4 698 résultats
1956161711N.p.: N.p. 1956. Draft script for Season 1 Episode 10 of the 1956 television series seen here under the working title "Water Main." Laid in with the script is a four-page carbon typescript reader's analysis of the script. Copy belonging to an unidentified cast or crew member with their annotations in manuscript ink throughout. <br /> <br /> The short-lived series followed the students and professors of the US Military Academy at West Point in New York. In this installment a cadet is tasked with proving himself academically after pulling several disruptive stunts. The episode originally aired on December 7 1956 on CBS.<br /> <br /> Beige wrappers with a title label affixed to the front wrapper with credit for screenwriter Gene Roddenberry. 42 leaves with last page of text numbered 41. Mimeograph duplication on pink stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1956161714N.p.: N.p. 1956. Draft script for Season 1 Episode 19 of the 1956 television series. Working copy belonging to editor Bob Seiter with his name in manuscript ink on the front wrapper and his extensive annotations in manuscript ink and pencil throughout. Laid in with the script are seven annotated revision pages six carbon typescript and one mimeograph and nine manuscript pages on yellow lined paper.<br /> <br /> The short-lived series followed the students and professors of the US Military Academy at West Point in New York. In this installment a fearful cadet is sent on a jet flight with an experienced pilot. The episode originally aired on February 8 1957.<br /> <br /> Beige titled wrappers dated December 18 1956 with credit for screenwriter Gene Roddenberry. 42 leaves with last page of text numbered 40. Mimeograph duplication on blue stock rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1956161713N.p.: N.p. 1956. Draft script for Season 1 Episode 13 of the 1956 television series seen here under the working title "The Thayer Girls."<br /> <br /> The short-lived series followed the students and professors of the US Military Academy at West Point in New York. In this installment a group of socialites visit the academy to attend a dance. The episode originally aired on December 28 1956. <br /> <br /> Beige wrappers with a title label affixed to the front wrapper dated October 2 1956 with credit for screenwriter Gene Roddenberry. 44 leaves with last page of text numbered 43. Mimeograph duplication on pink stock rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1977166312N.p.: N.p. 1977. Rainbow Revision Final Draft script for the 1977 film. Copy belonging to actor Nick Dimitri. Bound in with the script is a Typed Letter Signed on custom letterhead for the film addressed to Dimitri from Wilder's secretary Kate Kovacs dated February 22 1977. Also bound in with the script are five revision pages. <br /> <br /> The script also appears to have been used by actor Sal Viscuso with his annotations in manuscript ink on pages 80-A and 81.<br /> <br /> A parody of 1920s silent film and actors particularly actor Rudolph Valentino. A studio that rivals Valentino's decides to hire an actor to compete with him choosing a neurotic baker from Milwaukee. <br /> <br /> Shot on location in California.<br /> <br /> Tan illustrated titled wrappers. Title page present dated January 3 1977 noted as FINAL with credits for screenwriter Gene Wilder. 141 leaves with last page of text numbered 126. Mimdographic duplication rectos only with blue pink green yellow and goldenrod revision pages throughout dated variously between 1/19/77 and 4/20/77. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1977145176Venice CA: Blum Group 1977. Third Draft script for the 1978 film. <br /> <br /> A Hollywood agent has racked up huge gambling debt and needs to quickly pay back his bookie. He organizes a group of talented skateboarders and enters them into a major competition with a $20000 prize. <br /> <br /> Shot on location in California. <br /> <br /> Lime green titled wrappers. Title page present dated January 10 1977 noted as THIRD DRAFT with credits for screenwriters Richard A. Wolf and George Gage on the title page along with a notation of copy No. 68 in manuscript ink. 96 leaves with last page of text numbered 94. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Blum Group unknown
1977160496N.p.: N.p. 1977. Vintage borderless reference photograph of director George Lucas sitting with actor Alec Guinness on the set of the 1977 film.<br /> <br /> The film that started a multibillion dollar media empire pun intended which now includes ten additional live action films animated shows novels comic books video games and countless tons of officially licensed merchandise with no signs of slowing down. Winner of six Academy Awards nominated for four more including Best Picture Best Director Best Original Screenplay and Best Supporting Actor for Alec Guinness. <br /> <br /> Set a long time ago in a galaxy far far away and shot on location in California Arizona Mexico Guatemala Tunisia and the UK. <br /> <br /> 9.5 x 7 inches. Fine. N.p. unknown
