4 698 résultats
1982156663Geneva: Regina-Film 1982. Collection of ten vintage color reference photographs from the 1982 adult film. Stamp of Regina-Film on the versos. <br /> <br /> A doctor begins to secretly film his sex-crazed patients in action. <br /> <br /> 10 x 8 inches. Near Fine with wide horizontal margins. Regina-Film unknown
1983163766Beverly Hills CA: United Artists 1983. Collection of 20 vintage color slides from the 1983 film. Annotations in manuscript ink and pencil on the slide sleeves noting the film title distributor names and file numbers. <br /> <br /> Based on Tom Wolfe's 1979 book about the first 15 years of the US space program. Winner of four Academy Awards and nominated for four others.<br /> <br /> 2 x 2 inches. Near Fine.<br /> <br /> National Film Registry. Ebert II. United Artists unknown
2016164011Los Angeles: Emerald Way Productions 2016. Early draft script for the 2024 Western film seen here under the working title "The Salted Earth." From the archive of crew member Chris Scher.<br /> <br /> In 1870s Montana a young man returns to his remote hometown to seek revenge for his father's death. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot in Livingston and Deer Lodge Montana. <br /> <br /> Self wrappers. Title page present dated 11/01/2016 noted as MONTANA FALL DRAFT with credit for screenwriter Lee Zachariah. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Ring stain on the title page else pages Near Fine bound with two gold brads. Emerald Way Productions unknown
1990151534Mumbai: National Film Development Corporation of India NFDC 1990. Vintage reference photograph of Satyajit Ray on the set of the 1990 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and label of photographer Nemai Ghosh on verso. Ghosh worked closely with Ray as his official still photographer for nearly twenty-five years.<br /> <br /> Based on the 1882 play by Henrik Ibsen. When a good doctor discovers the cause of an outbreak of illness among the townsfolk is the holy water at the local temple and tourist attraction he is met with unexpected resistance and hostility. <br /> <br /> Set in the town of Chandipur India. <br /> <br /> 4.25 x 6.25 inches narrow margins. Very Good plus. <br /> <br /> Criterion Collection Eclipise 40. National Film Development Corporation of India (NFDC) unknown
1963156632N.p.: N.p. 1963. Vintage reference photograph of director Satyajit Ray and a camera crew capturing a scene with Anil Chatterjee and Madhavi Mukherjee on the set of the 1963 film. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A young housewife goes to work as a saleswoman in order to save her family from financial peril finding her relationships with her husband and their traditional conservative family changing as she gains independence in the modern world. <br /> <br /> Shot on location in Calcutta. <br /> <br /> 10 x 8 inches. About Near Fine. <br /> <br /> Criterion Collection 668. N.p. unknown
1966157335N.p.: N.p. 1966. Eight vintage oversize borderless hand-tinted color reference photographs from the French release of the 1966 American sexploitation film. Stamp of French distributor Les Films Hustaix on the versos. <br /> <br /> Lonely men seek companionship from a variety of increasingly odd sources including an embittered prostitute and the jealous madam of a brothel catering to sadomasochists. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 9.5 x 12 inches. Very Good plus with several with pinholes at the corners. N.p. unknown
1932151762N.p.: N.p. 1932. Vintage reference photograph from the 1932 short film. With provenance stamps on the verso along with manuscript ink annotations noting the film's title and associated cast and crew members. <br /> <br /> Hardy goes to visit Laurel in the hospital. Chaos ensues. <br /> <br /> 10 x 8 inches. Very Good moderately toned and edgeworn overall with a 2.5 inch dampstain to the upper portion of the image. N.p. unknown
1954152838Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Script supervisor's copy with their manuscript pencil and ink annotations on the front wrapper and virtually every page. <br /> <br /> A farm girl hides her brother from the police when he is framed for murder. <br /> <br /> Yellow titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 13 1954 with credits for screenwriter Leonard St. Clair and story credits to Stephen Crane. Title page integral with the front wrapper. 59 leaves with last page of text numbered 53. Mimeograph duplication rectos only with blue revision pages throughout dated 4/26/54. Wrapper and pages Near Fine bound with two gold brads. ZIV Television Programs unknown
1970159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping.<br /> <br /> Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. <br /> <br /> 10 x 7.25 inches. Near Fine. N.p. unknown
