4 698 résultats
1930146907N.p.: Gloria Productions 1930. Vintage double weight photograph from the 1930 film. Stamps on the verso reading: "Gloria Swanson in 'What a Widow' Directed by Allan Dwan United Artists Picture" and "United Artists Corporation."<br /> <br /> A young woman inherits a fortune from her late elderly husband and is pursued by several high society suitors. Gloria Swanson's first picture originally filmed with sound and the final film produced by her Gloria Productions studio. <br /> <br /> Now considered a lost film its trailer is preserved at the Library of Congress and soundtrack is preserved at the UCLA Film and Television Archive.<br /> <br /> Set in Paris. <br /> <br /> 8 x 10 inches. Near Fine. Gloria Productions unknown
1985145807Los Angeles: New World Pictures 1985. Collection of 22 vintage still photographs from the 1985 film. <br /> <br /> An early mockumentary following a documentary filmmaker's attempt to find out identity of a mysterious masked wrestler. A cult classic of the wrestling film genre starring many stars of the wrestling world from its time including Magic Schwarz Stephen Cepello Dick Murdoch Wally George John Tolos Adrian Street.and let's not forget Miss Linda. Produced by Roger Corman's New World Pictures a typically low budget but entertaining and highly unusual affair. <br /> <br /> 8 x 10 inches. Just about Fine. New World Pictures unknown
1986160924N.p.: N.p. 1986. Shooting Revision script for the 1988 action film. Bound in preceding the script are three pages of interior and exterior set lists and cast lists.<br /> <br /> Jimmy Stathis stars as DEA Agent John Temple working undercover in Mexico to nail drug kingpin Victor Lazzaro played by Aldo Ray who killed his partner.<br /> <br /> Shot on location in Los Angeles and Mexico City. <br /> <br /> Orange titled wrappers with credits for screenwriter Allan Kuskowski. Title page present dated 7/21/86 noted as SHOOTING REVISION with credits for screenwriter Allan Kuskowski. 120 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1980166581Los Angeles: Embassy Pictures 1980. Second Draft script for an unproduced film. Annotations in manuscript ink throughout the first 50 pages of the script indicating sets and props. <br /> <br /> During Prohibition a war veteran takes up competitive sharpshooting to support his family. <br /> <br /> Generic white Embassy Pictures studio wrappers. Title page present undated noted as Second Draft with credit for screenwriter Allan Scott. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Embassy Pictures unknown
1972155215N.p.: N.p. 1972. Treatment script for the 1973 3-D sexploitation film seen here under the working title "International Stewardesses." Copy belonging to uncredited crew member Alan Colberg with "Property of Alan Colberg c/o Stereo Vision" in manuscript pencil annotation on the title page and his additional annotations throughout. Laid in with the script are an original photograph and large format negative of the illustration of the five lead stewardesses used in the film's marketing campaign.<br /> <br /> Sequel to the successful 1969 3-D softcore comedy film "The Stewardesses" about twelve beautiful stewardesses who are chosen for a three week trip around the world aboard a supersonic airplane. A largely forgotten sequel purportedly attributable to the cost-cutting measures of distributor company Sherpix in post-production.<br /> <br /> Set in and shot on location in Hong Kong Lisbon Athens and Rome. <br /> <br /> Green untitled wrappers with a titled label. Title page present with screenplay preparation date of March 1972 noted as a narrative outline with credits for screenwriter Allan Silliphant. 32 leaves with last page of text unnumbered. Xerographic duplication rectos only. Pages Very Good plus with first three pages with a 2 to 3 inch slice to the top center wrapper Very Good plus with a three inch slice to the top center bound internally with three metal brads.<br /> <br /> Photograph and Negative 10 x 8 inches. Near Fine.<br /> <br /> Nilsen Warped and Faded. N.p. unknown
1974141481Los Angeles: Lawrence Kasha and Edgar Rosenberg 1974. First Draft script for an unproduced film. <br /> <br /> Based on the 1974 novel "Ward 402" by Ronald J. Glasser. A young medical intern confronts the sad realities of his profession when he meets a terminally ill girl in a pediatric ward. <br /> <br /> Red titled wrappers. Title page present dated June 20 1974 noted as FIRST DRAFT with credits for screenwriter Allan Sloane and author Ronald J. Glasser. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Lawrence Kasha and Edgar Rosenberg unknown
1957146655Los Angeles: The Associates and Aldrich Company 1957. Eight vintage studio still photographs from the 1957 film. <br /> <br /> Texas lawman Chris Hamish William Conrad who feels himself as a failure is sent into Mexico to retrieve the confident and charismatic Bob Kallen Anthony Quinn to stand trial for murder. Finding and arresting Kallen proves easy enough but the journey back proves perilous as they traverse a seemingly endless desert and are stalked by marauding Apaches forcing lawman and outlaw to rely upon each other for survival.<br /> <br /> Set in Texas and Mexico shot on location in California and Mexico. <br /> <br /> 8 x 10 inches. Very Good plus seven with small closed tear on right side one with significant open tear on right. <br /> <br /> Pitts 3421. The Associates and Aldrich Company unknown
