Marilyn Chambers (starring); Artie Mitchell (director); Jim Mitchell (director, screenwriter)Biblio.com
4 698 résultats
1972170776N.p.: N.p. 1972. Eight vintage borderless reference photographs from the seminal 1972 hardcore film.<br /> <br /> Based on the anonymous short story of the same title circulated throughout the US in the 1950s and 1960s by means of carbon copy. One of of the first American hardcore pictures to receive widespread distribution in the US and one of the first heterosexual pornographic films to feature an interracial sex scene. A breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. <br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown
1962126547Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. <br /> <br /> A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. <br /> <br /> Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves Multilith duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling on the front title label. Twentieth Century-Fox unknown
1927141367Russia: Mezhrabpom-Rus 1927. Vintage German program for the 1926 Russian silent film. Photo-illustrated throughout. The only cinema paper dating from the decade of release we have encountered for the film. <br /> <br /> Based on the 1906 novel by Maxim Gorky about a woman's struggle to free her son from a Czarist prison camp during the Russian Revolution of 1905. The first film in Pudovkin's "revolutionary trilogy" followed by "The End of St. Petersburg" 1927 and "Storm Over Asia" 1928 and a key film in the development of montage techniques in film although in contrast to his colleague Eisenstein Pudovkin tended to use montage to capture individual character rather than mass movements. <br /> <br /> Six pages in self wrappers. Manuscript pencil annotations on the front wrapper. Presenting as Very Good with light chipping and a few short closed tears. Disbound binding repaired with cello tape. Mezhrabpom-Rus unknown
1992162500Burbank CA: Warner Brothers 1992. Revised Draft script for the 1993 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink throughout relating to sound. <br /> <br /> A middle-aged white man breaks with reality after a series of minor inconveniences causing him to violently lash out against the people he encounters while walking through Los Angeles to his daughter's birthday party. <br /> <br /> Self wrappers. Title page present dated February 18 1992 noted as Rev. with credit for screenwriter Ebbe Roe Smith. 133 leaves with last page of text numbered 122. Xerographic duplication rectos only with white revision pages throughout dated variously between 3/2/92 and 3/17/92. Pages Near Fine bound with two gold brads. Warner Brothers unknown
1964148821N.p.: Cinema V. 1964. Four vintage borderless double weight reference photographs two vintage reference photographs and one vintage studio still photograph from the 1964 film. Several with manuscript annotations regarding layout and provenance stamps to the verso and two with stamped snipes. <br /> <br /> An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993.<br /> <br /> Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. <br /> <br /> 8 x 10 inches. Very Good plus some with light edgewear and very faint soil.<br /> <br /> National Film Registry. Criterion Collection. Cinema V. unknown
2023170403N.p.: N.p. 2023. Draft script for the 2023 film. <br /> <br /> Inspired by the 1968 photo book by Danny Lyon about the members of the Vandals Motorcycle Club a lightly fictionalized version of the real-life Outlaws Motorcycle Club. <br /> <br /> Housed in a black three-ring binder as issued and used. Title page present dated 4/15/23 with credits for Lyon and director-screenwriter Jeff Nichols. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Fine. N.p. unknown
1962144275Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. <br /> <br /> Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br /> <br /> 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown
1962142876Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in manuscript red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in manuscript red pencil. <br /> <br /> 153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. <br /> <br /> The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. <br /> <br /> Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. <br /> <br /> Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown
1973163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. <br /> <br /> A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. <br /> <br /> Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. <br /> <br /> Not in Pitts. N.p. unknown
1964152012Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. <br /> <br /> Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. <br /> <br /> Shot on location in Ravenna Sardinia and Rome Italy. <br /> <br /> 9.5 x 12 inches. Near Fine. <br /> <br /> BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown
1976144976Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full-color two sided flyer for the film featuring a synopsis in English French and Spanish. <br /> <br /> Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. <br /> <br /> Photographs 9.5 x 7 inches. Near Fine. <br /> <br /> Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown
1976146019N.p.: Filmes Cinematografica 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. <br /> <br /> Jancso's "Private Vices Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf Lajos Balazsovits as a pan-sexual bored by his wife cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father Emperor Franz Josef to leave the estate Rudolf refuses and organizes a celebration which becomes a tragic orgy.<br /> <br /> Nominated for the 1976 Palme d'Or.<br /> <br /> Shot on location in Croatia. <br /> <br /> 9.5 x 7 inches. Near Fine some light creasing. Filmes Cinematografica unknown
1971148498Universal City: Universal Pictures 1971. Vintage borderless photograph of James Taylor and director Monte Hellman on the set of the 1971 film. Mimeo snipe on verso. <br /> <br /> After cutting his teeth under the tutelage of guerilla filmmaker Roger Corman Monte Hellman made two landmark and still rarely screened existential Westerns with Jack Nicholson as producer and star. But it was with "Two-Lane Blacktop" the first screenplay by noted novelist Rudolph Wurlitzer that maverick director Monte Hellman helmed his first masterpiece and a cornerstone of the New Hollywood movement.<br /> <br /> Shot on location in Arizona Tennessee Oklahoma California Arkansas and New Mexico. <br /> <br /> 7.5 x 9.5 inches. Near Fine. <br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 414. Eureka MOC 26. Universal Pictures unknown
