4 698 résultats
1965162057Los Angeles: Mark Brown Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. <br /> <br /> A business man and his wife move from Michigan to Los Angeles and there discover a world awash in decadence and swinging. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. Very Good plus with faint creasing. Mark Brown Productions unknown
1949140729Culver City CA: Columbia Pictures 1949. Vintage double weight still photograph from the 1949 film noir. Mimeograph snipe and photographer's rubber stamp to the verso. Seen here under the alternative title "Hounded." and featuring William Geer George Raft and Nina Foch aboard a speeding boat. <br /> <br /> George Raft plays an ex-mobster turned undercover agent helping the Treasury Department root out a right wing counterfeiter George Macready attempting to bring down the government by flooding the US with false currency. And hey so what if he just so happens to win over the gangster's girl Nina Foch in the process<br /> <br /> Set in California and Florida. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Selby US. Spicer US. Columbia Pictures unknown
1970146525N.p.: N.p. 1970. Eight-page Treatment script for an unproduced film. Attached on the front wrapper is a handwritten note from producer Anthony Unger to casting agent Paul Kohner on Academy Players Directory letterhead introducing the script. <br /> <br /> A veteran posts an ad in the newspaper offering to perform any service-especially seeking out risky and problematic endeavors-for $107941.72 which he intends to give to the family of a friend killed in the war. According to the final page of the script based on a real ad posted in the International Herald Tribune in February 1970.<br /> <br /> Set in Southeast Asia and London.<br /> <br /> Navy titled card label wrappers. Title page present with credits for screenwriter Ted Strauss. 9 leaves with last page of text numbered 8. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. N.p. unknown
1966161441N.p.: Executive Films 1966. Four vintage studio still photographs from the 1966 film. Two with "Tom Conroy" photographer stamps on the versos one of which has two labels affixed to the verso obscuring previous provenance stamps.<br /> <br /> A voyeur blackmails an ex-stripper for money then sex after observing her having an affair on her husband.<br /> <br /> Shot on location in Toronto. <br /> <br /> 8 x 10 inches. Very Good plus. Executive Films unknown
1965161741New York: Sam Lake Enterprises 1965. Two vintage studio still photographs from the 1965 film. Provenance stamps and one label on the versos.<br /> <br /> The Way Out Electronics Company is marketing a new color television that includes a "fourth dimension" capable of transmitting physical objects through the screen.<br /> <br /> Shot on location in Toronto. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing at the extremities. Sam Lake Enterprises unknown
1971162070N.p.: Manson Distributing 1971. Three vintage studio still photographs from the US release of the Canadian/US film. Provenance stamps and labels on the versos.<br /> <br /> Barbara Mills stars as a sexually unfulfilled housewife of a film producer. She begins an affair with a writer and the two break down en route to Las Vegas. There they encounter a group of thugs where things take a very dark turn.<br /> <br /> 8 x 10 inches. Near Fine. Manson Distributing unknown
1979151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material.<br /> <br /> Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. <br /> <br /> Folder photographs and promotional material Near Fine. Paramount Pictures unknown
1974157978N.p.: Astral Films 1974. Vintage reference photograph from the 1974 film showing author Mordecai Richler on the set. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. <br /> <br /> Set and shot on location in Montreal.<br /> <br /> 8 x 10 inches. Very Good plus. Astral Films unknown
1969158710N.p.: N.p. 1969. Draft script for the 1969 film. <br /> <br /> Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. <br /> <br /> OCLC locates no holdings. AMPAS shows one holding. <br /> <br /> Set and shot on location in London. <br /> <br /> Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1983160279New York: N.p. 1983. Treatment script dated 1983 for an unproduced film adaptation of the classic 1719 novel.<br /> <br /> Screenwriter Ted Bafaloukos is today best remembered as the director of the 1978 Jamaican film "Rockers." <br /> <br /> Self wrappers. Title page present dated 11/11/83 with credit for screenwriter Ted Bafaloukos. Eight leaves with last page of text numbered 7. Carbon typescript rectos only. Pages Very Good plus partially bound with a single staple at the top left corner. N.p. unknown
1962162514N.p.: Rialto International Film Releasing 1962. Vintage studio still photograph of Brenda Denaut from the 1962 film. With a subhead reading "Starring the City of New York and a cast of New Faces from its stages." Notable for starring a young Taylor Mead.<br /> <br /> Director screenwriter and star Raymond Phelan best known as cinematographer for sexploitation impresario Doris Wishman originally began making "Too Young Too Immoral!" in 1957 about a brother reflecting on the tragically short life of his murdered addict brother. This early version was titled "Rebels Die Young." <br /> <br /> Unable to find distribution Phelan added what turned out to be some of the earliest known sexploitation scenes filmed in the US. It starred Brenda Denaut subject of this photograph the mother of Roseanne Patricia David and Alexis Arquette. as well as Andy Warhol mainstay Taylor Mead in his first film role. <br /> <br /> It wouldn't be until five years later after sexploitation films began to gain traction with US distributors that Phelan was able to get the film booked at the Rialto Theatre on Broadway. It played for four months there before getting limited US distribution. It re-emerged in 2017 when it was screened at the Anthology Film Archives in New York. Featuring some of the most striking footage of New York City found in the late 1950s.<br /> <br /> Shot on location in New York. <br /> <br /> 8 x 10 inches. Near Fine. Rialto International Film Releasing unknown
