4 698 résultats
1935149372Marseille: Les Films Marcel Pagnol 1935. Vintage double weight reference photograph from the 1935 film showing director Jean Renoir and actors Charles Blavette and Celia Montalvan on location during filming of the 1935 film. With the stamps of photographer Roger Corbeau and Cinemonde to the verso.<br /> <br /> Renoir's seventh sound film and an early example of the director's influence on both the French Left Bank and Italian neorealist movements. Renoir cast primarily non-professional actors and shot on location to craft the story of a group of immigrants working in a small town in Provence. <br /> <br /> Set and shot on location in the south of France.<br /> <br /> 9 x 7 inches. Near Fine lightly and evenly toned. Les Films Marcel Pagnol unknown
1965149515France: Athos Films / Chaumiane / Filmstudio 1965. Vintage borderless reference photograph from the 1965 French film. With the stamp of still photographer Georges Pierre on the verso.<br /> <br /> Jean-Luc Godard's neo-noir foray into science fiction following a secret agent in a dystopian future who is assigned to kill the machine intelligence that rules over a fascist state.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 25. Rosenbaum 1000. Grant US. Godard Histoires du cinema. Athos Films / Chaumiane / Filmstudio unknown
1988142577N.p.: Millimeter Films 1988. Vintage First Re-Write script for the 1989 film. <br /> <br /> A rare example of a sequel that rivals its predecessor. Following up on the cult horror classic "The Stepfather" Terry O'Quinn reprises his pitch-perfect role as a psychotic killer escaped from an insane asylum who obsessed with "family values" marries into broken homes and murders his new family when he is inevitably unsatisfied with the results. <br /> <br /> Set in Los Angeles shot on location in Vancouver and California. <br /> <br /> Cream untitled wrappers. Title page present noted as copy No. 172 dated November 15 1988 with a credit for screenwriter John Auerbach. 97 leaves with last page of text numbered 96. Noted at copy No. 79 in manuscript ink on the title page. Xerographic duplication first generation photocopy with punch holes with blue revision pages throughout dated 12/07/88. Pages Fine wrapper Fine bound with two gold brads. Millimeter Films unknown
1972149479London: Island Records 1972. Three vintage matte-finish studio still photographs from the 1972 film.<br /> <br /> Loosely based on the early years of real-life Jamaican outlaw Rhyging who rose to prominence as a folk hero in the 1940s. Ska and reggae musician Jimmy Cliff's film debut in which Cliff stars as a young man from rural Jamaica who moves to Kingston with dreams of fame and fortune as a singer but is waylaid by corrupt record producers and criminal enterprises. One of the first films to feature black Jamaicans speaking Jamaican Patois and whose soundtrack played a key role in popularizing reggae music worldwide. <br /> <br /> Set and shot on location in Kingston Jamaica.<br /> <br /> 10 x 8 inches. Very Good plus lightly and evenly toned.<br /> <br /> Criterion Collection 83.<br /> Howard Blaxploitation Cinema p. 50 150. Island Records unknown
2005159991N.p.: N.p. 2005. Vintage location pictures binder for the 2006 film here under the working title "M:1-3" belonging to Pierre Cheminat assistant to Action Unit Director and Second Unit Director Vic Armstrong with the name "P. Cheminat" the working title and "Location Pictures" "Location Pix" printed on green paper inlaid on the front and spine of the binder.<br /> <br /> The location pictures binder contains 101 location photographs divided into 19 tabbed location categories with each photograph printed on heavyweight satin-finish paper and titled on the top left. Examples of the categories include: "Ext. Vatican Walls Cheat" "Int/Ext. Caserta Museum" "Ext. Tiber View Castello S.Angelo" "Electronics Mall" "Computer Smash Alley" "Safehouse" "Towers" "Car Chase" and "Limo Hook-Up." Full listing of categories and photographs available upon request.<br /> <br /> Based on the 1988-1990 ABC television series "Mission: Impossible" created by Bruce Geller and starring Peter Graves which was a continuation of the classic 1966-1973 CBS television series of the same name also created by Geller and starring Graves. The third installment of the incredibly popular film series produced by star Tom Cruise preceded by "Mission: Impossible 2" 2000 directed by John Woo and followed by "Mission: Impossible - Ghost Protocol" 2011 directed by Brad Bird.<br /> <br /> Cruise stars as Ethan Hunt a retired Mission Impossible Force agent and trainer who is forced to return to active duty to capture the elusive arms dealer Owen Davis in a memorable performance from Phillip Seymour Hoffman attempting to sell the world's most powerful nuclear device ever created the Rabbit's Foot.<br /> <br /> Set in and shot on location in the US Italy Rome Germany and China.<br /> <br /> 120 leaves. Pages Near Fine housed in a Near Fine white three-ring binder. N.p. unknown
