8 857 résultats
1927160884N.p.: N.p. 1927. Vintage photograph album containing 65 photographs compiled by cellist Carl Steppi between 1926 and 1927 documenting a tour with an orchestra in support of the 1925 film. A unique collection of vernacular photographs many with manuscript captions in English and German. Steppi is identified in contemporary newspaper articles as having been a cellist for the St. Louis Symphony in the early 1920s.<br /> <br /> The tour was apparently by rail as the archive includes several photographs of the assembled musicians outside train cars and one photograph of the musicians in a passenger car. The dates of the tour are noted on the album's first blank leaf captioned with "On the Road with the Picture 'Ben Hur' Goldwyn-Mayer Corporation / September 1926." The album's last leaf bears a photograph of presumably Steppi's wife and child captioned "Und endlich Kam die ersehnte Heimhehr! And finally the longed-for Homecoming! / Brooklyn N.Y. / Back in: April 24 1927." <br /> <br /> The many locations captioned in the photographs are: Illinois Dixon Rochelle and Rock Island Iowa Anamosa Cedar Rapids Clinton Davenport Des Moines Grinnell and Muskatine Kansas Wichita Missouri Kansas City and Hannibal Ohio Zanesville Texas Austin Dallas and Gainesville and West Virginia Charleston and Huntington with Gainesville incorrectly noted as being in Oklahoma.<br /> <br /> Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will the prince endures prison and once released vows revenge on his childhood friend. The most expensive silent film made with a budget of $3.9 million. <br /> <br /> Shot on location in Italy and California.<br /> <br /> Album: 10 x 6.75 inches 30 pages. Very Good with paper tape repairs to the front and rear partially detached wrappers and with light chipping overall to the album leaves with eight leaves detached.<br /> <br /> Photographs: approximately 3 x 2 to 6 x 4 inches. Near Fine overall.<br /> <br /> National Film Registry. Godard Histoires de cinema. N.p. unknown
148354Rome: Solaris Cinematografica 2000. Eighth Draft script for the 2001 television film which originally aired on January 22 on Channel 5. Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script are six pages of Invernizzi's handwritten notes. Text in Italian. Missing page 98 likely as used or issued.<br /> <br /> Based on the 1995 novel by Maria Orsini Natale. A noblewoman's adopted daughter falls in love with her foster brother causing great rifts between mother and daughter and exposing older family secrets. <br /> <br /> Set and shot on location in Naples Italy.<br /> <br /> Blue untitled wrappers. Title page present dated 5 OTTOBRE 2000 with credits for director and screenwriter Lina Wertmuller screenwriter Elvio Porta and novelist Mario Orsini Natale. 196 leaves with last page of text numbered 186. Xerographic duplication rectos only with white undated revision pages throughout. Pages Very Good plus wrapper Very Good with light soil and edgewear bound with two silver brads. Solaris Cinematografica unknown
1946146888Los Angeles: Twentieth Century-Fox 1946. Final script for the 1946 film.<br /> <br /> Based on the 1944 comedic mystery novel by Craig Rice about the children of a widowed mystery novelist attempting to solve a murder in their neighborhood with the help of a handsome police lieutenant.<br /> <br /> Blue titled wrappers noted as FINAL rubber-stamped copy No. 66 and production No. 100 dated MARCH 2 1946. Distribution page present with receipt intact. Title page present dated March 2 1946 noted as Final Script with credits for screenwriter F. Hugh Herbert. 192 leaves with last page of text numbered 160. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/12/46 and 5/7/46. Pages Near Fine wrapper Very Good plus slightly yapped to the fore edges bound internally with three gold brads. Twentieth Century-Fox unknown
1913131914Neuilly-sur-Seine France: Gaumont 1913. Vintage double weight matte finish photograph from the legendary 1913 silent film serial. Printed onto heavy card stock for use as the equivalent of a modern day lobby card. With the Gaumont logo at the lower right corner. <br/><br/>The first of Feuillade's three film serial masterpieces followed by "Les Vampires" 1915 and "Judex" 1916. Feuillade took the brave task of putting to film Fantomas already wildly popular with European audiences. The character can be seen as an outgrowth of the "hero thief" character Arsene Lupin from turn-of-the-century French fiction. But unlike Lupin Fantomas was completely comfortable killing those who got in his way sadistically and with no small amount of enjoyment. <br/><br/>The scene pictured here shows Jaques Dollon Andre Luguetat at the police station sitting at the center having been framed by Fantomas. The journalist Fandor Georges Melchior standing in for Inspector Juve who is on the lam in disguise as a hobo stands over Dollon as a police inspector sits at a corner desk. Dollon goes on to escape then be captured by Fantomas who murders him cuts off his fingers and throws his body into the river. Fantomas then sews the fingers into a glove and commits further crimes continuing to implicate Dollon who in addition to being innocent is now dead. <br/><br/>11 x 9 inches. Mounted on brown card stock. <br/><br/>Hardy The BFI Companion to Crime p. 125-126. Gaumont unknown books
