8 854 résultats
1968135016Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage oversize borderless double weight black and white set design photograph from the 1968 film. Shown is a sample interior from the space station featured near the beginning of the film the "Hilton" sign marking Kubrick's groundbreaking use of ordinary commerce in a futuristic context. <br/><br/>The director's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. <br/><br/>Set variously in the desert in space in deep space and on the astral plane. Shot on location in Scotland England Arizona and Utah. <br/><br/>11 x 14 inches. Near Fine. <br/><br/>National Film Registry. Metro-Goldwyn-Mayer [MGM] unknown books
1977135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress.<br/><br/>The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. <br/><br/>Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br/><br/>With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown books
1959143239Tokyo: Toho Company 1959. Early Draft script for the 1959 Japanese film crediting Masahiro Makino as the director who would be later replaced by Toshio Sugie. Text in Japanese. <br /> <br /> Based on a story by novelist Juro Miyoshi originally released in 1937 as two parts <br /> "Saga of the Vagabonds Part One Tiger Wolf" and "Saga of the Vagabonds Part Two Forward at Dawn." Toshiro Mifune plays a feudal bandit accused of stealing money he was entrusted and assembles a revenge party to storm the family castle and attack his brother who betrayed him. Kurosawa would serve as 3rd assistant director to Eisuke Takizawa for both films and go on to write the latter screenplay previously penned by Sadao Yamanaka. <br /> <br /> Set in Japan's Edo period.<br /> <br /> Yellow titled wrappers. Title page present. 66 leaves with last page of text numbered f-16. Mechanical duplication. Pages Near Fine with mild foxing on paper edge wrapper Very Good plus title on spine. Toho Company unknown
1948135635Culver City CA: Sierra Pictures / RKO Radio Pictures 1948. Draft script for the 1948 film "Joan of Arc" here under its working title "Joan of Lorraine." Original scripts from Fleming's films are rarely seen on the market. <br /> <br /> Based on Maxwell Anderson's play "Joan of Lorraine." Anderson's play debuted on Broadway in 1946 ran for 199 performances at the Alvin Theatre and closed in 1947. Ingrid Bergman who stars as Joan in the film also starred in the play and won the 1947 Tony Award for Best Actress in a Play. The film won three Academy Awards. <br /> <br /> Director Victor Fleming's final film featuring Bergman as Joan of Arc the 15th-century French peasant girl who led the French in battle against the invading English. Bergman portrays the martyr as a strong and spiritual figure who proves her devotion to the Dauphin Jose Ferrer later to become the King of France. She wins an alliance with the Governor of Vaucouleurs and the courtiers at Chinon leads her army in the Battle of Orleans is betrayed by the Burgundians. Joan was captured tortured and ultimately executed by the English and was later made a Catholic saint. <br /> <br /> Set in the village of Domremy shot on location in California. <br /> <br /> Tan titled wrappers. Distribution page present undated with receipt removed noted as copy No. 400. Title page integral with distribution page. 163 leaves with last page of text numbered 158. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Sierra Pictures / RKO Radio Pictures unknown
160172Los Angeles: Twentieth Century-Fox 1977. Final Draft script for the 1978 film. A unique script in terms of the narrative with each scene described in fragmented sentences. <br /> <br /> Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession.<br /> <br /> Cream titled wrappers dated May 23 1977. Title page present dated May 23 1977 noted as FINAL with a credit for Hill. 114 leaves with last page of text numbered 111. Xerographic duplication on blue stock rectos only. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown
163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. <br /> <br /> Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. <br /> <br /> Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. <br /> <br /> White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown
1959135799N.p.: N.p. 1959. Original illustrated humorous essay by Terry Southern and William Pene Dubois satirizing or perhaps elucidating the dress habits of their distinguished friend American screenwriter William Rose. <br/><br/>Southern and Dubois met in the late 1950s both under the tutelage of William Styron while both of them were associated with The Paris Review. During this time William Rose wrote his most famous screenplay "The Ladykillers" 1955 as well as the British classic "The Maggie" 1954. He would go on to win an Academy Award for his original screenplay "Guess Who's Coming to Dinner" 1967. <br/><br/>3 leaves 8 x 10 inches. Ink and colored pencil. N.p. unknown books