1983145600Universal City: Universal 1983. Archive of three scripts for the 1983 film including a Second Draft Third Draft and Revised Final Draft with the Second and Third Draft scripts appearing under the working title "Capitol Cab." Scripts belonging to producer Cassius Weathersby with his name on the cover sheet for revision pages dated 5/16/83 laid into the Revised Final script. Also included is a borderless double weight photograph of Weathersby conferring with star Mr. T on the set and a promotional button for the film. <br /> <br /> The dead-end drivers of a rundown cab company must band together with the help of their naive newest member to save themselves from a rival company and to help Mr. T teach kids to say no to drugs. <br /> <br /> Set and shot on location in Washington DC. <br /> <br /> Second Draft: Yellow titled wrappers noted as Second Draft on the front wrapper. Title page present dated January 4 1983 noted as Second Draft with credits for screenwriter Joel Schumacher. 94 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. <br /> <br /> Third Draft: Orange titled wrappers noted as Third Draft on the front wrapper noted as production No. 00864 dated February 10 1983. Title page present dated February 10 1983 noted as Third Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 90 leaves with last leaf of text numbered 89. Xerographically reproduced on eye-rest green stock with pink and blue revision pages dated 2/14/83 and undated. Pages Fine wrapper Near Fine lacking the rear wrapper bound with three gold brads.<br /> <br /> Revised Final Draft: Yellow titled wrappers noted as Revised Final Draft on the front wrapper and production No. 02156 dated April 5 1983. Title page present dated April 5 1983 noted as Revised Final Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 94 leaves with last leaf of text numbered 88. Xerographic duplication with pink and yellow revision pages throughout dated variously between 4/11/83 and 5/30/83. Pages Near Fine front wrapper lightly soiled else wrappers Near Fine bound with three gold brads. <br /> <br /> Parish and Hill Black Action Film. Universal unknown
1969147241N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green manuscript marker.<br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept US foreign policy response to a revolution by a moderate liberal in a small Central American country.<br /> <br /> Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown
1969133623Beverly Hills CA: United Artists 1969. Vintage black-and-white borderless reference photograph from the US release of the 1969 film. <br /> <br /> Jon Voight plays a naive Texan who moves to New York to hustle his body and finds himself in an unlikely friendship with an ailing con artist played by Dustin Hoffman. Winner of three Academy Awards including Best Picture and nominated for four others. <br /> <br /> Set in New York and Texas shot on location in New York Texas Florida and New Jersey. <br /> <br /> 8 x 10 inches. Fine. In a custom museum-quality frame archivally mounted with UV glass. <br /> <br /> National Film Registry. United Artists unknown
1935135077Los Angeles: B.P. Schulberg Productions 1935. Vintage black-and-white photograph of Peter Lorre on the set seated with his script from the 1935 film. Photographed by A.L. Schaefer with his credit stamp on the verso as well as a stamp reading "PETER LORRE / COLUMBIA CONTRACT PLAYER."<br /> <br /> 8 x 10 inches. Fine. B.P. Schulberg Productions unknown
1934151492Los Angeles: Paramount Pictures 1934. Vintage borderless reference photographs of Josef von Sternberg on the set of the 1934 film. Mimeo snipe printed in English and Spanish on verso. <br /> <br /> Loosely based on the diary of Catherine the Great as edited by Manuel Komroff following her from childhood through her rise to Empress. Sternberg's sixth and penultimate film starring Marlene Dietrich. <br /> <br /> 7.25 x 9.5 inches. Even fading else Near Fine. <br /> <br /> Criterion Collection 109. Ebert III. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Paramount Pictures unknown
