4 698 résultats
1963148710Tokyo: Kurosawa Production Co 1963. Draft script for the 1965 Japanese film preceding the release by nearly two years. Text and titles in Japanese. <br /> <br /> Based on Shugoro Yamamoto's short story collection "Akahige Shinryotan." Toshiro Mifune's final film with director Akira Kurosawa considered one of the director's masterpieces following a small-town doctor and his new intern a highly educated arrogant young man. <br /> <br /> Set in the Edo district of Koishikawa.<br /> <br /> White titled wrappers with a blue titled dust jacket. Title page present dated 1963. 65 leaves with last page of text numbered g-17. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing to the rear wrapper with perfect binding. Jacket is Very Good plus with light foxing to the fore-edges and rear panel. Kurosawa Production Co unknown
143465Tokyo: Shochiku Films 1990. Draft script for the 1991 film dated May 28 1990 about a year before its release. <br /> <br /> A tale of three generations in a postwar Japanese family and their responses to the atomic bombing of Japan. When the film played at the Tokyo Film Festival critics of Japanese militarism said Kurosawa had ignored the historical facts leading up to the bomb. Kurosawa's response was simple: he wanted his film to say that war was between governments not people. Richard Gere plays one of the family's Asian-American cousins a decision falling somewhere between stunt casting and commentary. <br /> <br /> Set in Nagasaki and shot on location there. <br /> <br /> Blue titled wrappers dated 5.28.1990. Title page present. 166 leaves with last page of text numbered 150. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br /> <br /> Rosenbaum 1000. Shochiku Films unknown
1949143058Tokyo: Film Art Association 1949. First Draft script for the 1949 Japanese film noir. Manuscript ink and pencil annotations from production on two leaves. Text in Japanese. <br /> <br /> Generally considered to be the greatest film noir made in Japan and hugely influential on American film noir of the 1950s and 1960s. <br /> <br /> White titled wrappers. 96 leaves with last page of text numbered 96. Mechanical duplication. Toning due to aging throughout wrapper split at spine with mild foxing otherwise Good condition. <br /> <br /> BFI 534. Criterion Collection 233. Grant Japan. Selby Japan. Spicer Japan Classic Noir. Film Art Association unknown
049457Istanbul. Soft cover. Very Good. Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929 Istanbul. It starts as 'Muhterem Vasfi Riza bey'. Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5 1902 in Constantinople Ottoman Empire. He was an actor known for Karim beni aldatirsa 1933 Ankara postasi 1928 and Milyon avcilari 1934. He died on November 23 1992 in Istanbul Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit actor husband of paintress Bedia Muvahhit writer Refik Halit Karay and Refi 'Cevat Ulunay. After the proclamation of the Second Constitutional Monarchy he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri Sekizinci. Bican Efendi series in which he played the title role after the WW 1 was accepted from the first comedy of Turkish cinema history. <br/> <br/> paperback
1969167422Los Angeles: Paragon Pictures 1969. Draft script for the 1969 film.<br /> <br /> Count Dracula and his wife are alive or undead and well in modern-day Arizona where they use their hunchbacked butler to capture and kill young girls allowing them to drink their victims' blood in martini glasses as Bloody Marys. A humorously campy entry in the Dracula canon produced by noted exploitation studio Crown International Pictures.<br /> <br /> Set in Arizona shot on location in Lancaster California. <br /> <br /> Red titled wrappers. Title page present undated. 93 leaves with last page of text numbered 92. Mimeograph duplication rectos only. Pages Very Good wrapper Good moderately soiled and dampstained on the left and right sides bound with two gold brads. Paragon Pictures unknown
1956150115Los Angeles: Paramount Pictures 1956. Vintage promotional reference photograph of Al Capp from the 1956 film. "Culver Pictures Inc." and "131242" stamps and two later date "Culver Pictures Inc." labels on verso.<br /> <br /> Based on the 1954 Broadway play "King of Hearts" by Jean Kerr.<br /> <br /> Al Capp famed cartoonist for his long-running satirical comic strip "Li'l Abner" portrays himself in a cameo role as well as providing promotional art for the film.<br /> <br /> Divorced comic strip cartoonist Francis X. Dignan Bob Hope is hired as a ghost-writer for the pompous fiance George Sanders of his ex-wife Eva Marie Saint. <br /> <br /> Set in Port Huron Michigan and New York City. <br /> <br /> 8 x 10.25 inches. Very Good with creasing primarily to margin. Paramount Pictures unknown