1975120625Beverly Hills CA: United Artists / The Bound for Glory Company 1975. Revised script for the 1976 film "Bound for Glory" directed by Hal Ashby based on the autobiography of Woody Guthrie written for the screen by Robert Getchell and starring Robert Getchell screenwriter; David Carradine Ronny Cox Melinda Dillon and Randy Quaid. SIGNED by David Carradine on the title page: "This land is your land / David Carradine / drawing of the yin and yang symbol." <br/><br/>Unsurprisingly director Ashby's version of Woody Guthrie is a complex one showing the legendary proletarian singer and activist as a man with contradictory virtues and faults. Drawing from a pivotal few years detailed in Guthrie's autobiography of the same name the film follows Guthrie's initial migration west to escape the dust bowl his discovery of the plight of migrant workers his important encounter with singer Ozark Bole and his subsequent and problematic reunion with his family. Winner of the Academy Awards for Best Cinematography and Best Music and nominated for 4 others including Best Picture and Best Screenplay. <br/><br/>Brown titled wrappers stamped with only the title on the front wrapper. Title page present with a credit for screenwriter Getchell noted as REVISED and dated August 11 1975. 129 leaves mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. United Artists / The Bound for Glory Company unknown books
1928140906Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue who starred in the film. <br/><br/>Included in the archive are a carbon typescript draft script here under the working title "Southern Skies" four vintage photographs each with a mimeo snipe on the verso one with a press stamp as well and a later 1921 edition of the 1919 travel book by Frederick O'Brien which served as the source material for the film signed and dated by Blue with his bookplate on the front pastedown. <br/><br/>MGM's first film with a fully prerecorded soundtrack comprised of music and sound effects including most notably the first time the company's mascot Leo the Lion roared at the film's start White Shadows in the South Seas doesn't quite classify as a "talkie" as only the single whispered word "hello" appears in the soundtrack. Winner of an Academy Award for Best Cinematography. <br/><br/>Set on a Polynesian Island shot on location in Tahiti at the time an ambitious endeavor to shoot a Hollywood film on location among native islanders using many of them as extras in the film. <br/><br/>Carbon typescript draft:<br/><br/>Cream colored titled wrappers rubber-stamped copy No. 5046 and production No. 338 dated November 29 1927 with credits for screenwriter Jack Cunningham and adaptation writer Ray Doyle. Title page integral with the first page of the text dated November 161927 with credits for Cunningham and Doyle. 146 leaves with last leaf of text numbered 146. Carbon typescript on onionskin stock. Pages Near Fine wrapper Poor bound with two gold brads. <br/><br/>1921 copy of "White Shadows in the South Seas:"<br/><br/>Early The Century edition from 1921 first edition was originally published by The Century in 1919. Very Good lacking jacket. Front hinge split with light rubbing to the cloth at the extremities. Metro-Goldwyn-Mayer [MGM] unknown books
1961143276Tokyo: Takarazuka Productions 1961. First Draft script for the 1961 film. Working copy belonging to uncredited crew member Takahashi Toshihiro with his name rubber stamped on the first leaf and the last page of text. <br /> <br /> Director Yasjiro Ozu's penultimate film about a widower and his daughters who become concerned when he begins visiting an old flame while also trying to find husbands for his youngest daughter and widowed daughter-in-law. <br /> <br /> White titled wrappers noted as 1 on the front wrapper dated 1961. Title page present. 52 leaves with last page of text numbered d-26. Mechanical duplication. Pages Near Fine wrapper Very Good with some slight foxing. <br /> <br /> Criterion Collection Eclipse Series 3. Takarazuka Productions unknown
150807San Francisco: Zoetrope 1981. Final Draft script for the 1981 musical film. Copy belonging to actress Lainie Kazan with her name on the title page in manuscript ink and her manuscript pencil annotations throughout. Laid in with the script is a single revision page with Kazan's manuscript pencil and ink annotations and an envelope for the Paradise Travel Agency covered with ink annotations regarding line changes containing a flight coupon signed by Kazan. <br /> <br /> Dreamy flaky Frannie leaves her down-to-earth unfaithful boyfriend Hank on their fifth anniversary. Over the course of 24 hours both have affairs with their ideal partners but eventually realize their paramours can't hold a candle to their love for each other. Francis Ford Coppola's first directorial effort after his 1979 masterpiece "Apocalypse Now" shot on strikingly stylized sets at his newly opened Zoetrope Studios.<br /> <br /> Red Zoetrope Studios wrappers noted as FINAL DRAFT and production No. 032 on the front wrapper. Title page present dated January 1 1981 noted as FINAL DRAFT with credits for director Francis Coppola sic and screenwriter Armyan Bernstein and music credits to Tom Waits. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Zoetrope unknown
