8 853 résultats
1953139615Glendale CA: Allied Artists 1953. Vintage black-and-white reference studio still photographs from the 1953 film. <br/><br/>A cowgirl tries to steal a gang of bandits' ill-gotten gains. All are pursed by the sheriff. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Allied Artists unknown books
1954139626Glendale CA: Allied Artists 1954. Two vintage black-and-white reference studio still photographs from the 1954 film. <br/><br/>Bill Elliott stars as Sam Nelson a California based federal agent hunting for his friend's murderers. Virginia Grey pictured in the stills makes a cameo as the wife of one of the fugitive killers. <br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. Very Good plus with light toning overall to one of the images and light creasing to the recto of both. <br/><br/>Complete collation details available on request. Allied Artists unknown books
1992150001N.p.: N.p. 1992. Revised Draft script for the 1993 film. <br /> <br /> Several months before the outbreak of World War II a group of German teenage boys band together over their shared love of forbidden swing music from the US. As the Nazi party tightens its grip over the country the boys must decide where their loyalties lie. <br /> <br /> Set in Germany shot on location in Prague Czech Republic.<br /> <br /> Missing wrappers. Title page present undated with credits for screenwriter Jonathan Marc Feldman. 126 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads.<br /> <br /> Full provenance available. N.p. unknown
1970141495Los Angeles: New American Cinema 1970. Draft script for an unproduced film. With several annotations in manuscript ink and pencil in an unidentified hand throughout. <br /> <br /> Based on Thomas Berger's 1975 novel "Sneaky People." A man living in the midwest resolves to murder his wife in the hopes of living happily with his mistress. Screenwriter Howard Berk is best remembered for "Target" 1985 and "Triangle" 1970. <br /> <br /> Tan untitled wrappers. Title page present with credits for screenwriter Howard Berk and author Thomas Berger. 153 leaves with last page of text numbered 152. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. New American Cinema unknown
1949144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp to the front wrapper and extensive holograph pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. <br/><br/>Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. <br/><br/>Set in England and the Far East shot on location in England and Morocco. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown books
1949144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp on the front wrapper and extensive manuscript pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. <br /> <br /> Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. <br /> <br /> Set in England and the Far East shot on location in England and Morocco. <br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown
1939WRCLIT73482Los Angeles: Republic Pictures 1939. Pictorial window card 22 x 14" printed in black and white with lurid green titling on recto only of stiff card stock. Uniform tanning along edges otherwise very good or better unused. A promotional window card for this low budget crime thriller based on an original story and screenplay by Robert A. Andrews with contributions by Ben Markson. Barton MacLane Beverley Roberts and Clarence Kolb starred. Aubrey Scotto directed. Andrews was a prolific screenwriter who in addition to potboilers such as this adapted to the screen works by Eugene O'Neill and A. Conan Doyle. Republic Pictures unknown books
1939147689Los Angeles: Paramount Pictures 1939. Draft script for the 1930 film here under the working title "At Good Old Siwash" with "Those Were the Days" written in holograph pencil above title. Paramount "Return to Story Dept" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period. <br/><br/>Middle-aged couple Petey and Martha William Holden Bonita Granville reminisce on their 35th wedding anniversary about their days in college when they first met. <br/><br/>Set in and shot on location at Knox College in Galesburg Illinois. <br/><br/>Self wrappers front wrapper dated October 23 1939 rubber-stamped production No. 1811. 135 leaves with last page of text numbered E-32. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 11-13-39 and 12-12-39. Pages Near Fine bound with three gold brads. Paramount Pictures unknown books
1939147689Los Angeles: Paramount Pictures 1939. Draft script for the 1930 film here under the working title "At Good Old Siwash" with "Those Were the Days" written in manuscript pencil above title. Paramount "Return to Story Dept" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period. Missing one page likely as used or issued.<br /> <br /> Middle-aged couple Petey and Martha William Holden Bonita Granville reminisce on their 35th wedding anniversary about their days in college when they first met. <br /> <br /> Set in and shot on location at Knox College in Galesburg Illinois. <br /> <br /> Self wrappers front wrapper dated October 23 1939 rubber-stamped production No. 1811. 135 leaves with last page of text numbered E-32. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 11-13-39 and 12-12-39. Pages Near Fine bound with three gold brads. Paramount Pictures unknown
1970139895N.p.: American International Pictures AIP 1970. Vintage studio still photograph from the 1970 film. With an American International Pictures stamp to the verso alongside a cello-taped mimeograph snipe. Featuring a "black militant" being forcibly removed from the room by actor Larry Hagman while Harlene Jones and Judy Pace look on. <br/><br/>A lighthearted comedy in which a man Wes Stern who fails out of college attempts suicide only to be saved against his will by the university president Larry Hagman who flunked him. In grumpy retaliation Stern decides to bed the three women most important to the president: his mistress his wife and his daughter. Set against the backdrop of Civil Rights campus upheaval. <br/><br/>Shot on location in New Mexico. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. American International Pictures [AIP] unknown books
1972143600New York: Cannon Films 1972. Draft script for the 1972 film here under the working title "Zora." <br/><br/>Something of an arthouse predecessor to what became a cavalcade of holiday slasher and horror films. The film's cult status was helped by featuring Warhol superstars Mary Woronov Candy Darling and Ondine experimental film icon Jack Smith and artist Susan Rothenberg as well as its being in the public domain which released it for frequent late night airings on local television. <br/><br/>Set in Massachusetts shot on location on Long Island. <br/><br/>Blue titled Studio Duplicating Service wrappers. Title page present with credit for screenwriters Theodore Gershuny Jeffrey Konvitz Ira Teller and Ami Artzi. 102 leaves with last page of text numbered 101. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Thrower Nightmare USA. Cannon Films unknown books
1955156160N.p.: Union Film 1955. Vintage program for the 1955 German film. Text and titles in German. <br /> <br /> Comic mishaps ensue when a small town innkeeper is mistaken for a wealthy princess particularly troubling for the innkeeper's daughter.<br /> <br /> Set in Sonnenthurn-Weißenfels and shot on location in Hainburg. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. Union Film unknown
1944167538Munich Munchen: Film-Bühne 1944. Vintage program for the 1944 German film. Text and titles in German.<br /> <br /> Based on Hermann Bahr's 1907 play "Die gelbe Nachtigall" "The Yellow Nightingale". German director and actor Theo Lingen appeared in over 200 films between 1930 and 1980 and directed 21 films between 1929 and 1978. <br /> <br /> Bi-fold measuring 5.75 x 8 inches when folded. About Fine. Film-Bühne unknown
1947156128Vienna: Donau-Film 1947. Vintage program for the 1947 German film. Text and titles in German. <br /> <br /> Twin sisters Lilli and Viktoria are separated at a young age but share a love of music as adults-one loves classical music the other loves popular tunes. <br /> <br /> 8 x 11.5 inches. Bifold. Very Good plus with light edgewear. Donau-Film unknown
1953156140N.p.: N.p. 1953. Vintage program for the 1953 German film. Text and titles in German. <br /> <br /> Based on the 1947 novel "Tauerngold" by Irmgard Wurmbrand. A young teacher is sexually assaulted by a wealthy sawmill owner and later learns that she is pregnant. In order to save her from shame her assaulter's brother agrees to marry her and romance blossoms between the two. <br /> <br /> Shot on location in Salzburg.<br /> <br /> 7.25 x 10.5 inches. Bifold. Near Fine. N.p. unknown
1991142140Culver City CA: TriStar Pictures 1991. Vintage press kit for the 1991 film. Press kit includes six black and white photographs and a pamphlet of production information housed in a titled pictorial studio folder. <br/><br/>Oliver Stone a self-professed Doors fan directs this star studded over-the-top biopic whose production struggled through over ten years of negotiations with the families and surviving band members depicted in the film. Val Kilmer delivers a convincing portrayal of Jim Morrison with Kevin Dillon Kyle MacLachla and Meg Ryan in supporting roles. <br/><br/>Photos 10 x 8 inches. Production pamphlet 29 pages saddle stapled housed in a 9 x 12 inch folder. Photos and production pamphlet Fine in a Near Fine folder. TriStar Pictures unknown books
1977161031N.p.: N.p. 1977. Revised Draft script for the 1978 film copy belonging to unidentified cast or crew member George Santander with the manuscript ink annotation of "Geo. Santander" and the manuscript marker annotation of copy number "96" on the front wrapper with manuscript ink and red pencil annotations on 15 pages and four groupings of two and three pages bound with paperclips on pages 36 through 46.<br /> <br /> Loosely based on the 1974 off-Broadway play "Sgt. Pepper's Lonely Hearts Club Band on the Road" with a book by Robin Wagner and Tom O'Horgan and directed by O'Horgan. The Beatles' legendary 1967 masterwork is turned into a 1970s film musical represented by a star-studded ensemble with appearances by Donald Pleasence George Burns the only actor with speaking lines not accompanied by song Steve Martin Alice Cooper Jack Bruce Keith Carradine Carol Channing Donovan Leif Garrett Etta James Dr. John and music groups Aerosmith as the "Future Villain Band" and Earth Wind and Fire. The Fab Four are conceptually represented by Peter Frampton and the Bee Gees.<br /> <br /> White titled wrappers. Title page present dated July 21 1977 noted as REVISED DRAFT. 77 leaves with last page of text numbered 75. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Carlson Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
1981WRCLIT67328New York & Universal City: Universal Studios 1981. Quarto. Eleven 8x10" b&w still accompanied by six stapled press releases several leaves each in lightly worn studio folder. Trace of rust to staples else very good. A studio presskit for this quintessential example of the Texas commercial film-making renaissance of the 1970s - 80s based on an original screenplay by Wittliff starring Willie Nelson Gary Busey Gilbert Roland and Isela Vega and directed by Fred Schepisi. Locations included Terlingua Brackettville and the Big Bend. Though the film was released in Feb. 1982 this presskit includes material dated the previous December. Universal Studios unknown books