1982160696N.p.: N.p. 1982. Vintage color publicity photograph from the 1983 film showing actress Carrie Fisher frolicking in the ocean in her iconic gold bikini. <br /> <br /> Note that the "crown" watermark is digital and not present on the photograph itself.<br /> <br /> The third in a trilogy of films that started a multibillion dollar media empire pun intended which now includes ten additional live action films animated shows novels comic books video games and tons of officially licensed merchandise with no signs of slowing down. Winner of six Academy Awards nominated for four more including Best Picture Best Director Best Original Screenplay and Best Supporting Actor for Alec Guinness. <br /> <br /> Set a long time ago in a galaxy far far away and shot on location in California Arizona Mexico Guatemala Tunisia and the UK. <br /> <br /> 8 x 10 inches. Fine. N.p. unknown
1976137880N.p.: ITC Entertainment 1976. Draft script for the 1976 German-Italian-British film. <br /> <br /> A train traveling in Europe has been exposed to a deadly disease and the passengers are forbidden to leave the train. Terrorism and disaster follow with a star-studded cast including Richard Harris Martin Sheen and producer Carlo Ponti's wife Sophia Loren. <br /> <br /> Green titled wrappers. Title page present dated 1976 with credits for director Cosmatos and screenwriter Mankiewicz. 121 leaves with last page of text numbered 121. Xerographically reproduced. Pages Very Good plus wrapper Near Fine bound with a green Vello binding. ITC Entertainment unknown
1975167495London: Reader's Digest Films 1975. Revised Second Draft script for the 1976 British film seen here under the working title "Sarah." Sketch in manuscript pencil likely of a set design on the verso of the colophon page. <br /> <br /> A dramatization of the storied and frequently scandalous life of French stage actress Sarah Bernhardt. Nominated for two Academy Awards. <br /> <br /> Shot on location throughout England in London Didcot and Buckinghamshire. <br /> <br /> Blue wrappers with a die-cut title window in the British style. Title page present dated June 26 1975 noted as Revised Second Draft with copy No. 32 noted in manuscript ink with credit for screenwriter Ruth Wolff. 107 leaves with last page of text numbered 105. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Reader's Digest Films unknown
1957130511London: The Rank Organization 1957. Original British quad poster for the 1957 British film noir<br /> <br /> A low budget British film noir that brought Rod Steiger across the ocean in order to put his formidable character acting skills into what became a critically praised film. Shot in Spain but represented as Mexico "Across the Bridge" expands on Graham Greene's short story bringing more specifics to the author's intentionally empirical outline. Steiger plays a crooked businessman on the run who steals a man's passport in order to hide out in Mexico only to discover that the passport belongs to a wanted political assassin. <br /> <br /> 30 x 40 inches. Near Fine. <br /> <br /> Phillips US. Spicer US. The Rank Organization unknown
1950169980N.p.: N.p. 1950. Treatment script for an unproduced film.<br /> <br /> Copy belonging to screenwriter Harold Jacob Smith with the maker annotation of "H.J. Smith" and a telephone number on the top left corner of the front wrapper. Script with four carbon typescript pages the final three pages and a second title page with the alternative title "The Last American" found preceding the title page matching the front wrapper. The title page with the title matching the front wrapper with a manuscript marker annotation striking second screenwriter Nathan E. Douglas.<br /> <br /> Nathan E. Douglas was the pseudonym of blacklisted screenwriter Nedrick Young with whom Smith co-wrote the Academy Award winning script for the 1958 film "The Defiant Ones" as well as the acclaimed 1960 film "Inherit the Wind."<br /> <br /> For generations Joshua Cable's family have lived on their farm in the Appalachia Mountains. After strip mining has left everyone but the coal companies destitute and all the farms poisoned with coal dust Cable desperately gathers the help of other impoverished men to steal equipment from the coal company and mine his farmland for coal in spite of having sold the mineral rights to his land to the coal company years ago.<br /> <br /> Tan titled wrappers. Two title pages present one with credits for screenwriter Harold Jacob Smith and one for screenwriters Harold Jacob Smith and Nathan E. Douglas with Douglas' name stuck. 