4 698 résultats
1966151607N.p.: N.p. 1966. Collection of 17 vintage borderless reference photographs from the 1966 Czechoslovakian film. With the printed label of Columbus Film in Zurich affixed to the verso. <br /> <br /> Based on Bohumil Hrabal's 1965 novel about a young man working at a German-occupied train station in Czechoslovakia during World War II. A key entry in Czechoslovak New Wave film poignantly asserting that the Czech people were part of an oppressive system during the war hitting the mark with sly wit and a peculiar innocence. <br /> <br /> Set and shot on location in the Central Bohemian Region of the Czech Republic. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
1964151602Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Vintage press kit for the 1964 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 20 black and white photographs and one gathering of promotional reading material.<br /> <br /> Based on Tennessee Williams' 1961 play. An alcoholic former priest finds himself caught between the attentions of three women while leading a failing tour of Puerto Vallarta. Nominated for four Academy Awards winning one. <br /> <br /> Set and shot on location in Mismaloya and Puerto Vallarta Mexico the latter of which became a popular tourist destination after the film's release. <br /> <br /> Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1963158035N.p.: N.p. 1963. Four vintage reference photographs from the 1963 film all four showing director John Schlesinger on the set. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on the 1959 novel by Keith Waterhouse. A working class teenager living with his parents in a small Yorkshire town spends his time dreaming and compulsively lying to others in order to distract himself from his boring job as an undertaker's clerk. A key film in the British New Wave balancing the experimental techniques of the French New Wave with the gritty disillusionment of kitchen sink realism.<br /> <br /> Shot on location in Bradford Yorkshire. <br /> <br /> 10 x 8 inches. About Very Good moderately edgeworn. One with light toning and one with light creasing that has been reinforced with paper tape on the verso. <br /> <br /> Criterion Collection 121. N.p. unknown
1959151413Burbank CA: Warner Brothers 1959. Estimating script for the 1960 film on yellow stock except title/distribution page white and second "This Script Is Not Final ." page pink copy belonging to uncredited crew member Nick Bova with name in manuscript ink on front wrapper and annotations in manuscript red pencil graphite pencil and ink throughout. <br /> <br /> Based on the 1960 novel by Hank Searls. The troubled and complicated lives of passengers and crew of a commercial airliner and a US Navy jet are examined as severe weather and a malfunctioning radio bring the two planes on an inextricable course toward collision.<br /> <br /> Shot on location in Washington DC and Naval Air Station North Island Coronado California. <br /> <br /> Beige titled wrappers noted as ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 60 dated June 5 1959. Title page integral with Distribution page receipt intact dated 6/5/59 noted as ESTIMATING. 128 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
1970169000N.p.: N.p. 1970. A small archive of a vintage French moyenne poster and nine vintage French lobby cards for the French release of the 1968 film here under the French release title "L'éperon brûlant."<br /> <br /> The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the rape and killing of his sister years earlier.<br /> <br /> Set in Texas in 1869.<br /> <br /> Moyenne poster: 22.75 x 30 inches. Folded as issued. Very Good plus with some light creasing and pinholes at the extremities and two small paper tape repairs to the verso at the top and bottom of the vertical fold. Bright and unfaded.<br /> <br /> Nine French lobby cards: 9.5 x 11.5 inches. Very Good plus with pinholes at the extremities. N.p. unknown
1972165096N.p.: N.p. 1972. Eight vintage studio still photographs from the 1972 film.<br /> <br /> When mob associates turn up dead at the hands of a ruthless businessman an enforcer is sent to Kansas to investigate. He finds a man who is using the local town to operate a ring of corruption: drugs bootlegging and female sexual slavery. The first film credit for Sissy Spacek. <br /> <br /> Set in Kansas City shot on location in Canada Missouri and Kansas. <br /> <br /> 8 x 10 inches. Generally Very Good to Very Good plus moderately curled one with ink residue on the bottom left corner. N.p. unknown