1929148879Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Two vintage studio still photographs from the 1929 part-talkie film. Mimeo snipes on the versos. <br /> <br /> Loosely based on the 1874 novel by Jules Verne. The benevolent scientist-leader of a volcanic island is attacked by an evil baron leading to a submarine chase in which they discover a race of water-bound humanoids.<br /> <br /> Shooting for the film began in 1926 but the advent of talkies and bad weather would slow production ultimately delaying release until 1929. Lauded as an impressive cinematic feat the astronomical price tag of the production-over $1 million in 1929-all but guaranteed the film would be a financial disaster at the box office turning studios off to the idea of science fiction for many years.<br /> <br /> All color copies were believed lost but in 2013 one existing color print was discovered in Prague and has since been restored through a collaboration between US film experts and the Czech National Film Archive. <br /> <br /> 8 x 10 inches. With even fading else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1969149514Beverly Hills CA: Brandywine Productions 1969. Nine vintage borderless reference photographs from the 1969 film. With a mimeo snipe on the verso of 7 of the photos.<br /> <br /> Based on D.H. Lawrence's 1920 novel following two sisters who begin relationships with a pair of friends bringing conflict between the two couples as their romances take them in different directions. An apt examination of changes in sexual mores both at the time of the novel's publication and the film's 1969 release. Nominated for four Academy Awards winning one for Best Actress for Glenda Jackson.<br /> <br /> Set and shot on location in Nottinghamshire South Yorkshire Derbyshire and London and Kanton Wallis Switzerland.<br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Complete collation available on request. Brandywine Productions unknown
1957143197Kyoto: Daiei Studios 1957. Draft script for the 1958 Japanese film. <br /> <br /> Based on the 1956 novel "Kinkakuji" "Temple of the Golden Pavilion" by Yukio Mishima which is loosely based on the actual event of the burning of the Reliquary or Golden Pavilion of Kinkaku-ji in Kyoto by a young Buddhist acolyte in 1950. The book was one of three Mishima novels adapted by Paul Schrader for episodes in his film "Mishima: A Life in Four Chapters" 1985. <br /> <br /> Daiei released "Conflagration" "Enj " an adaptation of the same novel directed by Ichikawa Kon in 1958. The title and name of the temple in the film was changed from Kinkakuji after Buddhist opposition threatened problems with filming in Kyoto. This is a script from that film before the name change. <br /> <br /> Set and shot on location in Kyoto. <br /> <br /> White titled wrappers rubber-stamped copy No. 12. Title page present. 70 leaves with last page of text numbered e-27. Mechanical duplication. Toning due to aging throughout mildew water damage wrapper split at spine with mild foxing non archival tape to spine and title page overall about Good condition. Daiei Studios unknown
1956140205Los Angeles: Twentieth Century-Fox 1956. Draft script for the 1956 film here under the working title "The Outlaws are in Town." Copy belonging to Robert Arthur who played Lonny Kesh with his name on the front wrapper in manuscript pencil and his manuscript pencil and ink annotations throughout. <br /> <br /> Lonny Kesh Arthur works his family's farm in Georgia but has big dreams of going west. His dreams are realized one day as he heads to Texas and ends up running with a gang of outlaws. He eventually returns to the family farm to find his parents have passed on. All goes smoothly until his former gang shows up. <br /> <br /> Set in Georgia and Texas. <br /> <br /> Green titled wrappers rubber-stamped copy No. 27 dated June 18 1956. Title page present dated June 18 1956 with credits for screenwriters Earle Snell and Kurt Neumann and author Bennett Foster. 106 leaves with last page of text numbered 106. Multilith duplication with blue revision pages throughout dated July 2 1956. Pages Very Good wrapper Very Good bound with two gold brads. Twentieth Century-Fox unknown
1960153710N.p.: N.p. 1960. Archive of loose typescript materials for four unproduced television series. Two pages signed by screenwriter Larry Cohen and many pages with manuscript ink and pencil annotations by him noting editorial and substantive revisions. <br /> <br /> Included in the collection are treatment drafts and draft script pages for four television series: one show called "Play Ball" a quiz show based on baseball trivia one show called "The Adventures of the Dude" about a New York police officer who moves west to become a cowboy one show called "The Producer" about the early days of Hollywood and one show called "Cannonball" an adventure series about two truckers. <br /> <br /> Four unproduced early ventures by screenwriter Larry Cohen best known for his Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Approximately 65 pages in total. Pages generally loose some partially bound with a single staple. Housed in a manila envelope with manuscript ink annotations to the recto noting "Old Treatments by Larry Cohen". Pages and envelope Near Fine. <br /> <br /> Pagination available upon request. N.p. unknown
