Alex Tudor (screenwriter)Biblio.com
4 698 résultats
1985142124N.p.: N.p. 1985. Treatment script for an unproduced film. Single annotation in manuscript ink on page 1. <br /> <br /> An allegory about an unusually powerful man who becomes a danger to his city with the inhabitants unwilling and eventually unable to stop his reign of terror. <br /> <br /> Green untitled wrappers with credits for screenwriter and director Alex Tudor. Title page present dated April 21 1985 with credit for screenwriter Alex Tudor. 16 leaves with last leaf of text numbered 11. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with four staples. <br /> <br /> Pagination available upon request. N.p. unknown
1985141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. <br /> <br /> An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. <br /> <br /> Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. <br /> <br /> Set in <br /> <br /> Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographically duplicated. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown
1997160794N.p.: N.p. 1997. Third Draft script for the 1999 film. With manuscript ink annotations relating to the character of Jim McAllister on several pages possibly in the hand of screenwriter Jim Taylor and post-it notes with annotations in the same hand attached to five pages. <br /> <br /> Based on the 1998 novel by Tom Perrotta loosely based in turn on Budd Schulberg's 1941 novel "What Makes Sammy Run" A pitch-black comedy about a washed-up high school history teacher who forms an increasingly desperate vendetta against an overachieving student. Nominated for an Academy Award for Best Screenplay. <br /> <br /> Set in Omaha shot on location in Washington DC in Omaha Bellevue LaVista and Papillon Nebraska in Carter Lake Iowa and in New York City. <br /> <br /> Blue titled wrappers noted as THIRD DRAFT on the front wrapper dated July 22 1997 with credits for director-screenwriter Alexander Payne screenwriter Jim Taylor and novelist Tom Perotta. Title page present noted as THIRD DRAFT dated July 22 1997 with credits for director-screenwriter Alexander Payne screenwriter Jim Taylor and novelist Tom Perotta. 116 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Fine wrapper Very Good plus bound with a silver prong that has been reinforced with clear packing tape.<br /> <br /> Criterion Collection 904. N.p. unknown
1955151587London: Rank Organisation 1955. Vintage lobby card from the 1955 British film. With manuscript ink annotations on the verso noting the names of actors.<br /> <br /> A motley group of five small-time criminals rent out rooms from a wealthy octogenarian widow in order to plan a heist while posing as classical musicians.<br /> <br /> 14 x 11 inches. Very Good plus with pinholes to the corners. <br /> <br /> Grant UK. Lee The Heist Film. Rank Organisation unknown
1989152816N.p.: N.p. 1989. Draft script for the 1990 television film here under the working title "Fast Lane." <br /> <br /> A woman discovers that the man with whom she has just had a one-night stand is a hired assassin and tries to stop him from completing his next hit. <br /> <br /> Set in New York. <br /> <br /> Self wrappers. Missing title page presumably as issued. 107 leaves with last page of text numbered 102. Xerographic duplication on blue stock rectos only with pink yellow and green revision pages throughout. Pages Near Fine bound with two gold brads.<br /> <br /> Reyes 39. N.p. unknown
1964160359New York: Embassy Films 1964. Vintage program for two May 20 1964 screenings of the 1954 documentary at the Crystal Ballroom at the Delmonico Hotel New York preceded by an essay presented by historian author screenwriter and president of Embassy Films Inc. Alexandre Tarsaidze included in the second half of the brochure. The screenings were presented as a benefit for the Association of Russian War Invalids of the First World War. <br /> <br /> A chronological compilation of historical newsreel footage of Nicholas II and his family taken between 1896 and 1914.<br /> <br /> 7 x 10 inches Bi-fold. Very Good plus with two faint horizontal creases and two pinholes at the top left. Embassy Films unknown
1970143874Hollywood: Goldfarb-Lewis Agency 1970. Original Treatment script for an unproduced film. <br /> <br /> Based on Guy Endore's novel of the same name about the life of Alexandre Dumas. <br /> <br /> Brown untitled wrappers. Title page present with credits for screenwriter Dale Wasserman and novelist Guy Endore. 39 leaves with last page of text numbered 36. Xerographically reproduced. Pages Fine wrapper Fine bound internally with three gold brads. Goldfarb-Lewis Agency unknown
1970162516N.p.: Maron Films 1970. Vintage studio still photograph from the US release of the French/Italian/German film.<br /> <br /> Based on the 1832 play "La Tour de Nesle" by Alexandre Dumas which was based on the fourteenth century French scandal the "Tour de Nesle affair."<br /> <br /> Captain Buridan king's swordsman and hero of the Flanders campaign returns to Paris to find the city in fear of a "vampire/witch" in the Tour de Nesle luring men to a night of sexual ecstasy followed by slaughter. <br /> <br /> Shot on location in Budapest Hungary. <br /> <br /> 8 x 10 inches. Near Fine. Maron Films unknown
1971158638N.p.: Audubon Films 1971. Two vintage studio still photographs from the 1971 US release of the 1970 West German film. <br /> <br /> A sexploitation film about a small-town girl who moves to the big city where she begins a career as a sex worker eventually falling in with a group of revolutionaries.<br /> <br /> 10 x 8 inches. Near Fine. Audubon Films unknown
1950164812Universal City: Universal Pictures 1950. Vintage publicity photograph from the 1950 film noir showing actress Alexis Smith.<br /> <br /> A young woman joins the police department in order to find and stop the killer responsible for her father's death. Actor Royal Dano's film debut. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Set in New York City. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. Universal Pictures unknown
1969146544Munich: Roxy-Film and Co KG 1969. Draft script for the 1969 film. Text in German. Director Harald Philip who presumably worked on the film in addition to its credited director Alfred Vohrer is credited on the title page.<br /> <br /> A reticent widower is forced to take on the uncomfortable task of educating his 16 year old daughter about sex leading her to request that he find her a boyfriend.<br /> <br /> Set in West Germany.<br /> <br /> White untitled self wrappers. Title page present with credits for screenwriter Ernst Flugel. 148 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Very Good plus with gold prong binding. Roxy-Film and Co, KG unknown
