8 854 résultats
1931141666Vienna: Illustrierter Film-Kurier 1931. Vintage Austrian program for the 1931 German film. Lang's first sound film Peter Lorre's breakthrough role and the film Lang considered to be his masterpiece-an assertion that has found much agreement since. The only second piece of ephemera from the film we have ever offered. Text in German. <br/><br/>Issue No. 262 of "Illustrierter Film-Kurier" one of the oldest European film magazines which ran weekly from 1929 to 1956. Like its German counterpart "Film-Kurier" each issue focused on a single film and used a gravure process to reproduce images from the film making for striking images and design. <br/><br/>6 x 9 inches. Six pages saddle stapled. Ink annotations throughout seemingly regarding layout affecting a bit of text but no images. Very Good plus with a faint horizontal crease and light toning to the wrappers. <br/><br/>Criterion Collection 30. Grant Germany. Godard Histoires de cinema. Ebert I. Eureka Masters of Cinema 9. Rosebaum 1000. Illustrierter Film-Kurier unknown books
1930148510N.p.: N.p. 1930. Vintage photograph of F.W. Murnau cinematographer Floyd Crosby a sound engineer and extras on location during shooting of the 1931 film. <br/><br/>Considered the first example of "docufiction." The fourth and final film made by Murnau during his time in the US. Murnau and Robert J. Flaherty wrote the unpublished story "Turia" based on a South Sea legend Flaherty had heard while working on W.S. Van Dyke's "White Shadows in the South Seas" 1928 which would later evolve into "Tabu." <br/><br/>Two young lovers on the idyllic island of Bora Bora find themselves in danger when an old warrior declares the girl to be the Chosen Maid. Refusing the lovers run off to a "westernized" island were the boy earns a living as a pearl diver and lands in debt. When the old warrior discovers their location they plan another escape requiring the boy paying off his debts by pearl diving in shark-infested waters. Winner of an Academy Award for Best Cinematography. <br/><br/>Shot on location in Tahiti and the Leeward Islands French Polynesia. <br/><br/>5.75 x 3.5 inches. Near Fine lightly faded. <br/><br/>National Film Registry. Rosenbaum 1000. Godard Histoires du Cinema. Eureka! 61. N.p. unknown books
1972153235N.p.: Gerard Damiano Film Productions 1972. Vintage three-color press kit for the groundbreaking 1972 adult film with annotation in manuscript marker on upper right of recto of first page of "Coming! Feb 21st" with a two page center spread featuring a synopsis and black and white photographs and ad mats on verso of second page.<br /> <br /> The film that heralded in the "Golden Age of Porn." One of the first pornographic films to feature a plot character development and comparably high production values. <br /> <br /> 8.5 x 11 inches bi-fold. Very Good plus with horizontal crease from having once been folded paper tape shadows on top and bottom margins of the recto of first panel a few one-inch pieces of cello tape on the center spread and paper tape shadow on top and bruise on bottom of verso of second page. Apart from this generally bright and unfaded. Gerard Damiano Film Productions unknown
1969147266London: Winkast Film Productions 1969. First draft screenplay and copied second draft screenplay for an unproduced film from author Gore Vidal adapting his esteemed 1964 historical fiction novel "Julian."<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Vidal's account of the life and murder of Roman emperor Flavius Claudius Julianus "Julian" also known as Julian the Apostate. <br/><br/>First draft screenplay:<br/>Black untitled wrappers with die-cut title window in the British style. Title page present noted as 1ST DRAFT with credits for screenwriter Gore Vidal. 128 leaves with last page of text numbered 126. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound internally with two flat metal brads.<br/><br/>Second draft screenplay:<br/>Orange untitled wrappers. Title page present dated 15 July 1969 noted as Second Draft with credits for screenwriter Gore Vidal. 139 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with prong binding. Winkast Film Productions unknown books
1960166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos.<br /> <br /> A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. <br /> <br /> Set in medieval Sweden. <br /> <br /> 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown
1968143480Tokyo: Toei Animation 1968. Vintage post-production script for the animated 1968 Japanese film "Horus: Prince of the Sun" also known under the title "The Little Norse Prince." This listing also includes a pamphlet of character designs for the film. <br/><br/>A milestone in the history of Japanese animation heralded as the first animated feature to successfully disrupt the Walt Disney paradigm and seen as one of the first to intentionally address an adult audience. Isao Takahata's directorial debut and the first major film of famed Studio Ghibli director Hayao Miyazaki who worked on scene design and key animation for the film. Ostensibly a film about young boy living in ancient Scandinavia who must help instill a community to fight against a great oppressor it carried a strong pro-union and pro-Socialist subtext as Takahata and Miyazaki were staunch union organizers. Studio Toei executives in part in retaliation released the film into theaters for only ten days and it would be some years before the feature would be appreciated fully. <br/><br/>Off white wrappers perfect bound with black titles. Title page present. 164 leaves with last page of text numbered 61. Xerographic duplication with pink orange green and yellow revision pages. Pages lightly toned else Fine wrapper Near Fine. Toei Animation unknown books
1960140402France / Italy: Filmsonor 1960. Collection of 16 vintage borderless single weight still photographs from the 1960 French film noir. A remarkable collection including still photographs from the film candid shots and shots from the set. On-set images include director Jacques Becker with his camera and with the actors actors Marc Michel and Michel Constantin and other members of the cast and crew. Notations in holograph pencil on the versos of nearly the photos.<br/><br/>Based on Jose Giovanni's 1957 first novel "Le Trou" The Break. True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. <br/><br/>Four photos 7 x 9.5 inches twelve photos 5 x 7 inches. Very Good plus to Near Fine. <br/><br/>Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Filmsonor unknown books
1960140390France: Cinedis 1960. Archive of 207 vintage borderless single weight still photographs and contact sheets from the 1960 French film. Numerical annotations on the verso of nearly all photos in holograph pencil several cropped contact sheets mounted on larger sheets. Housed in a vintage French Kodak brand photo paper box with most contact sheets in a two-ring binder similar to keybook photos. Also included is a press folder from the Cinedis agency in Paris with star biographies film credits and scenario on Cinedis parchment. <br/><br/>Seen in the images is starring actor and screenwriter Buissieres including a large portrait actress Carrel several seductive in nature with shots of director Faurez and the film crew in action and images of composer Georges Van Parys and singer Colette Renard famous for her "Irma La Douce" musical roles presumably working on the film soundtrack. Several images in the contact sheets show scenes from the film taking place in an automobile repair shop directed scenes from high on a crane and candid photos of the starring performers. A few of the contact sheets bear credits for the Laboratoire Tele-Photo film title client Cinedis and photographer. ` <br/><br/>Little known gangster drama about a woman and her child caught in the downward spiral of prostitution. <br/><br/>Photos vary in size from 3 x 4.5 inches to 9.25 x 11.75 inches with most being smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinedis unknown books
1933139665Paris: Franfilmdis / Argui-Film 1933. Vintage double weight borderless reference photograph for the landmark 1933 silent film by Jean Vigo. With the stamp of photographer Mars Marstrich on the verso. <br/><br/>Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." <br/><br/>8.75 x 6.5 inches. A few tiny pinholes at the right edge else Near Fine. <br/><br/>Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis / Argui-Film unknown books
1979150583Los Angeles: Dick Clark Productions 1979. Final Shooting script for the 1978 television film which aired on ABC on February 11 1979. Annotation of copy number "147" in holograph marker on top right of title page.<br/><br/>One of three television films made by noted film director John Carpenter. Carpenter began working on "Elvis" after wrapping up his 1978 quintessential horror slasher "Halloween" offering him a chance to try his hand at a dramatic biopic. It was the first time Carpenter had worked with Kurt Russell who would become a frequent collaborator starring in Carpenter's "Escape from New York" 1981 "The Thing" 1982 "Big Trouble in Little China" 1986 and "Escape from L.A." 1996.<br/><br/>The television biopic follows the trajectory of Elvis Presley's career from his impoverished childhood to his sudden and unprecedented rise as a Rock and Roll icon to his years as a Las Vegas sensation. Featuring an outstanding performance by Russell as The King.<br/><br/>Nominated for a Golden Globe for Best Television Motion Picture and nominated for three Emmy Awards including Best Actor in a Miniseries or Movie for Russell.<br/><br/>Dark blue titled wrappers. Title page present dated 10/16/78 noted as FINAL SHOOTING SCRIPT with credits for screenwriter Anthony Lawrence. 146 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Dick Clark Productions unknown books