1986159757N.p.: N.p. 1986. Draft script for the 1987 here under the working title "Hard Cover" SIGNED and titled with the release title by screenwriter Larry Cohen twice on both the front wrapper and the title page with an annotation in manuscript marker of the working title on the top of the front wrapper.<br /> <br /> Screenwriter producer and director Larry Cohen is best known as the screenwriter of horror science fiction and Blaxploitation films during the 1970s and 1980s including "Bone" 1972 "Black Ceasar" 1973 "Hell Up in Harlem" 1973 "It's Alive" 1974 "The Stuff" 1985 A Return to Salem''s Lot" 1987 and "Phone Booth" 2002.<br /> <br /> A hit man James Woods coerces a detective Brian Dennehy into writing a book about the assassin's lucrative career secretly working for a prominent politician. The two men travel around the country gathering statements and evidence while attempting to stay clear of the politician's cronies who will stop at nothing to keep the story from unfolding.<br /> <br /> Set and shot on location in Manhattan and Los Angeles. <br /> <br /> Beige untitled wrappers. Title page present with credits for screenwriter Larry Cohen. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a tiny amount of silverfish damage to the very bottom of the front wrapper and title page bound with three gold brads.<br /> <br /> Grant US. Olive Films. Silver and Ward US. Spicer US. N.p. unknown
1972171323Aurora: CVD Studios 1972. Final script for the 1973 Western comedy film. Working copy belonging to actor Lee Meriwether with her first name in manuscript ink to the top right corner of the front wrapper and her annotations on several script leaves marking dialogue. With three leaves relating to credits laid into the front of the script and a hand-drawn get-well card laid into the script's rear. <br /> <br /> Lee Meriwether is best remembered today for her performance as Catwoman in "Batman: The Movie" 1966 and for her recurring performance as Betty Jones in the 1970s crime television series "Barnaby Jones." She also made significant appearances in nearly 200 television series notably "Dr. Kildare" 1965 "The Time Tunnel" 1967 "Star Trek" 1969 and "Mission: Impossible" 1970. She also appeared in nearly three dozen feature films including "Angel in My Pocket" 1969 and "The Undefeated" 1969.<br /> <br /> <br /> Two brothers ride into a Colorado mining town searching for a quick buck only to discover the mines rich in molybdenum. Lee Meriwether is best remembered today for her performance as Catwoman in "Batman: The Movie" 1966 and for her recurring performance as Betty Jones in the 1970s crime television series "Barnaby Jones."<br /> <br /> Shot on location in Cañon City Colorado. <br /> <br /> Generic blue CVD Studios wrappers. Title page present noted as Final dated September 21 1972 with credit for screenwriter Marion Hargrove. 127 leaves with last page of text numbered 126. Mimeograph duplication rectos only with blue revision pages throughout dated September 29 1972. Pages Very Good plus wrapper Very Good plus bound with two gold brads. CVD Studios unknown
1972160796N.p.: Fred Baker Films 1972. Vintage one sheet poster for the little-seen 1972 documentary. At 25 x 38 inches a bit smaller than the standard one sheet poster size of 27 x 41 inches.<br /> <br /> The second documentary to be produced on Bruce after his death in 1966 though the first "Lenny Bruce in 'Lenny Bruce' 1967 was basically a film of a single performance. Baker's film combines footage of Bruce from "The Steve Allen Show" audio-only clips an interview by Nat Hentoff with a broken-down Bruce near the end of his life and the infamous video footage of Bruce dead in his bathroom of an overdose. A brutal and non-judgmental examination of the man who changed not only the nature of comedy but the nature of performance itself. <br /> <br /> Made by Bruce's longtime friend filmmaker actor screenwriter and jazz musician Fred Baker.<br /> <br /> 25 x 38 inches Folded as Issued. Light edgewear else Near Fine. Fred Baker Films unknown
1957142885N.p.: N.p. 1957. Draft script for an unproduced film. Manuscript ink on front wrapper noting title screenwriter Leonardo Bercovici and a story based on Nathaniel Hawthorne's 1860 novel. <br /> <br /> Bercovici's screenwriting credits include; "The Bishop's Wife" in 1947 starring Cary Grant Loretta Young and David Niven and "Portrait of Jennie" in 1949 starring Jennifer Jones and Joseph Cotten. His other films included "Racket Busters" in 1938 "Chasing Danger" in 1939 "Monsoon" in 1953 and two foreign films that he produced and directed as well as wrote "Square of Violence" in 1963 and "Story of a Woman" in 1970. Bercovici was blacklisted during the McCarthy era losing his US passport regaining it in 1956 and then moving to Europe for several years. Bercovici later became a respected teacher of writing at UCLA and the American Film Institute work that he continued until shortly before his death. <br /> <br /> Set in Rome. <br /> <br /> Red untitled wrappers. Title page present dated January 15 1957 with credits for screenwriter Leonardo Bercovici based on the novel by Nathaniel Hawthorne. 114 leaves with last page of text numbered 113. Mimeograph duplication. Pages Near Fine wrapper Very Good plus internally bound with three gold brads. N.p. unknown
1948133983London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON-ENGLAND."<br /> <br /> Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. <br /> <br /> 8 x 10 inches. Near Fine. Carol Reed Productions unknown
1947145972Universal City: Universal International Pictures 1947. Revised First Draft script for the 1948 film. With faint manuscript pencil annotations and watermarked CONTRACT FILE COPY throughout.<br /> <br /> Based on the 1946 Broadway play and a prequel to the 1941 film "The Little Foxes." In the fictional town of Bowden Alabama the wealthy Hubbard family holds onto their old-South prominence and prestige through exploitation and cruelty. A searing portrayal of racism and class privilege in the post-Civil War American South.<br /> <br /> Set in Alabama. <br /> <br /> Green titled wrappers noted as REVISED FIRST DRAFT on the front wrapper rubber-stamped production No. 7494 dated June 9 1947 with credits for screenwriter Vladimir Pozner. Title page integral on the front wrapper. 178 leaves with last page of text numbered 169. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus with light foxing to the left edge bound with three gold brads. Universal International Pictures unknown
1947140099Los Angeles: Twentieth Century-Fox 1947. Final script for the 1948 film. With a single note on the verso of the last page in manuscript blue ink. Shot under the name "Off to Buffalo" as is presented here. <br /> <br /> Vaudeville is a fading form of entertainment and prospects are grim for the Norwick family a juggling act struggling to find work. They are forced to find normal jobs and one daughter elopes with her boyfriend leaving Albert's son forced to make a decision as to whether play professional baseball or join his father on a 16 week tour out west. <br /> <br /> Set in New York City. <br /> <br /> Blue titled wrappers noted as Final on the front wrapper rubber-stamped copy No. 152 and production No. 154 dated March 21 1947. Distribution page present with receipt removed. Title page present dated March 21 1947 noted as Final Script with credits for screenwriters Samuel Hoffenstein and Elizabeth Reinhardt. 131 leaves with last page of text numbered 129. Mimeograph duplication. Pages Very Good with dampstaining wrapper Very Good with dampstaining bound internally with two gold brads. <br /> <br /> Hirschhorn p. 293. Twentieth Century-Fox unknown
1971154479N.p.: N.p. 1971. Draft script for the 1971 film. Text and titles in French. <br /> <br /> A coming of age story following an intelligent jazz loving teenage boy growing up in a complicated bourgeois family in 1950s Dijon. Nominated for an Academy Award.<br /> <br /> Set and shot on location in Dijon Yvelines and Nievre France. <br /> <br /> Orange titled wrappers. Title page present undated. 71 leaves with last page of text numbered 70. Xerographic duplication rectos only. Pages and wrapper Near Fine with perfect binding.<br /> <br /> Criterion Collection 328. N.p. unknown
1967135078Paris: Robert et Raymond Hakim / Sud-Films Distribution 1967. Vintage black-and-white borderless still photograph of Catherine Deneuve and director Luis Buñuel on the set of the 1967 film. With the French producer's stamp on the verso "Robert et Raymond Hakim" and a printed list of credits in French. <br /> <br /> Buñuel's first color film about a young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Robert et Raymond Hakim / Sud-Films Distribution unknown
1964150596N.p.: N.p. 1964. Two vintage borderless reference photographs from the set of the 1964 film one showing actress Jeanne Moreau embracing director Luis Buñuel the other showing Buñuel and Moreau in conversation between takes with a camera crew in the background. With a provenance stamp on the verso along with manuscript pencil and ink annotations. <br /> <br /> Based on Octave Mirbeau's 1900 novel which follows a chambermaid in 1930s France whose Parisian beauty and sophistication at turns alienate and arouse the bourgeoisie members of the country house where she has recently found employment. <br /> <br /> Shot on location in Seine-Maritime Saint-Maurice and Essonne France.<br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> <br /> Criterion Collection 117. N.p. unknown