1983WRCLIT69361Np: 20th Century-Fox. 1983. 1042 leaves plus many lettered inserts. Quarto. Photomechanically reproduced typescript printed on rectos only of an array of colored paper. Bradbound in repurposed studio wrappers with title in ms on upper wrapper. Ink name and a few relevant annotations otherwise very good. A heavily revised 'rainbow' script of this original screenplay by the award-winning screenwriter of NASHVILLE and other titles. The 1984 release was directed by John Avildsen and starred Lesley Ann Warren and Christopher Atkins. Regarded variously as either a total misfire or as ahead of its time the film earned its male lead the Razzie for its year. With the ownership signature and annotations of the sound mixer for the production. 20th Century-Fox. unknown books
1964159926Tokyo: Daisan Productions 1964. Vintage studio still color photograph from the 1964 Japanese film showing actress Ky ko Aizome in an amorous moment. <br /> <br /> An art student dreams of sex with vampires and other beautiful women while under sedation in a dentist's office. <br /> <br /> 8 x 10 inches. Near Fine lightly toned. Daisan Productions unknown
1964131051Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the 1965 film based on the 1948 novel by Evelyn Waugh legendarily co-written by Terry Southern and Christopher Isherwood. Deluxe working script belonging to uncredited crew member William Todd Mason with his name and phone number in holograph ink on the title page and some brief penciled annotations on three pages. Laid in is a corner stapled three page Staff and Crew list with two name additions in holograph red ink on the second page. <br/><br/>Included is a vintage studio still photograph from the film. <br/><br/>An early draft issued nearly two years prior to the film's October 1965 release with substantial differences from the finished film. <br/><br/>The sister film to "Dr. Strangelove" and in the eyes of many just as much a masterpiece of exquisitely wrought black humor. Made in the US but in a dense British-American style. Ostensibly a satire on the funeral business in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangement-but in reality a satire of Hollywood itself as well as the Western malaise of the mid 1960s. <br/><br/>Script: Self wrappers presumably as this draft was issued. Title page present rubber stamped copy No. 70 dated July 21 1964 with credits for screenwriters Southern and Isherwood. 158 leaves mimeograph duplication with blue revision pages throughout dated 7-22-64. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Staff and Crew listing: two leaves slightly worn with annotations on the second page. Metro-Goldwyn-Mayer [MGM] unknown books
1968135902Paris: Le Spectacle du Monde 1968. Vintage borderless black-and-white double weight press photograph from the set of the film in Rome. Pictured are director Christian Marquand whose faux-grim countenance is in nice contrast to the attractive innocence of the film's lead actress Ewa Aulin. With the stamp of French magazine Le Spectacle du Monde twice on the verso. <br/><br/>8 x 10.5 inches. Fine. Le Spectacle du Monde unknown books
1968135672London: Grand Films 1968. Complete set of vintage double weight color still photographs from the 1968 film. <br/><br/>8 x 10 inches. Near Fine. Grand Films unknown books
1968135902Paris: Le Spectacle du Monde 1968. Vintage borderless black-and-white double weight press photograph from the set of the film in Rome. Pictured are director Christian Marquand whose faux-grim countenance is in nice contrast to the attractive innocence of the film's lead actress Ewa Aulin. With the stamp of French magazine Le Spectacle du Monde twice on the verso. <br /> <br /> 8 x 10.5 inches. Fine. Le Spectacle du Monde unknown
1964131051Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the 1965 film based on the 1948 novel by Evelyn Waugh legendarily co-written by Terry Southern and Christopher Isherwood. Deluxe working script belonging to uncredited crew member William Todd Mason with his name and phone number in manuscript ink on the title page and some brief penciled annotations on three pages. Laid in is a corner stapled three-page Staff and Crew list with two name additions in manuscript red ink on the second page. <br /> <br /> Included is a vintage studio still photograph from the film. <br /> <br /> An early draft issued nearly two years prior to the film's October 1965 release with substantial differences from the finished film. <br /> <br /> The sister film to "Dr. Strangelove" and in the eyes of many just as much a masterpiece of exquisitely wrought black humor. Made in the US but in a dense British-American style. Ostensibly a satire on the funeral business in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangement-but in reality a satire of Hollywood itself as well as the Western malaise of the mid 1960s. <br /> <br /> Script: Self wrappers presumably as this draft was issued. Title page present rubber stamped copy No. 70 dated July 21 1964 with credits for screenwriters Southern and Isherwood. 158 leaves mimeograph duplication with blue revision pages throughout dated 7-22-64. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Staff and Crew listing: two leaves slightly worn with annotations on the second page. Metro-Goldwyn-Mayer [MGM] unknown