1978147119Burbank CA: Edgar J. Scherick and Associates 1978. Second Draft script for the 1978 television film. One of director John Carpenter's earliest efforts as a screenwriter released the same year as "Halloween" and the television movie "Someone's Watching Me." Originally aired on NBC on September 27 1978. While written as a vehicle for Suzanne Somers some actors that would soon eclipse her can be found in the supporting cast including Timothy Hutton Rosanna Arquette and Michael Biehn. <br/><br/>A glamorous but aging rock star takes a vacation to Zuma Beach where she unwittingly seduces the teenage beachgoers and gradually becomes involved in their lives. <br/><br/>Set and shot on location in California.<br/><br/>Red titled wrappers. Title page present dated May 31 1978 noted as SECOND DRAFT with credits for screenwriter William Schwartz. 116 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine lightly soiled on the first leaf wrapper Very Good plus bound with two gold brads. Edgar J. Scherick and Associates unknown books
1973151351Los Angeles: Twentieth Century-Fox 1973. Final Draft script for the 1974 film. <br/><br/>A satirical neo-noir following a professional hit man who is contracted by a local mob boss to take out the competition but soon finds himself the target of several personal attacks in retaliation. <br/><br/>Shot on location in Seattle Washington and Silver Springs Florida. <br/><br/>Blue titled wrappers noted as FINAL and copy No. 332 on the front wrapper dated JUNE 8 1973. Title page present dated June 8 1973 noted as FINAL with credits for screenwriter Robert Dillon. 135 leaves with last page of text numbered 129. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between 8/1/73 and 9/10/73. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/>Spicer US Neo-Noir. Twentieth Century-Fox unknown books
1981146314Culver City CA: Columbia Pictures 1981. Draft script for the 1981 film. Script belonging to sound mixer Les Lazarowitz with his name in holograph ink on the title page and three pages of annotations in holograph marker and ink with reference to sound work laid in. Also laid in is a separate Sound EFX Breakdown with sections underlined in holograph marker.<br/><br/>Based on Thomas Berger's 1980 novel John G. Avildsen's pitch-black dark comedy about suburban life starring John Belushi and Dan Aykroyd had a difficult production and a less than ideal reception but as is the often the case the film became a cult favorite. Belushi and Aykroyd play against type Belushi being the ineffectual suburbanite husband and father Earl Keese and Aykroyd the obnoxious menacing Vic Zeck who moves in next door with his femme fatale wife Ramona Cathy Moriarty. Together the new neighbors proceed to wreak havoc on the Keese's lives.<br/><br/>Belushi's last film as he would die from an accidental drug overdose less than three months after the film's release.<br/><br/>Set in and shot on location in Staten Island New York. <br/><br/>Red Studio Duplicating Service inc. vinyl wrapper with title on affixed label. Title page present dated April 9 1981 with credits for director John G. Avildsen. 101 leaves with last page of text numbered 99. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads.<br/><br/>"Sound EFX Breakdown" 8.5 x 14 inches. Near Fine.<br/><br/>Carlson and Connolly Destroy All Movies. Columbia Pictures unknown books
1971170566N.p.: Harvest Productions 1971. Collection of nine vintage double weight borderless reference photographs of Johnny Cash and his family on the set or the location of the 1971 film. <br /> <br /> All nine photographs with mimeo snipes Sandra Lee Kaplan photography stamps and publishing stamps on the versos others variously with provenance stamps and annotations see images.<br /> <br /> Five of the photographs feature Cash exclusively two feature Cash and his step-daughters Rebecca Carlene Smith here Karleen and Rosie Nix Adams both of whom appeared as extras in the film one of Adams and Kirk Douglas' son Eric and one of Cash with June Carter Cash and their newborn son John Carter Cash.<br /> <br /> Desperate for money two aging gunfighters conspire to organize a public showdown for which they plan to sell tickets. <br /> <br /> Partially shot on location in Santa Fe New Mexico and Madrid Spain. <br /> <br /> 7 x 10 inches to 8 x 10 inches. Near Fine overall with light edgewear three with masking tape on the verso and one with masking tape on the verso extending beyond the margin with cropping annotations see image. Harvest Productions unknown