1969146891Unknown: I.P.C. Pictures 1969. Draft script for the 1971 film here under the working title "The Catcher in the Raw." <br/><br/>At a California hot springs resort a shady therapist helps eight carefully selected applicants find themselves and "experience their bodies" a process which mostly involves consuming large amounts of LSD meditative screaming and slow-motion basketball games. Louis Garfinkle's sole directorial credit and an excellent example of the intersection of early 1970s wellness culture and sexploitation. <br/><br/>Set in California.<br/><br/>Brown titled wrappers. Title page present dated 1969 with credits for director Louis Garfinkle. 136 leaves with last page of text numbered 133. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. I.P.C. Pictures unknown books
1967152383N.p.: N.p. 1967. Collection of 21 vintage borderless double weight photographs from the 1967 film. Many with the stamp of still photographer Vincent Rossel on the verso one with the stamp of Globe Photos and one with a provenance stamp.<br/><br/>Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him.<br/><br/>Set and shot on location in Paris.<br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
162611New York: Dino De Laurentiis 1984. Final Draft script for the 1985 neo-noir film. With annotations throughout highlighting dialogue related to Mickey Rourke's character Stanley White.<br /> <br /> From the collection of practical effects designer and miniatures specialist Greg Jein. Jein was gifted the script by fellow Chinese-American actor Dennis Dun who played Herbert Kwong in the film.<br /> <br /> Jein designed the award-winning miniatures in the film relating to director Michael Cimino's elaborate reproduction of New York's Chinatown reproduced entirely on a soundstage and so realistic that Stanley Kubrick-born in the Bronx-had to be convinced by Cimino after seeing the premiere that it was not shot on location.<br /> <br /> Based on the 1981 novel by Robert Daley about a Vietnam veteran turned New York City police captain who dedicates himself to stopping organized crime in Chinatown.<br /> <br /> Blue generic wrappers. Title page present dated September 4 1984 noted as Final Draft with credits for screenwriters Oliver Stone and Michael Cimino. 129 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with offsetting on the front wrapper bound with two gold brads.<br /> <br /> Grant US. Spicer US. Carlson & Connolly Destroy All Movies. Dino De Laurentiis unknown
1957142897Burbank CA: Warner Brothers 1957. Second Revised Final script for the 1957 film. Director Michael Curtiz's Specially bound copy in tan leather with gilt titles and Curtiz's name at the bottom right corner of the front board. <br /> <br /> A highly fictionalized portrayal of the life and career of Prohibition era torch singer/actress Helen Morgan. This film marked Curtiz's return to Warner Bros since leaving in 1954 due to a salary dispute. Ever since Morgan's death Warner Bros wanted to make a film biography though struggled to find an actress and continuously in development. Working titles included "Why Was I Born" "Both Ends of the Candle" and as printed in this copy "The Jazz Age." Many female actresses auditioned including Doris Day who rejected due to her squeaky clean image. Blyth was chosen for her dramatic ability even though her singing voice was akin to Morgan's. Gogi Grant would supply the singing voice dubbed over Blyth. <br /> <br /> Set in New York shot on location in Burbank CA. <br /> <br /> Brown leather covered boards titles in gilt. Distribution page present with receipt intact. Title page present dated 1/29/57 with credits for screenwriter Nelson Gidding. 130 leaves with last page of text numbered 124. Mimeograph duplication with blue revision pages throughout dated variously between 2/6/57 and 3/8/57. Pages Near Fine binding Very Good plus. Warner Brothers unknown
1954142898Hollywood: Paramount Pictures 1954. Final White script for the 1956 film. Director Michael Curtiz's Specially bound copy in tan leather with gilt titles and Curtiz's name at the bottom right corner of the front board. <br /> <br /> An adaptation of the 1925 operetta of the same name by Rudolf Friml which is based on Justin Huntly McCarthy's 1901 romantic novel and play "If I Were King." <br /> <br /> Set in France in the year 1461. <br /> <br /> Brown leather covered boards titles in gilt. Title page present dated December 9 1954 with credits for producer Pat Duggan director Michael Curtiz screenwriter Ken Englund. 114 leaves with last page of text numbered 96A. Mimeograph duplication with blue and goldenrod revision pages throughout dated variously between 12-15-54 and 2-9-55. Pages Near Fine binding Very Good plus with some wear at the edges. Paramount Pictures unknown