1956166264London: London Independent Producers 1956. Third Draft script for the 1957 British film copy belonging to Art Director George Provis with his name written on the titled label on the front wrapper with manuscript pencil and ink annotations throughout including rough pencil prop and set sketches on the versos of eight pages. Here under the working title "A Novel Affair" which was used as the title for the US release of the film.<br /> <br /> Laid in are over 30 production documents including: 17 pages of handwritten Prop Lists eleven dated from May to July 1956. Two pages of rough pencil sketches including several story boards with two film clippings attached by paperclip each containing 3 full frames. Three letters to Provis two autograph letters signed dating from May and June 1956 and one typed letter signed from February 1956. As well as Shooting Schedules Set Lists Locations lists and additional Prop Lists. <br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Novelist Judith Wynter Margaret Leighton gets inspiration for her new novel when her wheelchair-bound husband Ralph Richardson hires a new Italian chauffeur CarloCarlo Giustini. When Carlo reads her lurid tale of adultery and murder the husband mistakenly concludes that she is actually madly in love with Carlo.<br /> <br /> Green generic file wrappers with a title label noted as 3rd Draft Screenplay on the title label dated 23-4-1956. Title page present noted as Third Draft of Screenplay with credits for screenwriters Muriel and Sydney Box. 97 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a prong binding. London Independent Producers unknown
1983160523New York: Horizon Films 1983. Vintage studio still photograph of Sandy McLeod shot by and credited at the right margin to Nan Goldin from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image.<br /> <br /> An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars with a screenplay by Kathy Acker music by John Lurie cinematography by frequent Jarmusch collaborator Tom de Cillo and still photography by Nan Goldin. <br /> <br /> Set and shot on location in New York.<br /> <br /> 8 x 10 inches. Near Fine. Horizon Films unknown
1998167720Culver City CA: Columbia Pictures 1998. Revised Draft script for the 1999 film. Copy belonging to an unidentified crew member presumably a makeup artist based on the annotations in pink highlighter on several pages.<br /> <br /> A neo-noir thriller about a private eye who falls into the seedy world of snuff films and hardcore fetish pornography. <br /> <br /> Shot on location in New York and Miami.<br /> <br /> Self wrappers. Title page present dated January 5 1998 with credit for screenwriter Andrew Kevin Walker. 154 leaves with last page of text numbered 130. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 6 and 29 1998. Pages Near Fine bound with two gold brads. Columbia Pictures unknown
1969136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. <br /> <br /> Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. <br /> <br /> Set in California shot there on location. <br /> <br /> Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown
1941134898Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. <br /> <br /> The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. <br /> <br /> Stills are 9.5 x 7 inches. Near Fine. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
1947135591Culver City CA: Columbia Pictures 1947. Vintage press photograph of Rita Hayworth Orson Welles and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film with Ms. Hayworth. Shot by Van Pelt with his stamp on the verso. <br /> <br /> 8 x 10 inches. In an archival mat. Near Fine. Columbia Pictures unknown
1968145862Hollywood: M.J. Frankovich Productions 1968. Final Draft script for the 1969 film. Single manuscript notation on the title page.<br /> <br /> The story of two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards including Best Original Screenplay.<br /> <br /> Set and shot on location in Nevada and California.<br /> <br /> Yellow titled wrappers. Title page present dated September 5 1968 noted as FINAL DRAFT with credits for screenwriters Paul Mazursky and Larry Tucker. 150 leaves with last page of text numbered 139. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between September 9 1968 and October 17 1968. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. M.J. Frankovich Productions unknown
1972160868Burbank CA: Saticoy Productions 1972. Revised Final Draft script for the 1973 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on five pages. Included with the script is a small circular fabric patch with the film's title and a small stylized crescent moon affixed to a small card noting "And Thanks / Peter Bogdanovich" likely made in a limited edition for cast and crew members.<br /> <br /> Based on Joe David Brown's 1971 novel "Addie Pray" about an orphaned girl who begins hustling with a con man. Winner of an Academy Award for Best Supporting Actress Tatum O'Neal and nominated for three others including Best Screenplay. <br /> <br /> Set in Kansas and Missouri shot on location in Kansas Missouri Nebraska and California. <br /> <br /> Red untitled wrappers. Title page present dated August 18 1972 with credits for director Peter Bogdanovich screenwriter Alvin Sargent and novelist Joe David Brown. 140 leaves with last page of text numbered 139. Xerographic duplication on blue stock rectos only with two pink revision pages dated 8/21/72. Pages Fine wrapper Near Fine bound with two gold brads. Saticoy Productions unknown
1961140972London: Romulus 1961. Draft script for the 1962 film. Copy belonging to producer James H. Ware with his name and annotations in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. <br /> <br /> Based on the novel of the same name also by James Barlow Graham Weir is an alcoholic schoolteacher who can not advance in his career due to his refusal to fight in the Second World War. He is working at a school where the teens do not like to be there and he is having a fallout with his wife all while a young student begins to have a crush on him leading to him catching a false sexual molestation charge. <br /> <br /> Set in London shot on location in Ireland. <br /> <br /> Blue titled wrappers. Title page present dated November 17 1961. 168 leaves with last page of text numbered 171. Mimeograph duplication with pink revision pages throughout. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Romulus unknown
1967138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. <br /> <br /> A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. <br /> <br /> 8 x 12 inches. Near Fine. <br /> <br /> Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown
1966151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso.<br /> <br /> An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or.<br /> <br /> Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. <br /> <br /> 7.25 x 9.5 inches. Near Fine. <br /> <br /> Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
1956140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. <br /> <br /> A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. <br /> <br /> Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown
