4 698 résultats
1988166665N.p.: N.p. 1988. Six vintage borderless reference photographs from the 1988 film including three showing cast and crew members between takes on the set. <br /> <br /> Based on Milan Kundera's 1984 novel set during the Prague Spring about a womanizing brain surgeon who struggles between his childlike wife and his free-spirited lover. <br /> <br /> Set in 1960s Prague and Switzerland shot on location in Paris and Lyon France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 55. N.p. unknown
1957141710N.p.: N.p. 1957. Draft script for an unproduced film. Copy belonging to Ben Colman after previously being owned by screenwriter Maxwell Shane with both of their names and addresses on the first page. <br /> <br /> Based in part on an adventure story by Daniel Defoe. The film opens with a man trying to drown himself in the ocean as he reflects on his journey to this point of his life. Maxwell Shane began as a screenwriter and found his greatest recognition as a director of five key films noir in the 1940s and 1950s including "Fear in the Night" and "City Across the River."<br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter Maxwell Shane and author Daniel Defoe. 145 leaves with last page of text numbered 142. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1995164015N.p.: N.p. 1995. Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher.<br /> <br /> Archive includes:<br /> <br /> A Fourth Draft script on pink and yellow leaves copy belonging to Construction Foreman Ramsey Smith with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. <br /> <br /> A Third Draft script on blue leaves copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page.<br /> <br /> A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page.<br /> <br /> And a collection of 53 green revision pages for the Fourth Draft script copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page.<br /> <br /> Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's Michelle Pfeiffer death and birthday David Peter Gallagher who spends his evenings walking the beach talking with his wife's ghost has his in-laws come to stay for the weekend with him his daughter and her friend hoping to snap him back into the present.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in Nantucket Massachusetts shot on location in Massachusetts North Carolina and California.<br /> <br /> Fourth Draft Script:<br /> Front wrapper integral with title page dated September 28 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only on pink and yellow revision pages dated September 27 1995 and September 28 1995. Pages Near Fine bound with two gold brads.<br /> <br /> Third Draft Script:<br /> Front wrapper integral with title page dated September 11 1995 noted as Third Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Second Draft Script:<br /> Front wrapper integral with title page dated July 25 1995 noted as Second Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine wrapper CONDITIONWRAPPER bound with two gold brads.<br /> <br /> Green Revision Pages:<br /> Front wrapper integral with title page dated October 4 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1962150547N.p.: N.p. 1962. Vintage reference photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film. <br /> <br /> Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence.<br /> <br /> An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. <br /> <br /> Winner of seven Academy Awards including Best Picture.<br /> <br /> Shot on location in England Saudi Arabia Spain and Morocco. <br /> <br /> 10.25 x 8 inches. Some edge and corner wear else Near Fine.<br /> <br /> National Film Registry. Ebert I. N.p. unknown
2014158644Oxford MS: Zach Tutor 2014. Limited Edition fine art giclee print one of 25 unnumbered and unsigned copies designed by artist Zach Tutor for the 2001 film circa 2014. Tutor exhibited the dark and haunting artwork as part of the exhibition "In Dreams: An Art Show Tribute to the Films of David Lynch" at the Spoke Art Gallery in San Francisco March 8 through March 29 2014.<br /> <br /> Zach Tutor is an artist and curator living in Oxford Mississippi. Named one of the "100 Best Southern Artists" by Oxford American in 2012 he has written for Juxtapoz and Hi-Fructose magazines curates artists for The People's Printshop in Berkeley California runs the virtual exhibition space Supersonic Art Shop and since 2012 has curated the acclaimed yearly contemporary art showcase the Supersonic Invitational at Spoke Art Gallery and Hashimoto Contemporary in San Francisco and New York.<br /> <br /> Lynch's dreamlike neo-noir fable of the Hollywood dream turned nightmare featuring outstanding performances by leads Laura Elena Harring and Naomi Watts in dual roles which darkly shift midway through the narrative. Nominated for the Palm d'Or and winner of Best Director at the Cannes Film Festival.<br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> 11 x 17 inches. Near Fine.<br /> <br /> Criterion Collection 779. Ebert IV. Grant US. Rosenbaum 1000. Silver and Ward US. Spicer US. Zach Tutor unknown
1958143106Paris: Filmsonor 1958. Collection of 109 vintage black-and-white still photographs for the 1958 French film. All photographs with mimeograph series number on the verso. Images of cast and crew expertly captured including director Patelliere working with cameraman on the set. Photographs range in size several with white borders several credit photographer M. Dole on the recto. Housed in original box with "Papiers as de trefle" paper label their "open in red light only" warning and French film title in manuscript ink on the box top. <br /> <br /> Based on Maurice Druon's 1948 novel the film stars Jean Gabin as the head of a wealthy French family ruling his fortune and estate with an iron fist and leaving little room for his heirs to prove worthy of the wealth. <br /> <br /> Photographs from 3.25 x 4.5 inches to 9.5 x 12 inches most under 7 inches. Photos Near Fine overall slight curling a few with short creases. Box Very Good. Filmsonor unknown
1967152118London: Hammer Film Productions 1967. Seven vintage reference photographs including six borderless from the 1967 film.<br /> <br /> The young queen of Icena agrees to share her throne with Justinian a Roman causing consternation among Britons and Romans alike. Loosely based on the life of British folk hero Boudica a famed ruler of the British Celtic Iceni tribe. <br /> <br /> Shot on location in Ireland at Powerscourt Waterfall Loch Tay Wicklow Gap Sally Gap and Kilruddery Estate. <br /> <br /> Six photographs 9.5 x 7 inches one photograph 8 x 10.5 inches. Generally Near Fine one Very Good plus overall. <br /> <br /> Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 277-280. Hammer Film Productions unknown
1968163595Universal City: Universal Pictures 1968. Vintage bound production budget and two cost reports for the 1969 Western film. This grouping of documentation does NOT include the film's script.<br /> <br /> Based on the 1968 novel by Lewis B. Patten. An old-fashioned lawman is fired after killing a man in self-defense but refuses to resign resulting in violence on both sides. Actor Richard Widmark was dissatisfied with the film's original director Robert Totten and arranged to have him replaced by Don Siegel. Each director felt that the film did not represent his creative vision and the resultant dispute over the directorial credit led the Directors Guild of America to create the pseudonym Alan Smithee. <br /> <br /> Set in the fictional Cottonwood Springs shot on location in California and Arizona. <br /> <br /> Tall green Universal Pictures leatherette wrappers dated June 26 1968 noted as production No. 2022 with credits for Totten actors Richard Widmark and Lena Horne and producer Richard Lyons. Approximately 50 leaves. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver screw brads. <br /> <br /> Pitts 1015. Universal Pictures unknown
1958140666N.p.: Regal Films 1958. Draft script for the 1958 film. Copy belonging to actress Lyn Thomas with annotations throughout relating to her character in the film Laura. <br /> <br /> A space probe returns to earth bearing an unusual extraterrestrial fungus which when accidentally mixed with human blood turns into space rust. The rust expands rapidly threatening to consume the entire planet. Produced on a tight budget $12500 with $25000 for the screenwriters and rushed to production so that the release would coincide with the Explorer launch. <br /> <br /> Shot on location in California. <br /> <br /> Red untitled wrapper lacking front wrapper. Title page present dated March 7 1958 with credits for screenwriters Daniel Mainwaring and George Worthing Yates. 108 leaves with last page of text numbered 102. mechanical duplication with blue pink and yellow revision pages throughout dated variously between 3/4/58 and 3/13/58. Pages Near Fine wrapper Near Fine lacking front wrapper. Bound with two gold brads. Regal Films unknown
1958162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. <br /> <br /> Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. <br /> <br /> Shot on location in Long Island New York. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1922158645N.p.: N.p. 1922. Vintage borderless satin-finish reference photograph from the 1922 film showing director and actor Erich von Stroheim. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> The legendary von Stroheim's third film as a director at time the most expensive film ever made and the first to cost over one million dollars although the original budget was $250000. The overruns led to the first of many clashes between von Stroheim and Irving Thalberg then just 21 years old and still in his first year as the head of Universal. Thalberg eventually shut down production and took over editing the film himself cutting nearly three hours from the footage in the first of several instances in the next few years that would assert the primacy of the studio over that of the director. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Godard Histoires du Cinema. Rosenbaum 1000. N.p. unknown
