8 853 résultats
1976141309Burbank CA: Warner Brothers 1976. Revised First Draft script for the 1977 film. <br /> <br /> Bobby Peter Fonda is a struggling musician who gets a chance to showcase some of his songs to country star Garland Dupree Callahan. The country star steals Bobby's best song "Outlaw Blues" and makes it a hit. Receiving no credit Bobby confronts Garland and when Garland is found shot dead shortly afterward Bobby becomes the prime suspect. Only Garland's back-up singer Tina Waters James believes Bobby's innocence. Together they hit the road looking for the killer. Fonda did his own singing in the film. <br /> <br /> Shot on location in Texas. <br /> <br /> Blue titled wrappers. Title page present dated January 21 1976 noted as REVISED FIRST DRAFT with credits for screenwriter Norton and producer Steve Tisch as well as Fred Weintraub and Paul Heller representatives of the production company. 121 leaves with last page of text numbered 118. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. Warner Brothers unknown
1984146966N.p.: N.p. 1984. Treatment script for an unproduced film. <br /> <br /> Fiercely competitive rivals at an industrial plant pass time by playing games of backgammon.<br /> <br /> Lacking titled wrappers housed in a transparent yellow plastic folder. Title page present dated April 14 1984 with credits for screenwriters Susan R. Friedman Anthony Lawless and Jim Johnson. 10 leaves with last page of text numbered 9. Xerographic duplication rectos only. Pages Very Good plus unbound. N.p. unknown
1959132457London: Twentieth Century-Fox 1959. Collection of 8 vintage full-color British front-of-house cards from the UK release of the 1959 US film. <br/><br/>Based on the John Mantley novel "The Snow Birch" 1958 about hardships faced by a widow and her eight-year-old son on a rugged Canadian ranch. Helping on the ranch is a handsome handyman whom the woman's son resents. A natural disaster changes the family's relationships and gives them a chance start anew. <br/><br/>8 x 10 inches. Faint creases and light rubbing overall else Near Fine. Twentieth Century-Fox unknown books
1981147862Culver City CA: Columbia Pictures Industries 1981. Collection of four vintage studio still photographs of which one is a compilation photograph from the 1977-1981 ABC television series. Mimeo snipe affixed to the verso and folded over recto to one of the photographs.<br/><br/>The scandalous American sitcom Soap created by Susan Harris was a prime time parody of daytime soap operas in a serial format which aired 85 episodes over the course of four seasons from September 13 1977 until April 20 1981.<br/><br/>Set in Dunn's River Connecticut. <br/><br/>1 - 9 x 7 inches 3 - 8 x 10 inches. Near Fine. Columbia Pictures Industries unknown books
1985146210Berkshire England: Anderson Burr Pictures 1985. Third Draft script for "Star Laws" a never-aired 55-minute pilot episode for "Space Police." Copy belonging to unknown crew member with a few holograph pencil and ink annotations to the front wrapper and leaves.<br/><br/>Screenwriter Gerry Anderson's early attempt at an intergalactic police procedural one that would would eventually become the British sci-fi series "Space Precinct" which was broadcast on October 3 1994 on Sky One. The pilot carries many similarities to the show that would eventually air-a hardboiled New York cop is transferred to the eponymous "space precinct" in Demeter City on the planet Altor in 2040-although the pilot features far fewer human characters with a greater reliance on Anderson's trademark blend of live action prosthetics puppetry a process Anderson called "Supermarionation."<br/><br/>Red titled wrappers. Title page present dated November 1985 noted as THIRD DRAFT with credits for screenwriters Gerry Anderson and Tony Barwick. 108 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some rust to the wrapper versos near the binding with silver prong binding. Anderson Burr Pictures unknown books
1980145974Los Angeles: The Aubrey Company 1980. Final Draft script for the 1980 television film which originally aired December 10 1980 on CBS.<br/><br/>Based on the 1967 book. In the wake of the critical and commercial success of "Kramer vs. Kramer" 1979 this film depicts the long and painful custody battle between a widower and his late wife's parents over his ten year old son. Screenwriter Sue Grafton is better known for her popular detective novels.<br/><br/>Blue titled wrappers. Title page present dated May 19 1980 noted as FINAL DRAFT with credits for screenwriter Sue Grafton and novelist Hal Painter. 107 leaves with last page of text numbered 105. Xerographic duplication rectos only with blue revision pages throughout dated 6/23/80. Pages Near Fine wrapper Very Good plus bound with two gold brads. The Aubrey Company unknown books
1979151103Universal City: Universal Pictures 1979. Vintage press kit for the 1979 Mexican-American exploitation film. Full-color illustrated pocketed folder containing nine black and white photographs and four gatherings of promotional reading material.<br /> <br /> The increasingly paranoid fanatical leader of a large independent church in San Francisco moves his congregation to a plot of land in Guyana in the hopes of creating a utopia. A controversial fictionalization of the Jonestown Massacre. <br /> <br /> Folder photographs and promotional material Near Fine. Universal Pictures unknown
1974135454Los Angeles: Twentieth Century-Fox 1974. Collection of four vintage black-and-white studio still photographs from the 1974 film. Based on the 1970 novel by Maj Sjowall and Per Wahloo. <br/><br/>A gritty crime drama in which a mass murderer kills a police detective and his partner is left to attempt to find the killer. <br/><br/>Set in San Francisco. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
1980139075London: American International Pictures AIP 1980. Original British quad poster for the 1979 US film. Printed in England by W.E. Berry. <br/><br/>Based on Jay Anson's 1977 book. George Lutz Brolin and his family wife Kathy Kidder and two children move into a house where a recent mass murder was committed. Strange things start to happen including personality changes in George and hallucinations witnessed by the local priest Father Delaney Steiger. <br/><br/>The first of fourteen films based on the true story of the Lutz and DeFeo families. Sequels include "Amityville II: The Possession" 1982 "Amityville 3-D" 1983 "Amityville 4: The Evil Escapes" 1989 "The Amityville Curse" 1990 and more. Nominated for an Academy Award. <br/><br/>Shot on location in New Jersey including at the actual Amityville house. <br/><br/>30 x 40 inches folded as issued. Very Good plus with a few pinholes and tears and light edge creasing. American International Pictures [AIP] unknown books
1980149081Los Angeles: Twentieth Century-Fox 1980. Vintage vernacular photo album and scrapbook by Ray Abraham a high school art teacher in Athens OH who also appeared as an extra in the film. Containing 17 predominantly color photographs of actors or crew members on location or interacting with the nearby community as well as clippings from local papers about the film signed letters addressed to Abraham from actors Robert Redford and Konrad Sheehan and other ephemera. <br/><br/>The film which was shot on location at the recently closed Junction City Prison in Ohio used locals as extras for the prison scenes and based on the newspaper clippings was a major source of excitement for the nearby towns. This extended to Abraham who apparently invited the stars of the film to attend an exhibition of his students' art work at Athens High School. While Redford declined local actor and apparent Redford look-alike James Linton caused quite the sensation among the teenagers. Altogether a detailed and charming look at the effects of a major Hollywood production on a community during location shooting. <br/><br/>Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Tom Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. <br/><br/>Scrapbook Good only with many interior pages loose or plastic sheets no longer attached. <br/><br/>Photographs variously sized most 3.5 x 5 inches. Generally Near Fine. <br/><br/>Other material Very Good plus or better. Twentieth Century-Fox unknown books
1967150475Burbank CA: Warner Brothers 1967. Vintage studio still photograph of director Stuart Rosenberg and actor Paul Newman on the set of the 1967 film. With holograph ink annotations on the verso. <br/><br/>Based on the 1965 novel by Donn Pearce who co-wrote the screenplay about a convict who wins a bet to eat 50 hard-boiled eggs in an hour and later suffers a failure of communication with the warden. Winner of a Best Supporting Actor Academy Award for George Kennedy and nominated for three others including Best Adapted Screenplay and Best Actor for Newman. <br/><br/>10 x 8 inches. Very Good plus with a light horizontal crease affecting the lower portion of the image. <br/><br/>National Film Registry. Ebert III. Warner Brothers unknown books
1980163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs.<br /> <br /> Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown
1967150475Burbank CA: Warner Brothers 1967. Vintage studio still photograph of director Stuart Rosenberg and actor Paul Newman on the set of the 1967 film. With manuscript ink annotations on the verso. <br /> <br /> Based on the 1965 novel by Donn Pearce who co-wrote the screenplay about a convict who wins a bet to eat 50 hard-boiled eggs in an hour and later suffers a failure of communication with the warden. Winner of a Best Supporting Actor Academy Award for George Kennedy and nominated for three others including Best Adapted Screenplay and Best Actor for Newman. <br /> <br /> 10 x 8 inches. Very Good plus with a light horizontal crease affecting the lower portion of the image. <br /> <br /> National Film Registry. Ebert III. Warner Brothers unknown
1976155093N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Faye Dunaway. <br /> <br /> A dramatization of the tragic 1939 voyage of the ocean liner St. Louis a ship carrying hundreds of German Jewish refugees from Nazi Germany that seemingly no European nation is willing to save from certain doom. <br /> <br /> Shot on location in Barcelona London and St. Pancras. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1990146873N.p.: N.p. 1990. Draft script for an unproduced film. Single annotation on the title page.<br /> <br /> A carefree teenage musician finally wins over the beautiful girl of his dreams but his obsessive controlling behavior soon sours their relationship.<br /> <br /> Red untitled wrappers. Title page present with credit for screenwriter Stuart Paul. 112 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1995146338London: Red Rooster Film and Television Entertainment 1995. Four shooting scripts for the 1996 television film first aired in four parts on BBC on November 13 1997 complete in four volumes. With two typed leaves detailing the proposed cast list laid in. Several scripts missing pages as noted below likely as used or issued.<br /> <br /> Based on the 1993 crime novel. An author sets out to write a book about Olive Martin a young woman convicted of brutally killing her mother and sister and subsequently sentenced to life in prison. As the author delves deeper into the details of the crime she begins to uncover a conspiracy and is gradually persuaded of Olive's innocence.<br /> <br /> Set in the UK.<br /> <br /> Housed in a generic blue folder with a manuscript ink notation from screenwriter Reg Gadney on the front flap.<br /> <br /> Part One:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 25th AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 58 leaves with last page of text numbered 51. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 8.9.95 and 28.9.95. Pages Very Good plus wrapper Very Good plus with rusting and creasing to the binding with silver prong binding.<br /> <br /> Part Two:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 25th AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 62 leaves with last page of text numbered 51. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 8.9.95 and 20.9.95. Pages Very Good plus wrapper Very Good with rusting to the binding and the front wrapper partially detached with silver prong binding.<br /> <br /> Part Three:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 30th AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 52 leaves with last page of text numbered 52. Xerographic duplication rectos only with pink revision pages throughout dated 13.9.95. Pages Very Good plus wrapper Very Good plus with rusting and creasing to the binding with silver prong binding.<br /> <br /> Part Four:<br /> <br /> White titled self wrappers noted as SHOOTING SCRIPT on the front wrapper dated 31st AUGUST 1995 with credits for screenwriter Reg Gadney and novelist Minette Walters. 65 leaves with last page of text numbered 56. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 13.9.95 and 28.9.95. Pages Very Good plus wrapper Very Good plus with rusting and creasing to the binding with silver prong binding. Red Rooster Film and Television Entertainment unknown
1954132553Beverly Hills CA: Waterlow and Sons / United Artists 1954. Collection of 8 vintage full-color British front-of-house cards from the UK release of the 1954 US film. <br/><br/>Based on Richard G. Hubler's 1946 novel "I've Got Mine" about two soldiers on a Japanese-occupied island during World War II. A true survival tale as the soldiers must escort a scientist and his daughter to the other side of the island where their ship awaits. Filmed in Hawaii and Los Angeles. <br/><br/>8 x 10 inches. Near Fine. Waterlow and Sons / United Artists unknown books
1954132553Beverly Hills CA: Waterlow and Sons / United Artists 1954. Eight vintage full-color British front-of-house cards from the UK release of the 1954 US film. <br /> <br /> Based on Richard G. Hubler's 1946 novel "I've Got Mine" about two soldiers on a Japanese-occupied island during World War II. A true survival tale as the soldiers must escort a scientist and his daughter to the other side of the island where their ship awaits. Filmed in Hawaii and Los Angeles. <br /> <br /> 8 x 10 inches. Near Fine. Waterlow and Sons / United Artists unknown
1951148055Culver City CA: RKO Radio Pictures 1951. Vintage studio still photograph of Tim Holt and Richard Martin from the 1951 film. <br/><br/>Cowboys Tim Holt and Chito Rafferty Richard Martin help Dave Collins Ross Elliott recently released from prison from getting roped back into crime from his old outlaw friends Turk Thorne John Dehner and his gang. <br/><br/>Shot on location in Santa Clarita and the Andy Jauregui Ranch and Walker Ranch in Newhall California. <br/><br/>8 x 10 inches. Very Good edgewear some creasing and fading on the right side and light soiling in top and right margins. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
1974144624New York: Janus Films 1974. Draft script for the 1974 British film.<br/><br/>A young man who has had a premonition of his death is called up to train and fight with the British forces during World War II ultimately ending in his actual death in battle on D-Day. Shot in black and white on vintage Kodak film stock with about half of the film comprised of archival footage of British training missions and the London Blitz borrowed from the Imperial War Museum in London director Stuart Cooper had originally intended to create a documentary though his aims changed as his research expanded. An underappreciated film with no distribution in the US until Janus re-released the film in 2006. Restored and released by the Criterion Collection in 2014.<br/><br/>Set in England and France shot on location in England. <br/><br/>Tall dark green wrappers with a die cut title window. Title page present dated 1974 with credits for screenwriters Stuart Cooper and Christopher Hudson. 61 leaves with last page of text numbered 60. Mechanical duplication rectos only. Pages Fine wrapper Near Fine bound internally with two silver brads.<br/><br/>Criterion Collection 382. Janus Films unknown books
1974144624New York: Janus Films 1974. Draft script for the 1974 British film.<br /> <br /> A young man who has had a premonition of his death is called up to train and fight with the British forces during World War II ultimately ending in his actual death in battle on D-Day. Shot in black and white on vintage Kodak film stock with about half of the film comprised of archival footage of British training missions and the London Blitz borrowed from the Imperial War Museum in London director Stuart Cooper had originally intended to create a documentary though his aims changed as his research expanded. An underappreciated film with no distribution in the US until Janus re-released the film in 2006. Restored and released by the Criterion Collection in 2014.<br /> <br /> Set in England and France shot on location in England. <br /> <br /> Tall dark green wrappers with a die cut title window. Title page present dated 1974 with credits for screenwriters Stuart Cooper and Christopher Hudson. 61 leaves with last page of text numbered 60. Mechanical duplication rectos only. Pages Fine wrapper Near Fine bound internally with two silver brads.<br /> <br /> Criterion Collection 382. Janus Films unknown
1981WRCLIT76271Universal City: Universal City Studios 1981. 2152 leaves with plus lettered inserts and revision variations. Quarto. Mechanically duplicated typescript printed on rectos only. Bradbound in studio wrappers. Ink initials on upper wrapper script number on title a couple of minor annotations otherwise about fine. Denoted the "first draft" but evidencing revisions over the spans of weeks noted above with dated revises on salmon green and blue stock. John Irvin directed the December 1981 release starring an ensemble cast including Fred Astaire John Houseman Melvyn Douglas Douglas Fairbanks Jr. Patricia Neal Alice Krige et al. Universal City Studios unknown books
133217New York: Warner Brothers 1996. First edition of the draft script for the 1996 film boldly signed by Oliver Stone based on the 1978 musical stage production by Tim Rice and Andrew Lloyd Webber which was in turn based on Rice and Webber's 1976 concept album following the brief life of Argentinean first lady Eva Peron from her impoverished illegitimate beginnings to her later idolatry. The film went through many iterations of production passing between studios and directors with Parker returning to direct in 1994 after having initially rejected the opportunity in 1979. Warner Brothers unknown
1979WRCLIT67462Culver City: Metro-Goldwyn-Mayer 1979. 11351 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in studio wrappers. Very good to near fine. A "Revised Final Draft Shooting Script" for this adaptation to film of a novel by Hollis Hodges THE FABRICATOR. The film saw 1980 release under the title WHY WOULD I LIE starring Treat Williams and Lisa Eichorn directed by Larry Peerce. Stone's other screen credits include THE TAKING OF PELHAM ONE TWO THREE 1974 and WHO IS KILLING THE GREAT CHEFS OF EUROPE 1978. Metro-Goldwyn-Mayer unknown books
1954WRCLIT33899Hollywood: ZIV Television Programs Inc. 1954. 4354 leaves. Quarto. Mimeographed typescript printed on rectos only with dated revises on blue paper. Bradbound in mimeographed wrappers. With a handful of pencil revisions and annotations else very good. A "Final Master Script" of this adaptation of Stockton's story of stage illusions prepared as #63b of the FAVORITE STORY series. ZIV Television Programs, Inc. unknown books