1945146167N.p.: Flag Films 1945. Two vintage oversize double weight studio still photographs from the 1945 French film. Two Cinemagence stamps on verso of each photograph. <br/><br/>Feuding sets of parents seek to thwart their children from marrying by distracting the son with a cabaret performer who has ideas of her own. Shot in 1945 the film did not received an international release until 1952 due to World War II during which time Josephine Baker worked assisting the French Resistance.<br/><br/>Set in and shot on location in Paris. <br/><br/>12 x 9.5 inches. Very Good plus some light creasing and edgewear. Flag Films unknown books
2017163911London: Blueprint Pictures 2017. Draft script for the 2017 film. Copy belonging to production designer David Wasco with his name watermarked on every leaf. From the archive of crew member Chris Scher.<br /> <br /> A Missouri woman rents three billboards to draw attention to her daughter's unsolved rape and murder setting off a violent chain of reactions among members of her small community and the police officers responsible for overseeing the investigation. Nominated for seven Academy Awards winning two for Best Supporting Actor for Sam Rockwell and Best Leading Actress for Frances McDormand. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 films including "The Last Seduction" "Pulp Fiction" "From Dusk Till Dawn" "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in Ebbing Missouri shot on location in Sylva North Carolina. <br /> <br /> Self wrappers. Title page present undated with credit for director and screenwriter Martin McDonagh. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with one gold and one silver brad. Blueprint Pictures unknown
130855Hollywood: Paramount Pictures. Final Draft script for the 1955 film. Actor Van Heflin's copy with his name on the front wrapper and his holograph annotations throughout. Based on the novel "Jovanka e le altre" by Urgo Pirro. <br/><br/>Once branded himself by the House Un-American Activities Committee award-winning director Martin Ritt focuses on the cruel branding of five women in this standard wartime drama. Some of his better-known films The Spy Who Came In from the Cold Norma Rae also deal with the question of social and ethical choices in the face of pressure. In this story the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women played by Silvana Mangano Vera Miles Barbara Bel Geddes Jeanne Moreau and Carla Gravina have their heads shaved in order to brand them as traitors. Eleanor Mannikka AllMovie<br/><br/>Filmed on location in Italy and Austria. <br/><br/>Orange untitled wrappers with the Dino De Laurentiis stamp and numerous annotations. Title page present noted as Final Draft with credits for screenwriters Michael and Achilles for screenwriter Pirro and for director Ritt. 153 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books
1969153094London: Ned Sherrin 1969. Early Draft script for the 1970 British film with annotations in manuscript ink on four pages a "1." on the title page and three underlining locations. Script preceded by six pages of notes on story cast of characters and notes on principal characters. <br /> <br /> An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. <br /> <br /> Shot on location in London and Surrey. <br /> <br /> Dark blue untitled wrappers with die-cut window in the British Fashion. Title page present dated 6th February 1969 with credits for screenwriters Marty Feldman and Barry Took and story credit for Milton Shulman and Herbert Kretzmer. 101 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Ned Sherrin unknown
1978151600Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1978. Revised Final Shooting script for the 1978 film here under the working title "Stingray."<br/><br/>A teenage boy Mark Hamill heads to Las Vegas determined to track down his high school shop class' stolen project car a tricked-out Corvette. <br/><br/>Set and shot on location in southern California and Nevada. <br/><br/>Goldenrod titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 506 dated March 4 1977 with credits for director Matthew Robbins and screenwriter Hal Barwood. Title page integral with the front wrapper. 129 leaves with last page of text numbered 115. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 3-14-77 and 9-2-77. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1989147144N.p.: N.p. 1989. Draft script for the 1989 film here under its working title "Vac-U-Sapien." With extensive holograph pencil and ink annotations on virtually every page. Bound in after the script are two handwritten pages of notes and four typed pages of effects and sets for the film.