8 854 résultats
1962148842N.p.: N.p. 1962. Four vintage borderless studio still photographs from the 1962 film. Rare.<br /> <br /> "Love at Twenty" is anthology film on the titular theme by five filmmakers Shintaro Ishihara Marcel Ophuls Renzo Rossellini François Truffault and Andrzej Wajda united with a score by Georges Delerue and photographs of Henri Cartier-Bresson.<br /> <br /> Truffaut's short is the second of five films which follow his alter-ego Antoine Doinel Jean-Pierre Léaud. The films in the Antoine Doinel series are "The 400 Blows" 1959 "Antoine and Colette" 1962 "Stolen Kisses" 1968 "Bed and Board" 1970 and "Love on the Run" 1979.<br /> <br /> Antoine now aged 17 falls in love for the first time to the lovely Colette Marie-France Pisier whose feelings though tender are not reciprocated.<br /> <br /> Set in and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 185. N.p. unknown
1964156276Stockholm: Svensk Filmindustri SF 1964. Collection of eleven vintage reference photographs from the 1964 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> A pretentious music critic tries to use salacious information about a famed cellist's sex life in order to blackmail the cellist into performing a composition the critic has written. One of Ingmar Bergman's only comedy films and his first film to be shot in color a parody of Federico Fellini's "8 1/2" 1963.<br /> <br /> 8 x 10 inches. Near Fine. Svensk Filmindustri [SF] unknown
1961133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br/><br/>In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br/><br/>11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br/><br/>Criterion Collection 209. Svensk Filmindustri unknown books
1979136454Hollywood: Paramount Pictures 1979. Final Draft script for the 1980 film. <br/><br/>A shining credit for John Travolta based on an article in Esquire magazine 1978 by Aaron Latham. A country boy moves to the city to take a job with his uncle meets a cowgirl and the two fall in love and eventually get married. Another man threatens their relationship but if Travolta can master a mechanical bull all will work out in the end. <br/><br/>Set in Houston Texas shot on location throughout Texas. <br/><br/>Black titled wrappers. Title page present dated May 7 1979 noted as FINAL DRAFT with credits for screenwriters Latham and Bridges. 133 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Complete collation details available upon request. Paramount Pictures unknown books
1993142455Los Angeles: Twentieth Century-Fox 1993. Rainbow Draft script for the 1994 film. <br/><br/>One of the best action films of the 1990s which launched the career of Sandra Bullock turned Keanu Reeves into a star and Dennis Hopper into a catchphrase. <br/><br/>Director and screenwriter Joss Whedon went uncredited as the film's script doctor and screenwriter Graham Yost went on to create and write the acclaimed television series "Justified" 2010. <br/><br/>Winner of two Academy Awards nominated for a third. <br/><br/>Self wrappers. Title page present dated September 20 1993 noted as REVISED #3 GREEN with credits for screenwriter Yost. Title page integral with the front wrapper as issued. 251 leaves with last page of text numbered 12. Mechanical duplication with blue green pink goldenrod and salmon revision pages throughout dated 9/20/93 and 10/5/93. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1975149627Los Angeles: Twentieth Century-Fox 1975. Set of five vintage borderless reference photographs from the 1975 film four in black and white one in color the last being a striking still shot of the altered RKO Radio Picture logo one of the earliest examples of a stately studio logo being customized for a particular film.<br/><br/>A cult film favorite based a now lesser-known 1973 stage musical by Richard O'Brien. On a dark and stormy night an uptight young couple finds that their car has broken down in the middle of nowhere forcing them to seek shelter at the weird and wonderful home of Dr. Frank-N-Furter a mad and perverse scientist.<br/><br/>Photos vary from 9.25 x 7 inches to 10.25 x 8 inches. About Near Fine. Twentieth Century-Fox unknown books
1935149650Paris: Arys 1935. Vintage reference photograph of Josephine Baker from the 1935 French film. With a provenance stamp and the stamp of Cinemagence on the verso along with holograph ink and pencil annotations.<br/><br/>A French novelist brings a Tunisian shepherdess to Paris where she poses as an African princess to gain access to high society. Baker's fourth feature film appearance a success in Europe which went unseen for decades in the US as a result of Hays Office censors refusing to pass the film due to the implication of an interracial romance. <br/><br/>Set in Paris and Tunisia shot on location in Tunisia. <br/><br/>8 x 10 inches. Near Fine. Arys unknown books
1972152995Hollywood: Marimark 1972. Revised Final Shooting Draft script for the 1973 film here under the working title "Supergirl." Copy belonging to story writer John Burrows with his name in manuscript ink annotation on the front wrapper and his annotations throughout. <br /> <br /> An attractive free-spirited flight attendant with boyfriends in New York Miami and Los Angeles unwittingly becomes involved in an in-flight robbery.<br /> <br /> Blue titled wrappers. Title page present dated 10/5/72 noted as Revised Final Shooting Draft with credits for screenwriter Gary Crutcher. 117 leaves with last page of text numbered 103. Xerographic duplication rectos only with pink revision pages throughout dated 10/20/72. Pages Near Fine wrapper Near Fine bound with three gold brads. Marimark unknown