149870France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. <br /> <br /> A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. <br /> <br /> 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown
1968147160Unknown: Unknown 1968. Draft script for the 1968 film. <br /> <br /> A pitch black comedy about a man sentenced to death who survives his hanging leading to a two-hour debate among his executioners over how best to handle the situation. Loosely based on a 1958 crime and execution and a rare for its time discussion of the discrimination faced by ethnic Koreans in Japanese society. <br /> <br /> Black titled wrappers. Title page present rubber-stamped copy No. 035. Approximately 130 leaves with last page of text numbered h-8. Mimeograph duplication rectos and versos. Pages Near Fine wrapper Near Fine with perfect binding.<br /> <br /> Criterion Collection 798. Rosenbaum 1000. Vogel Film as a Subversive Art. Unknown unknown
163898Los Angeles: Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films 1997. Draft script for the 1998 film seen here under the working title "The Fine Art of Living." Working copy belonging to director Neil LaBute with his extensive annotations throughout noting deletions and revisions to dialogue. <br /> <br /> Bound in a three-ring binder with numerous production documents including contact sheets scene breakdowns memos legal documents shooting and post-production schedules location and vendor lists and edits of promotional material. <br /> <br /> LaBute's second feature following "In the Company of Men" 1997 about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. <br /> <br /> Title page present dated 9/19/97 with credit for LaBute. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine binder about Near Fine. Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films unknown
1972WRCLIT70666New York: The Ely Landau Organization Inc. 1972. 1A-I208 leaves. Quarto. Mechanically duplicated typescript printed on rectos only of pale green stock. Bradbound in production company binder. Light soiling to fore-edge otherwise very good to fine. A "revised" draft of this adaptation for film of O'Neill's masterpiece undertaken as the first production of the innovative but short- lived American Film Theatre. The script is accompanied by a two page "Production Requirements" list dated 12 January 1973 and a "Staff and Crew List" dated 3 days earlier. John Frankenheimer directed the November 1973 release starring Lee Marvin Frederic March Robert Ryan Jeff Bridges Bradford Dillman et al. The 239 minute film does in the minds of many critics great honor to the sourcework and stands among the finest moments of the two seasons of the American Film Theatre. A substantially truncated version saw some distribution on television in later years but only recently has the original full-length version which required two intermissions been made available on DVD. Robert Ryan was the posthumous recipient of several awards for his role as Larry Slade and contrary to expectations Lee Marvin excelled in the role of Hickey a role virtually defined by Jason Robards. Legitimate examples of the scripts for the American Film Theatre productions are uncommon. The Ely Landau Organization, Inc. unknown books
1941134897Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white double weight keybook photographs from the 1941 film. Both stills linen backed as issued one still with a mimeo snipe on the verso the other with the RKO Radio Pictures rubber stamp on the verso. <br /> <br /> The first still shows a young Kane Orson Welles smoking a pipe and smiing signing his "declaration" with advisors Jedediah Leland Joseph Cotten and Mr. Bernstein Everett Sloane. The second still shows Kane as an old man looking on as his young bride Dorothy Comingore completes a giant jigsaw puzzle at a table. <br /> <br /> Both stills 9.5 x 7.5 inches. Near Fine. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