1972170735N.p.: N.p. 1972. Vintage borderless reference photograph from the 1972 film the final outdoor scene with Marlon Brando and Al Pacino. Annotations in manuscript ink in French on the verso. <br /> <br /> Based on the 1969 novel by Mario Puzo who co-wrote the screenplay with director Francis Ford Coppola. Widely considered one of the finest films ever made and an inescapable influence on the portrayal of organized crime in film and television. Nominated for eleven Academy Awards winning for Best Picture Best Adapted Screenplay and Best Actor for Marlon Brando. <br /> <br /> Set in New York New Jersey Los Angeles Las Vegas Sicily and Cuba shot on location in New York New Jersey Los Angeles Las Vegas Sicily and the Dominican Republic. <br /> <br /> 10 x 8 inches. About Near Fine lightly edgeworn.<br /> <br /> National Film Registry. Ebert I. Penzler 101. Schrader Canon Fodder 16. Sight and Sound 2022. N.p. unknown
1965149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso.<br /> <br /> A so-called modeling agency in New York City secretly operates as an undercover prostitution ring.<br /> <br /> Set and shot on location in New York.<br /> <br /> 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown
1981144586Paris: Sara Films 1981. Two vintage contact sheets from the 1981 French film. With two holes punched into the left margin of each. <br /> <br /> Noel Yves Montand a retired gangster living on a large estate outside Paris with his wife Nicole Catherine Deneuve is met by two fugitives one is Serge Pierre Forget an old accomplice who is dying from a recent gun wound the other is Mickey Gerard Depardieu an unstable maniac. Mickey's paranoia and violent outburst pulls Noel into the conflict as the police are on his tail. A high stress series of shoot-outs ensues.<br /> <br /> Shot on location in France. <br /> <br /> 9.5 x 12 inches. Near Fine. Sara Films unknown
1970162139Los Angeles: Paramount Pictures 1970. Vintage borderless studio still photograph from the American release of the 1970 French film showing actor Alain Delon. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on Eugene Saccomano's 1959 book "Bandits a Marseille." Two small time gangsters in 1930s Marseille join forces and go into business vying with mob bosses for control. Director Jacques Deray released a sequel "Borsalino and Co" in 1974 starring Delon and Riccardo Cucciolla.<br /> <br /> Set and shot on location in Marseille and Paris. <br /> <br /> 7.5 x 9.75 inches. Very Good plus lightly edgeworn with two pinholes at each corner and adhesive residue on the verso. <br /> <br /> Grant France. Spicer France. Paramount Pictures unknown
1970135622Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in manuscript ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". <br /> <br /> Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. <br /> <br /> Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. <br /> <br /> 7 x 9.5 inches. Very Good plus with light creasing and foxing. <br /> <br /> Hardy The Gangster Film US. Adel Productions unknown
1969168995Paris: Apis-Paris 1969. Vintage borderless photograph of Romy Schneider on the set of the 1969 film. Photograph with French "APIS" stamps on the verso.<br /> <br /> A searing erotic thriller set in the dead of summer at a villa on the Côte d'Azur where a couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Written by the noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. <br /> <br /> Shot on location at Côte d'Azur and Saint-Tropez France.<br /> <br /> 8.5 x 10.5 inches. Near Fine. <br /> <br /> Criterion Collection 1088. Grant France. Apis-Paris unknown
1969169582Paris: Gamma 1969. Vintage oversize borderless reference photograph from the 1969 film showing Romy Schneider and Alain Delon swimming together on the set. Gamma stamp crediting photographer J.P. Bonnotte on the verso along with layout annotations in manuscript pencil.<br /> <br /> A searing psychologically complex erotic thriller set in the dead of summer at a villa on the Côte d'Azur. A couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Co-written by noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. <br /> <br /> Shot on location at Côte d'Azur and Saint-Tropez France.<br /> <br /> 12 x 8 inches. Near Fine.<br /> <br /> Criterion Collection 1088. Grant France. Gamma unknown