1987144450Burbank CA: Warner Brothers 1987. First Draft script for the 1988 film. <br /> <br /> Steven Seagal's debut role as Nico Toscani an Italian-American ex-CIA agent and martial arts expert working for the Chicago police force. What begins as a drug trafficking investigation soon reveals the CIA's involvement in an international weapons-trade operation. Nico goes to great lengths to stop Zargon Henry Silva the corrupt CIA agent behind it all. <br /> <br /> Shot on location in O'ahu and Chicago. <br /> <br /> Orange titled studio wrappers noted as First Draft on the front wrapper dated March 4 1987 with credits for screenwriters Steven Pressfield Ronald Shusett Andrew Davis and Steven Seagal. Title page present dated March 4 1987 noted as First Draft with credits for for screenwriters Steven Pressfield Ronald Shusett Andrew Davis and Steven Seagal. 110 leaves with last page of text numbered 107. Photocopy rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1969158710N.p.: N.p. 1969. Draft script for the 1969 film. <br /> <br /> Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. <br /> <br /> OCLC locates no holdings. AMPAS shows one holding. <br /> <br /> Set and shot on location in London. <br /> <br /> Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1957150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br /> <br /> Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br /> <br /> Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br /> <br /> 8 x 10 inches. About Near Fine. Columbia Pictures unknown
1998169960N.p.: N.p. 1998. Revised Draft script for the 2001 film. An agency copy printed on the rectos and versos written seven months prior to the commencement of the production with the marker annotation of "O" on the front wrapper.<br /> <br /> A modern day adaptation of Shakespeare's "Othello" set in a US high school wherein Odin James Mekhi Phifer the only black student at Palmetto Grove Academy who is the star basketball player and dating the Dean's beautiful daughter Desi Julia Stiles is the envy of his troubled friend Hugo Josh Hartnett who plots a deadly scheme to sow mistrust between Desi and Odin.<br /> <br /> Shot on location in Charleston South Carolina. <br /> <br /> Untitled International Creative Management wrappers. Title page present dated 08/12/98 noted as Revision with credits for screenwriter Brad Kaaya. 59 leaves with last page of text numbered 114. Xerographic duplication on the rectos and versos. Pages Near Fine wrapper Very Good plus with dampstaining to the rear board bound internally with two gold brads. N.p. unknown
1975162393Culver City CA: Columbia Pictures 1975. Five vintage borderless reference photographs from the 1975 film. Two with printed mimeo snipes affixed to the versos and three with Columbia stamps on the versos.<br /> <br /> A New Hollywood satire about a womanizing money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses and Beatty and Towne were nominated for their screenplay. <br /> <br /> Set and shot on location in California. <br /> <br /> 10 x 8 inches. Near Fine. Columbia Pictures unknown
2001164034N.p.: N.p. 2001. Revised Draft script for the 2001 film including a six page "Alternate Ending" preceded by a memo notice that both "endings will be shot." Laid in are three gatherings of revisions each with a label on their title page for credited crew member "Brian Markey / Construction Coordinator." From the archive of crew member Chris Scher.<br /> <br /> The three gatherings of revisions are: Eight pages of "White Revised Pages" dated 12/06/01. Seven pages of "Pink4" revision pages dated 12/12/01. And two pages of "Goldenrod4" revision pages dated 01/16/02.<br /> <br /> Tommy Lee Jones stars as a former military instructor tasked with tracking down his former student Benicio del Toro who has "gone rogue" and has been tracking and viciously murder hunters in the wilderness of British Columbia. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot on location in Oregon and Washington. <br /> <br /> Front wrapper integral with title page with last revisions dated 06/06/01 with credits for screenwriter Art Monterastelli. 134 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> The three gatherings of revision pages are each attached by one or two staples to the top left. Near Fine. N.p. unknown
1978168320N.p.: Momentum Productions 1978. Treatment script for an unproduced film. <br /> <br /> An English-language feature-length treatment based on the 1965 Dutch short film co-written by René Daalder and his childhood friend and noted architect Rem Koolhaas under the auspices of experimental film collective the 1 2 3 Group. Counting Jan de Bont and Robby Müller among its members the 1 2 3 Group opposed the concept of the auteur with each person in the group serving variously as writer director actor and more on each production. The collective is perhaps best remembered today for "The White Slave" 1969 co-written by Koolhaas and Daalder.<br /> <br /> Self wrappers. Title page present copyright date noted as 1978 with credit for Daalder. 48 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus partially bound at the top left corner with a paper clip. Momentum Productions unknown