1932159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso.<br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. <br /> <br /> 10 x 8 inches. Near Fine. National Film Archive unknown
1950157957N.p.: N.p. 1950. Vintage borderless oversize reference photograph from the 1950 film showing actress Marilyn Monroe surrounded by admirers. <br /> <br /> Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Monroe's eighth screen appearance. <br /> <br /> 13.5 x 10.5 inches. Very Good plus with light creasing overall. N.p. unknown
1984168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film.<br /> <br /> Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. <br /> <br /> 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown
1974156669Tokyo: Toei 1974. Six vintage borderless studio still photographs from the 1974 Japanese pinku pink film. <br /> <br /> 6 x 4.5 inches. Near Fine. Toei unknown
22085On letterhead of Tanners Mead Oxted Surrey. 10 November 1960. Other than 'The Lavender Hill Mob' for which he won an Oscar Clarke's screenplays include 'The Blue Lamp' and 'The Titchfield Thunderbolt'. For the recipient Barbara Kaye Barbara Kenrick Gowing 1908-1998 writer bookseller and wife of Percy Muir see her obituary by Nicolas Barker in the Independent 12 March 1998. The present letter was written a few days after Clarke's appearance on 31 October on the television programme 'This Is Your Life'. 2pp 12mo. In fair condition aged and worn. Folded once. The letter begins: 'Dear Barbara Many thanks for your kind letter. That certainly was a shock they gave me last Monday! Shirley Long was there in addition to Teddy Wass - it was he who dug up the old “Answers†articles for reproduction. But I wish there had been a little more flavour of those good old Twenties. They went to see Bobby Cooper and he tells me took copious notes from him then for space reasons had to leave out all his reminiscences.' He remembers 'all the incidents' she mentions 'except the girl in the orchestra so I presume she must have been a virgin or she would have registered better'. He discusses the marriage of Dorothy Hargreaves and Humphrey Bradney before turning to his son Michael who 'was recently taken to a dance in Suffolk while staying with friends there and found the hostess to be my old girl friend Betty Hand. It was her daughter's 21st.' From the papers of Barbara Kaye Muir. On letterhead of Tanners Mead, Oxted, Surrey. 10 November 1960. unknown
1979150728N.p.: AVCO Embassy Pictures 1979. Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 79-22 on the bottom right corner of the recto. <br /> <br /> Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. <br /> <br /> Set in New York and New England shot on location in New Jersey and New York. <br /> <br /> 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
1973161525N.p.: International Coproductions 1973. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. <br /> <br /> Film debut of actress Sylvia Kristel.<br /> <br /> Based on the 1963 novel by Nicolas Freeling the second in his Van der Valk series. A gang of wealthy young men break into a couple's house and rape the wife forcing the husband to watch. A dogged police inspector is determined to identify the men and bring them to justice.<br /> <br /> Set in and shot on location in the Netherlands. <br /> <br /> 8 x 10 inches. Near Fine. International Coproductions unknown
1977157107Amsterdam: Filmtrust TV 1977. Two vintage borderless color reference photographs from the 1977 film. One with the stamp of Filmtrust TV on the verso and both with annotations in manuscript ink.<br /> <br /> Emmanuelle now working as a journalist writes a report on a guru who claims to have achieved the ultimate orgasm before heading to China to investigate a sex trafficking ring. <br /> <br /> Shot on location in New York and California in the US and in Italy Hong Kong India and Iran. <br /> <br /> One photograph 9.25 x 7 inches one photograph 11 x 8 inches. Very Good plus with pinholes at the corners. Filmtrust TV unknown
1977160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each.<br /> <br /> The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini.<br /> <br /> 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown
1977155300Paris: Trinacra Films 1977. Vintage borderless reference photograph from the 1977 film showing actors Jean-Pierre Bouvier and Sylvia Kristel in a passionate aquatic embrace. <br /> <br /> The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini.<br /> <br /> 7 x 9.5 inches. Near Fine. Trinacra Films unknown
1977135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress.<br /> <br /> The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. <br /> <br /> Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br /> <br /> With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown
1975170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French.<br /> <br /> One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. <br /> <br /> Lobby cards 10: 11.5 x 9.25 inches. Very Good plus.<br /> <br /> Photographs 2: 7 x 5 inches. Near Fine.<br /> <br /> Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. <br /> <br /> All material housed together in an original glassine envelope as issued. Arcadie Productions unknown
1975144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. <br /> <br /> One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. <br /> <br /> 7 x 5 inches. Near Fine. Arcadie Productions unknown
1980161661Universal City CA: Universal Pictures 1980. Final Draft script for the 1981 film seen here under the working title "Hawks." Copy belonging to sound mixer Les Lazarowitz with his name in manuscript ink on several pages and his profuse annotations throughout.<br /> <br /> Two undercover New York police officers are hired to take down a deadly European terrorist. Actor Rutger Hauer's first American feature film.<br /> <br /> Shot on location in New York City London and Paris. <br /> <br /> Red titled Studio Duplicating Service wrappers. Title page present undated noted as Final Draft Screenplay and production No. 02133 with credit for screenwriter David Shaber. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 3/14/80 and 3/16/80. 127 leaves with last page of text numbered 121. Pages Very Good plus wrapper Very Good plus with a small chip on the top right corner of the final leaf bound with two gold brads. Universal Pictures unknown
