 yellow revision pages laid in dated April 28 2000. Pages about Near Fine bound with two silver screw brads. Buena Vista Pictures unknown books
165382Iver Heath Buckinghamshire: Pinewood Studios 2005. Shooting script for the 2006 film. <br /> <br /> Based on the 1992 novel by P.D. James. In a dystopian world where humans have become infertile a civil servant agrees to help a mysteriously pregnant woman travel to a remote location in the Azores to have her child. Nominated for three Academy Awards. <br /> <br /> Set in London in 2027 shot on location in London Hampshire Hertfordshire and Hampshire England in Montevideo Uruguay and in Buenos Aires Argentina. <br /> <br /> Self wrappers. Title page present dated 23rd August 2005 noted as SHOOTING SCRIPT with credits for screenwriters Alfonso Cuaron and Timothy J. Sexton and novelist P.D. James. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus bound with a silver prong with title page lightly foxed on the edges and moderate rusting around the binding. Pinewood Studios unknown
150830N.p.: N.p. 1982. Second Draft script for the 1986 film. A vintage script created for internal distribution four years prior to the film's release with copied manuscript annotations throughout noting deletions and editorial revisions copied punch holes and one manuscript pencil annotation noting the name "Morrison" on the title page.<br /> <br /> Based on Mark Medoff's Tony Award-winning 1979 play. A speech teacher at a school for the deaf falls in love with the school's janitor a deaf woman who has resigned herself to a life of isolation and silence due to her reluctance to learn to communicate with the hearing. Nominated for five Academy Awards winning one for Best Leading Actress for Marlee Matlin making Matlin the first deaf recipient of an Academy Award. <br /> <br /> Set and shot on location in Saint John New Brunswick.<br /> <br /> Brown titled wrappers. Title page present dated May 4 1982 noted as Second Draft with credits for screenwriter Mark Medoff. 136 leaves with last page of text numbered 137. Xerographic duplication largely second generation rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1982150830N.p.: N.p. 1982. Second Draft script for the 1986 film. A vintage script created for internal distribution four years prior to the film's release with copied holograph annotations throughout noting deletions and editorial revisions copied punch holes and one holograph pencil annotation noting the name "Morrison" on the title page.<br/><br/>Based on Mark Medoff's Tony Award-winning 1979 play. A speech teacher at a school for the deaf falls in love with the school's janitor a deaf woman who has resigned herself to a life of isolation and silence due to her reluctance to learn to communicate with the hearing. Nominated for five Academy Awards winning one for Best Leading Actress for Marlee Matlin making Matlin the first deaf recipient of an Academy Award. <br/><br/>Set and shot on location in Saint John New Brunswick.<br/><br/>Brown titled wrappers. Title page present dated May 4 1982 noted as Second Draft with credits for screenwriter Mark Medoff. 136 leaves with last page of text numbered 137. Xerographic duplication largely second generation rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1950157957N.p.: N.p. 1950. Vintage borderless oversize reference photograph from the 1950 film showing actress Marilyn Monroe surrounded by admirers. <br /> <br /> Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Monroe's eighth screen appearance. <br /> <br /> 13.5 x 10.5 inches. Very Good plus with light creasing overall. N.p. unknown
1968168093N.p.: N.p. 1968. Vintage oversize borderless reference photograph taken on the set of the 1968 film showing director William Klein talking with Serge Gainsbourg who appears in a cameo in the film. Annotations in manuscript ink and pencil on the verso. <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 7.75 x 10.5 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
160435N.p.: N.p. 2017. Archive of two Draft scripts for the 2020 film one undated and with the ownership name of screenwriter Christ Zois on the title page-this being from Zois' archive collection-with Zois' extensive annotations in manuscript ink throughout the other dated June 27 2017.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> The sixth collaboration between actor Willem Dafoe and director Abel Ferrara a psychological thriller heavily based on the work of Carl Jung about an American living a largely solitary existence in Siberia. <br /> <br /> Undated script:<br /> <br /> Self wrappers. Title page present undated. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Very Good plus unbound.<br /> <br /> June 27 2017 script:<br /> <br /> Self wrappers. Title page integral with first page of text dated June 27 2017. 37 leaves with last page of text dated 37. Pages Very Good plus partially bound with a single binder clip on the top left corner. N.p. unknown
143465Tokyo: Shochiku Films 1990. Draft script for the 1991 film dated May 28 1990 about a year before its release. <br /> <br /> A tale of three generations in a postwar Japanese family and their responses to the atomic bombing of Japan. When the film played at the Tokyo Film Festival critics of Japanese militarism said Kurosawa had ignored the historical facts leading up to the bomb. Kurosawa's response was simple: he wanted his film to say that war was between governments not people. Richard Gere plays one of the family's Asian-American cousins a decision falling somewhere between stunt casting and commentary. <br /> <br /> Set in Nagasaki and shot on location there. <br /> <br /> Blue titled wrappers dated 5.28.1990. Title page present. 166 leaves with last page of text numbered 150. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br /> <br /> Rosenbaum 1000. Shochiku Films unknown
1941161382N.p.: N.p. 1941. Draft script for the 1941 film. Specially bound copy belonging to screenwriter and associate producer Jerry Wald with his name in gilt on the spine. Eleven reference photographs from the film bound in variously among the script pages with nine pages of song lyrics ribbon typescript copy pages and manuscript pencil annotations on two pages and copied annotations on five pages.<br /> <br /> Two Navy seamen borrow money to wager on their ship for the upcoming gunnery practice with the knowledge that the current gunnery champ has just transferred aboard their ship unaware his enlistment is ending before the contest.<br /> <br /> Shot on location in Honolulu and San Diego. <br /> <br /> Bound in beige cloth with brown quarter leather binding. Title page present with credits for screenwriters Jerry Wald and Richard Macaulay music by Arthur Schwartz and lyrics by Al Dubin. 182 leaves with last page of text numbered 138. Mimeograph duplication with the exception of ribbon typescript copy song lyric pages rectos only with blue revision pages throughout dated variously between 4/12/41 and 6/13/41. Pages Near Fine binding Very Good with moderate rubbing to the spine and corners. N.p. unknown
159007N.p.: Dell Publishing 1970. Two vintage reference photographs from the 1970 film. Both with Dell Publishing photograph library stamps on the verso. <br /> <br /> An unhappy apathetic housewife who has just left her husband decides to go on the run with a bank robber. Shot largely on location on a shoestring budget with much of its dialogue improvised the film was Barbara Loden's directorial debut.<br /> <br /> Set in eastern Pennsylvania and shot on location in Scranton and Carbondale Pennsylvania and Waterdale Connecticut. <br /> <br /> 10 x 8 inches. Near Fine with annotations in manuscript ink on the recto versos relating to cropping and publication. <br /> <br /> National Film Registry. Criterion Collection 965. Godard Histoires du cinema. Rosenbaum 1000. Dell Publishing unknown
1965160196N.p.: N.p. 1965. Treatment script for an unproduced film.<br /> <br /> A planned sequel to "Christmas on Earth" an absurd Beat-era stream-of-consciousness narrative following the Snow Queen and a group of fairies as they attempt to save Jean Genet playing himself from life as a Bowery Bum. <br /> <br /> Filmmaker Barbara Rubin was a figure of almost mythical importance in the New York underground. Rubin introduced Andy Warhol to the Velvet Underground was friends with Bob Dylan and a former lover of Allen Ginsberg and helped Jonas Mekas organize the Film-Makers' Cooperative all before converting to Orthodox Judaism at 24 and moving to France with her husband and children. Rubin is today best remembered for her transgressive 1963 masterpiece "Christmas on Earth" a 16mm film so sexually explicit it sent ripples through the New York film scene and was subject to multiple censorship efforts by the police made when Rubin was only 18 years old. <br /> <br /> Self wrappers. Title page present copyrighted 1965 with credit for screenwriter Barbara Rubin. 32 leaves with last page of text numbered 31. Mimeograph duplication rectos only. Pages Very Good plus with light rust marks along the binding bound with three staples. N.p. unknown