1972155313N.p.: N.p. 1972. Vintage borderless double weight matte-finish reference photograph taken on the set of the 1972 film showing director Luis Buñuel working with actress Stéphane Audran between takes. Rubber stamp of photographer R. Nusimovici on the verso.<br /> <br /> Six bourgeois friends sit down to a meal together but just prior to dining are repeatedly interrupted by surreal dreamlike happenings in Buñuel's late satiric masterpiece. Winner of the Academy Award for Best Foreign Film.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 9 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 102. Ebert II. Rosenbaum 1000. Schrader 33. Vogel Film as a Subversive Art. N.p. unknown
1960162324N.p.: N.p. 1960. Four vintage borderless reference photographs from the 1960 film all four showing actress Anita Ekberg.<br /> <br /> Federico Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or. Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. <br /> <br /> Shot on location in Rome and Vatican City Italy. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. N.p. unknown
1974159140N.p.: N.p. 1974. Three vintage reference photographs from the 1974 avant-garde film. Two photographs with snipes affixed to the versos and one with annotations in manuscript pencil regarding cropping.<br /> <br /> Noted independent director Mark Rappaport's first feature length film shot in pieces over a year and a half. <br /> <br /> Two photographs 10 x 8 inches one photograph 7 x 5 inches. Near Fine to Very Good plus. N.p. unknown
1935160585N.p.: N.p. 1935. Three vintage reference photographs from the 1935 film. Annotations in manuscript pencil on the versos in French. <br /> <br /> A farm girl gets tangled up with a depraved Parisian after starting a new job as a performer at a seedy music hall but finds redemption in her relationship with a wholesome milkman. One of two films written by notorious French author Colette the other being Marc Allégret's "Lake of Ladies" in 1934. <br /> <br /> Shot on location in Paris and in Hyères. <br /> <br /> 9.5 x 7 inches. Very Good plus lightly creased at the corners one with faint foxing on the bottom edge of the verso. N.p. unknown
1971151283N.p.: N.p. 1971. Three vintage borderless reference photographs from the 1971 French sexploitation film. <br /> <br /> A provincial French woman falls down an elevator shaft and survives but finds herself uncontrollably addicted to sex following the incident. <br /> <br /> 10 x 8 inches. Very Good plus overall. <br /> <br /> Bier 934. N.p. unknown
1975152317N.p.: N.p. 1975. Vintage borderless reference photograph from the 1975 Italian film showing actors Jack Nicholson and Maria Schneider. <br /> <br /> A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer following "Blowup" 1966 and "Zabriskie Point" 1970. <br /> <br /> Set in Chad shot on location in Germany Spain and England. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Rosenbaum 1000. N.p. unknown
2011167782Universal City: Universal City Studios / Paqu Films 2011. Draft script for the 2012 film. Copy belonging to still photographer François Duhamel with his name watermarked on several script pages. <br /> <br /> Based on the 2010 novel by Don Winslow about two cannabis growers in Southern California who work together to confront the enforcers of a powerful Mexican drug cartel. <br /> <br /> Shot on location in the Pacific Palisades. <br /> <br /> Housed in a generic black three-ring binder. Title page present dated 05/01/11 noted as production No. 00K64 with credits for Winslow and screenwriters Shane Salerno and Oliver Stone. 156 leaves with last page of text numbered 129. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 7 and September 6 2011. Pages about Fine binder Near Fine. Universal City Studios / Paqu Films unknown
1945153874N.p.: N.p. 1945. Eight vintage reference photographs from the 1945 animated film. <br /> <br /> A short film following the misadventures of the eponymous main characters a group of river workers including two animated characters in blackface. The group is given control of a Mississippi steamboat called "The Spook" but must contend with a wily ghost onboard. Sequel to the 1943 short film "Professor Small and Mr. Tall."<br /> <br /> 10 x 8 inches overall with wide margins images measuring 4.5 x 3.5 inches. Generally Near Fine. N.p. unknown
1996167800Los Angeles: Sony Imageworks 1996. Collection of vintage bound gatherings of storyboards representing eight sequences from the 1997 film. Storyboards belonging to visual effects producer Peter Kuran with his name in manuscript ink or pencil on three pages. <br /> <br /> Sequences represented include an advertisement from the Federal Network Jump Ball the brain bug capturing fleet training the battle of Klendathu a bug meteor the Starship Athena and asteroid grazing among others. <br /> <br /> Based on the 1959 novel by Robert A. Heinlein about several soldiers serving in the Earth world government military during an interstellar war with an alien species known as Arachnids. Nominated for an Academy Award for Best Visual Effects. <br /> <br /> Xerographically duplicated rectos only. Approximately 200 leaves. Pages generally Near Fine variously bound with staples paper clips or gold brads. Sony Imageworks unknown