37 leaves with last page of text numbered 33. Mimeograph duplication with four pages carbon typescript rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1950142292n.p.: N.p. 1950. First Draft script for an unproduced film. Copy belonging to Ben Colman credited for adding additional dialogue manuscript pencil signature on front wrapper. Manuscript ink and pencil annotations throughout. <br /> <br /> Based on the true story of John Wesley Powell's dangerous inaugural navigation of the Colorado River through the Grand Canyon. Creator of the Cosmos Club second director of the US Geological Survey and proponent of land preservation he was championed as an explorer and a great man notwithstanding his belief that the Native Americans were primitives with no civilized societal structure of course. Written by "Lone Ranger" screenwriter Herb Meadow. <br /> <br /> Set in Arizona. <br /> <br /> Yellow titled wrappers rubber-stamped copy No. 3 dated December 29 1949. Distribution page present with receipt intact. Title page present noted as FIRST DRAFT CONTINUITY with credits for screenwriters Meadow and Colman and author John Wesley Powell. 157 leaves with last page of text numbered 146. Mimeograph duplication with revision pages throughout dated variously between November 23 1949 and January 4 1950. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1980146434Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1980. Revised Final Draft for the 1981 film. Copy belonging to an unknown crew member with their name in manuscript pencil annotation on the front wrapper. <br /> <br /> One of Steve Martin's earliest and most bizarre critical successes and along with "The Singing Detective" 1986 the work for which the late Dennis Potter is best remembered. Potter's trademark dark sensibilities permeate the film's mood punctuated by wildly complex choreographed musical numbers. Nominated for three Academy Awards including Best Screenplay. <br /> <br /> Set in Illinois.<br /> <br /> Goldenrod titled wrappers noted as REVISED FINAL DRAFT on the front wrapper rubber-stamped copy No. 27 dated October 22 1980 with credits for director Herbert D. Ross and screenwriter Dennis Potter. Title page present dated 10/22/80 noted as REVISED FINAL DRAFT with credits for screenwriter Dennis Potter. 145 leaves with last page of text numbered 143. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1963154904N.p.: Dore Productions 1963. Vintage pressbook for the 1963 musical film. <br /> <br /> Considered the first nudie musical about a nightclub singer and a comedian who are drawn into the world of nudism through their girlfriends. <br /> <br /> Two pages bifold. 11 x 17 inches. Near Fine. Dore Productions unknown
1953153203Los Angeles: Paramount Pictures 1953. Five vintage reference photographs of flying saucer or other special effects from the classic 1953 science fiction film. <br /> <br /> Based on the 1898 novel by H.G. Wells. The first feature film adaptation. Winner of an Academy Award for Best Special Effects and nominated for two more. <br /> <br /> National Film Registry. Criterion Collection 1037. Paramount Pictures unknown
1930148911Beverly Hills CA: United Artists 1930. 16 page vintage program for the 1930 film announcing its showing at Broadway theaters in New York with abundant black and white photographs of actors aerial stunts and Howard Hughes throughout.<br /> <br /> Hughes' most expensive and ambitious production a story about World War I combat pilots today still a dazzling work of blockbuster action and actual aerial biplane footage. Originally conceived as a silent film and then retooled as a talkie in the wake of "The Jazz Singer." Most of the film is shot in black and white but one sequence is in color-the only color footage ever released of actress Jean Harlow before her untimely death. <br /> <br /> James Whale was hired by Hughes to direct the talking sequences Whale's first major effort in Hollywood but the overall production took so long that Whale's subsequent directorial effort "Journey's End" was released first.<br /> <br /> Nominated for an Academy Award for Best Cinematography.<br /> <br /> Card wrappers saddle stapled 5 x 6.5 inches. 16 pages. Near Fine. United Artists unknown
1969152375N.p.: N.p. 1969. Vintage borderless reference photograph taken on the set of the 1969 film showing Kim Novak topless mid-costume change aided by two wardrobe ladies. <br /> <br /> Based on the 1961 novel. A genre-bending film combining heist comedy and Western genres in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. <br /> <br /> 7.5 x 9.5 inches. Near Fine. N.p. unknown
