4 698 résultats
1966141085N.p.: Europa Film 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. <br /> <br /> Two pages saddle stapled 10 x 12 inches. Near Fine with a small manuscript graphite notation to the recto. Europa Film unknown
1963150389N.p.: N.p. 1963. Vintage borderless reference photograph of director Alain Robbe-Grillet on the set of the 1963 film. French "L'Immortelle" and "57- -3" stamp on verso. <br /> <br /> Directorial debut of novelist and filmmaker Alain Robbe-Grillet his first film project after writing the screenplay for Alain Resnais' "Last Year at Marienbad" 1961.<br /> <br /> Robbe-Grillet's eliptical narrative-defying tale of a withdrawn French man Jacques Doniol-Valcroze in a strange city Istanbul unable to speak the language falling in love with a mysterious woman Francoise Brion who shortly thereafter disappears.<br /> <br /> Set in and shot on location in Istanbul Turkey. <br /> <br /> 6.75 x 5 inches. Near Fine. <br /> <br /> BFI 1188. N.p. unknown
1975142089France: Arcadie Productions 1975. Two vintage color and five borderless black and white reference photographs from the 1975 film. <br /> <br /> One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material she appears in two of the photographs here than in the actual film. <br /> <br /> 7 x 5 inches. Fine. Arcadie Productions unknown
1974163777N.p.: N.p. 1974. Collection of ten vintage color lobby cards and two vintage borderless reference photographs from the 1974 French film. Housed in the original distributor's envelope.<br /> <br /> A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. <br /> <br /> Photographs: 9 x 7 inches. Near Fine.<br /> <br /> Lobby cards: 11 x 8.75 inches. Near Fine. <br /> <br /> Envelope: 11.5 x 9 inches. Very Good plus lightly foxed and edgeworn.<br /> <br /> Bier 764. N.p. unknown
1974151454Paris: Fox-Lira 1974. Vintage borderless reference photograph from the 1974 film.<br /> <br /> A young woman goes mad after the murder of her lover and is incarcerated in a sexually sadistic convent. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Bier 764. Fox-Lira unknown
1968162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos.<br /> <br /> Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. <br /> <br /> An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. <br /> <br /> Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown
1968162085New York: Grove Press International Film Festival / Evergreen Film 1968. Two vintage studio still photographs from the 1968 French-Czechoslovak film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. <br /> <br /> 10 x 8 inches. Lightly creased at corners else about Near Fine. Grove Press International Film Festival / Evergreen Film unknown
1966160544N.p.: N.p. 1966. Four vintage borderless double weight reference photographs from the 1966 French film. All four with annotations in manuscript ink on the verso. <br /> <br /> An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. <br /> <br /> Set in Paris and Antwerp. <br /> <br /> 9 x 8 inches. Near Fine. <br /> <br /> BFI 2033. Grant France. N.p. unknown
1968162088New York: Trans American Films 1968. Three vintage reference photographs and one vintage studio still photograph from the US release of the 1966 French film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. <br /> <br /> Set in Paris and Antwerp. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> BFI 2033. Grant France. Trans American Films unknown
1966153193N.p.: N.p. 1966. Vintage borderless reference photograph of director Alain Robbe-Grillet with cinematographer Willy Kurant and a cameraman on the set of the 1966 French film. <br /> <br /> An inexperienced drug runner on a cross-continental train becomes the central figure in the imaginations of a group of filmmakers who are engaged in the process of drafting their next feature. <br /> <br /> Set in Paris and Antwerp. <br /> <br /> 7 x 5 inches. Fine. <br /> <br /> BFI 2033. Grant France. N.p. unknown
1977163630Los Angeles: Twentieth Century-Fox 1977. Vintage promotional portrait photographs of Sid Caesar and Rob Reiner from the 1977 film. <br /> <br /> Based on Robert Klane's 1975 novel about a store owner and his two sons one of whom he has essentially disowned. Ezra Alan Arkin is the lesser son who coaches a worthless high school basketball team and has a wife much too eager to have children. A well regarded comedy about a dysfunctional Jewish family with a cast of veteran comedic actors. <br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1975129187Los Angeles: Twentieth Century-Fox 1975. First Draft script for the 1977 film. <br /> <br /> Benny Fikus owns a failing clothing store and wishes to cash in on it by burning down his store and collecting the money from the fire insurance policy. He goes on vacation with his wife and puts his son in charge and suffers a heart attack while away. His other son Ezra attempts to adopt an African American teenager to have him play on his basketball team so that he may keep his job as the unsuccessful high school basketball coach. <br /> <br /> Blue titled wrappers. Title page present dated September 19 1975 noted as First Draft with credit for screenwriter Klane. 124 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1972168139Burbank CA: Warner Brothers 1972. Two vintage studio still photographs taken on the set of the 1974 film one showing director Richard Rush and actor James Caan the other showing Caan with motorcycle stunt instructor Mike Bast.<br /> <br /> A blueprint for the buddy cop movie about two inept police officers portrayed with wonderful chemistry by Alan Arkin and James Caan who wreak utter mayhem and destruction while trying to bring down a local mob boss. Director Richard Rush's ludicrous politically incorrect black comedy satirizing the popular revenge and police action films of the period.<br /> <br /> Set and shot on location in San Francisco California. <br /> <br /> 7.5 x 10 inches. Warner Brothers unknown
1976150124N.p.: N.p. 1976. Vintage reference photograph with horizontal margins of director Alan J. Pakula Dustin Hoffman and Robert Redford on the set of the 1976 film. <br /> <br /> Based on the 1974 book by Carl Bernstein and Bob Woodward. <br /> <br /> The iconic New Hollywood account of the Watergate investigation starring Robert Redford and Dustin Hoffman in exceptionally strong performances as Washington Post reporters Bob Woodward and Carl Bernstein respectively who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. <br /> <br /> Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> <br /> National Film Registry. Spicer US Neo-Noir. N.p. unknown