015986Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit en partie autographe, [ca.juin 1935], environ 28f. in-4 [dont 11f. au moins sont autographes]. Important ensemble de notes sur les enfants, listant de nombreux petits enfants avec leur nom, leur ville et parfois leur âge et surtout des détails les concernant : « sucent leurs doigts, paresseux, désobéissants, taquins, gourmands, pleurnicheurs . ». Ces notes sont très largement d'une autre main. A cela sont joints différents textes de Guitry dont un petit discours (2p 1/2, complet), un petit discours sur l'importance du calcul (2p, incomplet de la fin), un petit discours sur les enfants qui sucent leurs doigts (2p 1/2, a priori complet) et diverses notes. Tout cela étant autographe. Sur un feuillet non autographe, on remarquera la note autographe de Guitry : « Il ne faut pas être gourmands / Il faut être gourmets ». On remarquera, parmi les pleurnicheurs, un « Michel Houelbecq » (et non Houellebecq), petit enfant de 6ans originaire du Calvados. En plus de ces 28 feuillets (parfois écrits - partiellement - au verso) se trouvent des pages coupées, des pages pliées ayant dû servir de chemises, etc. Nous ne savons quel fut l'usage de ces textes, si cela a donné lieu à une intervention ou à une publication. Ils furent bien écrits en 1935 car, grâce à certains noms d'enfant avec les âges, on peut affirmer que c'est écrit entre mars et septembre 1935. On remarquera que c'est en décembre 1935 que Guitry fit une présentation de son film sur Pasteur aux écoles de Vincennes. C'est peut-être la période où il s'intéressa le plus aux enfants ? Très bel et important ensemble. [259]
194529200HBDJ 1945 1st Edition THUS IN POOR TATTERED WORN DUSTJACKET With BACK & Spine DJ MISSING MOVIE EDITION FEATURING JUDY GARLAND & MARGARET O'BRIEN on DJ Front NO INTERIOR Illustrations SCUFF & RUB BOOK COVER GOOD CONDITION WITH SOME WATER DAMAGE TO EDGES CVR DJ IS POOR Condition Only DJ Front is There The Back Flap with Rub & Wear the Rest of DJ NOT PRESENT 6" X 8 1/2" HC DJ front cover torn and frayed - repaired spine and back section missing - as is the front flap autograph note by it's author Sally Benson also included is a tiny letter invitation to a tea party found within the book. Interior is clean clear and together making it an solid 'readers copy'<br /> WORLD PUBLISHING FORUM BOOKS hardcover
1968WRCLIT80681New York: Francis Productions Inc. 1968. 153 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in gilt-titled Studio Duplicating Service binder. Slight tanning to text stock gilt stamping tarnished but otherwise very good. An unspecified draft of this screen adaptation of Capote's story by Eleanor Perry. In 1969 it was included as an element in the omnibus production TRILOGY scripted by Eleanor Perry and directed by Frank Perry. It is assumed that Capote who serve as narrator for TRILOGY was himself a significant contributor to the shape of this adaptation. Francis Productions, Inc. unknown books
191020389Paris, Grande imprimerie de Montrouge, M. Belleville, [1910] ; in-8 en un seul cahier de huit feuilles libres de 265 x 372 mm pliées en deux formant un cahier de 16 feuillets, la première feuille qui fait office de couverture porte le titre, l’adresse, le prix fictif de 10 fr., dessiné, le lieu et l’imprimeur ainsi que le cachet sec rond “De Montgolfier (Luquet) et Cie, Annonay”.
1971148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued.<br /> <br /> Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat.<br /> <br /> Shot on location in Bouches-du Rhone France. <br /> <br /> Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown
1968146898London: Haworth Productions 1968. Second Draft script for the 1968 film. With the ownership name of cinematographer Douglas Holcombe in holograph ink on the title page<br/><br/>In 1183 England the sons of King Henry II and his wife plot to overtake the throne. Nominated for seven Academy Awards and winning three including Best Screenplay and Best Actress. <br/><br/>Set in England shot on location in France and Ireland. <br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Second Draft with credits for screenwriter James Goldman. 155 leaves with last page of text numbered 151. Mimeographed rectos only. Pages Very Good plus lightly toned to the title page wrapper Very Good plus with cello tape repairs to the title window and light rusting to the binding bound with two silver brads. Haworth Productions unknown books
1977149814N.p.: MOKEP 1977. Vintage Hungarian A2 poster from the 1977 Hungarian film here under its Hungarian title "Csaladi Tuzfeszek." <br/><br/>Bela Tarr's debut feature film shot in six days a dark and desperate portrayal of a couple forced to live in a cramped tiny flat with the husband's parents suffocating under the rule of a dominating father reflecting the national hopelessness and slow collapse of late 1970s communist Hungary. <br/><br/>16.25 x 22.25 inches. Folded as issued. Near Fine. MOKEP unknown books