1962150413N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. <br /> <br /> Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. <br /> <br /> Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
1962150424N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations.<br /> <br /> Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. <br /> <br /> Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 4.5 x 6.5 inches. Near Fine. N.p. unknown
1968158755New York: AVCO Embassy Pictures 1968. Revised Draft for the 1969 film. Script belonging to uncredited crew member with their name in manuscript ink in three places in the script. Additionally included with the script is a vintage reference photograph from the film showing cast and crew members on location. <br /> <br /> Based on the 1960 novel by Harold Robbins. A Mafia hit man is ready to retire but his employers not happy with this idea send a hit man out after him. <br /> <br /> Shot on location in New York City and Puerto Rico. <br /> <br /> Red titled wrappers. Title page present dated 9/27/68 with credits for novelist Harold Robbins screenwriter A.J. Russell and director Bernard L. Kowalski. PAGES leaves with last page of text numbered 121. Mimeograph duplication rectos only with pink yellow blue and green revision pages throughout dated variously between 10/15/68 and 11/5/68. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Photograph: 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
1969169582Paris: Gamma 1969. Vintage oversize borderless reference photograph from the 1969 film showing Romy Schneider and Alain Delon swimming together on the set. Gamma stamp crediting photographer J.P. Bonnotte on the verso along with layout annotations in manuscript pencil.<br /> <br /> A searing psychologically complex erotic thriller set in the dead of summer at a villa on the Côte d'Azur. A couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Co-written by noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. <br /> <br /> Shot on location at Côte d'Azur and Saint-Tropez France.<br /> <br /> 12 x 8 inches. Near Fine.<br /> <br /> Criterion Collection 1088. Grant France. Gamma unknown
1961159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. <br /> alexander<br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.25 inches with a wide bottom margin. Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos.<br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.5 inches. About Near Fine with faint toning on the edges. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1981152296Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to special effects crew member John Burke with his name on the front wrapper in manuscript ink and his manuscript pencil annotations to the rear wrapper and throughout. Missing two pages likely as used or issued.<br /> <br /> While visiting his daughter in a small Colorado town a retired New York policeman becomes involved in solving the case of a string of cattle mutilations. <br /> <br /> Shot on location in Colorado New York and Wyoming. <br /> <br /> Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 218 dated 2/27/81 with credits for director Alan Rudolph. Title page present noted as FINAL DRAFT dated 2/27/81 with credits for director Alan Rudolph. 132 leaves with last page of text numbered 132. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/13/81 and 10/1/81. Pages and wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1960163709Universal City: Universal International Pictures 1960. Vintage full color banner poster for the 1960 film with a "Classified By Ontario Board of Censors as Adult Entertainment" label on the lower right. Rare in this format.<br /> <br /> Steve Allen stars as a sociology professor accused of corrupting the students morals after conducting a survey about their lifestyles and sexual habits. An unofficial follow-up to the hit 1958 film "High School Confidential!"<br /> <br /> 118.5 x 24 inches. Very Good plus with censor label partially detached. Bright and unfaded. Universal International Pictures unknown
1960163713Glendale CA: Allied Artists Pictures 1960. Vintage three-color banner poster for the 1960 film. Rare in this format.<br /> <br /> Collins College consults with the campus computer "Thinko" in search for a new head of their science department which suggests Dr. Mathilda West who holds 13 degrees speaks 18 languages and is a disruptively attractive buxom blonde played by Mamie Van Doren. Released in Europe with an additional nine-minute dream sequence featuring "Thinko" and four striptease dancers.<br /> <br /> 118.5 x 24 inches. Very Good plus. Allied Artists Pictures unknown