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in holograph ink to upper right and annotations to dialogue of lead character Legs in holograph pencil. <br/><br/>Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br/><br/>From the estate of Martin Landau.<br/><br/>Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br/><br/>Set in New York City. <br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral to first page dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br/><br/>Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown books
160091Los Angeles: Twentieth Century-Fox 1988. Shooting script for the classic 1989 film.<br /> <br /> Cameron Crowe's directorial debut about the post-graduation romance that develops between an awkward but noble army brat and the beautiful class valedictorian. One of the defining high school films of the 1980s and a breakthrough role for actor John Cusack.<br /> <br /> Shot on location in Los Angeles and Seattle. <br /> <br /> Gray titled Twentieth Century-Fox wrappers dated February 29 1988. Title page present noted as SHOOTING SCRIPT dated February 29 1988 with credit for director and screenwriter Cameron Crowe. 121 leaves with last page of text numbered 119. Xerographic duplication on green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. <br /> <br /> McPadden Teen Movie Hell. Twentieth Century-Fox unknown
1967WRCLIT80680New York: Francis Productions Inc. 1967. 151 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in gilt-titled Studio Duplicating Service binder. Slight tanning to text stock pencil notes and scrawls on upper cover otherwise very good. An unspecified draft of this adaptation of Capote's story for television by Eleanor Perry. The first production of this adaptation aired in December 1967 directed by Frank Perry starring Martin Balsam Maureen Stapledon et al. In 1969 it was revived as an element in the omnibus production TRILOGY again scripted by Eleanor Perry and directed by Frank Perry. It is assumed that Capote who serve as narrator for TRILOGY was himself a significant contributor to the shape of this adaptation. Francis Productions, Inc. unknown books
163658Buckinghamshire: Sparkline Limited 1988. Second Draft UK script for the 1990 British film.<br /> <br /> Adapted for the screen by Clive Barker from his 1988 novella "Cabal." A mental patient who is wanted for serial murders is initiated among a group of monsters only he can see. <br /> <br /> Shot on location in Berkshire and Buckinghamshire England Alberta and Columbia Canada and Los Angeles USA. <br /> <br /> Tall black untitled wrappers with a die-cut title window in the British style. Title page present dated December 1988 noted as SECOND DRAFT with credits for director screenwriter and novelist Clive Barker. 125 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads.<br /> <br /> McPadden Heavy Metal Movies. Weldon 1996. Sparkline Limited unknown
159101Hollywood: Marimark 1986. Two Draft scripts for the 1986 film seen here under the working title "Limo." Both copies belonging to actor Howard Hesseman with his annotations in manuscript ink and pencil throughout and one script with his signature in manuscript ink on the bottom right corner of the front wrapper. <br /> <br /> A strong-willed young woman gets a job as a driver for an upscale Beverly Hills limousine service upsetting the older men working for the company. <br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Undated script:<br /> <br /> Tall self wrappers. Title page present undated with credit for director and screenwriter David Beaird. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus with the final leaf moderately worn and partially detached from the binding. Bound with two gold brads.<br /> <br /> Script dated 4/30/85:<br /> <br /> Yellow titled wrappers. Title page present dated 4/30/85 with credit for screenwriter David Beaird. 140 leaves with last page of text numbered 117. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 4/22/85 and 6/3/85. Pages Near Fine wrappers Very Good plus bound with two gold brads. <br /> <br /> McPadden Teens in Hell. Vinegar Syndrome 177. Marimark unknown