1968156925Burbank CA: Warner Brothers / Seven Arts 1968. Revised Estimating script for the 1969 film. <br /> <br /> Based on the 1961 novel by Frank O'Rourke. A genre-bending film combining a heist feature and a comedy Western in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. <br /> <br /> Tan titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 99 dated August 1 1968. Distribution page present with receipt intact. Title page present dated August 1 1968 with credits for screenwriter William Peter Blatty. 136 leaves with last page of text numbered 133. Mimeograph on yellow stock with pink Confidential page and white distribution page bound in at the front. Pages Fine wrapper Near Fine bound internally with two gold brads.<br /> <br /> Pitts 1631. Warner Brothers / Seven Arts unknown
1971150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1977148804Burbank CA: Warner Brothers 1977. Shooting Final Draft script for the 1978 film. <br /> <br /> One of "Master of Disaster" Irwin Allen's last disaster films his penultimate film as director following up on his success with "The Poseidon Adventure" 1972 and "The Towering Inferno" 1974 and featuring an enormous star-studded cast which included seven Academy Award winners Michael Caine Olivia de Havilland Ben Johnson Jose Ferrer Patty Duke Lee Grant and Henry Fonda.<br /> <br /> Based on the 1974 novel by Arthur Herzog III. A team of scientists join forces with the US military to try to stop the massive swarms of killer bees terrorizing the country. Nominated for an Academy Award.<br /> <br /> Shot on location in California and Texas. <br /> <br /> Green illustrated custom wrappers noted as SHOOTING FINAL on the front wrapper dated AUGUST 1977 with credits for screenwriter Stirling Silliphant. Title page present dated August 1977 noted as SHOOTING FINAL with credits for screenwriter Stirling Silliphang. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1961151020N.p.: N.p. 1961. Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and provenance label of "de Selva - Tapabor" on verso. <br /> <br /> Jacques Demy's tribute to Max Ophuls with title and character inspired by Josef von Sternberg's "Der Blaue Engel" 1930 starring Marlene Dietrich.<br /> <br /> Roland Cassard is a bored layabout until he has a chance encounter with Lola a girl he dated in his teens before the war. Roland finds a renewed purpose in life realizing he is still in love with Lola now a cabaret dancer and mother who hopes her son's father her true love may still return. <br /> <br /> Shot on location in Nantes France. <br /> <br /> 8.75 x 12 inches. Very Good plus with some edge and corner wear. <br /> <br /> Criterion Collection 714. Rosenbaum 1000. N.p. unknown
1982151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. <br /> <br /> Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic.<br /> <br /> Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith.<br /> <br /> Set in and shot on location in Nantes France. <br /> <br /> 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 719. Rosenbaum 1000. N.p. unknown
1954160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. <br /> <br /> Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. <br /> <br /> Shot on location on the coast of France. <br /> <br /> 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge.<br /> <br /> Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown
1992163927N.p.: N.p. 1992. Third Draft script for the 1993 film. From the archive of crew member Chris Scher.<br /> <br /> Based on the award-winning semi-autobiographical 1988 play by John O'Keefe about two teenage boys who create a shared fantastical world in order to mentally escape from their abusive confinement in a juvenile detention center. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in the rural midwest shot on location in Toledo and Waterloo Iowa. <br /> <br /> Self wrappers. Title page present dated 15 April 1992 noted as Third Draft with credit for O'Keefe. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1976164201Universal City CA: Universal Studios 1976. Final Draft script for the 1977 film here under working title "9/30/55". <br /> <br /> Based on the 1966 play "How Many Times Have You Seen East of Eden' by James Bridges. A college student who idolizes James Dean tries to cope with Dean's sudden death on September 30 1955. <br /> <br /> Set in and shot on location in Conway Arkansas. <br /> <br /> Red titled self wrappers noted as FINAL DRAFT SCREENPLAY on the front wrapper production No. 02088 dated March 12 1976. Title page present noted as Final Draft Screenplay with credits for director screenwriter and playwright James Bridges. 100 leaves with last page of text numbered 97. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads.<br /> <br /> Weldon 1996. Universal Studios unknown