1976151337N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actor Robert Redford stepping out of a taxi with the US Capitol in the background. With manuscript ink annotations on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on the 1974 book by Carl Bernstein and Bob Woodward. <br /> <br /> The iconic New Hollywood account of the Watergate investigation starring Redford and Dustin Hoffman in exceptionally strong performances as the Washington Post reporters who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. <br /> <br /> Winner of four Academy Awards including Best Screenplay and nominated for four others.<br /> <br /> 7.5 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Spicer US Neo-Noir. N.p. unknown
1974135370Burbank CA: Warner Brothers 1974. Two vintage black and white still reference photographs from the 1974 film. Both with mimeograph snipes on the verso and one with a red press crop line at the right margin. <br /> <br /> Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. <br /> <br /> 8 x 10 inches. Near Fine. Warner Brothers unknown
1989157850Burbank CA: Warner Brothers 1989. Four vintage studio still photographs from the 1989 film. Two photographs with the stamp of photographer S. Karin Epstein on the verso. <br /> <br /> Having both been abandoned by their respective spouses a man and a woman living in New York begin dating but discover that their pasts make trust and respect difficult. <br /> <br /> Set and shot on location in New York. <br /> <br /> 10 x 8 inches. Near Fine. Warner Brothers unknown
1959149472Beverly Hills CA: United Artists 1959. Vintage borderless reference photograph of Alan Ladd in a dynamic pose with the image manipulated for effect from the 1959 film noir. <br /> <br /> Based on the 1956 novel by Hugh Wheeler under the pseudonym Patrick Quentin.<br /> <br /> A struggling artist Alan Ladd is accused of murdering his unstable alcoholic wife Carolyn Jones when she goes missing and must flee from the lynch mob forming amongst the townsfolk. <br /> <br /> Set in fictional Stoneville Connecticut shot on location in Woodstock and Thompson Connecticut and Framingham Massachusetts. <br /> <br /> 8 x 10 inches. Light edgewear and faint toning at edges else Near Fine. <br /> <br /> Selby US. Spicer US. Grant US. United Artists unknown
1949151394Hollywood: Paramount Pictures 1949. Post-production Release Dialogue script for the 1949 film. <br /> <br /> Based on Tiffany Thayer's 1947 novel "One Woman." A South Side reporter discovers the body of a dead call girl and tries to track down her killer using her address book. <br /> <br /> Set in Chicago. <br /> <br /> Tall white titled wrappers noting 10 reels dated February 21 1949. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus bound with two gold brads at the top edge. Paramount Pictures unknown
1970149801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Archive of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br /> <br /> All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br /> <br /> Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br /> <br /> A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on his past present and possible futures. <br /> <br /> One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1990149039Germany: Bioskop Film 1990. Two double weight photographs from the 1990 US / German co-production. With the stamp of photographer Alan Pappe and manuscript annotations identifying the film on the versos. Struck by Pappe circa 1990s from his archive. <br /> <br /> Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br /> <br /> Based on Margaret Atwood's 1985 novel which envisions a dystopian future in which fertile women are forced to become sexual surrogates for wealthy childless families. The novel was adapted again in 2017 for an ongoing television series. <br /> <br /> 8 x 10 inches with wide margins. Near Fine. Bioskop Film unknown
1982152320London: United International Pictures 1982. Two vintage borderless reference photographs taken on the set of the 1982 film one showing director Alan Parker director of animation Gerald Scarfe and cameraman John Stanier in conversation the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Pink Floyd's 1979 rock opera about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression and eventually complete mental collapse. <br /> <br /> Shot on location in London and Quebec. <br /> <br /> 10 x 8 inches with wide bottom margins. Near Fine. <br /> <br /> Ebert IV. United International Pictures unknown
1991155648N.p.: N.p. 1991. Vintage reference photograph of director Alan Parker standing with the members of the band on the set of the beloved 1991 film. <br /> <br /> Based on the 1987 novel about a young man from Dublin who assembles a soul band composed of a group of working-class music fans. <br /> <br /> Set and shot on location in Dublin. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. N.p. unknown
1981152296Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to special effects crew member John Burke with his name on the front wrapper in manuscript ink and his manuscript pencil annotations to the rear wrapper and throughout. Missing two pages likely as used or issued.<br /> <br /> While visiting his daughter in a small Colorado town a retired New York policeman becomes involved in solving the case of a string of cattle mutilations. <br /> <br /> Shot on location in Colorado New York and Wyoming. <br /> <br /> Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 218 dated 2/27/81 with credits for director Alan Rudolph. Title page present noted as FINAL DRAFT dated 2/27/81 with credits for director Alan Rudolph. 132 leaves with last page of text numbered 132. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/13/81 and 10/1/81. Pages and wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1980153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. <br /> <br /> Shot on location in New York Texas and California. <br /> <br /> 5 x 3.5 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