1959144663Paris: Les Films Ariane 1959. Collection of 322 original black-and-white keybook still photographs from the 1959 French-Italian film. Small photos affixed with cello tape on thick stock in a folio "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Each photo is numbered in manuscript ink on the page and in mimeograph on the verso all credited to photographer Dole on the recto. The keybook illustrates a few film sequences most with a stoic Gabin in hat with several composed studio portraits of actress Nat. Included are four larger single photographs of Gabin doing a chair trick in a pub a sequence present in the keybook also credited to Dole on the recto. <br /> <br /> Based on Lefevre's novel "Rue des Prairies" 1955. Gabin plays a POW who returns a widower and in charge of three children. His experiences during the war are relieve through heavy drinking but he has a warm side that proves beneficial. Photographer Dolé was consistent if anything a regular with directors like Denys de La Patelliere Jean Delannoy and Grangier and several Jean Gabin films. <br /> <br /> Keybook photos 3.5 x 4.5 inches four photos 9.25 x 11.75 inches small white borders. Light curling else Near Fine. Notebook Very Good plus. Les Films Ariane unknown
1979149864Sydney: Balmain Bijou 1979. Vintage offset lithograph poster for a series of screening of the 1978 UK film at the Balmain Bijou theatre in Sydney Australia circa 1979. <br/><br/>Queen Elizabeth I travels to a dystopian 1970s London witnessing a lawless city overrun by a gang of punk girls. A cult classic featuring a soundtrack by Brian Eno performances by Adam Ant and Wayne County and the Electric Chairs who also appear in the film alongside a number of British punk icons including Jordan and Toyah Wilcox and cameos by the Slits and Souixse and the Banshees. <br/><br/>29 x 38.75 inches folded as issued. Very Good. Pinholes to the corners with light edgewear including some minor chipping and a single short closed tear and a tape shadow. Balmain Bijou unknown books
1957161062Universal City: Universal Pictures 1957. Five vintage photographs taken on the set of the 1958 film including four studio still photographs showing director Douglas Sirk talking with actors Lisa Pulver and John Gavin and one borderless photograph showing novelist screenwriter and actor Erich Maria Remarque. Two with printed mimeo snipes affixed to the versos. <br /> <br /> Based on Remarque's 1954 novel about a German soldier who returns home to find his home bombed and his parents gone.<br /> <br /> Shot on location in Berlin. <br /> <br /> Studio still photographs 8 x 10 inches borderless photograph 7 x 9.25 inches. Very Good plus several with light toning and wear on the edges.<br /> <br /> Rosenbaum 1000. Universal Pictures unknown
1956142863Universal City: Universal Pictures 1956. Second Revised Final Draft script for the 1957 film. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. <br /> <br /> Based on the 1956 autobiography of the same name by Colonel Dean E. Hess a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone "Where Is Everybody"<br /> <br /> Set in 1950s Westhampton Ohio and Seoul shot on location in Seoul South Korea and Nogales AZ. <br /> <br /> Navy full calf binding without paper wrappers as issued. Title page present noted as Second Revised Final with credits for screenwriter Charles Grayson. 137 leaves with last page of text numbered 123-A. Multilith duplication with pink blue white revision pages throughout dated variously between 2/29/56 and 4/23/56. Pages Near Fine presentation binding Near Fine. Universal Pictures unknown
160743N.p.: A-A Productions 1973. Draft script for the 1973 film here under the working title "The Hostesses." Copy belonging to actress Kathy Hilton with her annotations in manuscript ink on the front wrapper and throughout. <br /> <br /> A softcore sexploitation film about a woman who decides to become a cocktail waitress in order to get closer to men and money-in that order. Screenwriter Ed Wood Jr.'s fifth collaboration with director Stephen Apostolof following "Orgy of the Dead" 1965 "The Class Reunion" 1972 "Drop-Out Wife" 1972 and "The Snow Bunnies" 1972. <br /> <br /> Beige titled wrappers undated noted as production No. 113 with credit for screenwriter Edw. D. Wood Jr. Title page present undated with credit for screenwriter Edw. D. Wood Jr. 42 leaves with last page of text numbered 41. Early xerographic duplication rectos only. Pages Near Fine wrapper Very Good with front wrapper partially detached from the binding bound with two gold brads. A-A Productions unknown
