8 853 résultats
1958149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film. One with holograph pencil and ink annotations regarding layout on the verso.<br/><br/>Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. <br/><br/>Set in Klausenburg shot on location in Berkshire England. <br/><br/>9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. <br/><br/>Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown books
1970147448N.p.: Hammer Film Productions 1970. Vintage studio still photograph from the 1966 film. Shown is Christopher Lee making a meal of Barbara Shelley. <br/><br/>Hammer Film's third Dracula film and the second to feature Christopher Lee in the role. "Dracula: Prince of Darkness" follows "Horror of Dracula" 1958 and "The Brides of Dracula" 1960.<br/><br/>Two couples abandoned by their frightened coach driver in the Carpathian Mountains are taken to Dracula's castle in a riderless coach where Dracula's loyal servant Klove Philip Latham kills one of the men using his blood to revive the Count.<br/><br/>The only Dracula film staring Lee in which Dracula has no dialogue only animalistic noises and hisses. <br/><br/>8 x 10 inches. Near Fine some light edge wear. Hammer Film Productions unknown books
1959147066N.p.: Hammer Film Productions 1959. Vintage studio still photograph from the 1959 Hammer film.<br/><br/>Based on the 1945 play by Barre Lyndon "The Man in Half Moon Street." <br/><br/>104 year old sculptor Georges Bonnet Anton Diffring maintains a youthful appearance by having a victim's parathyroid glands surgically replace his own but his partner and friend Dr. Weiss Arnold Marle had a stroke and cannot perform the surgery. He then blackmails an old flame's Hazel Court boyfriend Dr. Pierre Gerard Christopher Lee into performing the surgery.<br/><br/>8 x 10 inches. Very Good moderate creasing with a closed tear on the left side. Hammer Film Productions unknown books
1958149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film "Dracula" released as "Horror of Dracula" in the US. One photo with manuscript pencil and ink annotations regarding layout on the verso.<br /> <br /> Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. <br /> <br /> Set in Klausenburg shot on location in Berkshire England. <br /> <br /> 9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. <br /> <br /> Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown
1961167579Universal City: Universal-International Pictures / Hammer Films 1961. Vintage studio still photograph from the US release of the 1961 British film showing Oliver Reed in costume as Leon Corledo the werewolf. <br /> <br /> Based on Guy Endore's 1933 novel "The Werewolf Of Paris." Reed's first starring role in a feature film and the first werewolf film to be shot in color. Released as a double feature with another Hammer film "Shadow of the Cat" 1961. <br /> <br /> Set in Spain and shot on location in Buckinghamshire and Surrey England. <br /> <br /> 10 x 8 inches. Very Good plus with pinholes at the margins.<br /> <br /> Johnson and Del Vecchio. Universal-International Pictures / Hammer Films unknown
1959147069N.p.: Hammer Film Productions 1959. Collection of ten vintage photographs two reference photographs and eight studio still photographs from the 1959 film.<br /> <br /> Three photos shown. Please inquire for additional images.<br /> <br /> Although an ostensible remake of the hit 1932 Universal film Hammer Film adaptation of this title borrowed its plot largely from Universal's "The Mummy's Hand" 1940 and "The Mummy's Tomb" 1942 with the climax taken directly from "The Mummy's Ghost" 1944.<br /> <br /> When British archeologists led by John Banning Peter Cushing despoil the tomb of an Egyptian high priestess Princess Anaka Yvonne Furneaux they awaken her keeper and former lover high priest Kharis Christopher Lee.<br /> <br /> The only Hammer film to feature the actor combination of Lee Cushing and Michael Ripper.<br /> <br /> 8 x 10 inches. Very Good plus to Near Fine some light creasing one with two closed tears and pinholes and one photo with top right corner clipped. Hammer Film Productions unknown
1954WRCLIT40359Hollywood: ZIV Television Programs Inc. 1954. 148 leaves. Quarto. Mimeographed typescript printed on rectos only bradbound in mimeographed wrappers. With extensive annotations throughout in ink pencil and colored pencils see below light wear to wrappers else very good. A "Final Master Script" of Howard J. Green's adaptation of the Tennyson's work updated to World War II prepared as #73B of the MY FAVORITE STORY series. This copy belonged to script supervisor Larry Lund and was used in the production. It includes revises on colored paper and is very extensively annotated throughout with camera angles revisions in dialogue and stage directions etc. The versos of the majority of the leaves bear annotations pertaining to camera p.o.v. and similar data keyed to the facing rectos. Uncommon. ZIV Television Programs, Inc. unknown books