1971154802Santa Monica: Barry Oringer Productions 1971. Archive of material from the 1972 British television movie including two First Draft scripts and a Revised Draft script dated variously between April 12 and May 28 1971. Screenplays belonging to screenwriter Barry Oringer with his annotations throughout.<br /> <br /> A campy and humorous espionage film about the titular Madame Sin a sinister woman who kidnaps a former CIA agent and forces him to hijack a submarine in order to attain a secret nuclear weapon. One of many films cashing in on the popularity of the James Bond films originally intended as a television pilot but aired instead as a feature film on ABC on January 15 1972 followed by the UK in April of the same year.<br /> <br /> Shot on location in London and in Argyll and Bute in Scotland.<br /> <br /> First Draft script April 12 1971:<br /> <br /> Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 12 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 95 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> First Draft script April 25 1971:<br /> <br /> Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 25 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 100 leaves with last page of text numbered 97. Xerographic duplication with three pages ribbon copy typescript on onionskin rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> Revised Draft Script May 28 1971:<br /> <br /> Red untitled wrappers. Title page present dated May 28 1971 noted as REVISED DRAFT with credits for screenwriter Barry Oringer. 109 leaves with last page of text numbered 104. Xerographic duplication with two pages ribbon copy typescript on green paper rectos only. Pages Near Fine wrapper Near Fine bound with two silver screw brads. Barry Oringer Productions unknown
1954145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in holograph pencil and once in holograph ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. <br/><br/>The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. <br/><br/>Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads.<br/><br/>Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown books
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in manuscript ink to upper right and annotations to dialogue of lead character Legs in manuscript pencil. <br /> <br /> Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br /> <br /> From the estate of Martin Landau.<br /> <br /> Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br /> <br /> Set in New York City. <br /> <br /> Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral with the first page of text dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br /> <br /> Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown
1929150618Culver City CA: Metro-Goldwyn-Mayer MGM 1929. Vault Copy Draft script for the 1929 film stamped three times with "Vault Copy" and annotation of the name of uncredited crew member "Mr. Cohn" on front wrapper in holograph pencil. <br/><br/>Based on the 1928 novel by S.S. Van Dine the fourth of twelve Philo Vance mystery novels. The body of man nicknamed "Cock Robin" is found at an archery range with an arrow through the heart and a chess bishop left as a clue. Basil Rathbone's only portrayal of the stylish New York P.I. Philo Vance. He would take on the role of Sherlock Holmes for which he is best known beginning in 1939.<br/><br/>Beige titled wrappers with M.G.M. label dated AUGUST 10 1929 with credits for author S.S. Van Dine and director Nick Grinde. Title page integral with first page with credits for screenwriter Lenora J. Coffee. 135 leaves with last page of text numbered 135. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears at extremities and closed tears to spine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1976122079Burbank CA: Warner Brothers 1976. First Draft script for the 1976 film. The third entry in the wildly popular and paradigm-shifting crime film franchise set in San Francisco featuring Clint Eastwood as "Dirty" Harry Callahan a cop who cares little for bureaucracy. This entry finds Harry working with similar resistance alongside a new female partner and introduces new ethnic content to a series previously relegated to caucasians. <br/><br/>Red wrappers noted as "THE ENFORCER" in holograph ink on the front wrapper but still under the title "Dirty Harry #3 on the title page. Title page present with a credit for Dean Riesner dated April 30 1976 noted as CHANGES/FIRST DRAFT. 122 leaves mechanical duplication. Pages Near Fine wrapper Very Good plus with yapped edges internally bound two gold brads. Warner Brothers unknown books
1935129885N.p.: Grand National Pictures 1935. Early Draft script for the 1939 film "The Mysterious Mr. Reeder" here under the working title and the title Monogram Pictures used for its 1940 re-release "The Mind of Mr. Reeder." Copy belonging to screenwriter Bryan Edgar Wallace Edgar Wallace's son with his name and holograph annotations in pencil to the front wrapper. <br/><br/>Based on the 1925 collection of short stories "The Mind of Mr. J.G. Reeder" by Edgar Wallace. The second Mr. Reeder film this time seeing the absentminded detective investigate a gang of counterfeiters. <br/><br/>Tan titled wrappers. Title page present dated October 1 1935 with credit for writer Wallace. 78 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a teal cord. <br/><br/>Okuda 71. Grand National Pictures unknown books
1959159829N.p.: N.p. 1959. Two vintage reference photographs from the set of the 1959 French film both showing director François Truffaut on the set. Annotations in manuscript pencil relating to cropping on the versos and one with a provenance stamp. <br /> <br /> Truffaut's auspicious debut a semi-autobiographical tale of a young boy's estrangement from his family and school leading him into a life of petty crime and culminating in trouble with the law. Winner of Best Director at Cannes and nominated for the Palme d'Or.<br /> <br /> Set and shot on location in Paris France. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 5. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
