8 853 résultats
1965161741New York: Sam Lake Enterprises 1965. Two vintage studio still photographs from the 1965 film. Provenance stamps and one label on the versos.<br /> <br /> The Way Out Electronics Company is marketing a new color television that includes a "fourth dimension" capable of transmitting physical objects through the screen.<br /> <br /> Shot on location in Toronto. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing at the extremities. Sam Lake Enterprises unknown
1971162070N.p.: Manson Distributing 1971. Three vintage studio still photographs from the US release of the Canadian/US film. Provenance stamps and labels on the versos.<br /> <br /> Barbara Mills stars as a sexually unfulfilled housewife of a film producer. She begins an affair with a writer and the two break down en route to Las Vegas. There they encounter a group of thugs where things take a very dark turn.<br /> <br /> 8 x 10 inches. Near Fine. Manson Distributing unknown
1982140361N.p.: PolyGram Filmed Entertainment 1982. Collection of three vintage studio still photographs from the 1982 film. <br/><br/>A young man is lured into a religious cult by a beautiful member. His distressed parents hire a man to kidnap their brainwashed son from the religious sect and "de- program" the confused youth. <br/><br/>Shot on location in Texas. <br/><br/>8 x 10 inches. Near Fine with stamps to the verso. <br/><br/>Complete collation details available on request. PolyGram Filmed Entertainment unknown books
1979151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material.<br /> <br /> Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. <br /> <br /> Folder photographs and promotional material Near Fine. Paramount Pictures unknown
1974157978N.p.: Astral Films 1974. Vintage reference photograph from the 1974 film showing author Mordecai Richler on the set. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. <br /> <br /> Set and shot on location in Montreal.<br /> <br /> 8 x 10 inches. Very Good plus. Astral Films unknown
1969158710N.p.: N.p. 1969. Draft script for the 1969 film. <br /> <br /> Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. <br /> <br /> OCLC locates no holdings. AMPAS shows one holding. <br /> <br /> Set and shot on location in London. <br /> <br /> Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1983160279New York: N.p. 1983. Treatment script dated 1983 for an unproduced film adaptation of the classic 1719 novel.<br /> <br /> Screenwriter Ted Bafaloukos is today best remembered as the director of the 1978 Jamaican film "Rockers." <br /> <br /> Self wrappers. Title page present dated 11/11/83 with credit for screenwriter Ted Bafaloukos. Eight leaves with last page of text numbered 7. Carbon typescript rectos only. Pages Very Good plus partially bound with a single staple at the top left corner. N.p. unknown
1962162514N.p.: Rialto International Film Releasing 1962. Vintage studio still photograph of Brenda Denaut from the 1962 film. With a subhead reading "Starring the City of New York and a cast of New Faces from its stages." Notable for starring a young Taylor Mead.<br /> <br /> Director screenwriter and star Raymond Phelan best known as cinematographer for sexploitation impresario Doris Wishman originally began making "Too Young Too Immoral!" in 1957 about a brother reflecting on the tragically short life of his murdered addict brother. This early version was titled "Rebels Die Young." <br /> <br /> Unable to find distribution Phelan added what turned out to be some of the earliest known sexploitation scenes filmed in the US. It starred Brenda Denaut subject of this photograph the mother of Roseanne Patricia David and Alexis Arquette. as well as Andy Warhol mainstay Taylor Mead in his first film role. <br /> <br /> It wouldn't be until five years later after sexploitation films began to gain traction with US distributors that Phelan was able to get the film booked at the Rialto Theatre on Broadway. It played for four months there before getting limited US distribution. It re-emerged in 2017 when it was screened at the Anthology Film Archives in New York. Featuring some of the most striking footage of New York City found in the late 1950s.<br /> <br /> Shot on location in New York. <br /> <br /> 8 x 10 inches. Near Fine. Rialto International Film Releasing unknown
1985147576Culver City CA: Columbia Pictures 1985. Collection of seven vintage black and white studio still photographs from the 1985 film. <br/><br/>Nikolai 'Kolya' Rodchenko Mikhail Baryshnikov is an expatriate Soviet dancer whose plane is forced to land on Soviet territory and prohibited from leaving. Forced to live with the American defector tap dancer Raymond Greenwood Gregory Hines and his wife Isabella Rossellini he must plan an escape but doesn't know who to trust.<br/><br/>Rossellini's screen debut.<br/><br/>Winner of the Academy Award for Best Song and nominated for one other.<br/><br/>Shot on location in Russia England Finland Scotland and Portugal. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
1985147575Culver City CA: Columbia Pictures 1985. Two vintage color double weight studio still photographs one of Mikhail Baryshnikov and Gregory Hines dancing the other of Hines and Isabella Rossellini from the 1985 film. <br/><br/>Nikolai 'Kolya' Rodchenko Mikhail Baryshnikov is an expatriate Soviet dancer whose plane is forced to land on Soviet territory and prohibited from leaving. Forced to live with the American defector tap dancer Raymond Greenwood Hines and his wife Rossellini he must plan an escape but doesn't know who to trust.<br/><br/>Rossellini's screen debut.<br/><br/>Winner of the Academy Award for Best Song and nominated for one other.<br/><br/>Shot on location in Russia England Finland Scotland and Portugal. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
1940WRCLIT52678Beverly Hills: M. C. A. Artist's Ltd. 1940. 2127 leaves. Quarto. Original typescript bradbound in Agency wrappers. Last leaf creased otherwise very good or better. An unproduced adaptation to the screen of this story by the LDS novelist screenwriter and historian undertaken by Koenig the W. Wyler associate and future principal of Contemporary Records. Accompanied by a 5 1/3 page single-spaced typed letter from Taylor signed in type with initials on letterhead Palo Alto 2 July 1940 to "Dear Alma" with clean creased tear in top blank margin of first leaf offering a detailed and concise analysis of Koenig's adaptation which he finds "a good job" but also feels "has some holes that ought to be plugged." The letter then sets about to detail those holes. There is no record that this crime-thriller saw production and it predates the earliest films credited to Taylor as source or screenwriter: THE MAN WHO RETURNED TO LIFE 1942 MAN WITH MY FACE 1951 and BAIT 1954. In later years Taylor was associated with the considerably less gritty more family oriented projects based on his short stories filmed as THE ABSENT MINDED PROFESSOR and SON OF FLUBBER as well as fiction historical works associated directly with his membership in the Church of LDS and television writing for ALFRED HITCHCOCK PRESENTS and BONANZA. M. C. A. Artist's Ltd. unknown books
1950132169Los Angeles: Twentieth Century-Fox 1950. Vintage black-and-white still photograph from the 1950 film. Distributor rubber-stamp and blindstamp on the verso. <br/><br/>Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Mickey Rooney stars as the orphan and Marilyn Monroe has a small role as one of his romances. <br/><br/>8 x 10 inches. Light corner creases else Near Fine. Twentieth Century-Fox unknown books
1932159945London: National Film Archive 1932. Vintage reference photograph from the 1932 film showing director Tay Garnett and a camera crew capturing a scene with Lew Ayres. National Film Archive stamp and annotations in manuscript ink and pencil on the verso.<br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> A dramatization of the rise to fame of a gossip columnist based closely on real-life columnist Walter Winchell. <br /> <br /> 10 x 8 inches. Near Fine. National Film Archive unknown
1950157957N.p.: N.p. 1950. Vintage borderless oversize reference photograph from the 1950 film showing actress Marilyn Monroe surrounded by admirers. <br /> <br /> Based on an original story by Horace McCoy about a runaway orphan who becomes a champion roller-skater and the women he meets along the way. Monroe's eighth screen appearance. <br /> <br /> 13.5 x 10.5 inches. Very Good plus with light creasing overall. N.p. unknown
1984168022Los Angeles: The Samuel Goldwyn Company 1984. Two vintage reference photographs from the 1984 softcore film.<br /> <br /> Loosely based on the bondage-themed comics of John Willie and on his original character Sweet Gwendoline. After being kidnapped at a Chinese port a courageous young woman is rescued by a mercenary kicking off a string of wild adventures. <br /> <br /> 10 x 8 inches. About Fine. The Samuel Goldwyn Company unknown
1974149625Tokyo: Toei 1974. Collection of 13 vintage borderless double weight reference studio still photographs from the 1974 Japanese pinku pink film. <br/><br/>6 x 4.25 inches. Very Good plus with light adhesive residue on the verso of some of the prints. Toei unknown books
1974156669Tokyo: Toei 1974. Six vintage borderless studio still photographs from the 1974 Japanese pinku pink film. <br /> <br /> 6 x 4.5 inches. Near Fine. Toei unknown
0217410 Suite de 4 photographies d'exploitation plastifiées d'origine, du célèbre film sorti en 1967, format : H. 23,8 cm - L. 30,2 cm. (traces de rayure sur le plastique, numéro inscrit au feutre noir au dos de chacune des photos, petit manque de plastique sur 2 coins à une photo). Jacques Tati est présent sur 2 photos. Peu courant.