1973145320Burbank CA: A.J. Films 1973. Vintage borderless photograph of actor Alain Delon nude along with various members of the cast on a beach location during shooting of the 1973 film. With manuscript annotations on the verso. <br /> <br /> After a breakup Helene Masson Annie Girardot takes her vacation at a rejuvenation clinic run by Dr. Devilers Alain Delon and his partner Dr. Berbard Michel Duchausso to prevent aging. Although the treatment helps Helene feel well she is disgusted when she realizes the disturbing source of the revitalizing formula. <br /> <br /> Shot on location in France. <br /> <br /> 9.5 x 7 inches. Near Fine. A.J. Films unknown
1959158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. <br /> <br /> Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination.<br /> <br /> Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. <br /> <br /> 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown
1959140805Neuilly-sur-Seine France: Argos Films 1959. Collection of eight vintage borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films seven with a sticker noting they are from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller one with both a sticker and stamp from the collection of film historian Maurice Bessy and all with manuscript annotations on the versos. <br /> <br /> A series of conversations about memory history and forgetfulness between a departing French actress and the married Japanese architect with whom she had a brief affair the film was a major catalyst for the Rive Gauche film movement. Screenwriter Marguerite Duras was nominated for an Academy Award and Alain Resnais received a Palme d'Or nomination at Cannes. <br /> <br /> 7 x 5 inches. Generally Near Fine. <br /> <br /> Criterion Collection 196. Rosenbaum 1000. Vogel Film as Subversive Art. Argos Films unknown
1968159812Neuilly-sur-Seine France: Presse Parc Film 1968. Vintage borderless reference photograph from the 1968 French film showing director Alain Resnais on the set. Stamp specific to the film's French release on the verso.<br /> <br /> After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind."<br /> <br /> Shot on location in Brussels Belgium.<br /> <br /> 7 x 5 inches. About Fine. Presse Parc Film unknown
1968149444Neuilly-sur-Seine France: Presse Parc Film 1968. Four vintage borderless reference photographs from the 1968 French film. With a stamp specific to the French release for the film on the verso and one with a provenance stamp.<br /> <br /> After being released from the hospital following a suicide attempt a young man is scouted by a mysterious research group to participate in a time travel experiment. Alain Resnais' fifth film a brutal rumination on memory and the death of a relationship thematically and stylistically a precursor to Michel Gondry's 2004 film "Eternal Sunshine of the Spotless Mind."<br /> <br /> Shot on location in Brussels Belgium.<br /> <br /> Three photographs 5 x 6.75 inches one photograph 7 x 5 inches. Near Fine. Presse Parc Film unknown
1961159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. <br /> alexander<br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.25 inches with a wide bottom margin. Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961148297Paris: Cocinor 1961. Six vintage French lobby cards from the 1961 film "Cocinor" stamp on versos. <br /> <br /> An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> 8 x 10 inches. One with pinholes at corner else Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown
1961168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos.<br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.5 inches. About Near Fine with faint toning on the edges. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos.<br /> <br /> Three photos shown. Please inquire for others.<br /> <br /> An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. <br /> <br /> Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown
1961153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. <br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess.<br /> <br /> Shot on location in Germany and France. <br /> <br /> 7.25 x 5.25 inches. Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. <br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.25 inches with a wide bottom margin. Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961144267Paris: Cocinor 1961. Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. <br /> <br /> An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 3.5 x 5 inches. Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown
