8 853 résultats
1973161525N.p.: International Coproductions 1973. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. <br /> <br /> Film debut of actress Sylvia Kristel.<br /> <br /> Based on the 1963 novel by Nicolas Freeling the second in his Van der Valk series. A gang of wealthy young men break into a couple's house and rape the wife forcing the husband to watch. A dogged police inspector is determined to identify the men and bring them to justice.<br /> <br /> Set in and shot on location in the Netherlands. <br /> <br /> 8 x 10 inches. Near Fine. International Coproductions unknown
1977157107Amsterdam: Filmtrust TV 1977. Two vintage borderless color reference photographs from the 1977 film. One with the stamp of Filmtrust TV on the verso and both with annotations in manuscript ink.<br /> <br /> Emmanuelle now working as a journalist writes a report on a guru who claims to have achieved the ultimate orgasm before heading to China to investigate a sex trafficking ring. <br /> <br /> Shot on location in New York and California in the US and in Italy Hong Kong India and Iran. <br /> <br /> One photograph 9.25 x 7 inches one photograph 11 x 8 inches. Very Good plus with pinholes at the corners. Filmtrust TV unknown
1977160639Paris: Trinacra Films 1977. Two vintage borderless color reference photographs from the 1977 film. Reference number stamps on the verso of each.<br /> <br /> The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini.<br /> <br /> 9.5 x 7 inches. One with pinholes from a staple on the bottom right corner else Near Fine. Trinacra Films unknown
1977155300Paris: Trinacra Films 1977. Vintage borderless reference photograph from the 1977 film showing actors Jean-Pierre Bouvier and Sylvia Kristel in a passionate aquatic embrace. <br /> <br /> The last film in the original "Emmanuelle" trilogy following "Emmanuelle" 1974 directed by Just Jaeckin and starring Kristel and Alain Cuny and "Emmanuelle 2" 1975 directed by Francis Giacobetti and starring Kristel and Umberto Orsini.<br /> <br /> 7 x 9.5 inches. Near Fine. Trinacra Films unknown
1977135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress.<br /> <br /> The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. <br /> <br /> Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br /> <br /> With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown
1975170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French.<br /> <br /> One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. <br /> <br /> Lobby cards 10: 11.5 x 9.25 inches. Very Good plus.<br /> <br /> Photographs 2: 7 x 5 inches. Near Fine.<br /> <br /> Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. <br /> <br /> All material housed together in an original glassine envelope as issued. Arcadie Productions unknown
1975144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. <br /> <br /> One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. <br /> <br /> 7 x 5 inches. Near Fine. Arcadie Productions unknown
1980161661Universal City CA: Universal Pictures 1980. Final Draft script for the 1981 film seen here under the working title "Hawks." Copy belonging to sound mixer Les Lazarowitz with his name in manuscript ink on several pages and his profuse annotations throughout.<br /> <br /> Two undercover New York police officers are hired to take down a deadly European terrorist. Actor Rutger Hauer's first American feature film.<br /> <br /> Shot on location in New York City London and Paris. <br /> <br /> Red titled Studio Duplicating Service wrappers. Title page present undated noted as Final Draft Screenplay and production No. 02133 with credit for screenwriter David Shaber. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 3/14/80 and 3/16/80. 127 leaves with last page of text numbered 121. Pages Very Good plus wrapper Very Good plus with a small chip on the top right corner of the final leaf bound with two gold brads. Universal Pictures unknown
1983163380Los Angeles: Twentieth Century-Fox 1983. Final script for the 1984 film. <br /> <br /> An aspiring country music star bets the owner of a nightclub that she can turn an ill-mannered New York cab driver into a singer.<br /> <br /> Set in New York and Tennessee shot on location in Santa Clarita and Piru California and in Leipers Fork Tennessee. <br /> <br /> Gray titled Twentieth Century-Fox wrappers dated September 22 1983 on the front wrapper. Title page present dated September 22 1983 noted as FINAL with credits for screenwriters Sylvester Stallone and Phil Alden Robinson. 133 leaves with last page of text numbered 107. Xerographic duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between 9/28/83 and 1/24/84. Pages about Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1964167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. <br /> <br /> Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. <br /> <br /> 9.5 x 7 inches. About Fine. N.p. unknown