1945156305Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Four vintage oversize borderless reference photographs from the 1945 film. Printed mimeo snipes affixed to the versos. <br /> <br /> A soldier on 48-hour leave spends the day with a woman he meets in Pennsylvania Station gradually falling in love with her. Judy Garland's first dramatic role and her first starring film performance in which she did not sing. <br /> <br /> 13 x 10 inches. About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1975128841Los Angeles: American International Pictures AIP 1975. Draft script for the 1976 film. <br/><br/>The final film to be released by Amicus Productions an arm of American International Pictures that served as Hammer Films' chief rival for horror and genre pictures in the 1960s and 1970s. Without a doubt one of the silliest Burroughs adaptations with no-budget special effects and an affectionately over-the-top performance by genre actor supreme Peter Cushing. <br/><br/>Original red wrappers with title in black marker to the front wrapper. Title page present dated July 29 1975 with credits for screenwriter Subotsky and novelist Burroughs. 95 leaves mechanical duplication with pink revision pages throughout dated 5th December 1975. Pages Very Good plus wrapper Very Good plus bound internally with two brads. American International Pictures [AIP] unknown books
1957120919Burbank CA: Warner Brothers 1957. Vintage one sheet poster for the US release of the 1957 British film. <br /> <br /> Based on screenwriter Terence Rattigan's 1953 play "The Sleeping Prince" about the visiting prince of a small fictional Balkan nation who falls in love with an American showgirl while in London. A notoriously difficult production which forms the basis for two behind-the-scenes memoirs by Marilyn Monroe's personal assistant Colin Clark "The Prince the Showgirl and Me" 1996 and "My Week with Marilyn" 2000 the later sharing the title of the 2011 film based on the memoirs directed by Simon Curtis and starring Michelle Williams as Monroe. <br /> <br /> Set and shot in London. <br /> <br /> 27 x 41 inches. Very Good plus with restoration at the folds. Archivally backed on linen and rolled. Warner Brothers unknown
1959148400Los Angeles: Melville Productions 1959. Revised Shooting Final Draft script for the 1959 film belonging to actor Martin Landau his screen debut housed in paper envelope bearing Landau's name film title script and "Will pick up at the gate" on label. Annotations of Landau's name and character's name written on the top of page 36 of script and Landau's name again written at the top of page "66-67" of script in manuscript ink.<br /> <br /> Laid in is a nine page production announcement from United Artists which includes cast credits synopsis and production notes.<br /> <br /> Based on the 1956 historical novel Pork Chop Hill: The American Fighting Man in Action by S.L.A. Marshall.<br /> <br /> The first bloody Battle of Pork Chop Hill which took place in April of 1953 between the US Army's 7th Infantry Division and Chinese and North Korean forces. Gregory Peck portrays Lieutenant Joe Clemons who along with South Korean Lieutenant Suki Ohashi played by George Shibata lead the Division to recapture the hill. All while American and Communist North Korean and Chinese forces convene to discuss a cease fire 70 miles away at Panmunjon. <br /> <br /> Martin Landau's feature film debut and featuring break out performances from numerous actors who become major film and television stars in the 1960s and 1970s including Woody Strode Harry Guardino Robert Blake George Peppard Norman Fell Abel Fernandez Gavin MacLeod Harry Dean Stanton and others.<br /> <br /> Set in Cheorwon-gun South Korea shot on location in California and Arizona. <br /> <br /> Title page integral with front wrapper dated APRIL 22 1958 noted as REVISED SHOOTING FINAL with credits for screenwriter James R. Webb and author S. L. A. Marshall. 121 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 5/20/58 and 6/20/58. Pages Very Good plus with occasional light soil and dampstain on very bottom edge of leaf following title page title page Very Good with large dampstain along two to three inches of bottom and lightly along outer edge bound with three gold brads. Melville Productions unknown
1960144529Rome: Titanus 1960. Two vintage borderless double weight photographs from the 1960 film. With holograph annotations and an agency stamp on the verso of each. <br/><br/>Rosaria Katina Paxinou recently widowed moves to Milan from the countryside with four of her sons to join her eldest. Each take different paths as they struggle to adjust to life in the city. <br/><br/>Shot on location in Milan and Rome Italy. <br/><br/>12 x 8 inches. Near Fine. <br/><br/>Ebert III. Eureka Masters of Cinema 133. Titanus unknown books
1978169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula."<br /> <br /> Included in the archive are:<br /> <br /> 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographically duplicated.<br /> <br /> 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue.<br /> <br /> 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing.<br /> <br /> 15-page carbon typescript of "Revised text" on onionskin with ink annotations on every page checking and noting dialogue.<br /> <br /> Four ribbon typescript copy pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula."<br /> <br /> Three ribbon typescript pages on onionskin comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List."<br /> <br /> Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. <br /> <br /> Typed letter signed on onionskin from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations.<br /> <br /> Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire.<br /> <br /> Shot on location in Rome Italy. <br /> <br /> Italian dialogue-only script:<br /> <br /> Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner.<br /> <br /> English dialogue-only script:<br /> <br /> Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner.<br /> <br /> Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing.<br /> <br /> All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown
1938106085Paris: Regina / Kassler 1938. Original screenplay for the 1938 French drama "Entree des artistes" The Curtain Rises one of the best-loved Louis Jouvet dramas of the 1930s wherein Jouvet played exactly what he was in real life: an actor and teacher of drama. One of only a handful of screenplays from 1930s French films that we have ever seen. Rare. <br/><br/>Owner name in light pencil to the second leaf and a few pencil annotations to the first few scenes. Quarter cloth with moderately worn composition book-style card covers. Good to Very Good overall. Regina / Kassler unknown books
1973142115London: Brut Productions / NBC 1973. British Draft script for the 1973 film. Included are 4 vintage double weight black-and-white reference photographs of Glenda Jackson from the film. <br/><br/>A romantic comedy with a touch of pathos that was a box-office hit on both sides of the Atlantic in which George Segal and Glenda Jackson can't seem to stop running into one another and finally bow to the inevitable. Jackson won the Oscar for Best Actress and the film was nominated for 4 others including Best Picture Best Music and Best Screenplay. <br/><br/>Green titled wrappers with die-cut title window in the British style for this period. Title page present with credits for director-screenwriter Frank and screenwriter Rose along with Connaught Productions in England. 137 leaves eye-rest green mechanical duplication rectos only. Pages and wrapper Near Fine bound with two silver brads. In a custom quarter leather clamshell box. Photos with cropping annotations on the versos and two with "Films in London" rubber stamps on the versos else Near Fine overall. Brut Productions / NBC unknown books
1968168097Hollywood: Paramount Pictures 1968. Vintage reference photograph from the 1968 film showing actress Mia Farrow. Printed mimeo snipe and layout annotations on the verso. <br /> <br /> Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. <br /> <br /> Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay.<br /> <br /> Set and shot on location in New York City. <br /> <br /> 10 x 8 inches. About Near Fine lightly creased at the corners with pinholes at the top right corner.<br /> <br /> National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown
1962148877N.p.: N.p. 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void from the 1962 film. "ROMA's Press Photo" stamp on verso with address in Rome for same. <br/><br/>The third and final chapter of Michelangelo Antonioni's trilogy preceeded by "L'Avventura" 1960 starring Gabriele Ferzetti and Monica Vitti and "La Notte" 1961 starring Marcello Mastrioianni Jeanne Moreau and Monica Vitti.<br/><br/>Vittoria Vitti leaves her fiance Riccardo Francisco Rabal for Piero Alain Delon a young stock broker obsessed with material possessions and wealth.<br/><br/>Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br/><br/>Shot on location in Rome and Verona Italy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 278. Rosenbaum 1000. Vogel Film as a Subversive Art. Scorsese My Voyage to Italy. N.p. unknown books
1969144541Los Angeles: Paramount Pictures 1969. Six vintage oversize borderless photographs from the 1969 British film. With manuscript annotations and an agency stamp on the verso of each. <br /> <br /> One of the best heist films of the twentieth century: funny complex and altogether beautiful to watch. Michael Caine and Noel Coward bring the erudite and the cockney together to make a quintessentially British film with as fine an ending as one could ask for. <br /> <br /> 13 x 9 inches. Near Fine. <br /> <br /> Lee The Heist Film. Paramount Pictures unknown