1958152832Logan IA: The Perfection Form Company 1958. Complete bound set of ten literary photographic prints published in conjunction with the 1958 film made for educational use.<br /> <br /> Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> Housed in blue wrappers measuring 13 x 10 inches. Photographs 12 x 9 inches. Very Good plus lightly creased. The Perfection Form Company unknown
1958146914N.p.: Leland Hayward Productions 1958. Vintage photograph of Ernest Hemingway and Spencer Tracy on the set of the 1958 film. Mimeo snipe on the verso. <br /> <br /> Based on the Pulitzer Prize winning novel by Ernest Hemingway published in 1952. Winner of an Academy Award and nominated for two more including Best Actor for Spencer Tracy one of nine nominations he would receive during his career. <br /> <br /> 8 x 10 inches. Near Fine very light creasing. Leland Hayward Productions unknown
1965150040N.p.: N.p. 1965. Vintage borderless reference photograph of Giulietta Masina Federico Fellini and crew on the set of the 1965 film. "Rizzoli Press" and "Atlantic Press" stamps on verso. <br /> <br /> Set in and shot on location in Rome. <br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> Criterion Collection 49. Ebert II. Scorsese My Voyage to Italy. N.p. unknown
1962160548Oslo: Billed Sentralen 1962. Vintage borderless double weight reference photograph of director Francesco Rosi on the set of the 1962 Italian film. Distribution stamp on the verso along with a stamp crediting photographer Patrick Morin. <br /> <br /> Based on the true story of Italian bandit Salvatore Giuliano who rose to prominence within the Mafia after the 1943 Allied invasion of Sicily. Shot in nonlinear documentary style with Giuliano's character off-screen for most of the film Rosi's narrative today stands as an example of minimalist neo-realism at its finest.<br /> <br /> Shot on location in Sicily. <br /> <br /> 10.5 x 8.25 inches. Very Good plus lightly creased at the corners. <br /> <br /> Arrow Academy 970. Criterion Collection 228. Schrader 50. Billed Sentralen unknown
1972151998London: Gala Film Distributors 1972. Three vintage oversize double weight photographs from the 1972 French film. With a promotional gold foil label at the bottom right corner of each recto as issued.<br /> <br /> Based on the 1967 novel by Henry Farrell. A young criminologist falls in love with his subject a woman accused of murdering her lover and her father. <br /> <br /> 15.5 x 12 inches. Very Good plus overall with tiny punch holes at the corners as issued. Gala Film Distributors unknown
1973150485N.p.: N.p. 1973. Five vintage borderless reference photographs from the set of the 1973 French film four showing actors Dani Jacqueline Bisset and Jean-Pierre Leaud and one showing director François Truffaut speaking into a walkie-talkie. With a stamp noting the film's French title "Nuit Americain" on the verso along with the stamp of the Israel Film Archive. <br /> <br /> One of the great films about film chronicling the ups and downs in the lives of the cast and crew of a fictional melodrama film. Nominated for four Academy Awards winning one for Best Foreign Language Film. <br /> <br /> Shot on location in France. <br /> <br /> 9.75 x 7.75 inches. A couple lightly edgeworn else Near Fine. <br /> <br /> Criterion Collection 769. Ebert IV. N.p. unknown
1943157113Hollywood: RKO Radio Pictures 1943. Final script for the 1943 film. Copy belonging to actor Lon McCallister with his name on the front wrapper and his notations throughout.<br /> <br /> A propagandistic musical revolving around the romantic and comic goings-on at the Stage Door Canteen a real recreational center in New York created for for American and Allied servicemen during World War II. The actual Stage Door Canteen was a basement nightclub located in the 44th Street Theatre and was too busy to be used for filming. As a result the canteen was recreated at the Fox Movietone Studio and RKO Pathe Studios in Los Angeles. <br /> <br /> Pink titled wrappers stamped FINAL SCRIPT on the front wrapper rubber-stamped copy No. 42 dated November 25 1942 with credits for screenwriter Delmer Daves. Distribution page present with receipt intact. Title page integral with the front wrapper. X leaves with last page of text numbered X. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 11/21/42 and 1/4/43. Pages Near Fine wrapper Very Good plus bound with three gold brads. RKO Radio Pictures unknown
1956150455N.p.: N.p. 1956. Vintage reference photograph from the 1956 film showing actors Leslie Nielsen Anne Francis and Frankie Darro in the "Robby the Robot" suit. <br /> <br /> A pioneering science fiction film a document of its time with groundbreaking visual effects and approach to depicting future technologies many of which have since been adapted as conventions of the genre. One of the first films to establish a robot as a character with a distinct personality and outside of science fiction cinema the first feature film of any genre to use an entirely electronic musical score composed by electronic music legends Bebe and Louis Barron. <br /> <br /> Set in outer space. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Rosenbaum 1000. N.p. unknown