1936164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. <br /> <br /> Set in New York City. <br /> <br /> 10 x 8 inches. Near Fine. Columbia Pictures unknown
1998162639Culver City CA: Appleton Productions 1998. Record Draft script for Season 1 Episode 2 of the 1999-2000 primetime animated television series. <br /> <br /> Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert and his coworkers must ensure that a rival engineer does not steal their idea for a new product. The episode originally aired on February 1 1999 on UPN.<br /> <br /> Self wrappers dated May 5 1998 on the front wrapper noted as Record Draft and episode No. 102 with credit for screenwriter Jeff Kahn. Title page integral with the front wrapper as issued. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Appleton Productions unknown
1954160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. <br /> <br /> Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. <br /> <br /> 10 x 8 inches. Very Good plus lightly worn at the corners. <br /> <br /> Grant US. Selby US. Spicer US. Pictorial Press unknown
1954153634N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. <br /> <br /> Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. <br /> <br /> Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. <br /> <br /> One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. <br /> <br /> Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. N.p. unknown
1972148288Universal City: Universal Pictures 1972. Collection of 12 vintage French color lobby cards from the 1972 film. <br /> <br /> Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. <br /> <br /> London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed.<br /> <br /> Alfred Hitchcock's penultimate film.<br /> <br /> Set in and shot on location in London. <br /> <br /> 11.25 x 9 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Grant US. Universal Pictures unknown
1972148289Universal City: Universal Pictures 1972. Vintage French color lobby card from the 1972 film. <br /> <br /> Based on the 1966 novel "Goodbye Piccadilly Farewell Leicester Square" by Arthur La Bern. <br /> <br /> London is terrorized by a serial rapist who then strangles his victims with a necktie. Police suspect Richard Blaney Jon Finch whose wife was brutally killed.<br /> <br /> Alfred Hitchcock's penultimate film.<br /> <br /> Set in and shot on location in London. <br /> <br /> 11.25 x 9 inches. Pinholes at corners else Near Fine. <br /> <br /> Grant UK. Vogel Film as a Subversive Art. Clover Men Women and Chainsaws. Universal Pictures unknown
1944154237N.p.: N.p. 1944. Vintage reference photograph from the set of the 1944 film showing actress Tallulah Bankhead sitting and reading a newspaper that makes reference to World War II. <br /> <br /> A group of survivors are stranded on a lifeboat following a Nazi attack on their merchant ship. Tensions are high as the group negotiates food rations and tries to plot a course to land or rescue. The first film in Alfred Hitchcock's "limited setting" series followed by "Rope" 1948 "Dial M for Murder" 1954 and "Rear Window" 1954. <br /> <br /> Shot on location in Florida and California. <br /> <br /> 5 x 4.25 inches. Near Fine. <br /> <br /> Eureka Masters of Cinema 30. N.p. unknown
1964170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren.<br /> <br /> Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. <br /> <br /> Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. <br /> <br /> 5 x 4 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown
1964167791Universal City: Universal Pictures 1964. Vintage reference photograph from the 1964 film showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso.<br /> <br /> Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. <br /> <br /> Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. <br /> <br /> 10 x 8 inches. Faint discoloration on the top edge of the verso else about Near Fine.<br /> <br /> Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1964150493Universal City: Universal Pictures 1964. Vintage studio still photograph from the set of the 1964 film showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso along with the stamp of Culver Pictures and a stamp noting No. 75147.<br /> <br /> Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. <br /> <br /> Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1959161065Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. <br /> <br /> An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of Hitchcock's best films the last of four the director made with Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1959151251N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing actors Cary Grant and Eva Marie Saint. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's best films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. N.p. unknown
1960135571Hollywood: Paramount Pictures 1960. Vintage black and white photograph of Anthony Perkins on the set of the 1960 film silhouetted against the Bates Motel. The most sought after image from the known stills produced. <br /> <br /> Far and away the highest grossing film of Hitchcock's career nominated for 4 Academy awards including Hitichcock's fifth and final Best Director nomination and a key film in expanding allowable depictions of both violence and sexuality under the eroding Production Code. Selected by the National Film Registry in 1992. <br /> <br /> 8 x 10 inches. Very Good plus with a few pinholes at the corners. <br /> <br /> National Film Registry. Spicer US. Paramount Pictures unknown
1948157875N.p.: N.p. 1948. Vintage publicity photograph of the Mystery Writers of America's MWA endorsement of Hitchcock's 1948 film showing right to left MWA President Lawrence Blockman author Veronica Parker Johns Alfred Hitchcock author Audrey Roos author Edward Radin and author Clayton Rawson with layout annotations and the annotations of names in the margins of the recto.<br /> <br /> Based on Patrick Hamilton's 1929 play which was in turn based on a murder committed by Nathan Leopold and Richard Loeb in 1924. Two young men living together in a New York apartment decide to kill their former classmate to prove their intellectual and aesthetic superiority. As they grow increasingly daring and proud of their "perfect murder" their close friends and associates begin to suspect something is awry. Hitchcock's first Technicolor feature one of the director's most experimental films now rightfully considered an undisputed classic.<br /> <br /> Set in New York. <br /> <br /> 10 x 8 inches. Very Good with light creasing overall several pinholes near the extremities and cello tape repairs to the verso and the right margin of the recto. <br /> <br /> Grant US. Rosenbaum 1000. Selby US. Spicer US. N.p. unknown