1964134845Various cities: Various studios 1964. Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. <br/><br/>All stills are black and white and US issue unless otherwise noted. Included are:<br/><br/>A STREETCAR NAMED DESIRE 1951 Elia Kazan<br/><br/>1 press photograph of Marlon Brando and Kim Hunter with TCF stamp and press annotations on the verso. <br/><br/>THE ROSE TATTOO 1955 Daniel Mann. <br/><br/>14 US studio photographs<br/><br/>THE LONG HOT SUMMER 1958 Martin Ritt<br/><br/>Collection of 8 British front of house cards. Front-of-house cards are the equivalent of US lobby cards but the same size as US color stills and typically have images that do not appear on US lobby cards and stills. <br/><br/>8 x 10 inches. Very minor wear at the extremities about Near Fine overall. <br/><br/>A film based on several literary sources including William Faulkner's "The Hamlet" Faulkner short stories "Barn Burning" and "Spotted Horses" as well as Tennessee Williams' "Cat on a Hot Tin Roof."<br/><br/>SUDDENLY LAST SUMMER 1959 Joseph L. Mankiewicz<br/><br/>1 press photograph of Elizabeth Taylor and Montgomery Clift with press annotations on the verso. <br/><br/>6 British front of house cards with the rating of "X" then in use in Great Britain. <br/><br/>SUMMER AND SMOKE 1961 Peter Glenville<br/><br/>12 studio still photographs 2 with press annotations on the verso and 1 on the recto at the margin. <br/><br/>SWEET BIRD OF YOUTH 1962 Richard Brooks. <br/><br/>1 still photograph of Paul Newman and Geraldine Page with a mimeo ditto-style snipe describing the scene printed on the verso. <br/><br/>NIGHT OF THE IGUANA 1964 John Huston<br/><br/>1 still photograph of Richard Burton grabbing a long blade. Various studios unknown books
1964134845Various cities: Various studios 1964. Collection of 49 vintage still photographs from various film adaptations of Tennessee Williams plays. <br /> <br /> All stills are black and white and US issue unless otherwise noted. Included are:<br /> <br /> A STREETCAR NAMED DESIRE 1951 Elia Kazan<br /> <br /> 1 press photograph of Marlon Brando and Kim Hunter with TCF stamp and press annotations on the verso. <br /> <br /> THE ROSE TATTOO 1955 Daniel Mann. <br /> <br /> 14 US studio photographs<br /> <br /> THE LONG HOT SUMMER 1958 Martin Ritt<br /> <br /> Eight British front of house cards. Front-of-house cards are the equivalent of US lobby cards but the same size as US color stills and typically have images that do not appear on US lobby cards and stills. <br /> <br /> 8 x 10 inches. Very minor wear at the extremities about Near Fine overall. <br /> <br /> A film based on several literary sources including William Faulkner's "The Hamlet" Faulkner short stories "Barn Burning" and "Spotted Horses" as well as Tennessee Williams' "Cat on a Hot Tin Roof."<br /> <br /> SUDDENLY LAST SUMMER 1959 Joseph L. Mankiewicz<br /> <br /> 1 press photograph of Elizabeth Taylor and Montgomery Clift with press annotations on the verso. <br /> <br /> 6 British front of house cards with the rating of "X" then in use in Great Britain. <br /> <br /> SUMMER AND SMOKE 1961 Peter Glenville<br /> <br /> 12 studio still photographs 2 with press annotations on the verso and 1 on the recto at the margin. <br /> <br /> SWEET BIRD OF YOUTH 1962 Richard Brooks. <br /> <br /> 1 still photograph of Paul Newman and Geraldine Page with a mimeo ditto-style snipe describing the scene printed on the verso. <br /> <br /> NIGHT OF THE IGUANA 1964 John Huston<br /> <br /> 1 still photograph of Richard Burton grabbing a long blade. Various studios unknown
1962152380N.p.: N.p. 1962. Five vintage press photographs of actress Jane Fonda from the 1962 film. <br /> <br /> Based on the 1960 play by Tennessee Williams. On their ill-fated honeymoon George and Isabel visit George's war buddy whose wife has just walked out on him. Director George Roy Hill's directorial debut and a breakthrough role for Fonda. <br /> <br /> Set in Tennessee. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1970141053N.p.: N.p. 1970. Draft script for an unproduced film. Single annotation in manuscript pencil on the title page.<br /> <br /> A motorcycle racer decides to settle down and open a motorcycle garage in a small town. He soon realizes his dangerous past has earned him the scorn of the local government which is revealed to be intent on shutting him down.<br /> <br /> Set in Freedom Arizona. <br /> <br /> Brown untitled wrappers with die cut title window in the British style. Title page present undated with credit for screenwriter Temma Kramer. 120 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1954137133Japan: Daiei Studios 1954. Vintage black-and-white studio still photograph from the 1954 US release of the 1953 Japanese film. Though not noted in any way this copy belonged to screenwriter director and film ephemera collector Leonard Schrader. <br/><br/>The first Japanese color film to ever be released outside of Japan and a cornerstone Asian film. "Gate of Hell" tells the story of a samurai who wishes to marry a woman whom he has rescues only to find she is already married to another. Winner of an Academy Award for Best Costume Design as well as an honorary Academy Award for Best Foreign Language Film. <br/><br/>8 x 10 inches. Fine condition. <br/><br/>Criterion Collection 653. Masters of Cinema 40. <br/><br/>Complete collation details available on request. Daiei Studios unknown books
1954137133Japan: Daiei Studios 1954. Vintage black-and-white studio still photograph from the US release of the 1953 Japanese film. Though not noted in any way this copy belonged to screenwriter director and film ephemera collector Leonard Schrader. <br /> <br /> The first Japanese color film to ever be released outside of Japan and a cornerstone Asian film. "Gate of Hell" tells the story of a samurai who wishes to marry a woman whom he has rescues only to find she is already married to another. Winner of an Academy Award for Best Costume Design as well as an honorary Academy Award for Best Foreign Language Film. <br /> <br /> 8 x 10 inches. Fine condition. <br /> <br /> Criterion Collection 653. Masters of Cinema 40. Daiei Studios unknown
1961WRCLIT70860Np.: Cinema Associates 1961. Original 27 x 41" 68 x 105 cm. pictorial one sheet poster. Folded as issued pinhole at each corner one minor break at fold apex else very good. A visually sensational one sheet issued to promote the 1961 retitled rerelease of HIGH SCHOOL CONFIDENTIAL. Directed by Jack Arnold this naive teenage drug film was originally released in 1958 and starred Russ Tamblyn Jan Sterling John Drew Barrymore Charles Chaplin Jr. Mamie Van Doren Michael Landon and most notably Jerry Lee Lewis as himself. Cinema Associates unknown books
1966140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. <br/><br/>Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. <br/><br/>Set in Australia. <br/><br/>Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1966140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. <br /> <br /> Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. <br /> <br /> Set in Australia. <br /> <br /> Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
155115Hollywood: Occult Productions 1973. Draft script for the 1973 film. Working production copy housed in a black leather binder with production materials bound in before and after the script including handwritten cast and crew contact information and call sheets. <br /> <br /> A young woman joins a black magic coven governed by a psychic witch queen with dubious and eventually murderous intentions. Considered one of the best and arguably most polished releases from noted psychotronic Z-budget horror director Ted V. Mikels heavily inspired by "Rosemary's Baby" 1968 and the occult concerns of the Age of Aquarius. <br /> <br /> Pink titled wrappers. Title page present undated with credits for director-screenwriter Ted V. Mikels. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. <br /> <br /> Nightmare USA. Occult Productions unknown
1965162057Los Angeles: Mark Brown Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. <br /> <br /> A business man and his wife move from Michigan to Los Angeles and there discover a world awash in decadence and swinging. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. Very Good plus with faint creasing. Mark Brown Productions unknown
1949140729Culver City CA: Columbia Pictures 1949. Vintage double weight still photograph from the 1949 film noir. Mimeograph snipe and photographer's rubber stamp to the verso. Seen here under the alternative title "Hounded." and featuring William Geer George Raft and Nina Foch aboard a speeding boat. <br/><br/>George Raft plays an ex-mobster turned undercover agent helping the Treasury Department root out a right wing counterfeiter George Macready attempting to bring down the government by flooding the US with false currency. And hey so what if he just so happens to win over the gangster's girl Nina Foch in the process<br/><br/>Set in California and Florida. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Selby US. Spicer US. Columbia Pictures unknown books
1949140729Culver City CA: Columbia Pictures 1949. Vintage double weight still photograph from the 1949 film noir. Mimeograph snipe and photographer's rubber stamp to the verso. Seen here under the alternative title "Hounded." and featuring William Geer George Raft and Nina Foch aboard a speeding boat. <br /> <br /> George Raft plays an ex-mobster turned undercover agent helping the Treasury Department root out a right wing counterfeiter George Macready attempting to bring down the government by flooding the US with false currency. And hey so what if he just so happens to win over the gangster's girl Nina Foch in the process<br /> <br /> Set in California and Florida. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Selby US. Spicer US. Columbia Pictures unknown
1970146525N.p.: N.p. 1970. Eight-page Treatment script for an unproduced film. Attached to the front wrapper is a handwritten note from producer Anthony Unger to casting agent Paul Kohner on Academy Players Directory letterhead introducing the script. <br/><br/>A veteran posts an ad in the newspaper offering to perform any service-especially seeking out risky and problematic endeavors-for $107941.72 which he intends to give to the family of a friend killed in the war. According to the final page of the script based on a real ad posted in the International Herald Tribune in February 1970.<br/><br/>Set in Southeast Asia and London.<br/><br/>Navy titled card label wrappers. Title page present with credits for screenwriter Ted Strauss. 9 leaves with last page of text numbered 8. Mimeographed rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. N.p. unknown books
1970146525N.p.: N.p. 1970. Eight-page Treatment script for an unproduced film. Attached on the front wrapper is a handwritten note from producer Anthony Unger to casting agent Paul Kohner on Academy Players Directory letterhead introducing the script. <br /> <br /> A veteran posts an ad in the newspaper offering to perform any service-especially seeking out risky and problematic endeavors-for $107941.72 which he intends to give to the family of a friend killed in the war. According to the final page of the script based on a real ad posted in the International Herald Tribune in February 1970.<br /> <br /> Set in Southeast Asia and London.<br /> <br /> Navy titled card label wrappers. Title page present with credits for screenwriter Ted Strauss. 9 leaves with last page of text numbered 8. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. N.p. unknown
1973147891N.p.: Cinema Releasing 1973. Vintage British front-of-house card from the 1973 film. With "The Silver Screen" and "Not for Sale" stamps on the verso. <br/><br/>Based on Robert Rimmer's 1966 novel. James Whitmore and Tippi Hedren star as the married couple that runs the fictional Harrad College which is experimenting with ideas about open sexuality and "free love." Featuring a young Don Johnson in his fourth motion picture.<br/><br/>Shot on location in Pasadena California. <br/><br/>8 x 10 inches. Near Fine. Cinema Releasing unknown books
1971140633Los Angeles: Quintet Productions 1971. Draft script for the 1973 horror film. <br/><br/>A social worker Ann Gentry is assigned the case of the Wadsworth family whose youngest member is a grown man in his twenties named Baby because of his severely limited mental capacity. Baby is doted on by his mother and sister and his father is to blame for his impaired state because he left the family after Baby was born. The social worker decides to make it personal and problems arise. <br/><br/>Though campy on the surface one of the most genuinely disturbing horror films of the 1970s.<br/><br/>Purple titled wrappers with credits for screenwriter Abe Polsky. Title page present with credits for screenwriter Abe Polsky. 96 leaves with last page of text numbered 95. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Thrower Nightmare USA. Quintet Productions unknown books
1966161441N.p.: Executive Films 1966. Four vintage studio still photographs from the 1966 film. Two with "Tom Conroy" photographer stamps on the versos one of which has two labels affixed to the verso obscuring previous provenance stamps.<br /> <br /> A voyeur blackmails an ex-stripper for money then sex after observing her having an affair on her husband.<br /> <br /> Shot on location in Toronto. <br /> <br /> 8 x 10 inches. Very Good plus. Executive Films unknown