1958WRCLIT67094New York: National Broadcasting Company 1958. 61 leaves sequenced for production. Quarto. Mimeographed typescript printed on rectos only. Stapled at upper corner. Title leaf detached and a bit chipped relevant annotations otherwise very good. An adaptation to television of Tarkington's 1908 story prepared for the pioneering noon- time dramatic series devised and produced by Albert McCleery. This copy is signed by Dick Wilson who played the role of Henri and bears his annotations relating to his part. It is also signed by another party not readily identifiable as a cast member. National Broadcasting Company unknown books
1946WRCLIT67387Culver City: Vanguard Films 1946. 181 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript wrappers with studio prelim. Script number stamped on upper wrapper otherwise about fine. A substantial and unproduced original story and treatment by a distinguished screenwriter and playwright dating to the period following his return from military service making films with the Signal Corps. Though unproduced the project reached at least the stage of a second draft screenplay. In additional to his theatrical work prior to his military service Taradash had accumulated three screen credits including GOLDEN BOY. In the years following the war he racked up among others KNOCK ON ANY DOOR and RANCHO NOTORIOUS. In 1953 he won the Academy Award for his screenplay for FROM HERE TO ETERNITY and in years following his credits included PICNIC BELL BOOK AND CANDLE MORITURI and CASTLE KEEP. This story/treatment is among the duplicates from the Selznick archives. Vanguard Films unknown books
1991140154Tokyo: Office Kitano 1991. Vintage French mini poster for the 1991 Japanese film in which a young hearing impaired man decided to fulfill a life long dream: he learns to surf. <br/><br/>16 x 21 inches. Light holograph notation to the verso else Near Fine. Office Kitano unknown books
1961141299N.p.: Stratton Productions Inc 1961. Three vintage studio still photographs from the 1961 film. <br/><br/>The film follows Yukio and Toru two young men living in a small Japanese fishing village. Included in the stills is a photographic proof trial poster. <br/><br/>8 x 10 inches. Fine. <br/><br/>Complete collation details available on request. Stratton Productions Inc unknown books
22085On letterhead of Tanners Mead Oxted Surrey. 10 November 1960. Other than 'The Lavender Hill Mob' for which he won an Oscar Clarke's screenplays include 'The Blue Lamp' and 'The Titchfield Thunderbolt'. For the recipient Barbara Kaye Barbara Kenrick Gowing 1908-1998 writer bookseller and wife of Percy Muir see her obituary by Nicolas Barker in the Independent 12 March 1998. The present letter was written a few days after Clarke's appearance on 31 October on the television programme 'This Is Your Life'. 2pp 12mo. In fair condition aged and worn. Folded once. The letter begins: 'Dear Barbara Many thanks for your kind letter. That certainly was a shock they gave me last Monday! Shirley Long was there in addition to Teddy Wass - it was he who dug up the old “Answers†articles for reproduction. But I wish there had been a little more flavour of those good old Twenties. They went to see Bobby Cooper and he tells me took copious notes from him then for space reasons had to leave out all his reminiscences.' He remembers 'all the incidents' she mentions 'except the girl in the orchestra so I presume she must have been a virgin or she would have registered better'. He discusses the marriage of Dorothy Hargreaves and Humphrey Bradney before turning to his son Michael who 'was recently taken to a dance in Suffolk while staying with friends there and found the hostess to be my old girl friend Betty Hand. It was her daughter's 21st.' From the papers of Barbara Kaye Muir. On letterhead of Tanners Mead, Oxted, Surrey. 10 November 1960. unknown
1979150728N.p.: AVCO Embassy Pictures 1979. Eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 79-22 on the bottom right corner of the recto. <br /> <br /> Based on Sylvia Plath's influential semi-autobiographical 1963 novel about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. <br /> <br /> Set in New York and New England shot on location in New Jersey and New York. <br /> <br /> 10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown
1977135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress.<br/><br/>The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. <br/><br/>Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br/><br/>With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown books