1964143227Paris: Les Films Ariane 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film "That Man from Rio" here under the original French title "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio Les Films Ariane still photographer Trigo Brazilian magazine "O Cruzeiro " and French film title several with annotations in holograph ink also on the verso several with Trigo's name in holograph ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" Sunday August 18 1963 No. 709 featuring cover and editorial on Belmondo and the film an original Somarco accordion folder dated 1963 and original mailing envelope addressed to Maryse Martres Ariane Films Champs-Élysées from Télé-photo Paris. Martres Martin was a prolific French actress who was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. <br/><br/>Airman Adrien Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. <br/><br/>Members of the cast and crew are featured throughout the collection including director de Brocca who earlier worked under directors Claude Chabrol and François Truffaut Belmondo cameramen and an extensive look at the scenery of Brazil and Paris. Boats racing Belmondo dangling from a speeding car and languid down times as cast and crew break for naps in the shade photographer Trigo's often provocative angles capture the director in dimly lit noirish scenarios and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally photographer Voinquel's direct approach shows stills from a more casual standpoint not without generous documentation of the crew behind the camera. <br/><br/>Photographs 7 x 9.25 inches and 3.5 x 5 inches some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall moderate curling several with bruises or insect wear at the edges several with moderate dampstains. Envelope and folder Good with short tears and similar dampstains. Magazine Very Good wavy brief toning. Les Films Ariane unknown books
1979160041N.p.: N.p. 1979. Third Draft script for the 1981 film with rainbow revisions. Laid in with the script are two additional yellow revision pages dated 3/28/80. <br /> <br /> Based on the 1977 novel by John Gregory Dunne who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder about a homicide detective investigating the brutal murder of a young woman in Los Angeles. <br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Blue titled wrappers. Title page present dated November 29 1979 noted as Third Draft with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated between 1/9/80 and 3/24/80. Pages Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Housed in a custom beige clamshell box. N.p. unknown
1969160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. <br /> <br /> Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. <br /> <br /> The film was restored and released by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 8 x 10 inches. Near Fine. Contemporary Films unknown
1968161021Hollywood: Paramount Pictures 1968. Collection of 18 vintage photographs from the 1968 film including 17 studio stills and one reference photograph. <br /> <br /> Based on the 1967 novel by Ira Levin. A seminal horror film one of the best genre pictures ever made from the earliest days of the New Hollywood cinema bringing together newcomer Roman Polanski as director established producer William Castle young star Mia Farrow and Hollywood veteran John Cassavetes. <br /> <br /> Winner of the Academy Award for Best Supporting Actress for Ruth Gordon and nominated for Best Screenplay.<br /> <br /> Set and shot on location in New York City. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> National Film Registry. Criterion Collection 630. McPadden Heavy Metal Movies. Rosenbaum 1000. Paramount Pictures unknown
1977WRCLIT83164Burbank: Rastar Productions 1977. 1136 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in mimeographed production company wrappers. A thin small ink stroke and a few tiny spots on upper wrapper otherwise about fine. Inscribed on the title-leaf: "To Mel If we keep on going like this we'll be able to play 'The Sunshine Boys' Neil Simon." The recipient was in all probability Mel Traxel who served as still photographer for this production as well as three earlier films based on Simon's scripts including THE SUNSHINE BOYS. Denoted a "final draft" of this original screenplay for Simon's detective parody directed by Robert Moore starring Peter Falk and Ann Margaret and released in 1977. A novelization by Robert Grossbach was published in 1978 as a Warner paperback original but there was no contemporary publication of Simon's own original work. OCLC locates only one copy of this script a revised final draft at Michigan State. Rastar Productions paperback books
1977WRCLIT69481Culver City: Metro-Goldwyn-Mayer Inc. 1977. 125 leaves plus lettered inserts. Quarto. Mechanically reproduced typescript printed on rectos only of white blue and slate paper. Bradbound in printed studio wrappers. A few light smudges to wrappers small nick at top edge of upper wrapper but very good or better. Inscribed on the first leaf: "To Mel Neil Simon." The recipient was in all probability Mel Traxel who served as still photographer on this and many other films based on Simon's scripts. Denoted the "third draft" of this original screenplay by Simon but shot through with colored revises dated over the span above. The 1977 release directed by Herbert Ross starred Marsha Mason and Richard Dreyfuss and was nominated for many awards. Simon won a Golden Globe for this script and Dreyfuss won an Oscar for Best Actor. Metro-Goldwyn-Mayer, Inc. unknown books