<br/><br/>Michael Paul Girard's first directorial effort wherein aliens return to Earth for the first time in ten million years to see what has become of their "human experiment." After declaring the experiment a failure the aliens decide that due to humans' untidiness crossbreeding vacuum cleaners and humans will produce a better race of beings to inhabit the planet. They subsequently create a sentient vacuum cleaner which is programmed to reproduce with earthlings. A splendid Z-budget effort considered by some to be the worst movie ever made. And yet a script for it exists.<br/><br/>Titled self wrappers with title page integral with the first page of text as issued. 86 leaves with last page of text numbered 82. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown books
1962142876Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in holograph red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in holograph red pencil. <br/><br/>153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. <br/><br/>The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. <br/><br/>Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br/><br/>Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown books
1989160721London: Goldcrest Films 1989. Final Draft script for the 1989 neo-noir film. Copy belonging to cinematographer Gerry Fisher with 13 pages of production materials laid in including revision pages manuscript leaves and production memos dated variously between October 26 and November 19 1988. Several of the laid-in pages bear Fisher's name on the top margins in manuscript pencil and ink. <br /> <br /> A medium finds herself the target of a corporate hitman after she foretells the death of a factory whistleblower. Although well received by critics the film's distributors fell into financial difficulties resulting in it never receiving a full cinema release. <br /> <br /> Shot in Rock Hill South Carolina and Charlotte North Carolina. <br /> <br /> Blue titled wrappers undated noted as FINAL DRAFT 3 with credit for screenwriter and director Mike Hodges. Title page present undated noted as FINAL DRAFT 3 with credit for screenwriter and director Mike Hodges. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Goldcrest Films unknown
1970149801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Collection of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br/><br/>All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a holograph pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br/><br/>Pappe worked as a film still and press photographer for 30 years covering a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br/><br/>A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on this past present and possible futures. <br/><br/>One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1947145051Culver City CA: Edward Small Productions 1947. Archive of production material for the 1952 film noir consisting of the following: breakdown set list wardrobe plot shooting schedule and a summary of detail budget. With a type written letter outlining the contents of the archive from producer Edward Small to Dan O'Shea signed by Edward Small in holograph ink and dated October 7 1947. <br/><br/>Based on Samuel Fuller's 1944 novel "The Dark Page." The editor of an exploitative magazine murders his wife then has one of his journalists investigate the matter in order to divert attention from himself. <br/><br/>Breakdown: <br/><br/>Title page present dated September 17 1947. 83 leaves with last page of text numbered 81. Typescript on production form rectos only. Pages Near Fine bound with three gold brads.<br/><br/>Set List:<br/><br/>2 leaves with last page of text numbered 2. Typescript rectos only. Pages Near Fine bound with a single staple in top left corner.<br/><br/>Wardrobe Plot:<br/><br/>Title page present dated September 17 1947. 11 leaves with last page of text numbered 11. Typescript rectos only. Pages Near Fine bound with three gold brads.<br/><br/>Shooting Schedule:<br/><br/>Dated 9/19/47. 6 leaves with last page of text numbered 6. Typescript rectos only. Pages Near Fine bound with two gold brads.<br/><br/>Summary of Detail Budget: <br/><br/>Dated September 29 1947. 34 leaves with last page of text numbered 26. Typescript rectos only. Pages Near Fine bound with two staples in the top left corner.<br/><br/>Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Edward Small Productions unknown books
1967150244N.p.: N.p. 1967. Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards.<br /> <br /> 10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. <br /> <br /> National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown
