8 853 résultats
1968135672London: Grand Films 1968. Complete set of vintage double weight color reference photographs from the 1968 film. <br /> <br /> 8 x 10 inches. Near Fine. Grand Films unknown
1986140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in holograph pencil throughout. <br/><br/>Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. <br/><br/>Set in the Middle East. <br/><br/>White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown books
1986140590Atlanta GA: New World Pictures 1986. Revised Draft script for the 1987 film. With a few annotations in manuscript pencil throughout. <br /> <br /> Gunnery Sergeant Burns Dryer is sent to the Middle East where he acts as a guard at the local US Embassy. However due to the pacific nature of the ambassador the marine corps detachment is severely limited in their ability to protect the base thus allowing terrorists to take over and take everyone hostage except Burns. Now Burns must act as an army of one to defeat the terrorists and save the Americans. <br /> <br /> Set in the Middle East. <br /> <br /> White titled self wrappers noted as Revised Draft on the front wrapper dated February 24 1986 with credits for screenwriter John Gatliff. 117 leaves with last page of text numbered 106. Photographically reprodcued with revision pages dated between February 18 1986 and February 24 1986. Pages Very Good plus wrapper missing bound with two gold brads. New World Pictures unknown
1985144247Universal City: Universal Pictures 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With holograph annotations regarding layout on the verso. <br/><br/>Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 51. Universal Pictures unknown books
1985140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With holograph ink annotations on the verso. <br/><br/>Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 51. Embassy Pictures / Universal Pictures unknown books
1977123502London: Cinema 5 1977. Early Draft British script for the 1977 comedy directed by Terry Gilliam based on the poem by Lewis Carroll from "Through the Looking Glass" 1871. <br/><br/>Terry Gilliam's first solo directorial effort after co-directing "Monty Python and the Holy Grail" with Terry Jones. A comedy in the Python style-and with much of the Python cast-owing much to "The Holy Grail" but with evidence of Gilliam's unique touch which would come into full bloom with "Time Bandits" 1981 and ultimately "Brazil" 1985. <br/><br/>Red titled wrappers with die-cut front wrapper in the British style. Title page present with credits for writers Alverson and Gilliam holograph ink parenthetical markings to the left and right of their names. Noted as "A Revisedish Sort of Finalish Draft February 10 1976" at the bottom right. 147 leaves roneograph. Pages Near Fine wrappers Good to Very Good with creasing at the corners and some staining. Holograph annotations and pencil sketches in an unknown hand on the verso of 8 leaves apparently unrelated to the script or the production. Small ink scrawl on the rear panel. Internally bound with two silver brads. Cinema 5 unknown books
1985144247Universal City: Universal Pictures 1985. Vintage borderless photograph of director Terry Gilliam on the set of the 1985 film. With manuscript annotations regarding layout on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 51. Universal Pictures unknown
1985140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
1977139845London: Cinema 5 1977. Revised Final or "Revisedish Sort of Finalish" as it's styled on the title page British script for the 1977 comedy directed by Terry Gilliam based on the poem by Lewis Carroll from "Through the Looking Glass" 1871. <br /> <br /> Terry Gilliam's first solo directorial effort after co-directing "Monty Python and the Holy Grail" with Terry Jones. A comedy in the Python style-and with much of the Python cast-owing much to "The Holy Grail" but with evidence of Gilliam's unique touch which would come into full bloom with "Time Bandits" 1981 and ultimately "Brazil" 1985. <br /> <br /> Red blank wrappers with die cut title window in the British style. Title page present noted as Revised Final with credits for screenwriters Charles Averson and Terry Gilliam. 148 leaves with last page of text numbered 145. Mechanical duplication with pink and white pages throughout undated. Pages Near Fine wrapper lightly faded and Very Good plus bound internally with two silver brads. Cinema 5 unknown
2004167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. <br /> <br /> Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors.<br /> <br /> Set in Texas shot on location in western Canada. <br /> <br /> Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown
1953142336London: Jack Parsons 1953. Draft script for the 1962 film. With a few annotations in holograph pencil. <br/><br/>A manager at a razor factory grows a beard after developing a rash due to shaving. His superiors are displeased. The manager then decides to organize a strike in order to get his point across. <br/><br/>Green titled wrappers dated May 1953 with credits for screenwriters John O'Gorman and George Moore. Title page present dated May 1953 with credits for screenwriters John O'Gorman and George Moore. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Jack Parsons unknown books
1953142336London: Jack Parsons 1953. Draft script for the 1962 film. With a few annotations in manuscript pencil. <br /> <br /> A manager at a razor factory grows a beard after developing a rash due to shaving. His superiors are displeased. The manager then decides to organize a strike in order to get his point across. <br /> <br /> Green titled wrappers dated May 1953 with credits for screenwriters John O'Gorman and George Moore. Title page present dated May 1953 with credits for screenwriters John O'Gorman and George Moore. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Jack Parsons unknown
1980137980Hollywood: Terri Crane Productions / Sunfire Productions 1980. Original "pre-production package and script" for an unproduced film called "Yaqui Fox and Mose" including a separate synopsis. <br/><br/>Included in the "pre-production package" is character information: Fox half Choctaw Indian half Irish a loner in total control of his destiny; Yaqui an Indian at the end of his rope looking for redemption; and Mose half Black half Indian on the run for a crime he didn't commit. Also included: letters from various productions companies regarding possible crew members like director Ted Post cinematographer Vilmos Zsigmond Will Sampson as "Yaqui" Philip Michael Thomas as "Mose" producers Richard Kaye Jay Lovins and Carol Hughes music by Carlos Santana technical personnel stunt coordinator Bill Hart letter signed by Hart wrangle Dick Lundin letter signed by Lundin special effect director Johnny James letter signed by James. Letters are dated 1979 or 1980. Various photocopied advertisements images of scenery and animals to be used production data a shooting schedule budget detail promotional ideas and weather information where the film was to be shot is also present. <br/><br/>Overall preproduction for the film went as far as it possibly could but for unknown reasons the film was never produced or released. <br/><br/>Brown titled wrappers. Synopsis page with a credit for screenwriter Terri Crane. Xerographic duplication with a few full-color pages detailing scenes from the opening titles. Last leaf of text numbered 80. Very Good plus bound with a brown Vello binding. Terri Crane Productions / Sunfire Productions unknown books
1980137980Hollywood: Terri Crane Productions / Sunfire Productions 1980. Original "pre-production package and script" for an unproduced film called "Yaqui Fox and Mose" including a separate synopsis. <br /> <br /> Included in the "pre-production package" is character information: Fox half Choctaw Indian half Irish a loner in total control of his destiny; Yaqui an Indian at the end of his rope looking for redemption; and Mose half Black half Indian on the run for a crime he didn't commit. Also included: letters from various productions companies regarding possible crew members like director Ted Post cinematographer Vilmos Zsigmond Will Sampson as "Yaqui" Philip Michael Thomas as "Mose" producers Richard Kaye Jay Lovins and Carol Hughes music by Carlos Santana technical personnel stunt coordinator Bill Hart letter signed by Hart wrangle Dick Lundin letter signed by Lundin special effect director Johnny James letter signed by James. Letters are dated 1979 or 1980. Various photocopied advertisements images of scenery and animals to be used production data a shooting schedule budget detail promotional ideas and weather information where the film was to be shot is also present. <br /> <br /> Overall pre-production for the film went as far as it possibly could but for unknown reasons the film was never produced or released. <br /> <br /> Brown titled wrappers. Synopsis page with a credit for screenwriter Terri Crane. Xerographic duplication with a few full-color pages detailing scenes from the opening titles. Last leaf of text numbered 80. Very Good plus bound with a brown Vello binding. Terri Crane Productions / Sunfire Productions unknown
1973161326Burbank CA: Warner Brothers 1973. Vintage studio still photograph from the 1973 film showing actor Martin Sheen. Provenance labels on the verso. <br /> <br /> Director Terrence Malick's transcendent and ferocious debut loosely based on the 1958 murder spree of Charles Starkweather and Caril Ann Fugate starring Martin Sheen and Sissy Spacek in early outstanding performances. <br /> <br /> Kit a handsome but disaffected young garbage collector and Korean War veteran succeeds in charming Holly a shy teenage girl despite the objections of her brutish father. The two run away together after Kit murders her father initiating a killing streak that follows in their wake. <br /> <br /> Set in South Dakota shot on location in Colorado. <br /> <br /> 8 x 10 inches. Very Good plus lightly scratched and worn.<br /> <br /> National Film Registry. Criterion Collection 651. Rosenbaum 1000. Ebert IV. Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. Warner Brothers unknown
1983141482N.p.: N.p. 1983. Draft script for an unproduced film. <br /> <br /> A young man accidentally kills his stepfather on the day of his baptism. <br /> <br /> Gray titled wrappers. Title page present dated June 14 1983 with credit for screenwriter Terrell Tannen. 101 leaves with last page of text numbered 100. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1970138038Switzerland: Intermovie 1970. First Draft script for the 1970 film "Cold Sweat" here under the working title "The Visitors of the Night." Brief annotations in holograph ink on a few pages. <br/><br/>Based on Richard Matheson's 1959 novel "Ride the Nightmare." Joe Bronson is a US Army sergeant imprisoned in Germany during the Korean War. During his prison stay he meets a few men and they decide to escape one of the men killing a German police officer along the way. Joe disgusted abandons his fellows and leaves them to be recaptured. Years later they track Joe down and use him and his boat rental company to smuggle drugs holding his wife and daughter hostage unless he agrees to offer assistance. <br/><br/>Shot on location in France. <br/><br/>Printed tan titled wrappers. Title page present undated noted as First Draft Screenplay with credits for screenwriters Eisinger and Bennett. 118 leaves with last page of text numbered 117. Mechanical duplication on white stock with green pages throughout. Pages and wrapper Near Fine bound internally with a silver prong brad. Intermovie unknown books
1971140379N.p.: Les Films Corona 1971. Vintage studio still photograph from the 1971 film. <br/><br/>Charles Bronson Toshiro Mifune and Alain Delon star in this European made Western about the unlikely partnership between an outlaw and a samurai. When a train carrying a Japanese ambassador is ambushed Mifune and Bronson are charged with retrieving the stolen loot: a ceremonial katana intended for President Ulysses S. Grant. <br/><br/>Set in the western US shot on location in Spain. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Les Films Corona unknown books
1957150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br/><br/>Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br/><br/>Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br/><br/>8 x 10 inches. About Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1968152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in holograph ink to the front wrapper and his holograph annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. <br/><br/>Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966.<br/><br/>Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. <br/><br/>Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown books
1950140026London: General Film Distributors GFD / Eagle-Lion Distributors 1950. Original British pressbook for the 1950 British film. <br/><br/>Terence Young's fifth film as director over a decade before directing the first James Bond film "Dr. No" 1962. The Guards Armoured Division in WWII with different campaigns and propaganda depicted throughout. <br/><br/>Cameos include Christopher Lee as a tank commander and Desmond Llewelyn as a tank gunner. <br/><br/>11.5 x 14 inches. 8 pages saddle-stapled black-and-white throughout with color wrapper. Very Good with a vertical fold faint annotations in holograph ink and a few short tears. Scarce. General Film Distributors [GFD] / Eagle-Lion Distributors unknown books
1968152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. <br /> <br /> Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966.<br /> <br /> Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. <br /> <br /> Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown
1961163707N.p.: Topaz Film Corporation 1961. Vintage two-color banner poster for US release of the 1960 British film originally released in the UK as "Too Hot to Handle." Uncommon in this format.<br /> <br /> Jayne Mansfield stars as showgirl Midnight Franklin headliner at the Pink Flamingo club in Soho run by her tough guy boyfriend Johnny Solos. When Johnny starts getting threats and demands for protection money from a rival club owner he fights back. <br /> <br /> Featuring famously risqué musical numbers featuring Mansfield in see-through clothing some frames from which were published in Playboy magazine and were visually altered for the US release to meet censor requirements.<br /> <br /> 118.5 x 24 inches. Very Good plus with some rubbing to the lower left and upper right causing modest color loss. Bright and unfaded. <br /> <br /> Grant UK. Topaz Film Corporation unknown
1957150605Culver City CA: Columbia Pictures 1957. Collection of 13 vintage photographs from the 1957 US-UK co-production. Seven photographs with mimeo snipes on the verso crediting photographer Bert Cann. <br /> <br /> Very loosely based on the 1950 nonfiction book "The Story of Zarak Khan" by A.J. Bevans about an outlaw fighting against British occupation in 19th century Afghanistan pursued by a British officer with whom he develops a mutual respect. <br /> <br /> Set on the border between Afghanistan and India shot on location in England Morocco India and Burma. <br /> <br /> 8 x 10 inches. About Near Fine. Columbia Pictures unknown
1959147069N.p.: Hammer Film Productions 1959. Collection of ten vintage photographs two reference photographs and eight studio still photographs from the 1959 film.<br/><br/>Three photos shown. Please inquire for additional images.<br/><br/>Although an ostensible remake of the hit 1932 Universal film Hammer Film adaptation of this title borrowed its plot largely from Universal's "The Mummy's Hand" 1940 and "The Mummy's Tomb" 1942 with the climax taken directly from "The Mummy's Ghost" 1944.<br/><br/>When British archeologists led by John Banning Peter Cushing despoil the tomb of an Egyptian high priestess Princess Anaka Yvonne Furneaux they awaken her keeper and former lover high priest Kharis Christopher Lee.<br/><br/>The only Hammer film to feature the actor combination of Lee Cushing and Michael Ripper.<br/><br/>8 x 10 inches. Very Good plus to Near Fine some light creasing one with two closed tears and pinholes and one photo with top right corner clipped. <br/><br/>Complete collation details available on request. Hammer Film Productions unknown books