1985166915N.p.: N.p. 1985. Final Draft script for the 1986 film.<br /> <br /> Fred Williamson directs and stars as a cigar-smoking swaggering private investigator hired by a millionaire to find his missing niece in Europe.<br /> <br /> Set and shot on location in Cannes Los Angeles Rome and Venice. <br /> <br /> Front wrapper integral with title page dated June 3 1985 noted as FINAL DRAFT. 81 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the title page side-stapled.<br /> <br /> Moore The Good the Tough and the Deadly: Action Movies and Stars 1960s-2015. N.p. unknown
1975166433N.p.: N.p. 1975. Draft script for the 1976 blaxploitation film here under the working title "Adventures of Jesse Crowder II: Journey to Nowhere." Copy belonging to actor Nick Dimitri who played the character "Henchman" with marker annotations of his name copy number "12" and date "1-9-76" on the front wrapper. Script with manuscript pencil and ink annotations on twenty pages and with manuscript marker annotations of page numbers throughout. Bound in preceding the script is a two page cast contact sheet and a five page schedule dated January 13 1976.<br /> <br /> The second of four Jesse Crowder films starring Fred Williamson and the first film made by Williamson's production company "Po' Boy Productions." Preceded by "Death Journey" 1976 and followed by "Blind Rage" 1978. <br /> <br /> Ex-cop turned private detective Jesse Crowder is on the hunt for a fugitive named Woolf and his girlfriend Candy until he runs into trouble with Candy's pimp Bernie and his gang.<br /> <br /> Set in and shot on location in Venice Mill Valley Newport Beach and Santa Monica California. <br /> <br /> Blue untitled wrappers. Title page present dated 1975 with credits for screenwriter Fred Williamson. 93 leaves with last page of text numbered 85. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a prong binding.<br /> <br /> Howard Blaxploitation Cinema: The Essential Reference Guide. N.p. unknown
1936132489Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Original US herald for the 1936 film. Lang's first Hollywood film and second talkie considered one of his finest efforts and one of three films in 1936 that propelled Spencer Tracy to the upper echelons of stardom. An important precursor to film noir which would develop directly from the expressionist style Lang and others brought to Hollywood from Germany beginning in the early 1930s. <br /> <br /> 6.75 x 11.75 inches. Near Fine quite bright with a coupe of tiny closed tears and light creasing to the top edge. <br /> <br /> National Film Registry. Grant US. Rosenbaum 1000. Spicer US Precursor. Metro-Goldwyn-Mayer [MGM] unknown
1971167650N.p.: N.p. 1971. Five vintage oversize borderless color reference photographs from the 1971 film. <br /> <br /> A disillusioned museum curator unexpectedly finds romance with a gregarious parking lot attendant. The sixth feature film directed by John Cassavetes and the fourth of eleven films Cassavetes made with his wife actress Gena Rowlands.<br /> <br /> Set and shot on location in New York and Los Angeles. <br /> <br /> 11.75 x 9.5 inches. Near Fine. N.p. unknown
1951162338N.p.: N.p. 1951. Four vintage reference photographs from the 1951 film including three showing Gene Kelly dancing with Leslie Caron and one showing a dejected Kelly with four military officers. <br /> <br /> Inspired by George Gershwin's 1928 jazz-influenced orchestral composition and featuring a show-stopping 17-minute ballet choreographed to the piece as well as a number of other Gershwin tunes including the classics "Embraceable You" "Nice Work if You Can Get It" and "I Got Rhythm."<br /> <br /> Winner of six Academy Awards including Best Screenplay and Best Picture and nominated for two others including Best Director. Also nominated for the Palme d'Or at Cannes in 1952.<br /> <br /> 10 x 8 inches. Near Fine with light age toning on a few margins. <br /> <br /> National Film Registry. Godard Histoires du cinema. Schrader 34. N.p. unknown
1956161712Hollywood: ZIV Television Programs 1956. Draft script for Season 1 Episode 2 of the 1956 television series seen here under the working title "The Operator." Script supervisor Larry Lund's working copy with his name in manuscript ink on the front wrapper and his extensive annotations throughout in manuscript pencil. <br /> <br /> The short-lived series followed the students and professors of the US Military Academy at West Point in New York. In this installment two cadets-one an overachiever the other a rule-breaker-must cooperate and learn from each other. The episode originally aired on October 12 1956 on CBS.<br /> <br /> Beige titled wrappers dated April 25 1956 noted as production No. 3B with credit for screenwriter Gene Roddenberry. 44 leaves with last page of text numbered 42A. Mimeograph duplication on blue stock rectos only with two yellow revision pages dated 5/18/56. Pages Very Good plus wrapper Very Good plus bound with two gold brads. ZIV Television Programs unknown