1958153669Burbank CA: National Broadcasting Company NBC 1958. Archive of material for the 1958 television episode which originally aired on August 13 1958 on NBC including one Revised First Draft script a ten-page typescript treatment and approximately 70 unnumbered typescript draft leaves. Revised First Draft script treatment script and one draft page signed by screenwriter Larry Cohen with Cohen's manuscript annotations throughout all materials noting substantive revisions and deletions.<br /> <br /> "Kraft Theatre" was a dramatic anthology television series which aired on NBC from 1947 to 1958. In this installment based on William L. Stuart's 1948 novel a tough troubled cop is assigned to a homicide case and begins to use brutal tactics to force the lead suspect to confess. The television debut of actor Peter Falk. <br /> <br /> An early venture for screenwriter Larry Cohen who would go on to write Blaxploitation films "Bone" 1972 "Black Caesar" 1973 and "Hell Up in Harlem" 1973 as well as several popular horror and science fiction films including "It's Alive" 1974 "God Told Me To" 1976 and "The Stuff" 1985. <br /> <br /> Set and shot on location in New York.<br /> <br /> Revised First Draft:<br /> <br /> Self wrappers. Title page present dated 8/4/58 noted as 1ST REVISION with credits for screenwriter Larry Cohen. 103 leaves with last page of text numbered III-97. Mimeograph duplication rectos only. Pages Very Good plus with first and last leaves detached from the binding partially bound with a single staple to the top left corner. <br /> <br /> Treatment:<br /> <br /> Self wrappers. Title page present undated noted as OUTLINE with credits for screenwriter Larry Cohen and novelist William L. Stuart. 10 leaves not numbered. Typescript rectos only. Pages Near Fine partially bound with a single staple to the top left corner. <br /> <br /> Treatment and loose draft pages housed in a manila envelope. <br /> <br /> Pagination for typescript draft materials available upon request. National Broadcasting Company [NBC] unknown
2001164026N.p.: N.p. 2001. Rainbow Revision Shooting Draft script for the 2002 film with six gatherings of revision pages. From the archive of crew member Chris Scher.<br /> <br /> The six gatherings of revision pages include: <br /> <br /> Six buff revision ages dated 5/03/01.<br /> <br /> Twelve buff revision pages dated May 3 2001 with a label on the title page for uncredited crew member "Steve Martinez / Construction Department."<br /> <br /> Eleven cherry revision pages dated May 6 2001.<br /> <br /> Four tan revision pages dated May 16 2001 with a label on the title page for "Construction Department" with the name struck.<br /> <br /> Two pages of 2nd white revision pages dated May 21 2001 with a label on the title page for "Jason Vanover / Construction Department" Vanover had the uncredited position of Key Greensman on the film.<br /> <br /> And seven 2nd yellow revision pages dated June 11 2001 with a label on the title page for "Jason Vanover / Construction Department."<br /> <br /> Based on the 1999 bestselling novel by Janet Fitch. Fifteen-year old Astrid finds herself shuffled from foster home to foster home after her free-spirited mother with borderline personality disorder is imprisoned after poisoning her lover.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot on location in Santa Clarita and Los Angeles California. <br /> <br /> Front wrapper integral with title page dated March 21 2001 noted as Shooting Draft with credits for screenwriter Mary Agnes Donoghue. 133 leaves with last page of text numbered 125. Xerograhic duplication rectos only with blue pink yellow green and goldenrod revision pages throughout dated variously between 3/21/01 and 4/21/01. Pages Near Fine bound with two gold brads.<br /> <br /> Revision Pages with each grouping affixed by a single staple to the top left. Near Fine. N.p. unknown
1969149363N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout.<br /> <br /> Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969.<br /> <br /> Set and shot on location in Rome and Milan. <br /> <br /> 9 x 7 inches. Very Good plus with light dampstaining to the versos. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1930152397Paris: Societe Nouvelle des Acacias 1930. Vintage borderless oversize double weight reference photograph from the 1930 French film showing Pola Illery and Edmond T. Greville dancing at the bottom left corner with Gaston Modot looking on in a jealous sulk to the far right. With a provenance stamp and the stamp of Societe Nouvelle des Acacias to the verso. <br /> <br /> A seductive Romanian woman named Pola enchants working class street singer Albert but he must compete for her affections with his best friend Louis and a local gangster named Fred. <br /> <br /> 11.5 x 9.25 inches. Very Good plus with light creases to the corners. <br /> <br /> Criterion Collection 161. Rosenbaum 1000. Societe Nouvelle des Acacias unknown