1936130393N.p.: N.p. 1936. Treatment script for an unproduced film. <br /> <br /> A newsboy meets a professional dancer and the pair become highly respected in the couples dance circuit in New York City before the newsboy's boss desires the dancer for himself and sends the newsboy to cover the dance circuit nationwide in order to get him out of the picture. <br /> <br /> Untitled manila wrappers. Title page integral with the first page of the script dated April 22 1936 with credits for screenwriter Rivkin. 12 leaves mimeograph on onionskin stock. Pages Near Fine wrapper Near Fine side stiched. N.p. unknown
1995164081N.p.: My Heart Inc 1995. Draft script for the 1996 film copy with the manuscript marker annotation of copy number 73 on the title page. From the archive of crew member Chris Scher. <br /> <br /> Loosely inspired by the career of Carole King. Illeana Douglas stars as Edna Buxton an aspiring singer/songwriter from Philadelphia who hopes to make it in the music industry in the early 1960s. After changing her name to Denis Waverly and moving to New York she finds success as a songwriter in the Brill Building music scene. Featuring music written in the styles of the era by Burt Bacharach Elvis Costello Joni Mitchell Gerry Goffin and Jill Sobule.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in and shot on location in New York and Los Angeles. <br /> <br /> Front wrapper integral with title page dated February 15 1995 with credits for screenwriter Allison Anders. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine bound with three gold brads. My Heart, Inc unknown
1964142333Buckinghamshire: British Lion Film Corporation 1964. Draft script for the 1964 film. <br /> <br /> Based on the 1960 novel of the same title by Douglas Hayes. A middle-aged stage actor moves from a conservative life in the provinces to the very center of Swinging London and tries to revitalize his career by performing in commercials. <br /> <br /> Set in London shot on location there. <br /> <br /> Black untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Peter Yeldham and author Douglas Hayes. 129 leaves with last page of text numbered 128. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. British Lion Film Corporation unknown
1989159717San Francisco: Roxie Cinema 1989. Vintage poster for the theatrical premiere of the 1989 film at the Roxie Cinema Friday February 23 through Thursday March 1 1989.<br /> <br /> Manhattan newlyweds portrayed by Christopher Rich and Amanda Plummer set out of New York for Hoboken commencing a series of mishaps and misadventures.<br /> <br /> 11 x 17 inches. Very Good plus with tape shadows along the vertical margins. Roxie Cinema unknown
1997161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." The episode originally aired on October 17 1997 on Showtime. <br /> <br /> Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this installment the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. <br /> <br /> Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1956142890N.p.: N.p. 1956. Draft script for a 1956 student film. Front wrapper title in decorative manuscript black ink presumably by the screenwriter. Based on the 1890 story by Ambrose Bierce. 22 pages of storyboards corresponding with the script that follows all bound together. Decorative cast and crew invite to premiere and wrap party laid in. <br /> <br /> The second filmed version of Bierce's short story the first one titled "The Bridge" was made by Charles Vidor in 1929 virtually unknown preceding both the well known 1959 version filmed for the fifth season of Rod Serling's "The Twilight Zone" and the French version made in 1962 by Robert Enrico. <br /> <br /> According to the 1956-57 Film Review of Student Productions presented by Department of Cinema and Delta Kappa Alpha at the University of Southern California USC the film was part of the Productions of the Graduate Workshop in the fall of 1956. Laid in is an invitation to premiere screening held at CineManor where USC's California National Honorary Cinema Fraternity Delta Kappa Alpha hosted screenings and social events. Douglas W. Gallez served as President of the Alpha USC Chapter at the time. Not in IMDB. <br /> <br /> Presumably shot in Southern California. Set in Civil War era Alabama. <br /> <br /> Pale untitled wrapper with credits for screenwriter. Title page present with credits for story writer Ambrose Bierce and screenwriter Douglas W. Gallez. 45 leaves with last page of text numbered 22. Mimeograph both storyboards and script. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1982166414Los Angeles: Avon Productions 1982. Draft script for the 1982 pornographic film.<br /> <br /> Three violent escaped convicts on the run from the law break into a house where a young girl is being given a wedding shower and they proceed on a rampage of violence rape and sexual assaults. IMDB.<br /> <br /> Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown
1967157986N.p.: N.p. 1967. Four vintage studio still photographs from the 1967 film. One with annotations in manuscript ink and pencil on the verso regarding cropping. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A bold film adaptation of the controversial allegorical drama by Amiri Baraka writing here as he often did in the 1960s as Leroi Jones. An erratic white woman meets an African American man on a subway car. When he begins to respond to her erotic advances she begins to taunt him viciously goading him until he explodes into violence. Anthony Anthony Harvey's important and still impactful first directorial effort followed by many successful films including "The Lion in Winter" 1968 "They Might Be Giants" 1971 and "The Glass Menagerie" 1973. <br /> <br /> Set in New York with subway exteriors shot in Manhattan and interiors shot in London. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1954148790Beverly Hills CA: United Artists 1954. Vintage three-sheet poster for the 1953 film. Based on the 1949 novel "The Girl on the Via Flaminia" by Alfred Hayes.<br /> <br /> Visiting Villefrance in the early 1950s Robert Teller Kirk Douglas reminisces on his time in the US Army in Paris nearing the end of WWII and his romance with the beautiful French peasant girl Lise Dany Robin.<br /> <br /> Set in and shot on location in Paris and the French Riviera France. <br /> <br /> 40.75 x 78 inches. Two panels folded as issued. Very Good with large closed tear to mid-right splitting to some folds several small closed tears at the extremities and light soiling.<br /> <br /> Royal Books can arrange for archival linen backing of posters. Please inquire. United Artists unknown
1956147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine.<br /> <br /> Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia.<br /> <br /> Ingrid Bergman won an Academy Award for her lead role. <br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads.<br /> <br /> Twilight Time 203. Twentieth Century-Fox unknown
1956132186London: Twentieth Century-Fox 1956. Seven vintage British front-of-house cards from the UK release of the 1956 US film. <br /> <br /> Based on Marcelle Maurette's stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. <br /> <br /> 8 x 10 inches. Tiny faint creases overalland light soil to one still else Near Fine. Twentieth Century-Fox unknown
1961138761Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. <br /> <br /> Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. <br /> <br /> 6.75 x 9 inches. United Artists unknown
1990167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations.<br /> <br /> An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. <br /> <br /> Set and shot on location in New York. <br /> <br /> Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown
1997160283Sherman Oaks CA: CineSon 1997. Revised script for the 1998 film seen here under the working titles "The Scalper" and "A Piece of Cake." Copy belonging to production coordinator Shelley Houis housed in a black three-ring binder with approximately 250 pages of production documents including in addition to the script cast and crew contact lists cost-per-day spreadsheets location lists shooting schedules maps and travel documents.<br /> <br /> Desperate to win back his girlfriend a ticket scalper decides to try to strike it rich by buying marking up and reselling tickets to see the Pope in New York. <br /> <br /> Shot on location in New York and New Jersey. <br /> <br /> Title page present dated 6/06/97 with credit for director and screenwriter Richard Wenk. 133 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages about Fine binder Near Fine. CineSon unknown
1968159702Rome: Galatea Film 1968. Two vintage studio still photographs from the 1968 television re-release of the 1957 film. <br /> <br /> A surgeon who suggested a woman go to a hospital instead of being treated by him dies at the hospital. Her husband believing the surgeon to be responsible for her death seeks revenge. <br /> <br /> Set in North Africa shot on location in Spain. <br /> <br /> 8 x 10 inches. Near Fine. Galatea Film unknown
1974150458N.p.: N.p. 1974. Vintage borderless reference photograph of actress Muriel Catala pulling on her stocking while actor Michel Albertini reclines on the floor next to a record player. <br /> <br /> A woman whose son stands accused of murder blackmails the judge in an attempt to force him to acquit. <br /> <br /> 9.75 x 7.75 inches. Near Fine. <br /> <br /> Grant US. N.p. unknown
1953130749Universal City CA: Universal Pictures 1953. Final Draft script for the 1954 film. Actor Van Heflin's copy. <br /> <br /> Safari guide Van Heflin is hired to hunt murderer Abel McCracken in the wilds of Africa but soon finds his guide's motives may go beyond the role for which he was hired.<br /> <br /> Pink titled wrappers noted as Final Screenplay on the front wrapper dated September 24 1953. Title page integral with the first page of the text. 147 leaves Multilith duplication with yellow carbon typescript revision pages collected at the end dated variously between 10-3-53 and 10-10-53. Pages Fine wrapper Fine bound with three gold brads. Universal Pictures unknown
1958159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. <br /> <br /> A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. <br /> <br /> Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. <br /> <br /> 8 x 10 inches. Very Good plus. <br /> <br /> Spicer UK. Columbia Pictures unknown