1985146432N.p.: N.p. 1985. Draft script for the 1985 film. With a single holograph ink annotation to the front wrapper noting this as copy No. 9. Laid in with the script is a handwritten letter dated Dec. 18 1984: "Dear Walter / Happy Hannukah Merry Christmas / Happy New Year / Best to you and Hanna / Many thanks / Amos." <br/><br/>NOTE: script incomplete as issued.<br/><br/>A romantic epic set in colonial Africa. A wealthy Danish woman marries a Swedish nobleman and moves to Nairobi to live with him although their marriage is loveless largely born of convenience. Abandoned by her husband the woman throws herself into establishing a coffee farm on their property but nonetheless finds herself falling for a charming but aloof big game hunter. Nominated for eleven Academy Awards and winning seven including Best Picture Best Director and Best Adapted Screenplay. <br/><br/>Set in Nairobi shot on location in England and Kenya. <br/><br/>Red untitled wrappers. Title page present dated January 1985 with credits for screenwriter Kurt Luedtke and novelists Judith Thurman Karen Blixen and Errol Trzebinski. 109 leaves with last page of text numbered 108. Offset duplication rectos only. Pages Very Good plus wrapper Very Good with some dampstaining to the binding bound with two gold brads. N.p. unknown books
1969140811Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. <br/><br/>Lumet was nominated for a Palme d'Or at Cannes for the film about a man who becomes suspicious that his new wife is really a high priced escort. <br/><br/>Set and shot on location in Italy. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1969140811Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. <br /> <br /> Lumet was nominated for a Palme d'Or at Cannes for the film about a man who becomes suspicious that his new wife is really a high priced escort. <br /> <br /> Set and shot on location in Italy. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1983150556Los Angeles: Twentieth Century-Fox 1983. Collection of five vintage black and white studio still photographs from the 1983 film. Numbered E-1 through E-5 on the bottom right corner of the recto. <br/><br/>Based on the 1978 Frank De Felitta novel which was in turn loosely based on the 1974 case of a woman who claimed to have been sexually assaulted multiple times by poltergeists. De Felitta was present during the initial investigation by with two parapsychologists one of whom also served as a technical advisor on the film. <br/><br/>Shot on location in El Segundo and Santa Monica California. <br/><br/>10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1983150555Los Angeles: Twentieth Century-Fox 1983. Complete set of eight vintage color studio still photographs from the 1983 film.<br/><br/>Based on the 1978 Frank De Felitta novel which was in turn loosely based on the 1974 case of a woman who claimed to have been sexually assaulted multiple times by poltergeists. De Felitta was present during the initial investigation by with two parapsycholigists one of whom also served as a technical advisor on the film. <br/><br/>Shot on location in El Segundo and Santa Monica California. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
1982149977Los Angeles: Twentieth Century-Fox 1982. Vintage borderless reference studio still photograph from the 1982 film. "1982 20th Century-Fox" stamp on verso. <br/><br/>Based on the 1978 Frank De Felitta novel about a real case of an alleged haunting. In 1974 Culver City Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist."<br/><br/>Martin Scorsese considers "The Entity" as one of the greatest horror films of all time. In a Halloween themed contribution to the website "The Daily Beast" 2013 "The Entity" scored fourth place in Scorsese's list. <br/><br/>Shot on location in El Segundo and Santa Monica California. <br/><br/>9.25 x 7 inches. Near Fine. <br/><br/>Scorcese The Dark Eleven. Clover Men Women and Chainsaws. Twentieth Century-Fox unknown books
1982149977Los Angeles: Twentieth Century-Fox 1982. Vintage borderless reference studio still photograph from the 1982 film. "1982 20th Century-Fox" stamp on verso. <br /> <br /> Based on the 1978 Frank De Felitta novel about a real case of an alleged haunting. In 1974 Culver City Doris Bither claimed the ghosts of three men were raping her. De Felitta was present during the investigation with lead researcher and parapsychologist Dr. Barry Taff who served as technical advisor on "The Entity" as well as being represented in the film by the character Gene Kraft. "The Entity" is one of the few possession films that ends with White Science and Black Magic in a draw. Critics of the time dismissed the film but it still became something of a cult classic that evoked "Rosemary's Baby" and "The Exorcist."<br /> <br /> Martin Scorsese considers "The Entity" as one of the greatest horror films of all time. In a Halloween themed contribution to the website "The Daily Beast" 2013 "The Entity" scored fourth place in Scorsese's list. <br /> <br /> Shot on location in El Segundo and Santa Monica California. <br /> <br /> 9.25 x 7 inches. Near Fine. <br /> <br /> Scorcese The Dark Eleven. Clover Men Women and Chainsaws. Twentieth Century-Fox unknown
1971162182N.p.: N.p. 1971. Vintage lobby card for the 1971 German film. Stamp noting No. 8 on the verso. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An exploitation film about a reporter who questions passersby about their marriages and sex lives. Hot on the heels of the successful "Schoolgirl Report '75" 1971.<br /> <br /> 8.5 x 9.25 inches. Near Fine. N.p. unknown
1967151964N.p.: N.p. 1967. First Draft script for an unproduced film. Laid in with the script is a brief typed letterdated May 14 1968 addressed to agent Irene Heymann introducing the script.<br /> <br /> A cold-hearted mob boss is jailed on a vagrancy charge and seeks vengeance upon his release. <br /> <br /> Screenwriter Sy Bartlett worked as a screenwriter and producer for four decades most notably co-writing "Sergeant Murphy" 1938 and "13 Rue Madeleine" 1946 and producing "Cape Fear" 1962.<br /> <br /> Blue titled wrappers noted as First Draft and Production No. 8864 dated February 17 1967 with credits for screenwriter Sy Bartlett. Title page present dated February 17 1967 with credits for screenwriter Sy Bartlett. 147 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Very Good plus with light creasing and wear to page 142 wrapper Very Good plus lightly soiled and edgeworn bound with three gold brads. N.p. unknown
1975139666Burbank CA: American Broadcasting Company ABC 1975. Vintage studio still photograph from the television series dating to 1975. Snipe affixed to the verso. <br/><br/>A late night mystery show that ran between 1973 and 1978. The image features Imogene Coca King Donovan and Peter Coffield. <br/><br/>9 x 7 inches. Fine. American Broadcasting Company [ABC] unknown books
1967168060N.p.: N.p. 1967. Vintage reference photograph and contact sheet from Season 1 Episode 4 for the 1967-1975 television series. Contact sheet with 27 images and two punch holes on two edges. Photograph with a mimeo snipe on the verso. <br /> <br /> A long-running series featuring the eponymous Robert T. Ironside a paralyzed wheelchair user and investigative consultant for the San Francisco police department. In this episode Ironside searches for the culprits who have been terrorizing an advice columnist. The episode originally aired on October 5 1967 on CBS.<br /> <br /> 8 x 10 inches. Photograph Near Fine contact sheet Very Good plus. N.p. unknown
1960158228N.p.: N.p. 1960. Original borderless oversize reference photograph from the 1960 film showing actress Susan Strasberg with two Nazi officers in the background. <br /> <br /> A Jewish women is sent to a concentration camp during World War II but decides to lead an escape attempt even as the turmoil of war threatens to defeat her will. An engaging war film with feminist undercurrents by director Gillo Pontecorvo largely overshadowed by what would become his best-known film "The Battle of Algiers" 1966. Nominated for an Academy Award for Best Foreign Language Film. <br /> <br /> Shot on location in Yugoslavia. <br /> <br /> 14.5 x 9.5 inches. Very Good plus with light wear at the corners. N.p. unknown
1985139974Beverly Hills CA: Orion Pictures 1985. Vintage US one sheet poster for the 1985 US film. <br/><br/>Madonna's first major screen role for which "The New Yorker's" Pauline Kael praised her as "an indolent trampy goddess." A film about a bored housewife and her fascination with a bohemian drifter whose life she follows voyeuristically through the latter's frequent personal adds. When a particular add leads her to Battery park she becomes mixed up in a case of mistaken identity prompted by amnesia. The film was inspired in part by Jacques Rivette's 1974 seminal classic "Celine et Julie vont en bateau."<br/><br/>Shot on location in New Jersey and New York City. <br/><br/>27 x 41 inches folded. Near Fine. Orion Pictures unknown books
1985153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. <br /> <br /> A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. N.p. unknown
1970168062N.p.: Cannon Releasing Corporation 1970. Eight vintage studio still photographs from the 1970 film.<br /> <br /> A wealthy businessman kills his daughter's drug dealer boyfriend and disguises the crime as a break-in later befriending a coworker obsessed with violence and vigilantism. A Z-budget pitch-black comedy that became a sleeper hit featuring Susan Sarandon in her film debut. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Olive Films. Cannon Releasing Corporation unknown