1947140755Culver City CA: Columbia Pictures 1947. Archive of seven vintage single and double weight publicity photographs from the 1947 film. Mimeograph snipe on the verso of a few photos notes the Jean Louis clothing designs for the film. Photographers' rubber stamp also to the versos. <br /> <br /> Based on the 1938 novel "If I Die Before I Wake" by Sherwood King. Surreal and visually stunning The Lady from Shanghai tells a quintessential film noir tale of moral chaos reaching its climax with a shootout in an abandoned hall of mirrors. <br /> <br /> The collection features photographs of leading lady Rita Hayworth in various stylish outfits and sporting the controversial short blonde hairstyle that soon-to-be ex-husband Orson Welles forced her to accept for the role. <br /> <br /> Robert Coburn who photographed all but one of the images in this collection was one of the most influential portrait photographers employed by movie studios from the 1930s to 1960s with his most famous portraits immortalizing Hollywood's greatest icons and helping to define the era as the Golden Age of Cinema. In 1940 Coburn began a twenty-year career with Columbia Pictures as the head of the still production department and the studio's chief portrait photographer for many landmark films including "Picnic" "Gilda" and "The Big Heat."<br /> <br /> Set in California New York and Mexico and shot there on location. <br /> <br /> 8 x 10 inches. Near Fine to Fine condition. <br /> <br /> Grant US Classic Noir. Selby US Masterwork. Spicer US. Silver & Ward Classic Noir. Columbia Pictures unknown
1942149126Hollywood: Mercury 1942. Vintage borderless reference photograph from the 1942 film showing director Orson Welles cinematographer Stanley Cortez and members of the cast including Joseph Cotton Anges Moorehead and Anne Baxter conferring during a lunch break. Mimeo snipe promoting Welles' Mercury Players and "APR 13 1942" stamp on verso. <br/><br/>Based on the Pulitzer Prize winning 1918 novel by Booth Tarkington.<br/><br/>Welles' followup to "Citizen Kane" 1941 was utterly different from Kane in style and texture but just as brilliant in its own way. Writer-director Welles does not appear on camera but his voiceover narration superbly sets the stage for the movie's action which fades in valentine fashion on Amberson Mansion the most ostentatious dwelling in all of turn-of-century Indianapolis. Despite the legendarily unsolvable problem of film editor Robert Wise being instructed by the studio-outside Welles' knowledge-to edit away nearly an hour of the film's length it remains a masterpiece of storytelling bringing Tarkington's Pulitzer winning novel to life in high style. <br/><br/>Nominated for four Academy Awards including Best Picture Best Cinematography and Best Supporting Actress for Moorehead. <br/><br/>8 x 10 inches. Faint glue shadow from snipe else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Mercury unknown books
158299N.p.: Howard Film Group / REI Production 1985. Draft script for the 1986 film. Annotations in manuscript ink relating to Unit Production Manager Scott White on the front wrapper. <br /> <br /> An unusual hybrid of exploitation and screwball cop comedy about a mother who travels to Hollywood to find her runaway daughter seeking the help of police after discovering her daughter's descent into the pornography industry. <br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Blue titled wrappers with a rubber stamped date of "Jul 31 1985." Title page present dated July 26 1985 with credits for screenwriter James J. Docherty. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads.<br /> <br /> McPadden Heavy Metal Movies. Howard Film Group / REI Production unknown
1969144541Los Angeles: Paramount Pictures 1969. Collection of six vintage oversize borderless photographs from the 1969 British film. With holograph annotations and an agency stamp on the verso of each. <br/><br/>One of the best heist films of the twentieth century: funny complex and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film with as fine an ending as one could ask for. <br/><br/>13 x 9 inches. Near Fine. <br/><br/>Lee The Heist Film. Paramount Pictures unknown books
1963159789N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film showing director Pier Paolo Pasolini on the set with actor Orson Welles. Both with provenance labels on the verso and one with a printed mimeo snipe. <br /> <br /> An anthology film with four segments titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti.<br /> <br /> Pasolini's segment a scathing comic rebuke on social inequality and religious hypocrisy follows a lavish film production depicting the crucifixion of Christ in a poor region outside Rome led by Orson Welles' bombastic insufferable director. <br /> <br /> The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine.<br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 236. Rosenbaum 1000. N.p. unknown
1968162612Los Angeles: Dick Clark Productions 1968. Second Draft script for the 1968 film seen here under the working title "Hell's Angels Ride Again." <br /> <br /> Loosely based on Akira Kurosawa's 1954 classic "Seven Samurai" about the leader of a motorcycle gang's romance with an American Indian waitress. Hot on the heels of the biker films of the same era but in particular the 1967 exploitation film "Hells Angels on Wheels" also directed by Richard Rush. <br /> <br /> Shot on location in Nipton California. <br /> <br /> Red titled wrappers undated with credit for screenwriter Michael Fisher. Title page integral with front wrapper as issued. 122 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Dick Clark Productions unknown