1977158139Universal City: Universal Studios 1977. Final Shooting Draft for the 1978 film. <br /> <br /> A New Hollywood neo-noir based on Simon's 1973 novel. Moses Wine Dreyfuss is a 1960s radical-turned-private eye who is hired by Lila Anspach to investigate a smear campaign against a popular political candidate. The investigation soon becomes a murder case involving a hippie leader whose values like Wine's have been compromised over the years.<br /> <br /> Set in California shot on location in southern California. <br /> <br /> Red titled wrappers rubber-stamped copy No. 02111 dated October 19 1977. Title page present noted as Final Shooting Draft with credits for screenwriter Roger L. Simon. 121 leaves with last page of text numbered 120. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads.<br /> <br /> Grant US. Spicer US. Universal Studios unknown
1971152553Los Angeles: Mondo Films 1971. Draft script for the 1971 film here under the working title "Kicks." Copy belonging to an unknown cast member with two manuscript ink annotations to pages 48 and 49. <br /> <br /> Two cruel biker thugs arrive at a large mansion where they proceed to attack the two women living there steal and sell the house's valuables and murder a concerned neighbor. <br /> <br /> Red titled wrappers. Title page present undated with credits for director-screenwriter Richard Kanter and screenwriters Ted Paramore and Sal Comstock. 111 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Mondo Films unknown
1984155631N.p.: N.p. 1984. Vintage reference photograph of actors Tony Hendra Christopher Guest Lara Cody and Harry Shearer on the set between takes and a take that ostensibly was not in the film.<br /> <br /> Reiner's debut and a much-loved cult classic about a documentary filmmaker chronicling the American comeback tour of an aging heavy-metal band. <br /> <br /> Shot on location throughout California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 12. Ebert II. McPadden Heavy Metal Movies. N.p. unknown
1946153990Burbank CA: Warner Brothers 1946. Vintage reference photograph of director Robert Florey arranging a shot with actor Peter Lorre on the set of the 1946 film. Printed mimeo snipe affixed to the verso along with a Warner Brothers stamp the stamp of photographer Mac Julian and a provenance stamp.<br /> <br /> Based on the 1919 short story by W.F. Harvey. A wealthy disabled pianist with an interest in the occult is found murdered in his Italian villa leading local villagers to suspect evil forces involved in his death. Peter Lorre's final film for Warner Brothers ending a five-year involvement.<br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Grant UK. Selby UK. Spicer UK. Warner Brothers unknown
1984166247Burbank CA: Columbia Pictures Television 1984. Draft script for the 1985 television movie seen here under the working title "Reunion at Thurleigh." Copy belonging to secretary Carol Wynn-Jones with her name in manuscript ink on the title page and her annotations throughout noting revisions and deletions. <br /> <br /> Laid in with the script is a letter from the Campaign for Nuclear Disarmament dated September 16 1984 declining to allow the film's producers to use their organization name and images in the film. <br /> <br /> A successful but lonely Chicago businessman attends a World War II veterans reunion in England and begins a romance with an old flame during the trip. Originally aired on HBO on May 12 1985. <br /> <br /> Shot on location in Surrey Cambridgeshire and London. <br /> <br /> Blue wrappers with a die-cut title window in the British style. Title page present with credit for screenwriter Albert Ruben with date 20-9-84 and copy number 52 noted in manuscript ink. 125 leaves with last page of text numbered 113. Xerographic duplication rectos only with rainbow revisions throughout dated variously between September 20 and October 3 1984. Pages Near Fine wrapper Near Fine housed in a black binder. Columbia Pictures Television unknown
1967152491Paris: Pier Luigi 1967. Vintage oversize borderless double weight reference photograph of director Roger Vadim actor Honey Autumm a crew member and an extra from the set of the 1968 film. Shot by still photographer Emilio Lari with his stamp on the verso as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc" "APIS-PARIS."<br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 9.5 x 11.75 inches. Light edgewear else Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Pier Luigi unknown