149074Burbank CA: Warner Brothers 1976. Final Shooting script for the 1977 film. Uncredited makeup artist Rick Schwartz's copy with his ownership name on the title page in manuscript link and with penciled check marks throughout relating to close-ups in the film. Secretarial notation of supervising producer Irwin Allen's name on the title page.<br /> <br /> A stunt-heavy 1970s powerhouse designed to capitalize on the enormous success of the 1971 film "Evel Knievel" but with this entry featuring inimitable motorcycle daredevil Evel Knievel as himself. Also cast are Gene Kelly as his alcoholic mechanic and Leslie Nielsen as a power-hungry Mexican drug lord. Knievel is offered a fortune to perform in Mexico unaware that a drug cartel intends to kill him and use his tour bus to smuggle hundreds of kilos of cocaine. <br /> <br /> Set in California and Mexico shot on location in Monterey Park Burbank and Long Beach California. <br /> <br /> Yellow titled wrappers rubber-stamped FINAL on the front wrapper. Title page present dated February 13 1976 noted as SHOOTING FINAL with credits for screenwriter Antonio Santillan sic. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. Warner Brothers unknown
1979147161Unknown: Playboy Productions 1979. Final Draft script for the television film originally aired on ABC on October 19 1979. Actor Martin Landau's copy with his holograph name on the front wrapper and ink and pencil annotations throughout. Laid in with the script are a set of eleven blue revision pages as well as ten xerographically duplicated call sheets with copied handwritten annotations. <br/><br/>Partygoers find themselves trapped at an amusement park besieged by a hurricane during Fourth of July festivities. The planned destruction of the actual Ocean View Park in Norfolk VA including its legendary roller coaster predated the film-the amusement park was burned down and blown up over the course of production.<br/><br/>Set and shot on location in Norfolk Virginia. <br/><br/>Yellow titled wrappers. Title page present dated June 4 1979 noted as FINAL DRAFT with credits for screenwriter Barry Oringer. 122 leaves with last page of text numbered 112. Xerographically reproduced on green stock rectos only with white and pink revision pages throughout dated variously between 6/8/79 and 6/11/79. Pages Very Good with the title page and page 34 loose from the binding wrapper Very Good plus bound with two gold brads. Playboy Productions unknown books
158051Hollywood: Frsco Productions 1976. Archive of three draft scripts for an unproduced film including One First Draft script one Second Draft Shooting script and one Third Draft Shooting script. Annotations in manuscript pencil on the title page of the First Draft and cast pages of the Second Draft Shooting script.<br /> <br /> A musical spoof of John Huston's classic 1941 film noir "The Maltese Falcon." Screenwriter Frank Saletri a criminal defense lawyer in Los Angeles worked as a part-time screenwriter and producer primarily of exploitation especially Blaxploitation films. Saletri's screenwriting work was largely unproduced with the exception of the 1973 film "Blackenstein" and the possible exception of "Black the Ripper" a questionably apocryphal film whose existence has been debated for decades among grindhouse fans. <br /> <br /> First Draft:<br /> <br /> Blue untitled wrappers. Title page present dated 1975 noted as First Draft in manuscript pencil annotation with credits for screenwriter Frank Ritenhyde Saletri. 144 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Second Draft Shooting script:<br /> <br /> Green untitled wrappers. Title page present dated 1976 noted as SHOOTING SCRIPT SECOND DRAFT with credits for screenwriter Frank Ritenhyde Saletri. 179 leaves with last page of text numbered 158. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Third Draft Shooting script:<br /> <br /> Red untitled wrappers. Title page present dated 1976 noted as SHOOTING SCRIPT THIRD DRAFT with credits for screenwriter Frank Ritenhyde Saletri. 181 leaves with last page of text numbered 158. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Frsco Productions unknown