156574Beverly Hills CA: United Artists 1975. Shooting script for the 1976 film. Copy belonging to title designer Dan Perri with his signature in black manuscript ink on the front wrapper. <br /> <br /> Based on the 1968 play "Indians" by Arthur Kopit. A revisionist look at the Buffalo Bill legend in which the buffoonish Bill hires Chief Sitting Bull to star in his Wild West Show but finds himself frequently butting heads with Sitting Bull's own vision of the American West. <br /> <br /> Set in the American West shot on location in Alberta Canada. <br /> <br /> Tan titled wrappers. Title page present dated 7/17/75 noted as SHOOTING with credits for screenwriters Alan Rudolph and Robert Altman. 119 leaves with last page of text numbered 117. Mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. In a custom green quarter-leather clamshell box. United Artists unknown
169036Los Angeles: Tri-Star TriStar Pictures 1980. Draft script for an unproduced film written by noted horror and mystery writer Robert Bloch. <br /> <br /> Based on Gordon R. Dickson and Poul Anderson's "Hoka" comedy science fiction stories first compiled in the 1957 collection "Earthman's Burden" about a race of aliens who resemble teddy bears. <br /> <br /> Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. <br /> <br /> Navy Tri-Star Pictures wrappers with a title label affixed to the front wrapper. Lacking title page presumably as issued. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Tri-Star [TriStar] Pictures unknown
141945Burbank CA: Walt Disney Productions 1975. Draft script for the 1976 Disney comedy film "No Deposit No Return" seen here under the working title "Double Trouble." Copy belonging to actor Hank Jones who played the role of Policeman #2 with his name on the front wrapper in black ink. <br /> <br /> A heist film Inspired by two O. Henry short stories "The Ransom of Red Chief" and "A Retrieved Reformation."<br /> <br /> Set in Los Angeles.<br /> <br /> Pink titled wrappers noted as production No. 0144 dated May 14 1975 with credits for story writer Joe McEveety and screenplay writers Arthur Alsberg and Don Nelson. Title page integral with the first page of text as issued dated 6/24/75. 152 leaves with last page of text numbered 134. Mechanical duplication with blue green pink and goldenrod revision pages throughout dated variously between 6/2/75 and 7/15/75. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Walt Disney Productions unknown
161096Los Angeles: Tse Tse Fly Productions 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis with her annotations in manuscript ink throughout and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. <br /> <br /> Binder includes an eight page shooting schedule an eight page continuity breakdown four pages of Curtis' xerographically duplicated costume design sketches and 29 Polaroid wardrobe test shots. <br /> <br /> An amnesiac wakes up in an asylum for the criminally insane discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead he begins to wonder if the murder is somehow linked to the asylum's sinister director. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Final Draft no revisions:<br /> <br /> Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine.<br /> <br /> Final Draft with revisions:<br /> <br /> Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine.<br /> <br /> Black three-ring binder Very Good plus with light soil on the extremities. Tse Tse Fly Productions unknown
162444N.p.: N.p. 1995. Final Draft script for the 1996 neo-noir film. Copy belonging to an unidentified crew member with their annotations on the title page noting phone numbers and on several pages in the script highlighting dialogue for police officers. With a production memo and a call sheet dated November 15 1995 laid in with the script along with a FedEx receipt. <br /> <br /> Based on Robert Daley's 1993 novel "Tainted Evidence" and on the true story of the escape of criminal Larry Davis about a newly elected district attorney's drive to eliminate corruption in the police department. <br /> <br /> Set and shot on location in Manhattan. <br /> <br /> Clear generic front wrapper blue rear wrapper. Title page present dated July 27 1995 noted as Final Draft with credits for screenwriter Sidney Lumet and novelist Robert Daley. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated September 22 1995. Pages about Fine wrapper Very Good with wear on the top and bottom edges of the rear wrapper silver prong binding.<br /> <br /> Spicer US. Silver and Ward Neo-Noir. N.p. unknown
